Results by title
3703 books match the query '19th Century' and 200 start with m
MAKING THE “AMERICA OF ART”
Cultural Nationalism and Nineteenth-Century Women WritersNaomi Z. Sofer
The Ohio State University Press, 2005
By the end of the 19th century it had become possible for American women to identify themselves as serious Artists. This was a relatively new phenomenon, one that became possible only after American women writers had dismantled the conceptual frameworks that had authorized their artistic production since the early days of the Republic.
Making the “America of Art” demonstrates that beginning in the 1850s, women writers challenged the terms of the Scottish Common Sense philosophy, which had made artistic endeavors acceptable in the new Republic by subordinating aesthetic motivation to moral and educational goals. Harriet Beecher Stowe and Augusta Jane Evans drew on Ruskin to argue for the creation of a religiously based national aesthetic. In the postbellum years Louisa May Alcott, Rebecca Harding Davis, Elizabeth Stuart Phelps, and Constance Fenimore Woolson continued the process in a series of writings that revolved around three central areas of concern: the place of the popular in the realm of high art; the role of the genius; and the legacy of the Civil War.
Sofer significantly revises the history of 19th-century American women’s authorship by detailing the gradual process that produced women writers wholly identified with literary high culture at the century’s end. Sofer argues that, counter to conventional wisdom, American women writers produced a large body of theoretical writing on the central aesthetic questions of the day. Although the writers Sofer studies were finally unable to construct viable new models for women’s artistic production, their attempts to do so are an essential piece of American literary history.
MANHOOD, CITIZENSHIP, AND THE NATIONAL GUARD
ILLINOIS, 1870–1917ELEANOR L HANNAH
The Ohio State University Press, 2007
MUCH MISUNDERSTOOD MAN
SELECTED LETTERS OF AMBROSE BIERCES.T. JOSHI
The Ohio State University Press, 2003
MUSE IN THE MACHINE
AMERICAN FICTION AND MASS PUBLICITYMARK CONROY
The Ohio State University Press, 2004
Machado de Assis and Narrative Theory
Language, Imitation, Art, and Verisimilitude in the Last Six NovelsEarl E. Fitz
Bucknell University Press, 2019
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Mad Dogs and Meerkats
A History of Resurgent Rabies in Southern AfricaKaren Brown
Ohio University Press, 2011
Through the ages, rabies has exemplified the danger of diseases that transfer from wild animals to humans and their domestic stock. In South Africa, rabies has been on the rise since the latter part of the twentieth century despite the availability of postexposure vaccines and regular inoculation campaigns for dogs.
In Mad Dogs and Meerkats: A History of Resurgent Rabies in Southern Africa, Karen Brown links the increase of rabies to the HIV/AIDS epidemic. Her study shows that the most afflicted regions of South Africa have seen a dangerous rise in feral dog populations as people lack the education, means, or will to care for their pets or take them to inoculation centers. Most victims are poor black children. Ineffective disease control, which in part depends on management policies in neighboring states and the diminished medical and veterinary infrastructures in Zimbabwe, has exacerbated the problem.
This highly readable book is the first study of rabies in Africa, tracing its history in South Africa and neighboring states from 1800 to the present and showing how environmental and economic changes brought about by European colonialism and global trade have had long-term effects.
Mad Dogs and Meerkats is recommended for public health policy makers and anyone interested in human-animal relations and how societies and governments have reacted to one of the world’s most feared diseases.
Maid as Muse
How Servants Changed Emily Dickinson’s Life and LanguageAífe Murray
University of New Hampshire Press, 2010
Maine’s Lithographic Landscapes
Town and City Views, 1830-1870Earle G. Shettleworth Jr.
Brandeis University Press, 2020
During the nineteenth century, Americans celebrated their towns and cities through printed landscapes. In Maine, lithographs were commissioned from such leading artists as Fitz Henry Lane and talented, lesser known local artists, such as Esteria Butler. This book reproduces many of these works and provides insights into how these growing centers of commerce and industry viewed themselves and wished to be viewed by others.
It’s the perfect book for those who love Maine, both full-time residents and those who make it a beloved summer destination.
Published in association with the Bowdoin College Museum of Art on the occasion of the bicentennial of Maine statehood.
Majority of Scoundrels, A
An Informal History of the Rocky Mountain Fur CompanyDon Berry
Oregon State University Press, 2006
Berry’s fresh and invigorating narrative captures the peak years (1822-1834) of the fur trade in the Mountain West, the period in which the Rocky Mountain Fur Company grew to be “the greatest name in the mountains.” These were heady times in which trappers and traders explored the far corners of the western country, disputed territory with Native American tribes and the Hudson’s Bay Company, learned the lore of the land, and perfected their drinking, brawling, yarn-spinning, and boasting at the annual rendezvous.
With lively prose and an ear for a good yarn, Berry brings to life the principal trappers—colorful figures including Jim Bridger, Hugh Glass (who miraculously survived the mauling of a bear and came back from death to haunt his fellows), champion liar James P. Beckwourth, Joe Meek, Jedediah Smith, Jim Clyman, and many more. Using their journals, business records, and other sources, Berry laces his back-country narrative with an analysis of the power struggle between the St. Louis businessmen who controlled the trade and the trappers.
A new introduction by historian Stephen Dow Beckham looks beyond the romantic legends of the mountain men to set A Majority of Scoundrels in the context of recent scholarship on the American West. While Beckham demonstrates just how much our sense of history has changed in the almost fifty years since Berry’s work was first published, he also helps readers understand the continuing appeal of the mythology of the fur trade era and the lasting importance of A Majority of Scoundrels.
