Karen Brown
Ohio University Press, 2011
Through the ages, rabies has exemplified the danger of diseases that transfer from wild animals to humans and their domestic stock. In South Africa, rabies has been on the rise since the latter part of the twentieth century despite the availability of postexposure vaccines and regular inoculation campaigns for dogs.
In Mad Dogs and Meerkats: A History of Resurgent Rabies in Southern Africa, Karen Brown links the increase of rabies to the HIV/AIDS epidemic. Her study shows that the most afflicted regions of South Africa have seen a dangerous rise in feral dog populations as people lack the education, means, or will to care for their pets or take them to inoculation centers. Most victims are poor black children. Ineffective disease control, which in part depends on management policies in neighboring states and the diminished medical and veterinary infrastructures in Zimbabwe, has exacerbated the problem.
This highly readable book is the first study of rabies in Africa, tracing its history in South Africa and neighboring states from 1800 to the present and showing how environmental and economic changes brought about by European colonialism and global trade have had long-term effects.
Mad Dogs and Meerkats is recommended for public health policy makers and anyone interested in human-animal relations and how societies and governments have reacted to one of the world’s most feared diseases.
Peter M. Shane
University of Chicago Press, 2009
The George W. Bush administration’s ambitious—even breathtaking—claims of unilateral executive authority raised deep concerns among constitutional scholars, civil libertarians, and ordinary citizens alike. But Bush’s attempts to assert his power are only the culmination of a near-thirty-year assault on the basic checks and balances of the U.S. government—a battle waged by presidents of both parties, and one that, as Peter M. Shane warns in Madison’s Nightmare, threatens to utterly subvert the founders’ vision of representative government.
Tracing this tendency back to the first Reagan administration, Shane shows how this era of "aggressive presidentialism" has seen presidents exerting ever more control over nearly every arena of policy, from military affairs and national security to domestic programs. Driven by political ambition and a growing culture of entitlement in the executive branch—and abetted by a complaisant Congress, riven by partisanship—this presidential aggrandizement has too often undermined wise policy making and led to shallow, ideological, and sometimes outright lawless decisions. The solution, Shane argues, will require a multipronged program of reform, including both specific changes in government practice and broader institutional changes aimed at supporting a renewed culture of government accountability.
From the war on science to the mismanaged war on terror, Madison’s Nightmare outlines the disastrous consequences of the unchecked executive—and issues a stern wake-up call to all who care about the fate of our long democratic experiment.
Umayyah Cable
University of Minnesota Press, 2025
A history of cinema’s role in popularizing the politics of Palestinian liberation
For decades, Arab American activists and allies have used film, video, and multimedia to mobilize support for the Palestinian cause in the United States. In this detailed history of cinema’s role within the broader solidarity movement, Umayyah Cable analyzes the various strands of cinematic activism that have helped move Palestinian liberation politics from the periphery and into the mainstream.
Cable charts the shifting discourse around Palestine as it has been shaped by grassroots film production and alternative media distribution networks as well as more conventional outlets. Ranging from the circulation of educational filmstrips by the Association of Arab American University Graduates in the 1970s to the treatment of Palestinian solidarity at contemporary Hollywood awards ceremonies and film festivals, Mainstreaming Palestine tells the story of how cinema has promoted Palestinian liberation and solidarity politics. While highlighting various public controversies and struggles against censorship, Cable also acknowledges the drawbacks of the Palestinian cause being subsumed by the mainstream, discussing how activism risks becoming fashionable, undermining the radical potential of the very tools that helped bring it there.
Combining archival research, ethnographic observation and interviews, text analysis, and visual analysis of film, video, and multimedia, Mainstreaming Palestine encourages readers to critically assess the relationship between the politics of liberation and the all-consuming engine of contemporary capitalism. By underscoring the impact of visual media on the evolution of the Palestinian solidarity discourse, this book offers both a treatise on the practical power of cinema and a necessary historicization of an urgent issue in American politics.
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Bill Beuttler
Lever Press, 2019
Brian Cuddy and Victor Kattan, Editors
University of Michigan Press, 2023
Making Endless War is built on the premise that any attempt to understand how the content and function of the laws of war changed in the second half of the twentieth century should consider two major armed conflicts, fought on opposite edges of Asia, and the legal pathways that link them together across time and space. The Vietnam and Arab-Israeli conflicts have been particularly significant in the shaping and attempted remaking of international law from 1945 right through to the present day. This carefully curated collection of essays by lawyers, historians, philosophers, sociologists, and political geographers of war explores the significance of these two conflicts, including their impact on the politics and culture of the world’s most powerful nation, the United States of America. The volume foregrounds attempts to develop legal rationales for the continued waging of war after 1945 by moving beyond explaining the end of war as a legal institution, and toward understanding the attempted institutionalization of endless war.
