64 books match the query 'Middle Ages' and 4 start with m

cover of Making the Past Present: David Jones, the Middle Ages and Modernism

Making the Past Present

David Jones, the Middle Ages and Modernism

Paul Robichaud

Catholic University of America Press, 2007

Robichaud charts the growth of Jones's medievalism from his earliest Pre-Raphaelite influences, showing how his commitment to modernist aesthetics transformed his vision of the Middle Ages.
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cover of Medieval Identity Machines

Medieval Identity Machines

Jeffrey J. Cohen

University of Minnesota Press, 2003

A provocative new approach to medieval culture

In Medieval Identity Machines, Jeffrey J. Cohen examines the messiness, permeability, and perversity of medieval bodies, arguing that human identity always exceeds the limits of the flesh. Combining critical theory with a rigorous reading of medieval texts, Cohen asks if the category “human” isn’t too small to contain the multiplicity of identities. As such, this book is the first to argue for a “posthuman” Middle Ages and to make extensive use of the philosophical writings of Gilles Deleuze to rethink the medieval.

Among the topics that Cohen covers are the passionate bond between men and horses in chivalric training; the interrelation of demons, celibacy, and colonialism in an Anglo-Saxon saint’s life; Lancelot’s masochism as envisioned by Chrétien de Troyes; the voice of thunder echoing from Margery Kempe; and the fantasies that sustained some dominant conceptions of race. This tour of identity—in all its fragility and diffusion—illustrates the centrality of the Middle Ages to theory as it enhances our understanding of self, embodiment, and temporality in the medieval world.
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cover of Medieval Masculinities: Regarding Men in the Middle Ages

Medieval Masculinities

Regarding Men in the Middle Ages

Clare A. Lees

University of Minnesota Press, 1994

"Ranging from questions of epic violence and heroic embodiments of manhood to constructions of bachelorhood, husbandry, and sainthood, Medieval Masculinities is the first synthesis of medieval and gender studies to focus on masculinities."

Harry Brod, editor of The Making of Masculinities"We should not be working [exclusively] on the subjected sex any more than a historian of class can focus exclusively on peasants."-Natalie Zemon Davis, 1975 In the years since Natalie Davis made this remark, men's studies, and gender studies along with it, has earned its place in scholarship. What is often missing from such studies, however, is the insight that the concept of gender in general, and that of masculinity in particular, can be understood only in relation to individual societies, examined at specific historical and cultural moments. A brilliant application of this insight, Medieval Masculinities is the first full-length collection to explore the issues of men's studies and contemporary theories of gender within the context of the Middle Ages. Interdisciplinary and multicultural, the essays range from matrimony in medieval Italy to bachelorhood in Renaissance Venice, from friars and saints to the male animal in the fables of Marie de France, from manhood in Sir Gawain and the Green Knight, Beowulf, and the Roman d'Eneas to men as "other," whether Muslim or Jew, in medieval Castilian epic and ballad. The authors are especially concerned with cultural manifestations of masculinity that transcend this particular historical period-idealized gender roles, political and economic factors in structuring social institutions, and the impact of masculinist ideology in fostering and maintaining power. Together, their essays constitute an important reassessment of traditional assumptions within medieval studies as well as a major contribution to the evolving study of gender.ContributorsChristopher Baswell, Barnard CollegeVern L. Bullough, SUNY, BuffaloStanley Chojnacki, Michigan State UniversityJohn Coakley, New Brunswick Theological SeminaryThelma Fenster, Fordham UniversityClare Kinney, University of VirginiaClare A. Lees, University of PennsylvaniaJo Ann McNamara, Hunter CollegeLouise Mirrer, Fordham UniversityHarriet Spiegel, California State University, ChicoSusan Mosher Stuard, Haverford College
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cover of Medieval Worlds: Barbarians, Heretics and Artists in the Middle Ages

Medieval Worlds

Barbarians, Heretics and Artists in the Middle Ages

Arno Borst

University of Chicago Press, 1992

In Medieval Worlds: Barbarians, Heretics, and Artists, medieval historian Arno Borst offers at once an imaginatively narrated tour of medieval society. Issues of language, power, and cultural change come to life as he examines how knights, witches and heretics, monks and kings, women poets, and disputatious university professors existed in the medieval world.

Clearly interested in the forms of medieval behavior which gave rise to the seeds of modern society, Borst focuses on three in particular that gave momentum to medieval religious, social, and intellectual movements: the barbaric, heretical, and artistic. Borst concludes by reflecting on his own life as a scholar and draws out lessons for us from the turbulence of the Middle Ages.
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