Make Way for Liberty
Wisconsin African Americans in the Civil WarJeff Kannel
Wisconsin Historical Society Press, 2020
Make Yourselves Gods
Mormons and the Unfinished Business of American SecularismPeter Coviello
University of Chicago Press, 2019
Over these turbulent decades, Mormons would appear by turns as heretics, sex-radicals, refugees, anti-imperialists, colonizers, and, eventually, reluctant monogamists and enfranchised citizens. Reading Mormonism through a synthesis of religious history, political theology, native studies, and queer theory, Peter Coviello deftly crafts a new framework for imagining orthodoxy, citizenship, and the fate of the flesh in nineteenth-century America. What emerges is a story about the violence, wild beauty, and extravagant imaginative power of this era of Mormonism—an impassioned book with a keen interest in the racial history of sexuality and the unfinished business of American secularism.
Make Yourselves Gods
Mormons and the Unfinished Business of American SecularismPeter Coviello
University of Chicago Press, 2019
From the perspective of Protestant America, nineteenth-century Mormons were the victims of a peculiar zealotry, a population deranged––socially, sexually, even racially––by the extravagances of belief they called “religion.” Make Yourselves Gods offers a counter-history of early Mormon theology and practice, tracking the Saints from their emergence as a dissident sect to their renunciation of polygamy at century’s end.
Over these turbulent decades, Mormons would appear by turns as heretics, sex-radicals, refugees, anti-imperialists, colonizers, and, eventually, reluctant monogamists and enfranchised citizens. Reading Mormonism through a synthesis of religious history, political theology, native studies, and queer theory, Peter Coviello deftly crafts a new framework for imagining orthodoxy, citizenship, and the fate of the flesh in nineteenth-century America. What emerges is a story about the violence, wild beauty, and extravagant imaginative power of this era of Mormonism—an impassioned book with a keen interest in the racial history of sexuality and the unfinished business of American secularism.
Making Maine
Statehood and the War of 1812Joshua M. Smith
University of Massachusetts Press, 2022
Honorable mention for U.S. Maritime History, John Lyman Book Awards
After the Revolutionary War ended, the new American nation grappled with a question about its identity: Were the states sovereign entities or subordinates to a powerful federal government? The War of 1812 brought this vexing issue into sharp relief, as a national government intent on waging an unpopular war confronted a populace in Massachusetts that was vigorously opposed to it. Maine, which at the time was part of Massachusetts, served as the battleground in this political struggle.
Joshua M. Smith recounts an innovative history of the war, focusing on how it specifically affected what was then called the District of Maine. Drawing on archival materials from the United States, Britain, and Canada, Smith exposes the bitter experience of Maine’s citizens during that conflict as they endured multiple hardships, including starvation, burdensome taxation, smuggling, treason, and enemy occupation. War’s inherent miseries, along with a changing relationship between regional and national identities, gave rise to a statehood movement that rejected a Boston-centric worldview in favor of a broadly American identity.
Making Mark Twain Work in the Classroom
James S. Leonard, ed.
Duke University Press, 1999
The essays in Making Mark Twain Work in the Classroom reaffirm the importance of Twain in the American literature curriculum from high school through graduate study. Addressing slavery and race, gender, class, religion, language and ebonics, Americanism, and textual issues of interest to instructors and their students, the contributors offer guidance derived from their own demographically diverse classroom experiences. Although some essays focus on such works as A Connecticut Yankee in King Arthur’s Court and The Innocents Abroad, most discuss the hotly debated Adventures of Huckleberry Finn, viewed alternately in this volume as a comic masterpiece or as evidence of Twain’s growing pessimism—but always as an effective teaching tool.
By placing Twain’s work within the context of nineteenth-century American literature and culture, Making Mark Twain Work in the Classroom will interest all instructors of American literature. It will also provoke debate among Americanists and those concerned with issues of race, class, and gender as they are represented in literature.
Contributors. Joseph A. Alvarez, Lawrence I. Berkove, Anthony J. Berret, S.J., Wesley Britton, Louis J. Budd, James E. Caron, Everett Carter, Jocelyn Chadwick-Joshua, Pascal Covici Jr., Beverly R. David, Victor Doyno, Dennis W. Eddings, Shelley Fisher Fishkin, S. D. Kapoor, Michael J. Kiskis, James S. Leonard, Victoria Thorpe Miller, Stan Poole, Tom Reigstad, David E. E. Sloane, David Tomlinson
Making Men, Making Class
The YMCA and Workingmen, 1877-1920Thomas Winter
University of Chicago Press, 2002
Starting in the 1870s, the leaders ("secretaries") of the YMCA sought to reduce political radicalism and labor unrest by instilling new ideals of manliness among workers. By involving workingmen in a range of activities on the job and off, the YMCA hoped to foster team spirit, moral conduct, and new standards of manhood that would avoid conflict and instead encourage cooperation along the lines of a Christian, pious manliness. In their efforts to make better men, the secretaries of the YMCA also crafted new ideals of middle-class manliness for themselves that involved a sense of mission and social purpose. In doing so, they ended up "making" class, too, as they began to speak a language of manhood structured by class differences.
Making Modern Japanese-Style Painting
Kano Hogai and the Search for ImagesChelsea Foxwell
University of Chicago Press, 2015
Chelsea Foxwell sheds light on interlinked trends in Japanese nationalist discourse, government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hogai (1828–88) is one telling example: originally a painter for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hogai and others broke with pre-Meiji painting even as it worked to neutralize the rupture.
By arguing that fundamental changes to audience expectations led to the emergence of nihonga—a traditional interpretation of Japanese art for a contemporary, international market—Making Modern Japanese-Style Painting offers a fresh look at an important aspect of Japan’s development into a modern nation.
