Results by title
212 books match the query 'Peru' and 10 start with m
Making Institutions Work in Peru
Democracy, Development and Inequality Since 1980Edited by John Crabtree
University of London Press, 2006
The 2006 Peruvian elections are an appropriate moment to reflect on Alejandro Toledo's term as president and on the broader agenda for building a more inclusive and democratic government. In a country of extreme social inequality, such an aspiration represents an enormous challenge. The sudden collapse of the which Fujimori regime --which had dominated Peru for the 1990s --and Toledo's election victory in 2001 seemed to provide an opportunity for institutional reform and rebuilding. The impetus proved short-lived, as the new president's popularity sank to unprecedented levels and public support for Peru's democratic institutions continued to hemorrhage. This book suggests that the challenges of institutional development run very deep and are not peculiar to any one government. Institutional change in Peru is part of a much wider process of transformation from an oligarchic society.
Contributors include Paulo Drino (University of Manchester), Cynthia Sanborn (Centro de Investigaciones, Universidad del Pacifico, Lima), Carlos Monge (Participacion Ciudadana, Lima), Fernando Rospigliosi (Instituto de Estudios Peruanos, Lima), Pedro Franck (Departamento de Economia, Universidad Catolica, Lima), Fernando Eguren (Centro Peruano de Ciencias Sociales, Lima), Rosemary Thorp (Queen Elizabeth House/St Antony's College, Oxford), Eduardo Dargent (University of Texas,Austin), Coletta Youngers (Washington Office on Latin America,Washington D.C.), Francisco Durand (University of Texas, San Antonio), Jose Tavara (Departamento de Economia, Universidad Catolica, Lima, and OSIPTEL), and Richard Webb (Instituto Cuanto and Central Bank of Peru).
Contributors include Paulo Drino (University of Manchester), Cynthia Sanborn (Centro de Investigaciones, Universidad del Pacifico, Lima), Carlos Monge (Participacion Ciudadana, Lima), Fernando Rospigliosi (Instituto de Estudios Peruanos, Lima), Pedro Franck (Departamento de Economia, Universidad Catolica, Lima), Fernando Eguren (Centro Peruano de Ciencias Sociales, Lima), Rosemary Thorp (Queen Elizabeth House/St Antony's College, Oxford), Eduardo Dargent (University of Texas,Austin), Coletta Youngers (Washington Office on Latin America,Washington D.C.), Francisco Durand (University of Texas, San Antonio), Jose Tavara (Departamento de Economia, Universidad Catolica, Lima, and OSIPTEL), and Richard Webb (Instituto Cuanto and Central Bank of Peru).
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Making Music Indigenous
Popular Music in the Peruvian AndesJoshua Tucker
University of Chicago Press, 2019
When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music.
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Malambo
Lucía Charún-Illescas
Swan Isle Press, 2004
A powerful historical novel set in Peru in the sixteenth and seventeenth centuries.
“In Malambo . . . the Rimac proudly rubs elbows with the freedmen, the cimarrons, and smuggled slaves. . . It runs united to the other subterranean springs underneath Blanket Street, Weavers Lane, and under Jewish Street . . . and Swordmaker’s Lanes.”
The Rimac shapes the narrative of this compelling historical novel that probes the brutal clash of ethnicity, religion, and class in sixteenth- and seventeenth-century Peru. Set against the backdrop of Spanish colonialism and the Spanish Inquisition in the “New World,” Malambo peels back the layers of Peru’s society to focus on the subtle connections among indigenous peoples— Africans, Jews, Christians, and others—whose cultural fusion pervades Latin American history and culture.
At the heart of the novel is Tomason, an African artist living along the Rimac who paints religious murals for the church and his colonial masters. The intermingling of his Yoruba heritage with his life in a Spanish colony transforms him into a griot figure who unearths the deeper truths of his painful and complex experience by sharing it. Other memorable characters’ stories intertwine with Tomason’s tale, developing a narrative that powerfully reflects on the themes of dislocation and enslavement.
Malambo is an unforgettable work that explores the origins of the Afro-Hispanic experience and offers a profound meditation on the forces of history.
“In Malambo . . . the Rimac proudly rubs elbows with the freedmen, the cimarrons, and smuggled slaves. . . It runs united to the other subterranean springs underneath Blanket Street, Weavers Lane, and under Jewish Street . . . and Swordmaker’s Lanes.”
