342 books match the query '16th Century' and 18 start with m

cover of Male Delivery: Reproduction, Effeminacy, and Pregnant Men in Early Modern Spain

Male Delivery

Reproduction, Effeminacy, and Pregnant Men in Early Modern Spain

Sherry Velasco

Vanderbilt University Press, 2006

Using the one-act comedy El parto de Juan Rana (John Frog Gives Birth) as a point of departure, Velasco argues that the figure of the pregnant man in early modern Spanish culture was not merely comic entertainment, but also served an important role as a physical representation of the anxieties about the changing roles of men and women at the time.



Men were increasingly taking over medical duties--especially surrounding childbirth--usually left to women and, as their medical knowledge increased, they became aware of bodies and behaviors--both male and female--that transgressed gender norms. The anxieties about men who acted in ways seen as increasingly womanly (from acting effeminately to participating in homosexual activity) played out in the character of pregnant Juan Rana.



Then, Velasco turns to Hollywood and asks if we might not use the lessons of Juan Rana to help explain why contemporary America is also fascinated by the idea of male pregnancy--think Arnold Schwarzenegger in Junior--and our increasing anxiety over the changing face of masculinity in our own culture.

[more]
cover of Managing Readers: Printed Marginalia in English Renaissance Books

Managing Readers

Printed Marginalia in English Renaissance Books

William W. E. Slights

University of Michigan Press, 2001

Managing Readers explores the fascinating interchange between text and margin, authorship and readership in early modern England. Printed marginalia did more than any other material feature of book production in the period between 1540 and 1700 to shape the experience of reading. William W. E. Slights considers overlooked evidence of the ways that early modern readers were instructed to process information, to contest opinions, and to make themselves into fully responsive consumers of texts.
The recent revolution in the protocols of reading brought on by computer technology has forced questions about the nature of book-based knowledge in our global culture. Managing Readers traces changes in the protocols of annotation and directed reading--from medieval religious manuscripts and Renaissance handbooks for explorers, rhetoricians, and politicians to the elegant clear-text editions of the Enlightenment and the hypertexts of our own time. Developing such concepts as textual authority, generic difference, and reader-response, Slights demonstrates that printed marginalia were used to confirm the authority of the text and to undermine it, to supplement "dark" passages, and to colonize strategic hermeneutic spaces. The book contains twenty-two illustrations of pages from rare-book archives that make immediately clear how distinctive the management of the reading experience was during the first century-and-a-half of printing in England.
William W. E. Slights is Professor of English, University of Saskatchewan. He is also author of Ben Jonson and the Art of Secrecy.
[more]
cover of Manifest Perdition: Shipwreck Narrative And The Disruption Of Empire

Manifest Perdition

Shipwreck Narrative And The Disruption Of Empire

Josiah Blackmore

University of Minnesota Press, 2002

A new take on a famous collection of shipwreck narratives that places them at the center of resistance to colonialism

Shipwreck, death, and survival; terror, hunger, and salvation—these are the experiences of the passengers onboard merchant Portuguese ships sailing the high seas in the sixteenth and seventeenth centuries. And this is the stuff of the stories committed to print by survivors upon their return to the homeland. These Portuguese shipwreck narratives, rescued for all time in the eighteenth century by Bernardo Gomes de Brito in História Trágico-Marítima (1735-36), or The Tragic History of the Sea, are the subject of Manifest Perdition, a work that reveals their important—and until now, largely ignored—place in literary history.