Making Modern Spain
Religion, Secularization, and Cultural ProductionAzariah Alfante
Bucknell University Press, 2024
Making Peace with Spain
The Diary of Whitelaw Reid, September-December, 1898By Whitelaw Reid; edited by H. Wayne Morgan
University of Texas Press, 1965
Whitelaw Reid, according to H. Wayne Morgan, was a “leading newspaperman, more than an occasional diplomat, a power in his party’s politics, a supporter of some of the best in his era’s culture . . . Of all his legacy, perhaps the record he left of his part in the Peace of Paris is the most significant and most interesting. It not only reveals the workings of his mind and of the peace conference, but also suggests the complex currents that carried his country into the realities of world power in the twentieth century.”
In editing Reid’s diary, Morgan used much material pertinent to the Paris Peace Conference of 1898, employed here for the first time. This material is a rich assortment of archival matter: the Reid Papers, the John Hay Papers, the John Bassett Moore Papers, and the McKinley Papers, in the Library of Congress; the Peace Commission records, in the National Archives; and unpublished materials in the Central Files of the Department of State.
Whitelaw Reid, as a war correspondent during the Civil War, as clerk of the House Military Affairs Committee, and later as a successor to Horace Greeley on the Tribune, gained access to the leaders of his times and insight into their actions. In 1889 he was appointed U.S. Minister to France by Harrison, and in 1892 he had the dubious honor of being chosen as Harrison’s running mate on the losing presidential ticket. An influential friend and supporter of President McKinley and an occasional advisor to him, Reid was no stranger to politics and to international diplomacy when McKinley appointed him to the Peace Commission that wrote the treaty concluding the Spanish-American War. As a matter of fact, Reid’s opinion reflected the administration’s attitude of expansionism, the policy of Manifest Destiny—or “imperialism,” as it was later called.
Reid’s diary records the details of the sessions of the Joint Peace Commission of Paris from September through a large part of December of 1898. His day-by-day entries reveal the complexity of issues to be considered, the tactics of both the Spanish and the American Commissions in attempting to gain advantage for their respective governments, the interplay of the personalities of the once-proud Spaniards and the brash Americans, the political objectives influencing the points of view of the various members, and the maneuverings that brought about the final resolution of debated issues.
Making Photography Matter
A Viewer's History from the Civil War to the Great DepressionCara Finnegan
University of Illinois Press, 2017
Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
Making Race, Making Power
North Carolina's Road to DisfranchisementKent Redding
University of Illinois Press, 2003
Far from being a low-level, localized trend, the struggle for power in North Carolina would be felt across the entire country as race-and class-based organizing challenged the dominant models of making and holding power.
Redding reveals how the ruling class operates with motivations and methods very similar to those of the black voters and Populist farmers they fought against. He tracks how the elites co-opted the innovative mobilizing strategies of the subaltern groups to effectively use their own weapons against them.
At the core of Making Race, Making Power is an insightful dissection of the concrete connections between political strategies of solidarity and exclusion and underlying patterns of race relations.
Making Sense of the Census Revisited
Census Records for England and Wales,1801-1901. A Handbook for Historical ResearchersEdward Higgs
University of London Press, 2005
Making Space on the Western Frontier
Mormons, Miners, and Southern PaiutesW. Paul Reeve
University of Illinois Press, 2006
Making Spirit Matter
Neurology, Psychology, and Selfhood in Modern FranceLarry Sommer McGrath
University of Chicago Press, 2020
The connection between mind and brain has been one of the most persistent problems in modern Western thought; even recent advances in neuroscience haven’t been able to explain it satisfactorily. Historian Larry Sommer McGrath’s Making Spirit Matter studies how a particularly productive and influential group of nineteenth- and early twentieth-century French thinkers attempted to solve this puzzle by showing the mutual dependence of spirit and matter. The scientific revolution taking place at this point in history across disciplines, from biology to psychology and neurology, located our mental powers in the brain and offered a radical reformulation of the meaning of society, spirit, and the self. Tracing connections among thinkers such as Henri Bergson, Alfred Fouillée, Jean-Marie Guyau, and others, McGrath plots alternative intellectual movements that revived themes of creativity, time, and experience by applying the very sciences that seemed to undermine metaphysics and religion. Making Spirit Matter lays out the long legacy of this moment in the history of ideas and how it might renew our understanding of the relationship between mind and brain today.
Making a Man
Gentlemanly Appetites in the Nineteenth Century British NovelGwen Hyman
Ohio University Press, 2009
The gentleman, Making a Man argues, is a dangerous alimental force. Threatened with placelessness, he seeks to locate and mark himself through his feasting and fasting. But in doing so, he inevitably threatens to starve, to subsume, to swallow the community around him. The gentleman is at once fundamental and fundamentally threatening to the health of the nation: his alimental monstrousness constitutes the nightmare of the period’s striving, anxious, alimentally fraught middle class.
Making a Man makes use of food history and theory, literary criticism, anthropology, gender theory, economics, and social criticism to read gentlemanly consumers from Mr. Woodhouse, the gruel-eater in Jane Austen’s Emma, through the vampire and the men who hunt him in Bram Stoker’s Dracula. Hyman argues that appetite is a crucial means of casting light on the elusive identity of the gentleman, a figure who is the embodiment of power and yet is hardly embodied in Victorian literature.
Making a Social Body
British Cultural Formation, 1830-1864Mary Poovey
University of Chicago Press, 1995
Poovey illuminates the ways literary genres, such as the novel, and innovations in social thought, such as statistical thinking and anatomical realism, helped separate social concerns from the political and economic domains. She then discusses the influence of the social body concept on Victorian ideas about the role of the state, examining writings by James Phillips Kay, Thomas Chalmers, and Edwin Chadwick on regulating the poor. Analyzing the conflict between Kay's idea of the social body and Babbage's image of the social machine, she considers the implications of both models for the place of Victorian women. Poovey's provocative readings of Disraeli's Coningsby, Gaskell's Mary Barton, and Dickens's Our Mutual Friend show that the novel as a genre exposed the role gender played in contemporary discussions of poverty and wealth.