Nikki Usher
University of Michigan Press, 2014
This news ethnography brings to bear the overarching value clashes at play in a digital news world. The book argues that emergent news values are reordering the fundamental processes of news production. Immediacy, interactivity, and participation now play a role unlike any time before, creating clashes between old and new. These values emerge from the social practices, pressures, and norms at play inside the newsroom as journalists attempt to negotiate the new demands of their work. Immediacy forces journalists to work in a constant deadline environment, an ASAP world, but one where the vaunted traditions of yesterday's news still appear in the next day's print paper. Interactivity, inspired by the new user-computer directed capacities online and the immersive Web environment, brings new kinds of specialists into the newsroom, but exacts new demands upon the already taxed workflow of traditional journalists. And at time where social media presents the opportunity for new kinds of engagement between the audience and media, business executives hope for branding opportunities while journalists fail to truly interact with their readers.
Smitha Radhakrishnan
Duke University Press, 2022
Kimberly A. Creasap
Temple University Press, 2022
In the three largest cities in Sweden, social movement “scenes”—networks of social movement actors and the places they inhabit—challenge threats such as gentrification. The geography of the built environment influences their ability to lay claim to urban space and to local political processes. In Making a Scene, Kimberly Creasap emphasizes that it is the centrality, concentration, and visibility of these scenes that make them most effective. Whereas some scenes become embedded as part of everyday life—as in Malmö—in contrast, scenes in Göteborg and Stockholm often fail to become part of the fabric of urban neighborhoods.
Creasap investigates key spaces for scenes, from abandoned industrial areas and punk clubs to street festivals, bookstores, and social centers, to show how activists create sites and develop structures of resistance that are anti-capitalist, anti-fascist, anti-gentrification, queer, and feminist. She also charts the relationship between scenes and city spaces to show these autonomous social movements create their own cultural landscapes. Making a Scene encourages critical thinking about spatiality and place in the sociology of social movements and the role of social movements as important actors in urban development.
Mary L. Dudziak
University of Massachusetts Press, 2021
Corinne Mitsuye Sugino
Rutgers University Press, 2025
Winner of the 2026 Cultural Studies Association First Book Prize
From the debate over affirmative action to the increasingly visible racism amidst the COVID-19 pandemic, Asian Americans have emerged as key figures in a number of contemporary social controversies. In Making the Human: Race, Allegory, and Asian Americans, Corinne Mitsuye Sugino offers the lens of racial allegory to consider how media, institutional, and cultural narratives mobilize difference to normalize a white, Western conception of the human. Rather than focusing on a singular arena of society, Sugino considers contemporary sources across media, law, and popular culture to understand how they interact as dynamic sites of meaning-making. Drawing on scholarship in Asian American studies, Black studies, cultural studies, communication, and gender and sexuality studies, Sugino argues that Asian American racialization and gendering plays a key role in shoring up abstract concepts such as “meritocracy,” “family,” “justice,” “diversity,” and “nation” in ways that naturalize hierarchy. In doing so, Making the Human grapples with anti-Asian racism’s entanglements with colonialism, antiblackness, capitalism, and gendered violence.
Anthony Nadler
University of Illinois Press, 2016
Anthony Nadler charts a paradigm shift, from market research's reach into the editorial suite in the 1970s through contemporary experiments in collaborative filtering and social news sites like Reddit and Digg. As Nadler shows, the transition was and is a rocky one. It also goes back much further than many experts suppose. Idealized visions of demand-driven news face obstacles with each iteration. Furthermore, the post-professional philosophy fails to recognize how organizations mobilize interest in news and public life. Nadler argues that this civic function of news organizations has been neglected in debates on the future of journalism. Only with a critical grasp of news outlets' role in stirring broad interest in democratic life, he says, might journalism's digital crisis push us toward building a more robust and democratic news media.
Wide-ranging and original, Making the News Popular offers a critical examination of an important, and still evolving, media phenomenon.