In this book we see how the dramatic, compelling, and often gory accounts of shipwreck, depicting a world out of control, challenge state-sponsored versions of events in the prevailing historiographic culture. Written during the heyday of Iberian maritime expansion and colonialism, the shipwreck narrative builds an alternative historical record to the vision and reality of empire elaborated by the official chroniclers of the realm. Manifest Perdition presents both theoretical considerations this genre and close readings of several texts, readings that disclose a poetics of the shipwreck text, of how survivors characteristically yet multifariously narrated their world. Included is a study of the medieval Iberian poetic predecessors of the shipwreck tale, as well as an exploration of the Portuguese Inquisition’s attempt to commandeer and steer the reading of the unruly narratives. The book engages issues of literary theory, historiography, and colonialism to portray the Portuguese shipwreck narrative for the first time as both a product of and a resistance to the prolific culture of sixteenth- and seventeenth-century expansionist history.
[more]
cover of Maps in Tudor England

Maps in Tudor England

P. D. A. Harvey

University of Chicago Press, 1993

In the England of 1500 maps were rare objects, little used or understood. By 1600 they had become a familiar part of everyday life, created and used for practical purposes, woven into tapestries, illustrating bibles, and even printed on playing cards.

In Maps in Tudor England, P. D. A. Harvey traces this revolution of production, understanding, and use of maps in England from 1485 to 1603. By the mid-sixteenth century, mapmapers had begun to draw maps to a consistent scale, reproducing the results of measured survey. By the end of the century, maps drawn to scale and showing features by conventional signs were commonly used throughout England.

In this survey Harvey focuses on maps of small areas, up to the size of a county, exploring their impact on the political and social life of England in the spheres of the military, government, towns, landed estates, buildings, and the law. Richly illustrated with thirty color and fifty black and white reproductions of rare maps, his account is an informative and accessible introduction to this revolutionary period in the history of cartography, as well as a unique visual history of Tudor England.


[more]
cover of Marriage on Trial

Marriage on Trial

Ludwig Schmugge

Catholic University of America Press, 2012

This work vividly describes many of the individual cases and offers new insight into the social and legal pressures on marriage in the Middle Ages.
[more]
cover of Medical Misinformation in Early Modern Germany

Medical Misinformation in Early Modern Germany

Christopher Hutchinson

University of Delaware Press, 2026

Medical Misinformation in Early Modern Germany examines how doctors, writers, and printers in sixteenth-century Germany responded to the rapid expansion of print and its implications for medical knowledge. The spread of printed texts generated widespread suspicion about print’s reliability as a conduit of information and led writers to reflect on questions of audience, vernacularity, and medical authority in their responses to disease. The book investigates literary texts alongside popular vernacular medical pamphlets on the major epidemic diseases of the period––plague, syphilis, and the English sweating sickness––to reveal a widespread concern with the impact of printed texts on public health. During the 1529 outbreak of the English sweating sickness, this concern culminated in writers’ use of a “rhetoric of virality,” explicitly comparing the circulation of texts to the spread of disease, as they confronted the parallel contagions of disease and information.

[more]
cover of Memory's Library: Medieval Books in Early Modern England

Memory's Library

Medieval Books in Early Modern England

Jennifer Summit

University of Chicago Press, 2008

In Jennifer Summit’s account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey’s famous library, and 1631, when the great antiquarian Sir Robert Cotton died, Memory’s Library revises the history of the modern library by focusing on its origins in medieval and early modern England.

Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, Memory’s Library demonstrates how much current discussions about the future of libraries can gain by reexamining their past.

[more]
cover of Methods and Practice of Elizabethan Swordplay

Methods and Practice of Elizabethan Swordplay

Craig Turner and Tony Soper. Foreword by Joseph Papp

Southern Illinois University Press, 1990

Featuring period drawings and prints of swordplay, this book examines and compares three Elizabethan fencing manuals written in English before 1600: Giacomo Di Grassi’s His True Arte of Defense (1594), Vincentio Saviolo’s His Practice in Two Bookes (1595), and George Silver’s Paradoxes of Defence and Bref Instructions upon My Paradoxes of Defence (1599).

More than a technical manual on swordplay, this book explores the influence of a new form of violence introduced into Elizabethan culture by the invention of the rapier. The authors examine the rapier’s influence on the various social classes, the clash between the traditional English fencing masters and those embracing the new style, the growing concern with unregulated dueling, and the frequent references to rapier play in the works of Shakespeare and his contemporaries.