Making a Social Body argues that gender, race, and class should be considered in the context of broader concerns such as how social authority is distributed, how institutions formalize knowledge, and how truth is defined.
Making an Antislavery Nation
Lincoln, Douglas, and the Battle over FreedomGraham A. Peck
University of Illinois Press, 2020
This sweeping narrative presents an original and compelling explanation for the triumph of the antislavery movement in the United States prior to the Civil War. Abraham Lincoln's election as the first antislavery president was hardly preordained. From the country's inception, Americans had struggled to define slavery's relationship to freedom. Most Northerners supported abolition in the North but condoned slavery in the South, while most Southerners denounced abolition and asserted slavery's compatibility with whites' freedom. On this massive political fault line hinged the fate of the nation.
Graham A. Peck meticulously traces the conflict over slavery in Illinois from the Northwest Ordinance in 1787 to Lincoln's defeat of his archrival Stephen A. Douglas in the 1860 election. Douglas's attempt in 1854 to persuade Northerners that slavery and freedom had equal national standing stirred a political earthquake that brought Lincoln to the White House. Yet Lincoln's framing of the antislavery movement as a conservative return to the country's founding principles masked what was in fact a radical and unprecedented antislavery nationalism. It justified slavery's destruction but triggered the Civil War.
Presenting pathbreaking interpretations of Lincoln, Douglas, and the Civil War's origins, Making an Antislavery Nation shows how battles over slavery paved the way for freedom's triumph in America.
Making the American Home
Middle-Class Women and Domestic Material Culture, 1840–1940Marilyn F. Motz
University of Wisconsin Press, 1988
Making the Heartland Quilt
A Geographical History of Settlement and Migration in Early-Nineteenth-Century IllinoisDouglas K. Meyer
Southern Illinois University Press, 2000
In Making the Heartland Quilt, Douglas K. Meyer reconstructs the settlement patterns of thirty-three immigrant groups and confirms the emergence of discrete culture regions and regional way stations. Meyer argues that midcontinental Illinois symbolizes a historic test strip of the diverse population origins that unfolded during the Great Migration. Basing his research on the 1850 U.S. manuscript schedules, Meyer dissects the geographical configurations of twenty-three native and ten foreign-born adult male immigrant groups who peopled Illinois. His historical geographical approach leads to the comprehension of a new and clearer map of settlement and migration history in the state.
Meyer finds that both cohesive and mixed immigrant settlements were established. Balkan-like immigrant enclaves or islands were interwoven into evolving local, regional, and national settlement networks. The midcontinental location of Illinois, its water and land linkages, and its lengthy north-south axis enhanced cultural diversity. The barrier effect of Lake Michigan contributed to the convergence and mixing of immigrants. Thus, Meyer demonstrates, Illinois epitomizes midwestern dichotomies: northern versus southern; native-born versus foreign-born; rural versus urban; and agricultural versus manufacturing.
Making the March King
John Philip Sousa's Washington Years, 1854-1893Patrick Warfiled
University of Illinois Press, 2013
Warfield examines Sousa's wide-ranging experience composing, conducting, and performing in the theater, opera house, concert hall, and salons, as well as his leadership of the United States Marine Band and the later Sousa Band, early twentieth-century America's most famous and successful ensemble. Sousa composed not only marches during this period but also parlor, minstrel, and art songs; parade, concert, and medley marches; schottisches, waltzes, and polkas; and incidental music, operettas, and descriptive pieces. Warfield's examination of Sousa's output reveals a versatile composer much broader in stylistic range than the bandmaster extraordinaire remembered as the March King.
In particular, Making the March King demonstrates how Sousa used his theatrical training to create the character of the March King. The exuberant bandmaster who pleased audiences was both a skilled and charismatic conductor and a theatrical character whose past and very identity suggested drama, spectacle, and excitement. Sousa's success was also the result of perseverance and lessons learned from older colleagues on how to court, win, and keep an audience. Warfield presents the story of Sousa as a self-made business success, a gifted performer and composer who deftly capitalized on his talents to create one of the most entertaining, enduring figures in American music.
Making the News
Modernity and the Mass Press in Nineteenth-Century FranceDean de la Motte
University of Massachusetts Press, 1999
Much recent writing on print culture has focused on the social and political implications of the transition from “elite” to “mass” culture in the 1800s. The essays in this volume add significantly to our understanding of the role of the nineteenth-century French press in producing the commodities, consumers, and ideological frameworks that are the hallmarks of this shift. The book also offers an opportunity for useful comparisons with recent scholarship on the rise on the popular press in the United States, Great Britain, and Germany.
The essays address a wide range of topics, from the emergence of commercial daily newspapers during the July Monarchy to the photographic representation of women in the Paris Commune. Together they demonstrate that the French mass press was far more heterogeneous than previously supposed, tapping into an expanding readership composed of a variety of publics—from affluent bourgeois to disaffected workers to disenfranchised women. It was also relentlessly innovative, using caricature, argot, advertisements, and other attention-grabbing techniques that blurred the lines separating art, politics, and the news.
Making the White Man's West
Whiteness and the Creation of the American WestJason E. Pierce
University Press of Colorado, 2016
The West, especially the Intermountain states, ranks among the whitest places in America, but this fact obscures the more complicated history of racial diversity in the region. In Making the White Man’s West, author Jason E. Pierce argues that since the time of the Louisiana Purchase, the American West has been a racially contested space. Using a nuanced theory of historical “whiteness,” he examines why and how Anglo-Americans dominated the region for a 120-year period.
