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Traces the surprising connections between silent films and the rise of bureaucracy

Arguing for a sweeping new consideration of the shift from print to cinema as a governing system for organizing modern American social relations, this book uncovers an intimate connection between Hollywood romances of the silent era and the empowerment of a managerial class.

Winner, 1999 Missouri Conference on History Book Award

This fascinating biography of a marriage in the Gilded Age closely examines the dynamic flow of power, control, and love between Washington blue blood Violet Blair and New Orleans attorney Albert Janin. Based on their voluminous correspondence as well as Violet’s extensive diaries, it offers a thoroughly intimate portrait of a fifty-four-year union which, in many ways, conformed to societal strictures, yet always created its own definition of itself in order to fit the flux of needs of both husband and wife.

Central to their story is Violet’s fierce determination to maintain her autonomy within the patriarchic institution of marriage. An enduring belle who thought, talked, and acted with the assurance and self-confidence of one whose wishes demanded obedience, she rejected the Victorian ideal of women as silent, submissive consorts. Yet her feminism was a private one, not played out on a public stage but kept to the confines of her own daily life and marriage.

With abundant documentary evidence to draw upon, Laas ties this compelling story to broader themes of courtiship behavior, domesticity, gender roles, extended family bonds, elitism, and societal stereotyping. Deeply researched and beautifully written, Love and Power in the Nineteenth Century has the dual virtue of making an important historical contribution while also appealing to a broad popular audience.

In May 1725, during a three-year conflict between English colonists and the Eastern Abenaki Nation, a thirty-four-man expedition led by Captain John Lovewell set out to ambush their adversaries, acquire some scalp bounties, and hasten the end of the war. Instead, the Abenakis staged a surprise attack of their own at Pigwacket, Maine, that left more than a third of the New Englanders dead or severely wounded. Although Lovewell himself was slain in the fighting, he emerged a martyred hero, celebrated in popular memory for standing his ground against a superior enemy force. 

In this book, Robert E. Cray revisits the clash known as “Lovewell's Fight” and uses it to illuminate the themes of war, death, and memory in early New England. He shows how a military operation plagued from the outset by poor decision-making, and further marred by less-than-heroic battlefield behavior, came to be remembered as early America's version of the Alamo. The government of Massachusetts bestowed payouts, pensions, and land on survivors and widows of the battle, while early chroniclers drafted a master narrative for later generations to emboss. William Henry Longfellow, Nathaniel Hawthorne, and Henry David Thoreau kept the story alive for later generations. Although some nineteenth-century New Englanders disapproved of Lovewell's notoriety as a scalp hunter, it did not prevent the dedication of a monument in his honor at the Fryeburg, Maine, battlesite in 1904.

Even as the actual story of “Lovewell's Fight” receded into obscurity—a bloody skirmish in a largely forgotten war—it remained part of New England lore, one of those rare military encounters in which defeat transcends an opponent's victory to assume the mantle of legend.

WINNER, 2026 Illinois State Historical Society Russell P. Strange Book of the Year Award!

Rediscovering Lincoln through the female gaze

Abraham Lincoln belongs to everybody. The women he interacted with helped forge the outstanding moral character of America's greatest president. This unique Abraham Lincoln biography features thirty historical and personal essays, and within them, the stories of more than ninety women, each with their own mini biographies in an appendix. Among them are Lincoln’s friends, clients, and extended family, as well as writers, artists, and—blurring the lines between history and memoir—author Stacy Lynn herself.

As a professional Lincoln scholar and editor, Lynn was often frustrated that male historians often overlooked Lincoln’s love for and friendship with women. Here, she posits a new paradigm—one that, instead of downplaying women, lifts up their interactions with Lincoln.

Lincoln understood the importance of the women in his life, and he put women’s wellbeing at the center of his personal, professional, and political ethos. He was loved by two strong pioneer mothers as well as sisters, friends, nieces, friends’ daughters, and his wife. He served women clients during his long legal career. As president, he met with women, dedicating time to hear  their concerns despite the burdens of office. He replied to letters women wrote him. He believed in their capabilities and revolutionized the role of women in the workforce. After Lincoln’s death, women continued to shape his legacy. Mary Lincoln ensured his burial among friends, artist Vinnie Ream sculpted his statue in the US Capitol, and biographer Ida Tarbell provided a nuanced portrayal of his life. Harriet Monroe and Ruth Painter Randall further cemented his place in literature and history.

Lynn presents a fresh perspective on Lincoln, connecting his story to the stories of women and showcasing his kindness, sensitivity, and moral center. She explores how women shaped Lincoln’s inspirational legacy and pays homage to all the women who gave Lincoln to the world. Lynn’s unique blending of history, biography, and her own story reveals the ways in which an emotional connection to the historical figures one studies opens the door to richer human and historical understanding. By inviting readers to feel the past as well as read it, Lynn demonstrates that history matters most when it engages our minds and hearts. 

Identifying varied interest groups such as business tycoons, Christian denominations, and Southern Democrats, Goodall demonstrates how countersubversive politics was far from unified: groups often pursued clashing aims while struggling to balance the competing pulls of loyalty to the nation and liberty of thought, speech, and action. Meanwhile, the federal government pursued its own course, which alternately converged with and diverged from the paths followed by private organizations. By the end of World War II, alliances on the left and right had largely consolidated into the form they would keep during the Cold War. Anticommunists on the right worked to rein in the supposedly dictatorial ambitions of the Roosevelt administration, while New Deal liberals divided into several camps: the Popular Front, civil liberties activists, and embryonic Cold Warriors who struggled with how to respond to communist espionage in Washington and communist influence in politics more broadly.

