338 books match the query 'Indigenous Studies' and 15 start with m

cover of Mapping Indigenous Presence: North Scandinavian and North American Perspectives

Mapping Indigenous Presence

North Scandinavian and North American Perspectives

Edited by Kathryn W. Shanley and Bjørg Evjen; Foreword by S. James Anaya

University of Arizona Press, 2015

Despite centuries of colonization, many Indigenous peoples’ cultures remain distinct in their ancestral territories, even in today’s globalized world.  Yet they exist often within countries that hardly recognize their existence. Struggles for political recognition and cultural respect have occurred historically and continue to challenge Native American nations in Montana and Sámi people of northern Scandinavia in their efforts to remain and thrive as who they are as Indigenous peoples. In some ways the Indigenous struggles on the two continents have been different, but in many other ways, they are similar.
 
Mapping Indigenous Presence presents a set of comparative Indigenous studies essays with contemporary perspectives, attesting to the importance of the roles Indigenous people have played as overseers of their own lands and resources, as creators of their own cultural richness, and as political entities capable of governing themselves. This interdisciplinary collection explores the Indigenous experience of Sámi peoples of Norway and Native Americans of Montana in their respective contexts—yet they are in many ways distinctly different within the body politic of their respective countries. Although they share similarities as Indigenous peoples within nation-states and inhabit somewhat similar geographies, their cultures and histories differ significantly.
 
Sámi people speak several languages, while Indigenous Montana is made up of twelve different tribes with at least ten distinctly different languages; both peoples struggle to keep their Indigenous languages vital. The political relationship between Sámi people and the mainstream Norwegian government and culture has historically been less contentious that that of the Indigenous peoples of Montana with the United States and with the state of Montana, yet the Sámi and the Natives of Montana have struggled against both the ideology and the subsequent assimilation policy of the savagery-versus-civilization model. The authors attempt to increase understanding of how these two sets of Indigenous peoples share important ontological roots and postcolonial legacies, and how research may be used for their own self-determination and future directions.
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cover of Mapping Neshnabé Futurity: Celestial Currents of Sovereignty in Potawatomi Skies, Lands, and Waters

Mapping Neshnabé Futurity

Celestial Currents of Sovereignty in Potawatomi Skies, Lands, and Waters

Blaire Morseau; Foreword by Grace L. Dillon

University of Arizona Press, 2025

In Mapping Neshnabé Futurity Blaire Morseau weaves together on-the-ground insights and Indigenous speculative fiction to illustrate the profound ways in which Anishinaabé/Neshnabé (Potawatomi, Odawa, and Ojibwe) communities are reclaiming their sovereignty and crafting vibrant futures. Morseau lays out how Neshnabék have marshaled dissent to hydrologic fracturing, oil pipelines, and other damaging infrastructures of capitalist settler futurity. The book positions these efforts as vital acts of nation building and visionary reclamation of space, both terrestrial and celestial.

Morseau also challenges the hegemonic narratives of settler futurism found in mainstream science fiction, which often perpetuate colonial fantasies and exclude marginalized voices. By fusing ethnography of tribal nation-building projects and analysis of Indigenous speculative fiction, Morseau provides a path to Indigenous futurisms and its role in imagining decolonization. Morseau’s analysis underscores the potency of Indigenous knowledge systems and ceremonial practices in imagining and actualizing alternative futures.

Mapping Neshnabé Futurity is an essential read for scholars and activists alike, urging a rethinking of how we conceive of futurity and sovereignty. This work shows how counter-mapping projects both on the ground and in the skies reclaim space in the Great Lakes region—Neshnabé homelands—and are part of larger constellations of Indigenous futurities and stories of survivance.

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cover of Marking Indigeneity: The Tongan Art of Sociospatial Relations

Marking Indigeneity

The Tongan Art of Sociospatial Relations

Tevita O. Ka‘ili; Foreword by ‘Okusitino Mahina

University of Arizona Press, 2017

Tongans, the native people of the Kingdom of Tonga in the South Pacific, are a highly mobile indigenous group. Like their seafaring ancestors, they are constantly on the move across tā (time) and vā (space). Carrying their traditions with them, Tongans living in Maui, Hawai‘i, actively mediate those dimensions by extending the time-space structure of certain activities and places in order to practice tauhi vā—the marking of time to sustain harmonious relations and create beautiful sociospatial relations.

In Marking Indigeneity, Tevita O. Ka‘ili examines the conflicts and reconciliation of indigenous time-space within the Tongan community in Maui, as well as within the time-space of capitalism. Using indigenous theory, he provides an ethnography of the social relations of the highly mobile Tongans.

