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Aviation researcher and historian Simine Short brings to light in colorful detail many previously overlooked facets of Chanute's professional and personal life. In the late nineteenth century, few considered engineering as a profession on par with law or medicine, but Chanute devoted much time and energy to the newly established professional societies that were created to set standards and serve the needs of civil engineers. Though best known for his aviation work, he became a key figure in the opening of the American continent by laying railroad tracks and building bridges, experiences that later gave him the engineering knowledge to build the first stable aircraft structure. Chanute also introduced a procedure to treat wooden railroad ties with an antiseptic that increased the wood’s lifespan in the tracks. Establishing the first commercial plants, he convinced railroad men that it was commercially feasible to make money by spending money on treating ties to conserve natural resources. He next introduced the date nail to help track the age and longevity of railroad ties.

A versatile engineer, Chanute was known as a kind and generous colleague during his career. Using correspondence and other materials not previously available to scholars and biographers, Short covers Chanute's formative years in antebellum America as well as his experiences traveling from New Orleans to New York, his apprenticeship on the Hudson River Railroad, and his early engineering successes. His multiple contributions to railway expansion, bridge building, and wood preservation established his reputation as one of the nation's most successful and distinguished civil engineers. Instead of retiring, he utilized his experiences and knowledge as a bridge builder in the development of motorless flight. Through the reflections of other engineers, scientists, and pioneers in various fields who knew him, Short characterizes Chanute as a man who believed in fostering and supporting people who were willing to learn. This well-researched biography cements Chanute's place as a preeminent engineer and mentor in the history of transportation in the United States and the development of the airplane.

A critical look at the globally dominant development strategy of “empowerment”

Celebratory news features about India’s thriving middle class tell only part of the story of the country’s recent economic rise, frequently glossing over the 300 million Indians who live on the margins and struggle to survive under economic liberalization. How do those cast out of their country’s successes perceive and respond to their position and mobilize against disempowerment?

During World War II more than one thousand Filipinas were kidnapped by the Imperial Japanese Army. Lolas’ House tells the stories of sixteen surviving Filipino “comfort women.”

M. Evelina Galang enters into the lives of the women at Lolas’ House, a community center in metro Manila. She accompanies them to the sites of their abduction and protests with them at the gates of the Japanese embassy. Each woman gives her testimony, and even though the women relive their horror at each telling, they offer their stories so that no woman anywhere should suffer wartime rape and torture.

Lolas’ House is a book of testimony, but it is also a book of witness, of survival, and of the female body. Intensely personal and globally political, it is the legacy of Lolas’ House to the world.

Every place is a product of the stories we tell about it—stories that do not merely describe but in fact shape geographic, social, and cultural spaces. Lone Star Vistas analyzes travelogues that created the idea of Texas. Focusing on the forty-year period between Mexico’s independence from Spain (1821) and the beginning of the US Civil War, Astrid Haas explores accounts by Anglo-American, Mexican, and German authors—members of the region’s three major settler populations—who recorded their journeys through Texas. They were missionaries, scientists, journalists, emigrants, emigration agents, and military officers and their spouses. They all contributed to the public image of Texas and to debates about the future of the region during a time of political and social transformation. Drawing on sources and scholarship in English, Spanish, and German, Lone Star Vistas is the first comparative study of transnational travel writing on Texas. Haas illuminates continuities and differences across the global encounter with Texas, while also highlighting how individual writers’ particular backgrounds affected their views on nature, white settlement, military engagement, Indigenous resistance, African American slavery, and Christian mission.

From frontier times in the Republic of Texas until today, Texans have been making gorgeous quilts. Karoline Patterson Bresenhan and Nancy O'Bryant Puentes documented the first 150 years of the state's rich heritage of quilt art in Lone Stars: A Legacy of Texas Quilts, 1836–1936 and Lone Stars II: A Legacy of Texas Quilts, 1936–1986. Now in Lone Stars III, they bring the Texas quilt story into the twenty-first century, presenting two hundred traditional and art quilts that represent "the best of the best" quilts created since 1986.

The quilts in Lone Stars III display the explosion of creativity that has transformed quilting over the last quarter century. Some of the quilts tell stories, create landscapes, record events, and memorialize people. Others present abstract designs that celebrate form and color. Their makers have embraced machine quilting, as well as hand sewing, and they often embellish their quilts with buttons, beads, lace, ribbon, and even more exotic items. Each quilt is pictured in its entirely, and some entries also include photographs of quilt details. The accompanying text describes the quilt's creation, its maker, and its physical details.

With 16.3 million American quilters who spend $3.6 billion annually on their pastime, the quilting community has truly become a force to reckon with both artistically and socially. Lone Stars III is the perfect introduction to this world of creativity.

Drawing on personal interviews and rich archival material from the Grand Ole Opry, Kristine M. McCusker examines the gendered politics of the images through the lives and careers of six women performers: Linda Parker, the Girls of the Golden West (Milly and Dolly Good), Lily May Ledford, Minnie Pearl, and Rose Lee Maphis.

On a long dark road in deep East Texas, James Byrd Jr. was dragged to his death behind a pickup truck one summer night in 1998. The brutal modern-day lynching stunned people across America and left everyone at a loss to explain how such a heinous crime could possibly happen in our more racially enlightened times. Many eventually found an answer in the fact that two of the three men convicted of the murder had ties to the white supremacist Confederate Knights of America. In the ex-convict ringleader, Bill King, whose body was covered in racist and satanic tattoos, people saw the ultimate monster, someone so inhuman that his crime could be easily explained as the act of a racist psychopath. Few, if any, asked or cared what long dark road of life experiences had turned Bill King into someone capable of committing such a crime.