The Rimac shapes the narrative of this compelling historical novel that probes the brutal clash of ethnicity, religion, and class in sixteenth- and seventeenth-century Peru. Set against the backdrop of Spanish colonialism and the Spanish Inquisition in the “New World,” Malambo peels back the layers of Peru’s society to focus on the subtle connections among indigenous peoples— Africans, Jews, Christians, and others—whose cultural fusion pervades Latin American history and culture.
At the heart of the novel is Tomason, an African artist living along the Rimac who paints religious murals for the church and his colonial masters. The intermingling of his Yoruba heritage with his life in a Spanish colony transforms him into a griot figure who unearths the deeper truths of his painful and complex experience by sharing it. Other memorable characters’ stories intertwine with Tomason’s tale, developing a narrative that powerfully reflects on the themes of dislocation and enslavement.
Malambo is an unforgettable work that explores the origins of the Afro-Hispanic experience and offers a profound meditation on the forces of history.
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Marayrasu
StoriesEdgardo Rivera Martínez, Amy Olen
Northwestern University Press, 2026
The first English-language collection of short stories by award-winning Peruvian author Edgardo Rivera Martínez
The stories in Marayrasu stage fantastical, mysterious encounters that belie the characters’ often harsh economic and political realities as they seek belonging in modern Peru through art, music, and relationships. Depicted in poetic prose, these characters are loners, orphans, and outcasts experiencing quiet, tender encounters with other people and animals, the creative arts, and the land they find themselves depending on. Living vibrantly within these stories, the leviathan of Inca lore considers its own form, a young boy moves to a mining town and gets involved with a local union leader’s fight for worker rights while feeling the powerful pull of a large mountain overlooking the town, and a Persian cat captures the attention of a family down on its luck. Amy Olen’s translation smoothly captures Rivera Martínez’s impressive stories, offering a unique lens into the region at the heart of this canonical author’s inimitable work.
The stories in Marayrasu stage fantastical, mysterious encounters that belie the characters’ often harsh economic and political realities as they seek belonging in modern Peru through art, music, and relationships. Depicted in poetic prose, these characters are loners, orphans, and outcasts experiencing quiet, tender encounters with other people and animals, the creative arts, and the land they find themselves depending on. Living vibrantly within these stories, the leviathan of Inca lore considers its own form, a young boy moves to a mining town and gets involved with a local union leader’s fight for worker rights while feeling the powerful pull of a large mountain overlooking the town, and a Persian cat captures the attention of a family down on its luck. Amy Olen’s translation smoothly captures Rivera Martínez’s impressive stories, offering a unique lens into the region at the heart of this canonical author’s inimitable work.
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Memories before the State
Postwar Peru and the Place of Memory, Tolerance, and Social InclusionJoseph P. Feldman
Rutgers University Press, 2021
Honorable Mention for Best Book Award from the Historia Reciente y Memoria Section of the Latin American Studies Association (LASA)
Memories before the State examines the discussions and debates surrounding the creation of the Place of Memory, Tolerance, and Social Inclusion (LUM), a national museum in Peru that memorializes the country’s internal armed conflict of the 1980s and 1990s. Emerging from a German donation that the Peruvian government initially rejected, the Lima-based museum project experienced delays, leadership changes, and limited institutional support as planners and staff devised strategies that aligned the LUM with a new class of globalized memorial museums and responded to political realities of the country’s postwar landscape. The book analyzes forms of authority that emerge as an official institution seeks to incorporate and manage diverse perspectives on recent violence.
Memories before the State examines the discussions and debates surrounding the creation of the Place of Memory, Tolerance, and Social Inclusion (LUM), a national museum in Peru that memorializes the country’s internal armed conflict of the 1980s and 1990s. Emerging from a German donation that the Peruvian government initially rejected, the Lima-based museum project experienced delays, leadership changes, and limited institutional support as planners and staff devised strategies that aligned the LUM with a new class of globalized memorial museums and responded to political realities of the country’s postwar landscape. The book analyzes forms of authority that emerge as an official institution seeks to incorporate and manage diverse perspectives on recent violence.