In the early nineteenth century, critics like Zebulon Pike and Washington Irving viewed the West as a “dumping ground” for free blacks and Native Americans, a place where they could be segregated from the white communities east of the Mississippi River. But as immigrant populations and industrialization took hold in the East, white Americans began to view the West as a “refuge for real whites.” The West had the most diverse population in the nation with substantial numbers of American Indians, Hispanics, and Asians, but Anglo-Americans could control these mostly disenfranchised peoples and enjoy the privileges of power while celebrating their presence as providing a unique regional character. From this came the belief in a White Man’s West, a place ideally suited for “real” Americans in the face of changing world.
The first comprehensive study to examine the construction of white racial identity in the West, Making the White Man’s West shows how these two visions of the West—as a racially diverse holding cell and a white refuge—shaped the history of the region and influenced a variety of contemporary social issues in the West today.
Maladies of the Will
The American Novel and the Modernity ProblemJennifer L. Fleissner
University of Chicago Press, 2022
What if the modern person were defined not by reason or sentiment, as Enlightenment thinkers hoped, but by will? Western modernity rests on the ideal of the autonomous subject, charting a path toward self-determination. Yet novelists have portrayed the will as prone to insufficiency or excess—from indecision to obsession, wild impulse to melancholic inertia. Jennifer Fleissner’s ambitious book shows how the novel’s attention to the will’s maladies enables an ongoing interrogation of modern premises from within.
Maladies of the Will reveals the nineteenth-century American novel’s relation to a wide-ranging philosophical tradition, highly relevant to our own tumultuous present. In works from Moby-Dick and The Scarlet Letter to Elizabeth Stoddard’s The Morgesons and Charles W. Chesnutt’s The Marrow of Tradition, the will’s grandeur and its perversity emerge as it alternately aligns itself with and pits itself against a bigger Will—whether of God, the state, society, history, or life itself. Today, when invocations of autonomy appear beside the medicalization of many behaviors, and democracy’s tenet of popular will has come into doubt, Maladies of the Will provides a map to how we got here, and how we might think these vital dilemmas anew.
Malignant Growth
Creating the Modern Cancer Research Establishment, 1875–1915Alan I Marcus
University of Alabama Press, 2018
In Malignant Growth: Creating the Modern Cancer Research Establishment, 1875–1915, Alan I Marcus explores a relatively understudied period in the history of cancer by providing a careful investigation of the first public crusade to determine the cause of cancer. The search for cancer’s cause during the heady era of bacteriology was colored by the Germ Theory of Disease. Researchers had demonstrated in malady after malady that each disease was the result of a singular and specific pathogenic agent. That model led investigators to optimistically conclude that they would soon find the cause of what was termed the “emperor of all maladies,” cases of which were apparently increasing at a prodigious rate worldwide.
In this accessible history of science and medicine, Marcus exposes the complex story of the efforts made from 1875 through 1915 to first conquer and, failing that, to control cancer—a dual approach that remains in force to this day. He reveals the messiness of real-time scientific research, tracing the repeated lurches of promise, discoveries of hope, and the inevitable despair that always followed. Other barriers existed to the research, such as inconsistency in test standards and inter-laboratory competition and mistrust. Researchers approached cancer from such disparate specialties as clinical medicine, zoology, botany, chemistry, nutrition, bacteriology, pathology, and microbiology. Although they came from diverse fields, each steadfastly maintained that cancer operated in an analogous fashion to other bacteriological diseases.
Virtually every country and a slew of various clinicians and investigators waged this first war on cancer, operating in remarkably diverse scientific venues. Cancer laboratories and hospitals, as well as organizations like the American Cancer Society, were born out of this first offensive on cancer. Even as cancer continues to proliferate today, these institutions that initially formed to defeat cancer more than a hundred years ago persist and continue to expand.
Manly Love
Romantic Friendship in American FictionAxel Nissen
University of Chicago Press, 2009
The modern idea of Victorians is that they were emotionless prudes, imprisoned by sexual repression and suffocating social constraints; they expressed love and affection only within the bounds of matrimony—if at all. And yet, a wealth of evidence contradicting this idea has been hiding in plain sight for close to a century. In Manly Love, Axel Nissen turns to the novels and short stories of Victorian America to uncover the widely overlooked phenomenon of passionate friendships between men.
Nissen’s examination of the literature of the period brings to light a forgotten genre: the fiction of romantic friendship. Delving into works by Mark Twain, Henry James, William Dean Howells, and others, Nissen identifies the genre’s unique features and explores the connections between romantic friendships in literature and in real life. Situating love between men at the heart of Victorian culture, Nissen radically alters our understanding of the American literary canon. And with its deep insights into the emotional and intellectual life of the period, Manly Love also offers a fresh perspective on nineteenth-century America’s attitudes toward love, friendship, marriage, and sex.
Map Men
Transnational Lives and Deaths of Geographers in the Making of East Central EuropeSteven Seegel
University of Chicago Press, 2018
Taking us deep into cartographical archives, Seegel re-creates the public and private worlds of these five mapmakers, who interacted with and influenced one another even as they played key roles in defining and redefining borders, territories, nations—and, ultimately, the interconnection of the world through two world wars. Throughout, he examines the transnational nature of these processes and addresses weighty questions about the causes and consequences of the world wars, the rise of Nazism and Stalinism, and the reasons East Central Europe became the fault line of these world-changing developments.
At a time when East Central Europe has surged back into geopolitical consciousness, Map Men offers a timely and important look at the historical origins of how the region was defined—and the key people who helped define it.
Mapping the Nation
History and Cartography in Nineteenth-Century AmericaSusan Schulten
University of Chicago Press, 2012
In the nineteenth century, Americans began to use maps in radically new ways. For the first time, medical men mapped diseases to understand and prevent epidemics, natural scientists mapped climate and rainfall to uncover weather patterns, educators mapped the past to foster national loyalty among students, and Northerners mapped slavery to assess the power of the South. After the Civil War, federal agencies embraced statistical and thematic mapping in order to profile the ethnic, racial, economic, moral, and physical attributes of a reunified nation. By the end of the century, Congress had authorized a national archive of maps, an explicit recognition that old maps were not relics to be discarded but unique records of the nation’s past.
