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An exploration of how comedy has shaped civil society—and become a form of subtle political resistance—in post-Soviet Russia and Ukraine. 

Leagues of Laughter traces the evolution of a Soviet-created youth game called KVN (Klub veselykh i nakhodchivykh or Club of the Cheerful and Clever) over sixty years as students’ nation-states collapsed, competed, and eventually went to war. Through cross-border narratives, the book shows how humor persists—and transforms—amid authoritarianism, censorship, and conflict. With insight and compassion, author A. Austin Garey reveals how laughter became a mode of resistance, identity, and cultural continuity in the long cultural context of the war in Ukraine. In addition to introducing a novel theory of “tradition as stance” to explain how traditions are reproduced and reinterpreted over time, the book offers a compelling comparative analysis of cultural production under political pressure. 

François Furet needs little introduction. Widely considered one of the leading historians of the French Revolution, he was a maverick for his time, shining a critical light on the entrenched Marxist interpretations that prevailed during the mid-twentieth century. Shortly after his death in 1997, the New York Review of Books called him “one of the most influential men in contemporary France.” Lies, Passions, and Illusions is a fitting capstone to this celebrated author’s oeuvre: a late-career conversation with philosopher Paul Ricoeur on the twentieth century writ large, a century of violence and turmoil, of unprecedented wealth and progress, in which history advanced, for better or worse, in quantum leaps.
           
This conversation would be, sadly, Furet’s last—he died while Ricoeur was completing his edits. Ricoeur did not want to publish his half without Furet’s approval, so what remains is Furet’s alone, an astonishingly cohesive meditation on the political passions of the twentieth century. With strokes at once broad and incisive, he examines the many different trajectories that nations of the West have followed over the past hundred years. It is a dialogue with history as it happened but also as a form of thought. It is a dialogue with his critics, with himself, and with those major thinkers—from Tocqueville to Hannah Arendt—whose ideas have shaped our understanding of the tragic dramas and upheavals of the modern era. It is a testament to the crucial role of the historian, a reflection on how history is made and lived, and how the imagination is a catalyst for political change. Whether new to Furet or deeply familiar with his work, readers will find thought-provoking assessments on every page, a deeply moving look back at one of the most tumultuous periods of history and how we might learn and look forward from it.