Focusing on tauhi vā, Ka‘ili notes certain examples of this time marking: the faikava gatherings that last from sunset to sunrise, long eating gatherings, long conversations (talanoa), the all-night funeral wakes, and the early arrival to and late departure from meetings and celebrations. Ka‘ili also describes the performing art of tauhi vā, which creates symmetry through the performance of social duties (fatongia). This gives rise to powerful feelings of warmth, elation, and honor among the performers. Marking Indigeneity offers an ethnography of the extension of time-space that is rooted in ancient Moana oral traditions, thoughtfully illustrating the continuation of these traditions.
 
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cover of Materializing Colonial Identities in Clay: Colonoware in the African and Indigenous Diasporas of the Southeast

Materializing Colonial Identities in Clay

Colonoware in the African and Indigenous Diasporas of the Southeast

Edited by Jon Bernard Marcoux and Corey A. H. Sattes

University of Alabama Press, 2024

An interdisciplinary excavation of colonoware as a material archive of African, Indigenous, and colonial entanglements across the early American South.

In Materializing Colonial Identities in Clay, Jon Bernard Marcoux, Corey A. H. Sattes, and contributors examine colonoware to explore the active roles that African Americans and Indigenous people played in constructing southern colonial culture and part of their shared history with Europeans.

Colonoware was most likely produced by African and Indigenous potters and used by all colonial groups for cooking, serving, and storing food. It formed the foundation of colonial foodways in many settlements across the southeastern United States. Even so, compared with other ceramics from this period, less has been understood about its production and use because of the lack of documentation. This collection of essays fills this gap with valuable, recent archaeological data from which much may be surmised about the interaction among Europeans, Indigenous, and Africans, especially within the contexts of the African and Indigenous slave trade and plantation systems.

The chapters represent the full range of colonoware research: from the beginning to the end of its production, from urban to rural contexts, and from its intraregional variation in the Lowcountry to the broad patterns of colonialism across the early American Southeast. The book summarizes current approaches in colonoware research and how these may bridge the gaps between broader colonial American studies, Indigenous studies, and African Diaspora studies.

A concluding discussion contextualizes the chapters through the perspectives of intersectionality and Black feminist theory, drawing attention to the gendered and racialized meanings embodied in colonoware, and considering how colonialism and slavery have shaped these cultural dimensions and archaeologists’ study of them.
 

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cover of Mediating Modernisms: Indigenous Artists, Modernist Mediators, Global Networks

Mediating Modernisms

Indigenous Artists, Modernist Mediators, Global Networks

Ruth B. Phillips and Norman Vorano, editors

Duke University Press, 2025

Mediating Modernisms explores the fertile exchanges between Indigenous artists living in colonial societies and the mid-twentieth century mediators who carried ideas of aesthetic modernism and modernist primitivism into these worlds. Spanning South Africa, North America, Australia, Scandinavia, New Zealand, Brazil, Nigeria, and India, the case studies examine the mediators who played the role of mentors, friends, and patrons to Indigenous artists. Their relationships constituted complex mutual exchanges of aesthetic ideas and practices that inspired artists to create new fusions of modernism with Indigenous art traditions and that reflected their negotiations between affiliation with tradition and embrace of technology, newness, and metropolitan patronage. Challenging current understandings of modernist primitivism and elucidating the creation of the “global contemporary” art world, this volume reveals broader historical patterns, shared ideological and aesthetic dynamics, and the structural parallels that link mediators and Indigenous artists to globally circulating artistic ideas and geopolitical forces.

Contributors. Peter Brunt, Roberto Conduru, Hanna Horsberg Hansen, Elizabeth Harney, Jyotindra Jain, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, Una Rey, Megan Tamati-Quennell, Nicholas Thomas, Norman Vorano, Mark Andrew White
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cover of Medicine Wheel for the Planet: A Journey Toward Personal and Ecological Healing

Medicine Wheel for the Planet

A Journey Toward Personal and Ecological Healing

Jennifer Grenz

University of Minnesota Press, 2024

A personal journey of bringing together Western science and Indigenous ecology to transform our understanding of the human role in healing our planet

I used to be an ecologist. . . . Now, I am a community gatherer, working to help bring healing beyond just the land. I am a story-listener. I am a storyteller. I am a shaper of ecosystems. I work on bringing communities together, in circle, to listen to each other.