All of these experiments involved the realization that maps were not just illustrations of data, but visual tools that were uniquely equipped to convey complex ideas and information. In Mapping the Nation, Susan Schulten charts how maps of epidemic disease, slavery, census statistics, the environment, and the past demonstrated the analytical potential of cartography, and in the process transformed the very meaning of a map.
Today, statistical and thematic maps are so ubiquitous that we take for granted that data will be arranged cartographically. Whether for urban planning, public health, marketing, or political strategy, maps have become everyday tools of social organization, governance, and economics. The world we inhabit—saturated with maps and graphic information—grew out of this sea change in spatial thought and representation in the nineteenth century, when Americans learned to see themselves and their nation in new dimensions.
Mapping the State
English Boundaries and the 1832 Reform ActMartin Spychal
University of London Press, 2024
The 1832 Reform Act was a landmark moment in the development of modern British politics. By overhauling the country’s ancient representative system, the legislation reshaped constitutional arrangements at Westminster, reinvigorated political relationships between the center and the provinces, and established the political structures and precedents that both shaped and hindered Britain’s slow lurch towards democracy by 1928.
Mapping the State leads to a fundamental rethinking of the 1832 Reform Act by demonstrating how boundary reform and the reconstruction of England’s electoral map by the little-known 1831–1832 boundary commission underpinned this turning point in the development of the British political nation. Eschewing traditional approaches to the 1832 Reform Act, it draws from a significant new archival discovery—the working papers of the boundary commission—and a range of innovative quantitative techniques to provide a major reassessment of why and how the 1832 Reform Act passed, its impact on reformed politics both at Westminster and in the constituencies, and its significance to the expansion of the modern British state.
Margaret Fuller and Her Circles
Brigitte Bailey
University of New Hampshire Press, 2013
Margaret Fuller
Transatlantic Crossings in a Revolutionary AgeEdited by Charles Capper and Cristina Giorcelli
University of Wisconsin Press, 2007
This volume is a collaboration of international scholars who, from varied fields and approaches, assess Fuller’s genius and character. Treating the last several years of Margaret Fuller’s short life, these essays offer a truly international discussion of Fuller’s unique cultural, political, and personal achievements. From the origins and articulations of Fuller’s cosmopolitanism to her examination of “the woman question,” and from her fascination with the European “other” to her candid perception of imperial America from abroad, they ponder what such an extraordinary woman meant to America, and also to Italy and Europe, during her lifetime and continuing to the present.
Margaret
A Tale of the Real and Ideal, Blight and BloomSylvester Judd
University of Massachusetts Press, 2009
Praised at the time as the most emphatically “American” book ever written, Margaret is a breathtaking combination of female bildungsroman, utopian novel, and historical romance. First published in 1845, Sylvester Judd's novel centers on the fictional New England village of Livingston, where the young Margaret Hart strives to escape the poverty and vice of her surroundings by learning from a mysterious teacher, the “Master,” and by entwining herself with the powers of nature. But when Margaret's brother is tried and hanged for murder, this rural community collapses, forcing Margaret to face the temptations of an urban underworld and to confront the intrigue of her family history. Margaret is the story of a young woman's attempt to create a new social order, founded on beauty and truth, in a land plagued by violence, debauchery, and political instability.
As Gavin Jones points out in his new introduction, Margaret perhaps stands alone in its creation of a female character who grows in social rather than domestic power. The novel also remains unique in its exploration of transcendental philosophy in novelistic form. Part eco-criticism, part seduction novel, part temperance tract, and part social history, Margaret is a virtual handbook for understanding the literary culture of mid-nineteenth-century America, the missing piece in puzzling out connections between writers such as Hawthorne, Melville, Whitman, and Thoreau.
Margaret was widely read and deeply influential on both British and American writers throughout the nineteenth century but controversial for its representations of alcoholism and capital punishment. Judd's novel remains resonant for today's readers as it overturns conventional views of the literary representation of women and the origins of the American Renaissance.
Marginalizing Colonialism
The Politics of Urban Growth in BolgatangaDomenico Cristofaro
Ohio University Press, 2026
Marginalizing Colonialism offers a social, political, and spatial history of Bolgatanga, a northern Ghanaian town whose colonial-era urban development has been largely overlooked in African historiography. Covering the late nineteenth century through the 1940s, the book traces how this settlement—long characterized as a remote hinterland of the British Empire—emerged as a commercial and political center in the region. Rather than depicting urbanization as an imperial project, it reveals how African actors actively shaped Bolgatanga’s growth and repeatedly marginalized, redirected, and evaded colonial authority.
The narrative follows Bolgatanga’s transformation from a dispersed settlement organized around kinship, ritual geographies, and earth shrines into a dynamic urban hub integrated into regional trade networks. Central to this shift were new land tenure systems, commercial expansion, and changing spatial practices. By the 1930s and 1940s, trade in kola, groundnuts, livestock, and other goods surged, stimulated by new roads and increased mobility. Population growth converted farmland into leased plots, permanent buildings replaced older compounds, and areas around the market became focal points of economic and social life.
These changes were driven not by the colonial state but rather by local negotiations and strategic adaptations. Chiefs, earth priests, merchants, and migrant traders mediated and reshaped colonial policies, while missionaries and settlers concluded land agreements beyond official oversight. Roads and marketplaces, planned through negotiations between colonial officials and local chiefs and built largely through African labor, became central infrastructures of local economic life. Even as colonial administrators sought to codify land tenure and regulate commerce, their influence remained largely nominal—a background presence in a story propelled by African initiative.