Vernon Bogdanor
Haus Publishing, 2025
Janet Steele
National University of Singapore Press, 2023
By David Greven
University of Texas Press, 2009
A struggle between narcissistic and masochistic modes of manhood defined Hollywood masculinity in the period between the presidencies of George H. W. Bush and George W. Bush. David Greven's contention is that a profound shift in representation occurred during the early 1990s when Hollywood was transformed by an explosion of films that foregrounded non-normative gendered identity and sexualities. In the years that have followed, popular cinema has either emulated or evaded the representational strategies of this era, especially in terms of gender and sexuality.
One major focus of this study is that, in a great deal of the criticism in both the fields of film theory and queer theory, masochism has been positively cast as a form of male sexuality that resists the structures of normative power, while narcissism has been negatively cast as either a regressive sexuality or the bastion of white male privilege. Greven argues that narcissism is a potentially radical mode of male sexuality that can defy normative codes and categories of gender, whereas masochism, far from being radical, has emerged as the default mode of a traditional normative masculinity. This study combines approaches from a variety of disciplines—psychoanalysis, queer theory, American studies, men's studies, and film theory—as it offers fresh readings of several important films of the past twenty years, including Casualties of War, The Silence of the Lambs, Fight Club, The Passion of the Christ, Auto Focus, and Brokeback Mountain.
Silvia Henke, Dieter Mersch, Nicolaj van der Meulen, Thomas Strässle, and Jörg Wiesel
Diaphanes, 2020
Craig Crist-Evans
University of Iowa Press, 2006
Elizabeth Currans
University of Illinois Press, 2017
Peter Alexander
Ohio University Press, 2013
The Marikana Massacre of August 16, 2012, was the single most lethal use of force by South African security forces against civilians since the end of apartheid. Those killed were mineworkers in support of a pay raise. Through a series of interviews conducted with workers who survived the attack, this account documents and examines the controversial shootings in great detail, beginning with a valuable history of the events leading up to the killing of workers, and including eyewitness accounts of the violence and interviews with family members of those who perished.
While the official Farlam Commission investigation of the massacre is still ongoing, many South Africans do not hold much confidence in the government’s ability to examine its own complicity in these events. Marikana, on the other hand, examines the various roles played by the African National Congress, the mine company, and the National Union of Mineworkers in creating the conditions that led to the massacre. While the commission’s investigations take place in a courtroom setting tilted toward those in power, Marikana documents testimony from the mineworkers in the days before official statements were even gathered, offering an unusually immediate and unfiltered look at the reality from the perspective of those most directly affected. Enhanced by vivid maps that make clear the setting and situation of the events, Marikana is an invaluable work of history, journalism, sociology, and activism.
Hana Josticova
Central European University Press, 2024
The chapters in this book represent successive phases of one story – that of Mariupol, formerly Ukraine’s tenth largest city, and the second largest in the Donbas region. The author, a young Slovak academic, conducted her ethnographic fieldwork in this coastal town between November 2018 and August 2021. She was one of the last academics to do research in Mariupol before its invasion and eventual occupation by Russia.
During these years, Hana Jošticová was overwhelmed by acts of mobilization and resistance that went in opposite directions: support for a Western direction of Ukraine’s future, and support for the status quo that the victory of the Euromaidan seemed to threaten.
She noted the sequence of events presented in the media and through the lens of individual frames and narratives. Her book is a collection and interpretation of memories and testimonies from both sides: those who actively resisted Russian influence; and those who sparked their own revolution, the ‘Russian Spring.’ Her focus is on self-mobilized individuals who resorted to action outside of established organizational structures spontaneously, autonomously, without resources and guarantees of safety. Her evidence indicates that popular support for the Russian Spring had less to do with Russia than with the social, economic, or cultural characteristics of the Donetsk region.
Years of immersive research convinced the author that individuals are as important as masses, ideas are as powerful as material resources, and beliefs and emotions are as critical as weapons.
Joseph Whitson
University of Minnesota Press, 2025
How outdoor industry marketing promotes an image of “the wilderness” as an unpeopled haven
Marketing the Wilderness analyzes the relationship between the outdoor recreation industry, public lands in the United States, and Indigenous sovereignty and representation in recreational spaces. Combining social media analysis, digital ethnography, and historical research, Joseph Whitson offers nuanced insights into more than a century of the outdoor recreation industry’s marketing strategies, unraveling its complicity in settler colonialism.
