455 books match the query 'Feminism' and 16 start with m

cover of M Archive: After the End of the World

M Archive

After the End of the World

Alexis Pauline Gumbs

Duke University Press, 2018

Following the innovative collection Spill, Alexis Pauline Gumbs's M Archive—the second book in a planned experimental triptych—is a series of poetic artifacts that speculatively documents the persistence of Black life following a worldwide cataclysm. Engaging with the work of the foundational Black feminist theorist M. Jacqui Alexander, and following the trajectory of Gumbs's acclaimed visionary fiction short story “Evidence,” M Archive is told from the perspective of a future researcher who uncovers evidence of the conditions of late capitalism, antiblackness, and environmental crisis while examining possibilities of being that exceed the human. By exploring how Black feminist theory is already after the end of the world, Gumbs reinscribes the possibilities and potentials of scholarship while demonstrating the impossibility of demarcating the lines between art, science, spirit, scholarship, and politics.
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cover of Making Feminist Politics: Transnational Alliances between Women and Labor

Making Feminist Politics

Transnational Alliances between Women and Labor

Suzanne Franzway and Mary Margaret Fonow

University of Illinois Press, 2011

In this timely and detailed examination of the intersections of feminism, labor politics, and global studies, Suzanne Franzway and Mary Margaret Fonow reveal the ways in which women across the world are transforming labor unions in the contemporary era. Situating specific case studies within broad feminist topics, Franzway and Fonow concentrate on union feminists mobilizing at multiple sites, issues of wages and equity, child care campaigns, work-life balance, and queer organizing, demonstrating how unions around the world are broadening their focuses from contractual details to empowerment and family and feminist issues. By connecting the diversity of women's experiences around the world both inside and outside the home and highlighting the innovative ways women workers attain their common goals, Making Feminist Politics lays the groundwork for recognition of the total individual in the future of feminist politics within global union movements.
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cover of Marching Dykes, Liberated Sluts, and Concerned Mothers: Women Transforming Public Space

Marching Dykes, Liberated Sluts, and Concerned Mothers

Women Transforming Public Space

Elizabeth Currans

University of Illinois Press, 2017

From the Women in Black vigils and Dyke marches to the Million Mom March, women have seized a dynamic role in early twenty-first century protest. The varied demonstrations--whether about gender, sexuality, war, or other issues--share significant characteristics as space-claiming performances in and of themselves beyond their place in any broader movement. Elizabeth Currans blends feminist, queer, and critical race theory with performance studies, political theory, and geography to explore the outcomes and cultural relevance of public protest. Drawing on observation, interviews, and archival and published sources, Currans shows why and how women utilize public protest as a method of participating in contemporary political and cultural dialogues. She also examines how groups treat public space as an important resource and explains the tactics different women protesters use to claim, transform, and hold it. The result is a passionate and pertinent argument that women-organized demonstrations can offer scholars a path to study the relationship of gender and public space in today's political culture.
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cover of Margaret Fuller and Her Circles

Margaret Fuller and Her Circles

Brigitte Bailey

University of New Hampshire Press, 2013

These essays mark the maturation of scholarship on Margaret Fuller (1810–1850), one of the most important public intellectuals of the nineteenth century and a writer whose works have been much revived in recent decades. The authors—leading scholars of Fuller, Transcendentalism, and the antebellum period—consider anew Fuller the critic, the journalist, the reformer, the traveler, and the social and cultural observer, and make fresh contributions to the study of her life and work. Drawing on developments in gender theory, transatlantic studies, and archival excavations of the networks of reform, this volume defines Fuller as a significant intellectual precursor, a critic who analyzed and challenged the dominant interpretive paradigms of her own time and who remains strikingly relevant for ours.
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cover of Masculine/Feminine: Practices of Difference(s)

Masculine/Feminine

Practices of Difference(s)

Nelly Richard

Duke University Press, 2004

Nelly Richard is one of the most prominent cultural theorists writing in Latin America today. As a participant in Chile’s neo-avantgarde, Richard worked to expand the possibilities for cultural debate within the constraints imposed by the Pinochet dictatorship (1973–1990), and she has continued to offer incisive commentary about the country’s transition to democracy. Well known as the founder and director of the influential Santiago-based journal Revista de crítica cultural, Richard has been central to the dissemination throughout Latin America of work by key contemporary thinkers, including Néstor García Canclini, Jacques Derrida, Fredric Jameson, and Diamela Eltit. Her own writing provides rigorous considerations of Latin American identity, postmodernism, gender, neoliberalism, and strategies of political and cultural resistance.