A farm kid at heart, and a Nlaka’pamux woman of mixed ancestry, Dr. Jennifer Grenz always felt a deep connection to the land. However, after nearly two decades of working as a restoration ecologist in the Pacific Northwest, she became frustrated that despite the best efforts of her colleagues and numerous volunteers, they weren’t making the meaningful change needed for plant, animal, and human communities to adapt to a warming climate. Restoration ecology is grounded in an idea that we must return the natural world to an untouched, pristine state, placing humans in a godlike role—a notion at odds with Indigenous histories of purposeful, reciprocal interaction with the environment. This disconnect sent Dr. Grenz on a personal journey of joining her head (Western science) and her heart (Indigenous worldview) to find a truer path toward ecological healing.

In Medicine Wheel for the Planet, building on sacred stories, field observations, and her own journey, Dr. Grenz invites readers to share in the teachings of the four directions of the medicine wheel: the North, which draws upon the knowledge and wisdom of elders; the East, where we let go of colonial narratives and see with fresh eyes; the South, where we apply new-old worldviews to envision a way forward; and the West, where a relational approach to land reconciliation is realized.

Eloquent, inspiring, and disruptive, Medicine Wheel for the Planet circles around an argument that we need more than a singular worldview to protect the planet and make the significant changes we are running out of time for.

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cover of Memories of Earth and Sea: An Ethnographic History of the Islands of Chiloé

Memories of Earth and Sea

An Ethnographic History of the Islands of Chiloé

Anton Daughters

University of Arizona Press, 2019

Memories of Earth and Sea recounts the history of more than two dozen islands clustered along the Patagonian flank of South America. Settled over the centuries by nomadic seafarers, indigenous farmers, and Spanish explorers, southern Chile’s Archipelago of Chiloé remained until recently a rural outpost resistant to cultural pressures from the mainland. Islanders developed a way of life heavily dependent on marine resources, native crops like the potato, and the cooperative labor practice known as the minga.
 
Staring in the 1980s, Chiloé was thrust into the global economy when major companies moved into the region to extract wild stocks of fish and to grow salmon and shellfish for export. The archipelago’s economy shifted abruptly from one of subsistence farming and fishing to wage labor in export industries. Local knowledge, traditions, memories, and identities similarly shifted, with young islanders expressing a more critical view of the rural past than their elders.
 
This book highlights the region’s unique past, emphasizing the generational tensions, disconnects, and continuities of the last half century. Drawing on interviews, field observations, and historical documents, Anton Daughters brings to life one of South America’s most culturally distinct regions.
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cover of Mestiza/o Melancholia: Tourism, Indigeneity, and the Necropolitics of Remembrance in Michoacán

Mestiza/o Melancholia

Tourism, Indigeneity, and the Necropolitics of Remembrance in Michoacán

Gabriela Spears-Rico

University of Arizona Press, 2027

Through the concept of mestiza/o melancholia, scholar Gabriela Spears-Rico offers a new way to think about the relationship between mestizaje and indigeneity in Mexico. For Spears-Rico, the concept is a longing for the lost part of one’s identity, manifested in touristic visits and material appropriations of folklorized indigeneity, yet unconcerned with political reparations for Indigenous people.

Relying on a rich ethnography in mestiza/o and P’urhépecha pueblos in Michoacán, the book examines mestiza/o mourning and melancholia as it appears in Day of the Dead tourism and in Virgin of Guadalupe worship among Mexican mestizos. This book centers Indigenous resistance, articulating a P’urhépecha critique of regional necropolitics and obstinate appropriations, arguing for the need to decolonize mestizaje. A deep conversation with P’urhépecha dissent, this book elevates the need for solidarity with current Indigenous movements in a region fraught by extractive settler colonialism.

Mestiza/o Melancholia challenges readers to rethink identity, tourism, and belonging in Mexico.

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cover of Mexican-Origin Foods, Foodways, and Social Movements: Decolonial Perspectives

Mexican-Origin Foods, Foodways, and Social Movements

Decolonial Perspectives

Devon Peña

University of Arkansas Press, 2017

Winner, 2018 ASFS (Association for the Study of Food and Society) Book Award, Edited Volume

This collection of new essays offers groundbreaking perspectives on the ways that food and foodways serve as an element of decolonization in Mexican-origin communities.

The writers here take us from multigenerational acequia farmers, who trace their ancestry to Indigenous families in place well before the Oñate Entrada of 1598, to tomorrow’s transborder travelers who will be negotiating entry into the United States. Throughout, we witness the shifting mosaic of Mexican-origin foods and foodways in the fields, gardens, and kitchen tables from Chiapas to Alaska.

Global food systems are also considered from a critical agroecological perspective, including the ways colonialism affects native biocultural diversity, ecosystem resilience, and equality across species, human groups, and generations.