Rigorous in its scholarship yet accessible to a wide audience, Goodall's masterful study shows how opposition to radicalism became a defining ideological question of American life.

"No. 7"—as Carpenter, the youngest of seven children, called himself—was born in Missouri in 1854 and moved west with his family, first to Kansas, then to the settlements near Pikes Peak, and finally, in 1872, to Texas with his elder brother. From the time he made his first cattle drive, he wanted no other life but that of herding longhorns across the free and flat grasslands of the West. His schooling was the trail, the campfire, the saddle. In 1900, after a full and active life, he retired to his own ranch west of the Pecos. As the years passed, he sadly watched the fences go up and the free range disappear. Thus this book came to be written from the longing memory of a time-stranded cowman. He tells his story in the hard-punching, gritty language, direct humor, and attachment to bald fact and frank opinion that characterize the true Westerner.

Elton Miles has provided an introduction that fills in the details of Carpenter's life and completes a "vivid picture of the genuine old-time cowman," as Southwest Review observed.

Professor Luis Leal is one of the most outstanding scholars of Mexican, Latin American, and Chicano literatures and the dean of Mexican American intellectuals in the United States. He was one of the first senior scholars to recognize the viability and importance of Chicano literature, and, through his perceptive literary criticism, helped to legitimize it as a worthy field of study. His contributions to humanistic learning have brought him many honors, including Mexico's Aquila Azteca and the United States' National Humanities Medal.

In this testimonio or oral history, Luis Leal reflects upon his early life in Mexico, his intellectual formation at Northwestern University and the University of Chicago, and his work and publications as a scholar at the Universities of Illinois and California, Santa Barbara. Through insightful questions, Mario García draws out the connections between literature and history that have been a primary focus of Leal's work. He also elicits Leal's assessment of many of the prominent writers he has known and studied, including Mariano Azuela, William Faulkner, Octavio Paz, Carlos Fuentes, Juan Rulfo, Gabriel García Márquez, Jorge Luis Borges, Tomás Rivera, Rolando Hinojosa, Rudolfo Anaya, Elena Poniatowska, Sandra Cisneros, Richard Rodríguez, and Ana Castillo.

Essential writings by this icon of the silent era—rereleased in print and now available as an e-book 100 years after Louise Brooks arrived in Hollywood

Lulu in Hollywood is an intimate collection of eight autobiographical essays by Louise Brooks, silent film darling and icon of the flapper era. Ranging from her childhood in Kansas and her early days as a Denishawn and Ziegfeld Follies dancer to her friendships with Martha Graham, Charles Chaplin, W. C. Fields, Humphrey Bogart, William Paley, G. W. Pabst, and others, Brooks’s writing offers a rare glimpse into her extraordinary life. Including her revelatory “Why I Will Never Write My Memoirs,” Lulu in Hollywood also features Kenneth Tynan’s 1979 essay “The Girl in the Black Helmet,” which revived interest in Brooks’s work and was the best discussion of her film work to appear in her lifetime.

Insightful and dramatic, Lured by the American Dream is the untold story of how Filipino servicepersons overcame tradition and hierarchy in their quest for dignity.

During her lifetime, Lydia Sigourney was acclaimed as nineteenth-century America's most popular woman poet and published widely as a historian, travel writer, essayist, and educator. While serious critical attention to her work languished following her death and into the twentieth century, a growing number of critics and writers have reexamined Sigourney and her large body of writing and have given her a central place in the “new canon.”

This first collection of original essays devoted to the poet's work puts many of the best scholars on Sigourney together in one place and in conversation with one another. The volume includes critical essays examining her literary texts as well as essays that unpack Sigourney's participation in the cultural movements of her day. Holding powerful opinions about the role of women in society, Sigourney was not afraid to advocate against government policies that, in her view, undermined the promise of America, even as she was held up as a paragon of American womanhood and middle-class rectitude. The resulting portrait promises to engage readers who wish to know more about Sigourney's writing, her career, and the causes that inspired her.

Along with the volume editors, contributors include Ann Beebe, Paula Bernat Bennett, Janet Dean, Sean Epstein-Corbin, Annie Finch, Gary Kelly, Paul Lauter, Amy J. Lueck, Ricardo Miguel-Alfonso, Jennifer Putzi, Angela Sorby, Joan Wry, and Sandra Zagarell.

Vibrant and strikingly original, Lying in the Middle discovers some of the most potent musical theater taking place in the hoping, beating hearts of Americans.

Winner, 2022 Ottis Lock Endowment “Best Book” Award from the East Texas Historical Association

In Lynching and Leisure, Terry Anne Scott examines how white Texans transformed lynching from a largely clandestine strategy of extralegal punishment into a form of racialized recreation in which crowd involvement was integral to the mode and methods of the violence. Scott powerfully documents how lynchings came to function not only as tools for debasing the status of Black people but also as highly anticipated occasions for entertainment, making memories with friends and neighbors, and reifying whiteness. In focusing on the sense of pleasure and normality that prevailed among the white spectatorship, this comprehensive study of Texas lynchings sheds new light on the practice understood as one of the chief strategies of racial domination in the nineteenth- and twentieth-century South.

A groundbreaking study, Lynching in the New South is a classic portrait of the tradition of violence that poisoned American life.