As producer Joseph Papp notes in his foreword, this is a book that "makes a difference in performance."

[more]
cover of Michelangelo's Painting: Selected Essays

Michelangelo's Painting

Selected Essays

Leo Steinberg

University of Chicago Press, 2019

Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading.

For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures elucidates many of Michelangelo’s paintings, from frescoes in the Sistine Chapel to the Conversion of St. Paul and the Crucifixion of St. Peter, the artist’s lesser-known works in the Vatican’s Pauline Chapel; also included is a study of the relationship of the Doni Madonna to Leonardo.

Steinberg’s perceptions evolved from long, hard looking. Almost everything he wrote included passages of old-fashioned formal analysis, but always put into the service of interpretation. He understood that Michelangelo’s rendering of figures, as well as their gestures and interrelations, conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body to express fundamental Christian tenets once expressible only by poets and preachers.

Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. Michelangelo’s Painting is the second volume in a series that presents Steinberg’s writings, selected and edited by his longtime associate Sheila Schwartz.
[more]
cover of Michelangelo’s Sculpture: Selected Essays

Michelangelo’s Sculpture

Selected Essays

Leo Steinberg

University of Chicago Press, 2018

Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading.
 
For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.”
 
Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
 
[more]
cover of Michoacán and Eden: Vasco de Quiroga and the Evangelization of Western Mexico

Michoacán and Eden

Vasco de Quiroga and the Evangelization of Western Mexico

By Bernardino Verástique

University of Texas Press, 2000

Don Vasco de Quiroga (1470-1565) was the first bishop of Michoacán in Western Mexico. Driven by the desire to convert the native Purhépecha-Chichimec peoples to a purified form of Christianity, free of the corruptions of European Catholicism, he sought to establish New World Edens in Michoacán by congregating the people into pueblo-hospital communities, where mendicant friars could more easily teach them the fundamental beliefs of Christianity and the values of Spanish culture.

In this broadly synthetic study, Bernardino Verástique explores Vasco de Quiroga's evangelizing project in its full cultural and historical context. He begins by recreating the complex and not wholly incompatible worldviews of the Purhépecha and the Spaniards at the time of their first encounter in 1521. With Quiroga as a focal point, Verástique then traces the uneasy process of assimilation and resistance that occurred on both sides as the Spaniards established political and religious dominance in Michoacán. He describes the syncretisms, or fusions, between Christianity and indigenous beliefs and practices that arose among the Purhépecha and relates these to similar developments in other regions of Mexico.

Written especially for students and general readers, this book demonstrates how cultural and geographical environments influence religious experience, while it adds to our understanding of the process of indigenous appropriation of Christian theological concepts in the New World.

[more]
cover of Miracles and Machines: A Sixteenth-Century Automaton and Its Legend

Miracles and Machines

A Sixteenth-Century Automaton and Its Legend

Elizabeth King

J. Paul Getty Trust, The, 0

An abundantly illustrated narrative that draws from the history of art, science, technology, artificial intelligence, psychology, religion, and conservation in telling the extraordinary story of a Renaissance robot that prays.
 
This volume tells the singular story of an uncanny, rare object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to legend connected to the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a humble Franciscan lay brother whose holy corpse was said to be agent to the miraculous cure of Spain’s crown prince as he lay dying in 1562.
 
In tracking the origins of the monk and its legend, the authors visited archives, libraries, and museums across the United States and Europe, probing the paradox of a mechanical object performing an apparently spiritual act. They identified seven kindred automata from the same period, which, they argue, form a paradigmatic class of walking “prime movers,” unprecedented in their combination of visual and functional realism. While most of the literature on automata focuses on the Enlightenment, this enthralling narrative journeys back to the late Renaissance, when clockwork machinery was entirely new, foretelling the evolution of artificial life to come.
[more]
cover of Moorings: Portuguese Expansion and the Writing of Africa

Moorings

Portuguese Expansion and the Writing of Africa

Josiah Blackmore

University of Minnesota Press, 2008

How Africa was perceived in the early modern imaginary

In this first book to study Portuguese texts about Africa, Moorings brings an important but little-known body of European writings to bear on contemporary colonial thought. Images of Africa as monstrous, dangerous, and lush were created in early Portuguese imperial writings and dominated its representation in European literature. Moorings establishes these key works in their proper place: foundational to Western imperial discourse.