Richard helped to organize the 1987 International Conference on Latin American Women’s Literature in Santiago, one of the most significant literary events to take place under the Pinochet dictatorship. Published in Chile in 1993, Masculine/Feminine develops some of the key issues brought to the fore during that landmark meeting. Richard theorizes why the feminist movement has been crucial not only to the liberation of women but also to understanding the ways in which power operated under the military regime in Chile. In one of her most widely praised essays, she explores the figure of the transvestite, artistic imagery of which exploded during the Chilean dictatorship. She examines the politics and the aesthetics of this phenomenon, particularly against the background of prostitution and shantytown poverty, and she argues that gay culture works to break down the social demarcations and rigid structures of city life. Masculine/Feminine makes available, for the first time in English, one of Latin America’s most significant works of feminist theory.

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cover of Mestiza Rhetorics: An Anthology of Mexicana Activism in the Spanish-Language Press, 1887-1922

Mestiza Rhetorics

An Anthology of Mexicana Activism in the Spanish-Language Press, 1887-1922

Edited by Jessica Enoch and Cristina Devereaux Ramirez

Southern Illinois University Press, 2019

This critical bilingual anthology collects and contextualizes thirty-four primary writings of understudied revolutionary mexicana rhetors and social activists who published with presses within the United States and Mexico during the late nineteenth and early twentieth centuries—a time of cross-border revolutionary upheaval and change. These mexicana newspaperwomen leveraged diverse and compelling rhetorical strategies and used the press to advance the early feminist movement in Mexico and the U.S. Southwest; to define their rights and roles in and confront the hypocrisies of their societies’ patriarchal systems; to engage in important debates about education, women’s rights, and language instruction; and to protest injustices in society and construct possible solutions. Because these presses were in both Mexico and the United States, their writings offer opportunities to explore the concerns, struggles, and triumphs of mexicanas in both U.S. and Mexican cities and throughout the borderlands.
 
Mestiza Rhetorics is the first anthology dedicated to mexicana rhetors and provides unmatched access to mexicana rhetorics. This collection puts forward the work of mexicana newspaperwomen in Spanish and English, provides evidence of their participation in political and educational debates at the turn of the twentieth century, and demonstrates how the Spanish-language press operated as a rhetorical space for mexicanas.
 
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cover of Midrashic Women: Formations of the Feminine in Rabbinic Literature

Midrashic Women

Formations of the Feminine in Rabbinic Literature

Judith R. Baskin

Brandeis University Press, 2002

While most gender-based analyses of rabbinic Judaism concentrate on the status of women in the halakhah (the rabbinic legal tradition), Judith R. Baskin turns her attention to the construction of women in the aggadic midrash, a collection of expansions of the biblical text, rabbinic ruminations, and homiletical discourses that constitutes the non-legal component of rabbinic literature. Examining rabbinic convictions of female alterity, competing narratives of creation, and justifications of female disadvantages, as well as aggadic understandings of the ideal wife, the dilemma of infertility, and women among women and as individuals, she shows that rabbinic Judaism, a tradition formed by men for a male community, deeply valued the essential contributions of wives and mothers while also consciously constructing women as other and lesser than men. Recent feminist scholarship has illuminated many aspects of the significance of gender in biblical and halakhic texts but there has been little previous study of how aggadic literature portrays females and the feminine. Such representations, Baskin argues, often offer a more nuanced and complex view of women and their actual lives than the rigorous proscriptions of legal discourse.
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cover of Mixed Feelings: Feminism,  Mass Culture, and Victorian Sensationalism