Mexican-Origin Foods, Foodways, and Social Movements is a major contribution to the understanding of the ways that Mexican-origin peoples have resisted and transformed food systems. It will animate scholarship on global food studies for years to come.
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cover of Micro Media Industries: Hmong American Media Innovation in the Diaspora

Micro Media Industries

Hmong American Media Innovation in the Diaspora

Lori Kido Lopez

Rutgers University Press, 2021

With the rise of digital tools used for media entrepreneurship, media outlets staffed by only one or two individuals and targeted to niche and super-niche audiences are developing across a wide range of platforms. Minority communities such as immigrants and refugees have long been pioneers in this space, operating ethnic media outlets with limited staff and funding to produce content that is relevant and accessible to their specific community. Micro Media Industries explores the specific case of Hmong American media, showing how an extremely small population can maintain a robust and thriving media ecology in spite of resource limitations and an inability to scale up. Based on six years of fieldwork in Hmong American communities in Wisconsin, Minnesota, and California, it analyzes the unique opportunities and challenges facing Hmong newspapers, radio, television, podcasts, YouTube, social media, and other emerging platforms. It argues that micro media industries, rather than being dismissed or trivialized, ought to be held up as models of media innovation that can counter the increasing power of mainstream media.
 
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cover of Millions of Gifts for the Gods: The Feather Distribution Project

Millions of Gifts for the Gods

The Feather Distribution Project

Jonathan Reyman

University Press of Colorado, 2025

In Millions of Gifts for the Gods, Jonathan E. Reyman chronicles a remarkable thirty-four-year applied anthropology initiative that bridged ancient traditions with contemporary conservation challenges. From 1982 to 2015 the Feather Distribution Project addressed the critical need for macaw, parrot, and wild turkey feathers essential to Pueblo religious practices, directly supporting their constitutional right to freedom of religion.

Grounded in Sol Tax’s concept of “action anthropology,” the project facilitated community-driven decision-making rather than imposing external solutions. This collaborative approach enabled Indigenous communities to maintain cultural practices that have persisted for over a millennium, dating back to the Ancestral Pueblo people and the Mogollon and Sinagua tribes, who viewed birds as sacred beings that helped humans emerge from the underworld. Yet the project’s impact extended far beyond cultural preservation. Over three decades, it distributed approximately 14.5 million feathers, valued at $20 million, to the Southwest Pueblos and other Indigenous Americans at no cost to them. Through partnerships with turkey hunters, zoos, bird clubs, the National Wild Turkey Federation, and dozens of volunteers, the initiative reduced illegal bird smuggling from Latin America, alleviated pressure on threatened bird populations, and eliminated harmful plucking practices.

Millions of Gifts for the Gods is an extended case study in applied anthropology, demonstrating how sustained collaboration between anthropologists and Indigenous communities can effectively address complex cultural, legal, and environmental challenges while preserving sacred traditions. This unique project is of special interest to anthropologists working in the American Southwest, as well as students and scholars of archaeology, ethnography, and ethnohistory.
 
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cover of Moquis and Kastiilam: Hopis, Spaniards, and the Trauma of History, Volume I, 1540–1679

Moquis and Kastiilam

Hopis, Spaniards, and the Trauma of History, Volume I, 1540–1679

Edited by Thomas E. Sheridan, Stewart B. Koyiyumptewa, Anton Daughters, Dale S. Brenneman, T. J. Ferguson, Leigh Kuwanwisiwma, and Lee Wayne Lomayestewa

University of Arizona Press, 2015

The first of a two-volume series, Moquis and Kastiilam tells the story of the encounter between the Hopis, who the Spaniards called Moquis, and the Spaniards, who the Hopis called Kastiilam, from the first encounter in 1540 until the eve of the Pueblo Revolt of 1680. By comparing and contrasting Spanish documents with Hopi oral traditions, the editors portray a balanced presentation of their shared past. Translations of sixteenth-, seventeenth-, and eighteenth-century documents written by Spanish explorers, colonial officials, and Franciscan missionaries tell the perspectives of the European visitors, and oral traditions recounted by Hopi elders reveal the Indigenous experience.

The editors argue that the Spanish record is incomplete, and only the Hopi perspective can balance the story. The Spanish documentary record (and by extension the documentary record of any European or Euro-American colonial power) is biased and distorted, according to the editors, who assert there are enormous silences about Hopi responses to Spanish missionization and colonization. The only hope of correcting those weaknesses is to record and analyze Hopi oral traditions, which have been passed down from generation to generation, and give voice to Hopi values and Hopi social memories of what was a traumatic period in their past.