In this gripping account of the murder and its aftermath, Ricardo Ainslie builds an unprecedented psychological profile of Bill King that provides the fullest possible explanation of how a man who was not raised in a racist family, who had African American friends in childhood, could end up on death row for viciously killing a black man. Ainslie draws on exclusive in-prison interviews with King, as well as with Shawn Berry (another of the perpetrators), King's father, Jasper residents, and law enforcement and judicial officials, to lay bare the psychological and social forces—as well as mere chance—that converged in a murder on that June night. Ainslie delves into the whole of King's life to discover how his unstable family relationships and emotional vulnerability made him especially susceptible to the white supremacist ideology he adopted while in jail for lesser crimes.

With its depth of insight, Long Dark Road not only answers the question of why such a racially motivated murder happened in our time, but it also offers a frightening, cautionary tale of the urgent need to intervene in troubled young lives and to reform our violent, racist-breeding prisons. As Ainslie chillingly concludes, far from being an inhuman monster whom we can simply dismiss, "Bill King may be more like the rest of us than we care to believe."

A dramatic account of three centuries of people and ships that sailed the Great Lakes

A popular history of navigation on the Great Lakes and life on their shores, The Long Ships Passing brings us aboard the crafts that have plowed the waves of the treacherous "five sisters" carrying the grain, lumber, and minerals that fed and built the cities of America. Walter Havighurst paints vivid pictures of life—and death—on the lakes, mysterious accounts of wooden ships and iron men that sank to freshwater graves, especially along the immigrant route where the wrecks lie thick. In rich and marvelous detail, this classic history recounts the saga of an inland marine empire.

A direct descendant of a tenth-century Viking marauder traces his lineage from medieval Iceland to the Dakota plains

Gary Goodman first heard that his 24x great-grandfather was a tenth-century Viking pirate and mercenary at a family reunion, when a cousin told him that they were the direct descendants of an Icelandic poet and cold-blooded killer named Egil Skallagrímsson. Also known as “Egil the Bastard,” Goodman’s forefather was the subject of Egil’s Saga, one of the great Icelandic epics of the early Middle Ages. Spurred by this revelation of his family’s lineage, Goodman set out to discover the route his ancestors had traveled from medieval Iceland to the North Dakota plains in the later 1800s.

Drawing on Egil’s Saga, family records, and travels through Iceland, England, and Ireland, Goodman traces his ancestral line from Iceland—the family’s homeland for over a thousand years until a volcanic eruption forced them to migrate—to the hardscrabble plains of the Dakota Territory. His panoramic view ranges from the Viking invasion of England in the early Middle Ages to the disappearance of a short-lived Icelandic settlement on the Mouse River in North Dakota in the late 1800s. Along the way, Goodman sketches the highlights of Egil’s Saga, making the centuries-old epic accessible to today’s readers.

With candor, dry wit, and some bemusement, Goodman shares his trip through history from the perspective of a descendant of an original Viking marauder. An innovative, time-bending family history, Longships and Sod Houses is a noteworthy saga in its own right.

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When Ray Didinger was a young sports columnist, his proud grandfather would tape his articles on the mirror of his Southwest Philadelphia bar and tell his customers, “Look what the kid wrote today.” That phrase is now the title of Didinger’s latest book, a fond look back on his award-winning career.

In Look What the Kid Wrote Today, Didinger reflects on walking the historic Merion golf course with Jack Nicklaus, shooting pool with Mean Joe Greene, touring Foxcatcher Farms with John du Pont and hanging out with Mark Wahlberg on the set of Invincible. He also writes about helping to heal the rift between the Philadelphia Eagles and arguably their greatest player, Chuck Bednarik. It is a story that went untold until now.

Didinger takes the reader through the many stages of his fifty-plus years in sports media, from his time as an Emmy Award-winning producer at NFL Films, which involved writing scripts for the likes of Tom Selleck, Gary Busey, and Oscar winner James Coburn. Now a playwright, Didinger also devotes a chapter to the 2025 premiere of his critically acclaimed production Spinner.

Candid and insightful, Look What the Kid Wrote Today is Didinger at his best.

The definitive history of how Latin American studies became a major field in American scholarship.

Looking South: The Evolution of Latin Americanist Scholarship in the United States, 1850-1975 is the first comprehensive history of the development of Latin American studies as a field of academic inquiry in the United States. In this ambitious and insightful work, historian Helen Delpar traces more than a century of intellectual engagement with Latin America, revealing how generations of historians, anthropologists, geographers, economists, sociologists, and political scientists shaped American understandings of the region and transformed Latin American studies into a recognized academic discipline.

A central contribution of the book lies in its exploration of the relationship between scholarship and historical context. Delpar demonstrates that academic interest in Latin America was never isolated from larger political, economic, and cultural developments in the United States. The expansion of hemispheric trade, the Good Neighbor era, World War II, the Cold War, and the Cuban Revolution all influenced how American scholars approached the region and what questions they considered important. By examining these intersections, she reveals how academic knowledge is shaped by changing national priorities, international events, and institutional support networks.

Beyond its contributions to Latin American history, Looking South is a major work of intellectual and academic history. It offers a compelling account of how scholarly fields are created, how academic communities develop, and how knowledge about world regions is produced, organized, and disseminated. Delpar's careful attention to both individual scholars and larger institutional structures makes the book an essential resource for understanding the history of area studies, the social sciences, and higher education in the United States.

Looking South remains an indispensable guide to the origins and evolution of Latin Americanist scholarship. It is essential reading for historians, Latin Americanists, anthropologists, political scientists, educators, and anyone interested in the intellectual history of the Americas and the development of knowledge across national and cultural boundaries.