Mixed Feelings

Feminism, Mass Culture, and Victorian Sensationalism

Cvetkovich, Ann

Rutgers University Press, 1992

Arguing that affect has a history, Ann Cvetkovich challenges both nineteenth- and twentieth-century claims that the expression of feeling is naturally or intrinsically liberating or reactionary. The central focus of Mixed Feelings is the Victorian sensation novel, the fad genre of the 1860s, whose controversial popularity marks an important moment in the history of mass culture. Drawing on Marxist, feminist, and Foucauldian cultural theory, Cvetkovich investigates the sensation novel's power to produce emotional responses, its representation of social problems as affective ones, and the difficulties involved in assessing the genre as either reactionary or subversive. She is particularly concerned with the relation of gender and affect since many of the sensation novels were written by and for women, and women. By examining the powerful conjunction of ideologies of affect, gender, and mass culture, Cvetkovich reveals the powerful political effects of affective expression and sensational representations.
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cover of Mobilizing Black Germany: Afro-German Women and the Making of a Transnational Movement

Mobilizing Black Germany

Afro-German Women and the Making of a Transnational Movement

Tiffany N. Florvil

University of Illinois Press, 2020

In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora.

Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism.

Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists’ politics, intellectualism, and internationalism.

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cover of Modernizing Patriarchy: The Politics of Women's Rights in Morocco

Modernizing Patriarchy

The Politics of Women's Rights in Morocco

By Katja Žvan Elliott

University of Texas Press, 2015

Morocco is hailed by academics, international NGO workers, and the media as a trailblazer in women’s rights and legal reforms. The country is considered a model for other countries in the Middle East and North African region, but has Morocco made as much progress as experts and government officials claim? In Modernizing Patriarchy, Katja Žvan Elliott examines why women’s rights advances are lauded in Morocco in theory but are often not recognized in reality, despite the efforts of both Islamist and secular feminists.

In Morocco, female literacy rates remain among the lowest in the region; many women are victims of gender-based violence despite legal reforms; and girls as young as twelve are still engaged to adult men, despite numerous reforms. Based on extensive ethnographic research and fieldwork in Oued al-Ouliya, Modernizing Patriarchy offers a window into the life of Moroccan Muslim women who, though often young and educated, find it difficult to lead a dignified life in a country where they are expected to have only one destiny: that of wife and mother. Žvan Elliott exposes their struggles with modernity and the legal reforms that are supposedly ameliorating their lives. In a balanced approach, she also presents male voices and their reasons for criticizing the prevailing women’s rights discourse. Compelling and insightful, Modernizing Patriarchy exposes the rarely talked about reality of Morocco’s approach toward reform.

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cover of Mothers and Children: Feminist Analyses and Personal Narratives

Mothers and Children

Feminist Analyses and Personal Narratives

Edited by Susan E Chase and Mary F. Rogers

Rutgers University Press, 2001

This feminist exploration of mothers, mothering, and motherhood combines evaluations of empirical and theoretical work with personal narratives by mothers or caregivers. While the authors' analyses yield suggestions for new approaches to motherhood, the narratives vividly demonstrate the relevance of these issues to women's lives. The result is a nuanced picture of the complex realities mothers face, as well as their struggles, joys, and hopes for their children. In the book's first part, "Social Constructions of Motherhood," Chase and Rogers argue that dominant western views of motherhood have been and continue to be detrimental to most mothers and children. In the second part, "Maternal Bodies," the authors attend to the ways that American society and women themselves have regarded the physical aspects of motherhood. Mothers' bodies, the authors contend, have long been objects of cultural and political struggle. The final part, "Mothering in Everyday Life," suggests that only an understanding of the daily realities of mothering will lead to social and political changes promoting the welfare of mothers and children.
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cover of Mothers of Feminism

Mothers of Feminism

Margaret Hope Bacon

QuakerPress, 1986

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cover of Moving the Mountain: The Women's Movement in America since 1960

Moving the Mountain

The Women's Movement in America since 1960

Flora Davis

University of Illinois Press, 1999

Moving the Mountain tells the story of the struggles and triumphs of thousands of activists who achieved "half a revolution" between 1960 and 1990. In this award-winning book, the most complete history of the women's movement to date, Flora Davis presents a grass-roots view of the small steps and giant leaps that have changed laws and institutions as well as the prejudices and unspoken rules governing a woman's place in American society. Looking at every major feminist issue from the point of view of the participants in the struggle, Moving the Mountain conveys the excitement, the frustration, and the creative chaos of feminism's Second Wave. A new afterword assesses the movement's progress in the 1990s and prospects for the new century.
 
