Results by title

Land and Sea was first published in 1978. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Although Philip Freneau is best known as the poet of the American Revolution, half his poems had nothing to do with the war, Professor Vitzthum points out, and this, the first systematic, in-depth study of Freneau's lyric poetry, provides a fresh perspective on the poet's non-political work. Demonstrating that there is a heretofore unrecognized pattern of land-sea imagery and symbolism in Freneau's best work. Professor Vitzthum traces changes reflected in this imagery to developments in the poet's thought, which in turn related to major intellectual and literary trends in revolutionary and early republican America. An introductory chapter assesses twentieth century biographical and critical estimates of Freneau, outlines the key themes in his work, and links his thirty-year career as sailor and ship captain to his creation of a covert, symbolistic poetic method. The following five chapters chronologically discuss Freneau's non-political poems from 1772 through 1815. Professor Vitzthum concludes that Freneau was not the derivative and unsuccessful artist he is currently thought to have been but, rather, one of America's genuinely important poets.

   Drawing equally from Wallace Stevens, Gertrude Stein, John Berryman, and Robert Frost, Samuel Amadon’s award-winning Like a Sea is a collection of poems where personality is foregrounded and speech is both bizarre and familiar. Central to this weirdly talky work is “Each H,” a sequence of eleven monologues and dialogues wherein an unknown number of speakers examine their collective and singular identities while simultaneously distorting them. From a sequence of pared-down sonnets to a more traditional lyric to a procedural collage inspired by J. D. Salinger, Ezra Pound, Robert Lowell, Walter Benjamin, Jane Kenyon, Joris-Karl Huysmans, Primo Levi, Eugenio Montale, and Edwin Arlington Robinson, Like a Sea is a book of significant variation and originality.
     Amadon’s electric collection begins with the line “I could not sound like anyone but me,” and through a wide range of forms and styles and voices he tests the true limits of that statement. The image of a half-abandoned Hartford, Connecticut, remains in the background of these poems, casting a tone of brokenness and haplessness. Ultimately Amadon’s poems present the confusion and fear of the current moment, of Stevens’s “river that flows nowhere, like a sea,” equally alongside its joyful ridiculousness and possibility. Rather than create worlds, they point out what a strange world already exists.

Lords of the Sea revises our understanding of the epic political, economic, and cultural transformations of Japan’s late medieval period (ca. 1300–1600) by shifting the conventional land-based analytical framework to one centered on the perspectives of seafarers who, though usually dismissed as "pirates," thought of themselves as sea lords.

Over the course of these centuries, Japan’s sea lords became maritime magnates who wielded increasing amounts of political and economic authority by developing autonomous maritime domains that operated outside the auspices of state authority. They played key roles in the operation of networks linking Japan to the rest of the world, and their protection businesses, shipping organizations, and sea tenure practices spread their influence across the waves to the continent, shaping commercial and diplomatic relations with Korea and China. Japan's land-based authorities during this time not only came to accept the autonomy of "pirates" but also competed to sponsor sea-lord bands who could administer littoral estates, fight sea battles, protect shipping, and carry trade. In turn, prominent sea-lord families expanded their dominion by shifting their locus of service among several patrons and by appropriating land-based rhetorics of lordship, which forced authorities to recognize them as legitimate lords over sea-based domains.

By the end of the late medieval period, the ambitions, tactics, and technologies of sea-lord mercenary bands proved integral to the naval dimensions of Japan’s sixteenth-century military revolution. Sea lords translated their late medieval autonomy into positions of influence in early modern Japan and helped make control of the seas part of the ideological foundations of the state.