Complicating the narrative of outdoor recreation as a universal good, Whitson introduces the concept of “wildernessing” to describe the physical, legal, and rhetorical production of pristine, empty lands that undergirds the outdoor recreation industry, a process that further disenfranchises Indigenous people from whom these lands were stolen. He demonstrates how companies such as Patagonia and REI align with the mining and drilling industries in their need to remove Indigenous peoples and histories from valuable lands. And he describes the ways Indigenous and decolonial activists are subverting and resisting corporate marketing strategies to introduce new narratives of place.
Through the lens of environmental justice activism, Marketing the Wilderness reconsiders the ethics of recreational land use, advocating for engagement with issues of cultural representation and appropriation informed by Indigenous perspectives. As he discusses contemporary public land advocacy around places such as Bears Ears National Monument, Whitson focuses on the deeply fraught relationship between the outdoor recreation industry and Indigenous communities. Emphasizing the power of the corporate system and its treatment of land as a commodity under capitalism, he shows how these tensions shape the American idea of “wilderness” and what it means to fight for its preservation.
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Vincanne Adams
Duke University Press, 2013
Filled with the often desperate voices of residents who returned to New Orleans, Markets of Sorrow, Labors of Faith describes the human toll of disaster capitalism and the affect economy it has produced. While for-profit companies delayed delivery of federal resources to returning residents, faith-based and nonprofit groups stepped in to rebuild, compelled by the moral pull of charity and the emotional rewards of volunteer labor. Adams traces the success of charity efforts, even while noting an irony of neoliberalism, which encourages the very same for-profit companies to exploit these charities as another market opportunity. In so doing, the companies profit not once but twice on disaster.
Jim Cullen
Rutgers University Press, 2021
Michael Taussig
University of Chicago Press, 2020
Michele R. McPhee
University Press of New England, 2017
Kristina Irion
Central European University Press, 2018
Allison Page
University of Minnesota Press, 2022
How media shapes our actions and feelings about race
Amid fervent conversations about antiracism and police violence, Media and the Affective Life of Slavery delivers vital new ideas about how our feelings about race are governed and normalized by our media landscape. Allison Page examines U.S. media from the 1960s to today, analyzing how media culture instructs viewers to act and feel in accordance with new racial norms created for an era supposedly defined by an end to legal racism.
From the classic television miniseries Roots to the edutainment video game Mission 2: Flight to Freedom and the popular website slaveryfootprint.org, Media and the Affective Life of Slavery provides an in-depth look at the capitalist and cultural artifacts that teach the U.S. public about slavery. Page theorizes media not only as a system of representation but also as a technology of citizenship and subjectivity, wherein race is seen as a problem to be solved. Ultimately, she argues that visual culture works through emotion, a powerful lever for shaping and managing racialized subjectivity.
Media and the Affective Life of Slavery delivers compelling, provocative material and includes a wealth of archival research into such realms as news, entertainment, television, curricula, video games, and digital apps, providing new and innovative scholarship where none currently exists.
Rosemary Avance
University of Utah Press, 2024
Margaret Ziolkowski
University of Wyoming Press, 2024
Noe Montez
Southern Illinois University Press, 2018
Alejo Benedetti
University of Arkansas Press, 2019
Saturated in patriotic colors, Superman and Wonder Woman are about as American as baseball and apple pie. Superman, created in 1938, materialized as the brawny answer to the Great Depression, and when Wonder Woman arrived three years later, she supported her adopted country by fighting alongside Allied troops in World War II. As the proverbial mother and father of the superhero genre, these icons appeared to a society in crisis as unwavering beacons of national morality, a quality that lent them success on the battlefield—and on the newsstand.
As new crises arise our comic-book champions continue to be called into action. They adapt and evolve but remain the same potent, if flawed, symbols of the American way. The artists in Men of Steel, Women of Wonder, an exhibition organized by Crystal Bridges Museum of American Art, wrestle with Wonder Woman’s standing as a feminist icon, position Superman as a Soviet-era weapon, and question the immigration status of both characters. Featuring more than seventy artworks that range from loving endorsements to brutal critiques of American culture, this exhibition catalog reveals the enduring presence of these characters and the diverse ways artists employ them.
Jessica E. Johnson
Acre Books, 2023
Alexander Starre
University of Iowa Press, 2015
Jason Ananda Josephson Storm
University of Chicago Press, 2021
Mary Lou Nemanic
Temple University Press, 2020
The death of the daily newspaper in the internet age has been predicted for decades. While print newspapers are struggling from drops in advertising and circulation, their survival has been based on original reporting. Instead of a death knell, metro dailies are experiencing an identity crisis—a clash between traditional print journalism’s formality and detail and digital journalism’s informality and brevity.