Attentive to history as well as the nuances of language, Josiah Blackmore leads readers from the formation of the “Moor” in medieval Iberia to the construction of a full colonial imaginary, as found in the works of two writers: the royal chronicler Gomes Eanes de Zurara and the epic poet Luís de Camões. Blackmore’s original work helps to explain how concepts and myths—such as the “otherness” of Africa and Africans—originated, functioned, and were perpetuated.Delving into the Portuguese imperial experience, Moorings enriches our understanding of historical and literary imagination during a significant period of Western expansion.
[more]
cover of Mother Juana de la Cruz, 1481–1534: Visionary Sermons

Mother Juana de la Cruz, 1481–1534

Visionary Sermons

Juana de la Cruz

Iter Press, 2016

Juana de la Cruz (1481–1534) is a unique figure in the history of the Catholic Church, thanks to her public visionary experiences during which she lost consciousness, while a deep voice, identifying itself as Christ, issued from her, narrating the feasts and pageants taking place in heaven. Juana’s so called “sermons,” collected in a manuscript called Libro del Conorte, form a fascinating window into Castilian religiosity in the early sixteenth century. There is much to reap from these sermons concerning Spanish Renaissance culture, theology, mysticism, gender roles, and interreligious interactions.

[more]
cover of Music and Ideas in the Sixteenth and Seventeenth Centuries

Music and Ideas in the Sixteenth and Seventeenth Centuries

Thomas Mathiesen

University of Illinois Press, 2017

This essential summation of Palisca's life work was nearly finished by his death in 2001, and it was brought to completion by Thomas J. Mathiesen.
[more]
cover of Music in Renaissance Magic: Toward a Historiography of Others

Music in Renaissance Magic

Toward a Historiography of Others

Gary Tomlinson

University of Chicago Press, 1994

Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences.

In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion.

"A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice

"An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES

"Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature
[more]
cover of Music in the Culture of the Renaissance and Other Essays

Music in the Culture of the Renaissance and Other Essays

Edward E. Lowinsky

University of Chicago Press, 1989

The writings gathered here finally make available in one place Lowinsky's major essays—including four previously unpublished ones—in two volumes that are lavishly provided with musical examples and illustrations.

"Professor Lowinsky's method is the only kind of 'writing about music' that I value."—Igor Stravinsky
[more]
cover of Music, Discipline, and Arms in Early Modern France

Music, Discipline, and Arms in Early Modern France

Kate van Orden

University of Chicago Press, 2005

In this groundbreaking new study, Kate van Orden examines noble education in the arts to show how music contributed to cultural and social transformation in early modern French society. She constructs a fresh account of music's importance in promoting the absolutism that the French monarchy would fully embrace under Louis XIV, uncovering many hitherto unpublished ballets and royal ceremonial performances.

The great pressure on French noblemen to take up the life of the warrior gave rise to bellicose art forms such as sword dances and equestrian ballets. Far from being construed as effeminizing, such combinations of music and the martial arts were at once refined and masculine-a perfect way to display military prowess. The incursion of music into riding schools and infantry drills contributed materially to disciplinary order, enabling the larger and more effective armies of the seventeenth century. This book is a history of the development of these musical spheres and how they brought forth new cultural priorities of civility, military discipline, and political harmony. Music, Discipline, and Arms in Early Modern France effectively illustrates the seminal role music played in mediating between the cultural spheres of letters and arms.
[more]