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A Choice Outstanding Academic Title for 2023

Large numbers of Latino migrants began to arrive in Grand Rapids, Michigan, in the 1950s. They joined a small but established Spanish-speaking community of people from Texas, Mexico, and Puerto Rico. Delia Fernández-Jones merges storytelling with historical analysis to recapture the placemaking practices that these Mexicans, Tejanos, and Puerto Ricans used to create a new home for themselves. Faced with entrenched white racism and hostility, Latinos of different backgrounds formed powerful relationships to better secure material needs like houses and jobs and to recreate community cultural practices. Their pan-Latino solidarity crossed ethnic and racial boundaries and shaped activist efforts that emphasized working within the system to advocate for social change. In time, this interethnic Latino alliance exploited cracks in both overt and structural racism and attracted white and Black partners to fight for equality in social welfare programs, policing, and education.

Groundbreaking and revelatory, Making the MexiRican City details how disparate Latino communities came together to respond to social, racial, and economic challenges.

In Muddying the Waters, Richa Nagar embarks on an eloquent and moving exploration of the promises and pitfalls she has encountered during her two decades of transnational feminist work.

With stories, encounters, and anecdotes as well as methodological reflections, Nagar grapples with the complexity of working through solidarities, responsibility, and ethics while involved in politically engaged scholarship. Experiences that range from the streets of Dar es Salaam to farms and development offices in North India inform discussion of the labor and politics of coauthorship, translation, and genre blending in research and writing that cross multiple--and often difficult--borders. The author links the implicit assumptions, issues, and questions involved with scholarship and political action, and explores the epistemological risks and possibilities of creative research that bring these into intimate dialogue

Daringly self-conscious, Muddying the Waters reveals a politically engaged researcher and writer working to become ""radically vulnerable,"" and the ways in which such radical vulnerability can allow a re-imagining of collaboration that opens up new avenues to collective dreaming and laboring across sociopolitical, geographical, linguistic, and institutional borders.

James Short Senior Scholar Award from the American Society of Criminology

Far too many poor Black communities struggle with gun violence and homicide. The result has been the unnatural contortion of Black families and the inter-generational perpetuation of social chaos and untimely death. Young people are repeatedly ripped away from life by violence, while many men are locked away in prisons. In neighborhoods like those of Wilmington, Delaware, residents routinely face the pressures of violence, death, and incarceration. Murder Town, USA is thus a timely ethnography with an innovative structure: the authors helped organize fifteen residents formerly involved with the streets and/or the criminal justice system to document the relationship between structural opportunity and experiences with violence in Wilmington's Eastside and Southbridge neighborhoods. 

Earlier scholars offered rich cultural analysis of violence in low-income Black communities, and yet this literature has mostly conceptualized violence through frameworks of personal responsibility or individual accountability. And even if acknowledging the pressure of structural inequality, most earlier researchers describe violence as the ultimate result of some moral failing, a propensity for crime, and the notion of helplessness. Instead, in Murder Town USA, Payne, Hitchens, and Chamber, along with their collaborative team of street ethnographers, instead offer a radical re-conceptualization of violence in low-income Black communities by describing the penchant for violence and involvement in crime overall to be a logical, "resilient" response to the perverse context of structural inequality.

A radical exploration of how music educators and artists are using research as a tool for justice in an era of crisis and transformation.

Can music research drive social and ecological change? Music, Research, and Activism: Prospects and Projects in Northern Europe argues that it can—and must. This bold collection studies the emerging activist turn in music studies, where researchers and artists engage directly in public debates and cultural movements.

By questioning systemic inequalities in the music industry and exploring the role of music education in an era of climate crisis, the contributors to this volume reflect on how their work can serve eco-social justice. Drawing on their diverse experiences as educators, critics, DJs, producers, and community organizers, they offer a compelling vision of music research as an agent of transformation.

Rooted in the independent research network Suoni, this volume speaks to music scholars and students eager to rethink the role of music in shaping a more equitable world. Engaging and accessible, it challenges us to ask: What does social responsibility look like in music research today?