Spanish abuses during missionization—which the editors address specifically and directly as the sexual exploitation of Hopi women, suppression of Hopi ceremonies, and forced labor of Hopis—drove Hopis to the breaking point, inspiring a Hopi revitalization that led them to participate in the Pueblo Revolt. Those abuses, the revolt, and the resistance that followed remain as open wounds in Hopi society today.
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cover of Mound City: The Place of the Indigenous Past and Present in St. Louis

Mound City

The Place of the Indigenous Past and Present in St. Louis

Patricia Cleary

University of Missouri Press, 2025

Winner of the 2025 Midland Authors Award in the History category 

Nearly one thousand years ago, Native peoples built a satellite suburb of America's great metropolis on the site that later became St. Louis. At its height, as many as 30,000 people lived in and around present-day Cahokia, Illinois. While the mounds around Cahokia survive today (as part of a state historic site and UNESCO world heritage site), the monumental earthworks that stood on the western shore of the Mississippi were razed in the 1800s. But before and after they fell, the mounds held an important place in St. Louis history, earning it the nickname “Mound City.” For decades, the city had an Indigenous reputation. Tourists came to marvel at the mounds and to see tribal delegations in town for trade and diplomacy. As the city grew, St. Louisans repurposed the mounds—for a reservoir, a restaurant, and railroad landfill—in the process destroying cultural artifacts and sacred burial sites. Despite evidence to the contrary, some white Americans declared the mounds natural features, not built ones, and cheered their leveling. Others espoused far-fetched theories about a lost race of Mound Builders killed by the ancestors of contemporary tribes. Ignoring Indigenous people's connections to the mounds, white Americans positioned themselves as the legitimate inheritors of the land and asserted that modern Native peoples were destined to vanish. Such views underpinned coerced treaties and forced removals, and—when Indigenous peoples resisted—military action. The idea of the “Vanishing Indian” also fueled the erasure of Indigenous peoples’ histories, a practice that continued in the 1900s in civic celebrations that featured white St. Louisans “playing Indian” and heritage groups claiming the mounds as part of their own history. Yet Native peoples endured and in recent years, have successfully begun to reclaim the sole monumental mound remaining within city limits.

Drawing on a wide range of sources, Patricia Cleary explores the layers of St. Louis’s Indigenous history. Along with the first in-depth overview of the life, death, and afterlife of the mounds, Mound City offers a gripping account of how Indigenous histories have shaped the city’s growth, landscape, and civic culture.

 
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cover of Multiple InJustices: Indigenous Women, Law, and Political Struggle in Latin America

Multiple InJustices

Indigenous Women, Law, and Political Struggle in Latin America

R. Aída Hernández Castillo

University of Arizona Press, 2016

The last two decades have witnessed two political transformations that have deeply affected the lives of the indigenous peoples of Latin America. First, a discourse on indigeneity has emerged that links local struggles across the continent with transnational movements whose core issues are racism and political and cultural rights. Second, recent constitutional reforms in several countries recognize the multicultural character of Latin American countries and the legal pluralism that necessarily follows.

Multiple InJustices synthesizes R. Aída Hernández Castillo’s twenty-four years of activism and research among indigenous women’s organizations in Latin America. As both feminist and critical anthropologist, Hernández Castillo analyzes the context of legal pluralism wherein the indigenous women of Mexico, Guatemala, and Colombia struggle for justice. Through ethnographical research in community, state, and international justice, she reflects on the possibilities and limitations of customary, national, and international law for indigenous women.

Colonialism, racism, and patriarchal violence have been fundamental elements for the reproduction of capitalism, Hernández Castillo asserts. Only a social policy that offers economic alternatives based on distribution of wealth and a real recognition of cultural and political rights of indigenous peoples can counter the damage of outside forces such as drug cartels on indigenous lands.

She concludes that the theories of indigenous women on culture, tradition, and gender equity—as expressed in political documents, event reports, public discourse, and their intellectual writings—are key factors in the decolonization of Latin American feminisms and social justice for all.
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cover of My Life, by Louis Kenoyer: Reminiscences of a Grand Ronde Reservation Childhood

My Life, by Louis Kenoyer

Reminiscences of a Grand Ronde Reservation Childhood

Louis Kenoyer

Oregon State University Press, 2017

Louis Kenoyer, born in 1868 at Grand Ronde reservation, Oregon, was the last known native speaker of Tualatin Northern Kalapuya. His autobiographical narrative was recorded in 1928 and 1936 and is archived in the Special Collections of the University of Washington Library. Kenoyer's autobiography is a rare, first-person narrative by a Native American discussing life on an Oregon reservation. To bring his compelling story to contemporary readers, Henry Zenk and Jedd Schrock have completed a translation of the original Tualatin narrative and prepared extensive annotations and commentary to supplement the text. The original Tualatin is presented alongside the English translation.
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