Results by title
87 books match the query 'Sound' and 3 start with l
Like the Sound of a Drum
Aboriginal Cultural Politics in Denendeh and NunavutPeter Kulchyski
University of Manitoba Press, 2005
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Listening to Beauty
Rhetorics of Science in Sea and SoundMegan Poole
University of Chicago Press, 2025
A moving study of how encounters with beauty advance scientific discovery.
Our attempts to understand the world are always more than simply rational. Our bodies learn through lived experience, our natural environments challenge what we think we know, and we take lessons from our nonhuman kin. Even scientists, often considered paragons of rationality, frequently describe their findings in the language of beauty. For rhetorician Megan Poole, beauty is integral to how scientific research works.
Drawing on interviews with leading biologists, Poole explores what happens when scientists set aside objectivity and listen for beauty around them. The wonder we feel at the plumage of birds, the melodies of whales, or the caretaking of elephants may not help us (on its own) to isolate a given fact, but such encounters may teach us to open ourselves to a different way of knowing entirely. Through stories about researchers’ encounters with wonder, Listening to Beauty reveals how scientific discovery happens sometimes unsystematically, sometimes incoherently, often beautifully.
Our attempts to understand the world are always more than simply rational. Our bodies learn through lived experience, our natural environments challenge what we think we know, and we take lessons from our nonhuman kin. Even scientists, often considered paragons of rationality, frequently describe their findings in the language of beauty. For rhetorician Megan Poole, beauty is integral to how scientific research works.
Drawing on interviews with leading biologists, Poole explores what happens when scientists set aside objectivity and listen for beauty around them. The wonder we feel at the plumage of birds, the melodies of whales, or the caretaking of elephants may not help us (on its own) to isolate a given fact, but such encounters may teach us to open ourselves to a different way of knowing entirely. Through stories about researchers’ encounters with wonder, Listening to Beauty reveals how scientific discovery happens sometimes unsystematically, sometimes incoherently, often beautifully.
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Listening to China
Sound and the Sino-Western Encounter, 1770-1839Thomas Irvine
University of Chicago Press, 2020
From bell ringing to fireworks, gongs to cannon salutes, a dazzling variety of sounds and soundscapes marked the China encountered by the West around 1800. These sounds were gathered by diplomats, trade officials, missionaries, and other travelers and transmitted back to Europe, where they were reconstructed in the imaginations of writers, philosophers, and music historians such as Jean-Philippe Rameau, Johann Nikolaus Forkel, and Charles Burney. Thomas Irvine gathers these stories in Listening to China, exploring how the sonic encounter with China shaped perceptions of Europe’s own musical development.
Through these stories, Irvine not only investigates how the Sino-Western encounter sounded, but also traces the West’s shifting response to China. As the trading relationships between China and the West broke down, travelers and music theorists abandoned the vision of shared musical approaches, focusing instead on China’s noisiness and sonic disorder and finding less to like in its music. At the same time, Irvine reconsiders the idea of a specifically Western music history, revealing that it was comparison with China, the great “other,” that helped this idea emerge. Ultimately, Irvine draws attention to the ways Western ears were implicated in the colonial and imperial project in China, as well as to China’s importance to the construction of musical knowledge during and after the European Enlightenment. Timely and original, Listening to China is a must-read for music scholars and historians of China alike.
Through these stories, Irvine not only investigates how the Sino-Western encounter sounded, but also traces the West’s shifting response to China. As the trading relationships between China and the West broke down, travelers and music theorists abandoned the vision of shared musical approaches, focusing instead on China’s noisiness and sonic disorder and finding less to like in its music. At the same time, Irvine reconsiders the idea of a specifically Western music history, revealing that it was comparison with China, the great “other,” that helped this idea emerge. Ultimately, Irvine draws attention to the ways Western ears were implicated in the colonial and imperial project in China, as well as to China’s importance to the construction of musical knowledge during and after the European Enlightenment. Timely and original, Listening to China is a must-read for music scholars and historians of China alike.
[more]