Drawing on archival documents, oral histories, and unpublished manuscripts by local intellectuals, Marginalizing Colonialism provides the first comprehensive urban history of Bolgatanga. It challenges dominant narratives in African colonial and urban historiography by exposing the silences of the colonial archive and highlighting the significance of medium-sized towns as arenas of negotiation and creativity. Ultimately, the book argues that Bolgatanga’s urbanization was a locally driven process that redefined power, space, and governance—leaving a legacy that continues to shape the city’s identity and regional role today.
Maria Baldwin's Worlds
A Story of Black New England and the Fight for Racial JusticeKathleen Weiler
University of Massachusetts Press, 2019
Maria Baldwin (1856–1922) held a special place in the racially divided society of her time, as a highly respected educator at a largely white New England school and an activist who carried on the radical spirit of the Boston area's internationally renowned abolitionists from a generation earlier.
African American sociologist Adelaide Cromwell called Baldwin “the lone symbol of Negro progress in education in the greater Boston area” during her lifetime. Baldwin used her respectable position to fight alongside more radical activists like William Monroe Trotter for full citizenship for fellow members of the black community. And, in her professional and personal life, she negotiated and challenged dominant white ideas about black womanhood. In Maria Baldwin's Worlds, Kathleen Weiler reveals both Baldwin's victories and what fellow activist W. E. B. Du Bois called her “quiet courage” in everyday life, in the context of the wider black freedom struggle in New England.
Maria Longworth Storer
From Music and Art to Popes and PresidentsConstance J. Moore; Nancy M. Broermann
Ohio University Press, 2019
Published by the University of Cincinnati Press
While the adage may go, “Behind every great man is a great woman,” the story of Maria Longworth Storer necessitates a new adage—at the front of every great city is a great woman. After being shunted into the biographies and history books of other people, Longworth Storer is now finally given center stage on the one hundred and seventieth anniversary of her birth.
Maria Longworth Storer: From Music and Art to Popes and Presidents is the most comprehensive biography of this one of a kind Cincinnatian. Known as the founder of the first female-run manufacturing company in the United States, Rookwood Pottery, Longworth Storer was passionate about women’s rights, her city, and issues of poverty and the arts. She owned Rookwood pottery for nine years, and then transferred ownership after earning recognition at the Exhibition of American Art Industry in Philadelphia and receiving a gold medal at the Exposition Universelle in Paris. Aside from her success with Rookwood, Longworth Storer was central to making the Queen City the major cultural landmark it is today. Although the rest of her life was no less remarkable as the wife of notorious diplomat Bellamy Storer, later embroiled in the famous Roosevelt-Storer scandal, little has been written about her contributions and exploits in diplomatic relations and her powerful influence on turn-of-the-twentieth-century political leaders.
Featuring new archival research, and never before seen photos of the Storer family, authors Constance J. Moore and Nancy M. Broermann have compiled a portrait of Maria Longworth Storer that is rich in detail, fitting to both the wide, often eclectic, breadth of Longworth Storer’s projects, and to the depth of her impact on leaders from Washington D.C. to Europe.
Moving through major moments in both American and Cincinnati history, and intersecting with significant historical figures including Teddy Roosevelt and William Howard Taft, Moore and Broermann expose the broader historical narrative of Longworth Storer’s life without letting her unique spirit and individual accomplishments become overshadowed by them.
Through thoughtful, balanced narrative, readers get to know a remarkable woman whose fascinating and dramatic life as a political figure, women’s rights advocate, and patron of the arts has had a long lasting legacy on the Queen City and the Shaping of our nation’s diplomatic policies.
Maria Martin's World
Art and Science, Faith and Family in Audubon’s AmericaDebra J. Lindsay
University of Alabama Press, 2018
Maria Martin (1796–1863) was an evangelical Lutheran from Charleston, South Carolina, who became an accomplished painter within months of meeting John James Audubon. Martin met Audubon through her brother-in-law, Reverend John Bachman, who befriended Audubon while passing through Charleston on route to Florida where he expected to find new avian species. Martin was an amateur artist, but by the time Audubon left, she had familiarized herself with his style of drawing. Six months after their initial meeting, her background botanicals were deemed good enough to embellish Audubon’s exquisite bird paintings.
Martin’s botanicals and insects appeared in volumes two and four of The Birds of America (1830–1838). She painted snakes for John Edwards Holbrook’s North American Herpetology (1842) and assisted in drafting the descriptive taxonomies prepared by John Bachman—who later became her husband in 1848 following the death of her older sister—for The Viviparous Quadrupeds of North America (1846–1854). Until now, her contributions have been unknown to all but the most astute students of natural history and art history and a close circle of family and friends.
Maria Martin’s World is a heavily illustrated volume examining how Maria Martin learned to paint aesthetically beautiful botanicals with exacting accuracy. Drawing on deep research into archival documents and family-held artifacts, Debra Lindsay brings Maria Martin out from behind the curtain of obscurity and disinformation that has previously shrouded her and places her centrally in her own time and milieu. In the telling of Maria Martin’s story, Lindsay also uncovers many nuances of the behavior and actions of the two prominent men in her life that readers interested in Audubon and Bachman will find noteworthy.
Martin was a gifted artist recognized for having contributed beautiful paintings to a natural history. But beyond the natural world this is a biography of an evangelical Lutheran steeped in the faith of her German ancestors and raised to respect the patriarchal norms of her time. Maria Martin pursued her scientific and artistic interests only when they did not conflict with her religious and familial responsibilities.
Marianne Meets the Mormons
Representations of Mormonism in Nineteenth-Century FranceHeather Belnap, Corry Cropper, and Daryl Lee
University of Illinois Press, 2022
Surprising and innovative, Marianne Meets the Mormons looks at how nineteenth-century French observers engaged with the idea of Mormonism in order to reframe their own cultural preoccupations.