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cover of Muddying the Waters: Coauthoring Feminisms across Scholarship and Activism

Muddying the Waters

Coauthoring Feminisms across Scholarship and Activism

Richa Nagar

University of Illinois Press, 2014

In Muddying the Waters, Richa Nagar embarks on an eloquent and moving exploration of the promises and pitfalls she has encountered during her two decades of transnational feminist work.

With stories, encounters, and anecdotes as well as methodological reflections, Nagar grapples with the complexity of working through solidarities, responsibility, and ethics while involved in politically engaged scholarship. Experiences that range from the streets of Dar es Salaam to farms and development offices in North India inform discussion of the labor and politics of coauthorship, translation, and genre blending in research and writing that cross multiple--and often difficult--borders. The author links the implicit assumptions, issues, and questions involved with scholarship and political action, and explores the epistemological risks and possibilities of creative research that bring these into intimate dialogue

Daringly self-conscious, Muddying the Waters reveals a politically engaged researcher and writer working to become ""radically vulnerable,"" and the ways in which such radical vulnerability can allow a re-imagining of collaboration that opens up new avenues to collective dreaming and laboring across sociopolitical, geographical, linguistic, and institutional borders.

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cover of My Seven Mothers: Making a Family in the Danish Women's Movement

My Seven Mothers

Making a Family in the Danish Women's Movement

Pernille Ipsen

University of Minnesota Press, 2025

Seven women raise a child together while redefining their place in society at the beginning of the Women’s Movement in Denmark in the 1970s


On New Year’s Eve in Copenhagen in 1972, seven women had a child together: one gave birth and six others attended. They had met a year earlier at a feminist women’s camp on a small island and now, with about twenty other women’s liberationists, they occupied three dilapidated apartment buildings in the center of Copenhagen. One became the country’s first Women’s House, the nerve center of the Women’s Movement in Denmark, and the other two were women-only communal living spaces that were Pernille Ipsen’s first home. In this intimate portrait of life during the exhilarating early days of women’s liberation in Scandinavia and dramatic social change around the globe, she tells the stories of these seven women, her seven mothers.

 

Recounting her mothers’ history—from the passions and beliefs they shared to the political divisions over sexual identity that ultimately split them apart—Ipsen captures the individuality of each of her mothers as well as the common experiences that drew them together. As she deftly reflects the practical and emotional realities of her mothers’ women-centered life, Ipsen presents an engrossing picture of intersecting lives that, half a century ago, raised questions we still grapple with today: What is a family? Who is a woman? And who gets to decide? 

 

A chronicle of gender, sexuality, and feminism as it was constructed, contested, and lived, My Seven Mothers is an eye-opening account of the challenges and possibilities connected with liberation and radical social change during the 1970s. In this time of fierce struggles over family, sexuality, and child-rearing, it reminds us that new worlds are always possible.

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cover of Mythohistorical Interventions: The Chicano Movement and Its Legacies

Mythohistorical Interventions

The Chicano Movement and Its Legacies

Lee Bebout

University of Minnesota Press, 2010

Mythohistorical Interventions explores how myth and history impacted the social struggle of the Chicano movement and the postmovement years. Drawing on archival materials and political speeches as well as music and protest poetry, Lee Bebout scrutinizes the ideas that emerged from the effort to organize and legitimize the Chicano movement’s aims.

Examining the deployment of the Aztec eagle by the United Farm Workers union, the poem Yo Soy Joaquín, the document El Plan de Santa Barbara, and icons like La Malinche and La Virgen de Guadalupe, Bebout reveals the centrality of culture to the Chicano movement. For Bebout, the active implementation of cultural narrative was strategically significant in several ways. First, it allowed disparate movement participants to imagine themselves as part of a national, and nationalist, community of resistance. Second, Chicano use of these narratives contested the images that fostered Anglo-American hegemony.

Bringing his analysis up to the present, Bebout delineates how demographic changes have, on the one hand, encouraged the possibility of a panethnic Latino community, while, on the other hand, anti-Mexican nativists attempt to resurrect Chicano myths as a foil to restrict immigration from Mexico.
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