In Metro Dailies in the Age of Multimedia Journalism, Mary Lou Nemanic provides in-depth case studies of five mid-size city newspapers to show how these publications are adapting to the transition from print-only to multiplatform content delivery—and how newsroom practices are evolving to address this change. She considers the successes when owners allow journalists to manage their newspapers—to ensure production of quality journalism under the protection of newspaper guilds—as well as how layoffs and resource cutbacks have jeopardized quality standards.
Arguing for an integrated approach in which print and online reporting are considered complementary and visual journalism is emphasized across platforms, Nemanic suggests that there is a future for the endangered daily metro newspaper.
Antoine Volodine
University of Minnesota Press, 2024
A postapocalyptic noir that asks if love and political ideals can survive civilizational collapse
A meditative, postapocalyptic noir, Mevlido’s Dreams is an urgent communiqué from a far-future reality of irreversible environmental damage and civilizational collapse. Mevlido is a double agent working for the police and living in the last habitable city on the planet, a sprawling abyssal ruin marked by war and ruled by criminals. Suspended in the bardo between his loyalty to the surveillance state and to the anarchists, communists, and other rebels he monitors, Mevlido clings to life and hope—barely—in the city’s vast slums, haunted by the memory of the wife he failed to save during the last war and dreaming of a mysterious mission he is told he must accomplish. At the same time, an enigmatic organization existing elsewhere—the Organs—observes Mevlido’s actions and debates its responsibility to him and to humanity as a whole.
Asking what it means to love and care for others at the end of the world, this dense, brilliantly detailed postcollapse reality imagined by Antoine Volodine is one that grows ever more relevant amidst intensifying climate and political catastrophes. A key work in Volodine’s post-exotic fictional universe, Mevlido’s Dreams envisions a world changed beyond recognition and ruled under irrational authoritarianism in which dreams nest within dreams and the boundaries between life and death are fluid and uncertain.
Gilbert M. Joseph and Jürgen Buchenau
Duke University Press, 2013
Christina L. Sisk
University of Arizona Press, 2011
Lisa DuRose
Michigan State University Press, 2023
Charles Ballard
Michigan State University Press, 2010
This accessible, engaging text examines the impact of the trends that have shaped Michigan’s economy, and offers innovative solutions to the current economic crisis. Charles Ballard’s illuminating book explores the structure of Michigan’s economy, including its roots in agriculture, the rise and fall of the automotive industry, and the long-term decline of manufacturing. Ballard proposes that investing in education to create a highly skilled workforce can help Michigan’s people to compete in the rapidly evolving global economy. Discussing the state’s transportation infrastructure, environment, public expenditures, and tax system, Ballard describes how changes in attitudes, policies, and political institutions will help to promote economic recovery and growth.
John Corbett
Duke University Press, 2015

Setsu Shigematsu
University of Minnesota Press, 2010
Andrea Kathryn Talentino
Ohio University Press, 2005
Peter Campbell
University of Missouri Press, 2024
Winograd, Morley
Rutgers University Press, 2011
About every eight decades, coincident with the most stressful and perilous events in U.S. history—the Revolutionary and Civil Wars and the Great Depression and World War II—a new, positive, accomplished, and group-oriented “civic generation” emerges to change the course of history and remake America. The Millennial Generation (born 1982–2003) is America’s newest civic generation.
In their 2008 book, Millennial Makeover, Morley Winograd and Michael D. Hais made a prescient argument that the Millennial Generation would change American politics for good. Later that year, a huge surge of participation from young voters helped to launch Barack Obama into the White House.
Now, in Millennial Momentum, Winograd and Hais investigate how the beliefs and practices of the Millennials are transforming other areas of American culture, from education to entertainment, from the workplace to the home, and from business to politics and government. The Millennials’ cooperative ethic and can-do spirit have only just begun to make their mark, and are likely to continue to reshape American values for decades to come.
Drawing from an impressive array of demographic data, popular texts, and personal interviews, the authors show how the ethnically diverse, socially tolerant, and technologically fluent Millennials can help guide the United States to retain its leadership of the world community and the global marketplace. They also illustrate why this generation’s unique blend of civic idealism and savvy pragmatism will enable us to overcome the internal culture wars and institutional malaise currently plaguing the country. Millennial Momentum offers a message of hope for a deeply divided nation.