Mariners, Renegades and Castaways
The Story of Herman Melville and the World We Live InC. L. R. James
Dartmouth College Press, 2001
Mark Twain & France
The Making of a New American IdentityPaula Harrington and Ronald Jenn
University of Missouri Press, 2017
While critics have generally dismissed Mark Twain’s relationship with France as hostile, Harrington and Jenn see Twain’s use of the French as a foil to help construct his identity as “the representative American.” Examining new materials that detail his Montmatre study, the carte de visite album, and a chronology of his visits to France, the book offers close readings of writings that have been largely ignored, such as The Innocents Adrift manuscript and the unpublished chapters of A Tramp Abroad, combining literary analysis, socio-historical context and biographical research.
Mark Twain and Medicine
"Any Mummery Will Cure"K. Patrick Ober
University of Missouri Press, 2003
Mark Twain has always been America’s spokesman, and his comments on a wide range of topics continue to be accurate, valid, and frequently amusing. His opinions on the medical field are no exception. While Twain’s works, including his popular novels about Tom Sawyer and Huckleberry Finn, are rich in medical imagery and medical themes derived from his personal experiences, his interactions with the medical profession and his comments about health, illness, and physicians have largely been overlooked.
In Mark Twain and Medicine, K. Patrick Ober remedies this omission. The nineteenth century was a critical time in the development of American medicine, with much competition among the different systems of health care, both traditional and alternative. Not surprisingly, Mark Twain was right in the middle of it all. He experimented with many of the alternative care systems that were available in his day—in part because of his frustration with traditional medicine and in part because he hoped to find the “perfect” system that would bring health to his family.
Twain’s commentary provides a unique perspective on American medicine and the revolution in medical systems that he experienced firsthand. Ober explores Twain’s personal perspective in this area, as he expressed it in fiction, speeches, and letters. As a medical educator, Ober explains in sufficient detail and with clarity all medical and scientific terms, making this volume accessible to the general reader.
Ober demonstrates that many of Twain’s observations are still relevant to today’s health care issues, including the use of alternative or complementary medicine in dealing with illness, the utility of placebo therapies, and the role of hope in the healing process.
Twain’s evaluation of the medical practices of his era provides a fresh, humanistic, and personalized view of the dramatic changes that occurred in medicine through the nineteenth century and into the first decade of the twentieth. Twain scholars, general readers, and medical professionals will all find this unique look at his work appealing.
Mark Twain and Orion Clemens
Brothers, Partners, StrangersPhilip Ashley Fanning
University of Alabama Press, 2003
One became America’s greatest writer. The other died in obscurity and failure. As brothers, they shaped each other's lives and work.
In a compelling way, Philip Fanning traces the fraternal relationship of Orion and Samuel Clemens from its beginning in Hannibal, Missouri, in the 1830s to Orion's death in Iowa in 1897. He demonstrates that Orion’s influence on the writer known as Mark Twain was profound, pervasive, and prolonged.
In some respects, Samuel defined himself against Orion’s formidable background. It was Orion who became the chief financial and spiritual support of the Clemens family following the father's controversial death in 1847. It was Orion who led the way for his brother into printing, journalism, and mine speculation. And it was Orion who served as Sam’s first real editor and literary mentor, recognizing and encouraging his younger brother’s talents as a writer.
The two siblings had much in common, and they often appeared to be codependent, so much so that their attitudes veered sharply from mutual admiration to mutual disdain and rivalry. Whereas Orion was self-effacing, easygoing, humble, and adventurous in his politics and progressive in his views, Twain was often ill-tempered and antagonistic toward those around him and conservative in his outlook. He frequently portrayed his older brother in autobiographical writings and letters as a buffoon and a laughingstock.
Fanning—who drew upon extensive archival sources, unpublished letters between the two brothers, and the Mark Twain Papers at the University of California, Berkeley—charts these divergences in their characters and in their fortunes. As Twain rose to become a national celebrity and a financial success, Orion's finances and self-esteem disintegrated, and Twain’s treatment of his brother became evermore harsh and mocking. Fanning’s study stands as both a biography of a fractious fraternal relationship and a work of scholarship that highlights for the first time how significantly Orion Clemens influenced Twain’s psychic and artistic economy.
Mark Twain and the Spiritual Crisis of His Age
Harold K. Bush
University of Alabama Press, 2007
Discover the spiritual depths behind America’s greatest humorist.
Mark Twain is often pictured as a severe critic of religious piety, shaking his fist at God and mocking the devout. Such a view, however, is only partly correct. It ignores the social realities of Twain’s major period as a writer and his own spiritual interests: his participation in church activities, his socially progressive agenda, his reliance on religious themes in his major works, and his friendships with clergymen, especially his pastor and best friend, Joe Twichell. It also betrays a conception of religion that is more contemporary than that of the period in which he lived.
Harold K. Bush Jr. highlights Twain’s attractions to and engagements with the wide variety of religious phenomena of America in his lifetime, and how these matters affected his writings. Though Twain lived in an era of tremendous religious vigor, it was also a time of spiritual upheaval and crisis. The rise of biological and psychological sciences, the criticism of biblical texts as literary documents, the influx of world religions and immigrant communities, and the trauma of the Civil War all had dramatic effects on America’s religious life. At the same time mass urban revivalism, the ecumenical movement, Social Christianity, and occultic phenomena, like spiritualism and mind sciences, all rushed in to fill the voids. The rapid growth of agnosticism in the 1870s and 1880s is also clearly reflected in Twain’s life and writings. Thus Twain’s career reflects in an unusually resonant way the vast changes in American belief during his lifetime.
Bush’s study offers both a new and more complicated understanding of Twain and his literary output and serves as the cultural biography of an era.