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A kaleidoscopic novel-in-stories set at a fictional Midwest college

Two centuries old and covered in ivy, Wisconsin’s Buchanan College is populated by an eclectic mix of students, staff, and professors hailing from the nearby suburbs to the far corners of the globe. From the outside, Buchanan seems an idyllic world of higher learning. Yet behind its bucolic exterior, a series of interconnected dramas play out: a slew of first-year students mysteriously disappear within days of moving in; an injured hockey star discovers an unlikely fountain of youth; an alumna returns to campus after fifty years in the hope of reconnecting with a former love. And throughout the novel we follow the story of Jenny Ramirez, a social worker and the wife of a popular professor, who commits an act that alters how the college sees her, and how she sees herself. Over a span of four years, from orientation to graduation, the characters in Liberal Arts are forced to weigh their ideals and aspirations against the harsh and often ridiculous realities of the world, and are left asking what, if anything, a liberal arts education has left to teach them.

Emme McLean never imagined that in 1999 she would be living out the lyrics of the ancient murder ballads she grew up singing. But now Emme is back in Red River, Kentucky, using her skills as a journalist to prove her cousin did not kill her husband and to find out what is terrifying the town after many of its women went half-mad on the same night.

But to help her hometown’s haunted women, Emme must also face the things that haunt her, things she thought she had lost when she chose to move away: the majestic music of her family’s beloved hills and hollows, the mysterious old ways of her Appalachian kin, and the memory of her remarkable first love, Evan. Through it all, she must reckon with her magical “mountain gift”—is it real, or merely a unique synesthesia? And can she trust it to help heal her family and her town, a place still plagued by the social injustice that first drove her away? Can she trust it to help heal herself?

In the fall of 2018, a bomb goes off at a water-bottling plant in the mountains of southwest Virginia, an incident the FBI declares an act of ecoterrorism. Arrested at the scene is Chris Bright, a mountain hermit with a long history of activism. Unaccounted for—and presumed dead—is Mara Wood, an installation artist who in the last two years has lost her son and left her husband.

But Mara’s estranged husband David cannot quite believe she is dead, and as he goes about reconstructing the story of what happened, he begins to imagine an alternate narrative—one in which their son doesn’t die and his wife doesn’t leave him, one in which his wife doesn’t carry on a secret relationship with Chris Bright, a man bent on fighting back against the environmental despoliation of his Appalachian home. Lioness is a page-turning, heart-wrenching examination of extremism: What pushes people to act violently, and is that violence ever justified?