Aliyyah I. Abdur-Rahman
Duke University Press, 2024
Darius Sollohub
University of Texas Press, 2019
Much has been written about Millennials, but until now their growing presence in the field of architecture has not been examined in depth. In an era of significant challenges stemming from explosive population growth, climate change, and the density of cities, Millennials in Architecture embraces the digitally savvy disruptors who are joining the field at a crucial time as it grapples with the best ways to respond to a changing physical world.
Taking a clear-eyed look at the new generation in the context of the design professions, Darius Sollohub begins by situating Millennials in a line of generations stretching back to early Modernism, exploring how each generation negotiates the ones before and after. He then considers the present moment, closely evaluating the significance of Millennial behaviors and characteristics (from civic-mindedness to collaboration, and time management in a 24/7 culture), all underpinned by fluency in the digital world. The book concludes with an assessment of the profound changes and opportunities that Millennial disruption will bring to education, licensure, and firm management. Encouraging new alliances, Millennials in Architecture is an essential resource for the architectural community and its stakeholders.
Hentyle Yapp
Duke University Press, 2021
Françoise Lionnet and Shu-mei Shih, eds.
Duke University Press, 2005
Based in a broad range of fields—including literature, history, African studies, Asian American studies, Asian studies, French and francophone studies, and Latin American studies—the contributors complicate ideas of minority cultural formations and challenge the notion that transnationalism is necessarily a homogenizing force. They cover topics as diverse as competing versions of Chinese womanhood; American rockabilly music in Japan; the trope of mestizaje in Chicano art and culture; dub poetry radio broadcasts in Jamaica; creole theater in Mauritius; and race relations in Salvador, Brazil. Together, they point toward a new theoretical vocabulary, one capacious enough to capture the almost infinitely complex experiences of minority groups and positions in a transnational world.
Contributors. Moradewun Adejunmobi, Ali Behdad, Michael Bourdaghs, Suzanne Gearhart, Susan Koshy, Françoise Lionnet, Seiji M. Lippit, Elizabeth Marchant, Kathleen McHugh, David Palumbo-Liu, Rafael Pérez-Torres, Jenny Sharpe, Shu-mei Shih , Tyler Stovall
Cristina Albu
University of Minnesota Press, 2016
For decades, contemporary artworks with reflective properties have stimulated public forms of spectatorship. According to Cristina Albu, these artworks, which can include elements such as mirrors, live video feedback, or sensors, draw attention to affective interdependence and mechanisms of social control.
In Mirror Affect, Albu provides a historical account of mirroring processes in contemporary art and offers insight into the phenomenological and sociopolitical concerns that have inspired artists to stage processes of affective, perceptual, and behavioral mirroring between art viewers. Beginning with the 1960s, Albu charts the rise of interpersonal modes of art spectatorship. She reveals contemporary artists’ strategic use of reflective and responsive interfaces to instill doubt in visual representation and appeal to active scrutiny of the changing social dynamics. She suggests that the mirroring processes envisioned by contemporary artists such as Joan Jonas, Dan Graham, Lynn Hershman Leeson, Olafur Eliasson, and Rafael Lozano-Hemmer trigger visual disjunctions to upset narcissistic inclinations. They invite viewers to see themselves in relation to others and to ponder their role within complex social systems.
From sculpture and performance to art and technology projects, video art, and installation art, Mirror Affect analyzes forms of interpersonal spectatorship, revising and expanding current historiographies of participatory art.

Elizabeth Wellington
Temple University Press, 2027
For award-winning fashion writer Elizabeth Wellington, style was initially less about labels and more about how she styled her looks. She knew what looked good and that what she wore was an essential form of self-expression. Mirror, Mirror collects thirty-six of Wellington’s columns for the Philadelphia Inquirer, where she has written about fashion, politics, and pop culture since 2002. Each chapter includes an opening essay defining the era and how Wellington fit into it along with a “Fashion Fast Forward” that reflects how both she and society have evolved.
Wellington started covering fashion when the industry was on the cusp of social and sartorial change. As trends evolved, so too did Wellington, who found her place as she defined Philadelphia’s style scene. She profiles local doyennes Joan Shepp and Toby Lerner and writes about finding the perfect jeans. Wellington also intertwines optics and social justice in columns about First Lady style, the power of the hoodie, and the impact of the CROWN Act, which protects against discrimination based on hair.
Writing thoughtfully about fashion with nostalgia and passion, Wellington covers retail, Fashion Week runways, and the changing political landscape. Mirror, Mirror showcases Wellington’s flair in her work as she writes about style and herself.