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When high school students in the small midwestern town of Oakton start disappearing, police are left without any clues until a psychic named Serena Sills begins working on the case. Serena and Police Chief Matt Williams combine detective work and supernatural intuition as they try to find the missing teenagers before it's too late.

The MICHIGAN Reading Plus Readers are original fiction written for students who wish to improve their reading skills. The MICHIGAN Reading Plus Readers support the need for extensive reading on topics of interest to today's students. The Readers offer students books in the genres of mystery, science-fiction, and romance. Activities that practice vocabulary and reading skills are provided on the companion website.

Twelve-year-old Seth wants to prove to his stepfather, the game warden, that he is responsible enough to use his shotgun on his own. Without permission, he takes matters into his own hands and shoots his first rabbit. He is worried about what his father will say when he finds out—and Seth himself is unsure of how he feels about it—but before he can confess, Seth’s life is turned upside down.

In the woods near his house, he sees poachers slaughter a moose cow and injure her calf. Rather than tell his stepfather about the incident, Seth tries to save the calf, but the poachers know who he is and threaten his family. Can he rescue the moose and bring the poachers to justice? He has to try.

First published in 1780, this was by far the most comprehensive and influential compilation of nursery rhymes. It is here that many of today's favorite rhymes make their first appearance in print, including "Hush-a-by-baby," "Ding dong bell," "High diddle diddle," and "Jack and Gill." Illustrated throughout with 52 delightful wood engravings by Thomas Bewick—long considered the finest of English wood engravers—this facsimile edition is bound in a copy of the gold-flecked Dutch floral paper similar to the original binding and presented in a handsome slipcase.

At the First Baptist Church of Maeby, Arkansas, the sins of the child belonged to the parents until the child turned thirteen. Sarah Jones was only eight years old in the summer of 1964, but with her mother Esther Mae on eight prayer lists and flipping around town with the generally mistrusted civil rights organizers, Sarah believed it was time to get baptized and take responsibility for her own sins. That would mean sitting on the mourner’s bench come revival, waiting for her sign, and then testifying in front of the whole church.

But first, Sarah would need to navigate the growing tensions of small-town Arkansas in the 1960s. Both smarter and more serious than her years (a “fifty-year-old mind in an eight-year-old body,” according to Esther), Sarah was torn between the traditions, religion, and work ethic of her community and the progressive civil rights and feminist politics of her mother, who had recently returned from art school in Chicago. When organizers from the Student Non-Violent Coordinating Committee (SNCC) came to town just as the revival was beginning, Sarah couldn’t help but be caught up in the turmoil. Most folks just wanted to keep the peace, and Reverend Jefferson called the SNCC organizers “the evil among us.” But her mother, along with local civil rights activist Carrie Dilworth, the SNCC organizers, Daisy Bates, attorney John Walker, and indeed most of the country, seemed determined to push Maeby toward integration.

With characters as vibrant and evocative as their setting, Mourner’s Bench is the story of a young girl coming to terms with religion, racism, and feminism while also navigating the terrain of early adolescence and trying to settle into her place in her family and community.