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Modern Inquisitions
Peru and the Colonial Origins of the Civilized WorldIrene Silverblatt
Duke University Press, 2004
Trying to understand how “civilized” people could embrace fascism, Hannah Arendt searched for a precedent in modern Western history. She found it in nineteenth-century colonialism, with its mix of bureaucratic rule, racial superiority, and appeals to rationality. Modern Inquisitions takes Arendt’s insights into the barbaric underside of Western civilization and moves them back to the sixteenth century and seventeenth, when Spanish colonialism dominated the globe. Irene Silverblatt describes how the modern world developed in tandem with Spanish imperialism and argues that key characteristics of the modern state are evident in the workings of the Inquisition. Her analysis of the tribunal’s persecution of women and men in colonial Peru illuminates modernity’s intricate “dance of bureaucracy and race.”
Drawing on extensive research in Peruvian and Spanish archives, Silverblatt uses church records, evangelizing sermons, and missionary guides to explore how the emerging modern world was built, experienced, and understood by colonists, native peoples, and Inquisition officials: Early missionaries preached about world history and about the races and nations that inhabited the globe; Inquisitors, able bureaucrats, defined who was a legitimate Spaniard as they executed heretics for “reasons of state”; the “stained blood” of Indians, blacks, and descendants of Jews and Moors was said to cause their deficient character; and native Peruvians began to call themselves Indian.
In dialogue with Arendt and other theorists of modernity, Silverblatt shows that the modern world’s underside is tied to its origins in colonialism and to its capacity to rationalize violence. Modern Inquisitions forces the reader to confront the idea that the Inquisition was not only a product of the modern world of the sixteenth and seventeenth centuries, but party to the creation of the civilized world we know today.
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Modern Peru
A New HistoryPaulo Drinot and Alberto Vergara, editors
Duke University Press, 2025
Modern Peru: A New History offers a sweeping account of Peru’s history from the wars of independence to the present day. Delving into a past characterized by instability and a series of interrupted national projects, the contributors examine the legacies of Tupac Amaru’s 1780s rebellion and the intense ideological debates between conservatives and liberals about the newly independent nation. They analyze the mid-nineteenth-century guano state, the catastrophic defeat in the War of the Pacific, and the establishment of an exclusionary oligarchic state—the "Aristocratic Republic"—based on a diverse export economy. Outlining Peru’s twentieth-century transition from a rural, agrarian society to a primarily urban one, the contributors explore the 1968 coup and its unfulfilled promise of top-down social transformation, which was followed by years of democratic rule marked by internal armed conflict and economic mismanagement. This period culminated in the authoritarian neoliberal revolution of Alberto Fujimori, whose economic and political legacies in the new century resulted in a booming economy, now in abeyance, and a deeply dysfunctional democracy. Accessible and wide-ranging, Modern Peru provides a singularly panoramic perspective on Peru’s history.
Contributors. Eduardo Dargent, Paulo Drinot, Cynthia McClintock, José Luis Rénique, Natalia Sobrevilla Perea, Alberto Vergara, Charles Walker
Contributors. Eduardo Dargent, Paulo Drinot, Cynthia McClintock, José Luis Rénique, Natalia Sobrevilla Perea, Alberto Vergara, Charles Walker
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Montane Foragers
Asana and the South-Central Andean ArchaicMark S. Aldenderfer
University of Iowa Press, 1998
All previous books dealing with prehistoric hunter-gatherers in the high Andes have treated ancient mountain populations from a troglodyte's perspective, as if they were little different from lowlanders who happened to occupy jagged terrain. Early mountain populations have been transformed into generic foragers because the basic nature of high-altitude stress and biological adaptation has not been addressed. In Montane Foragers, Mark Aldenderfer builds a unique and penetrating model of montane foraging that justly shatters this traditional approach to ancient mountain populations.
Aldenderfer's investigation forms a methodological and theoretical tour de force that elucidates elevational stress—what it takes for humans to adjust and survive at high altitudes. In a masterful integration of mountain biology and ecology, he emphasizes the nature of hunter-gatherer adaptations to high-mountain environments. He carefully documents the cultural history of Asana, the first stratified, open-air site discovered in the highlands of the south-central Andes. He establishes a number of major occurrences at this revolutionary site, including the origins of plant and animal domestication and transitions to food production, the growth and packing of forager populations, and the advent of some form of complexity and social hierarchy.
The rich and diversified archaeological record recovered at Asana—which spans from 10,000 to 3,500 years ago—includes the earliest houses as well as public and ceremonial buildings in the central cordillera. Built, used, and abandoned over many millennia, the Asana structures completely transform our understanding of the antiquity and development of native American architecture. Aldenderfer's detailed archaeological case study of high-elevation foraging adaptation, his description of this extreme environment as a viable human habitat, and his theoretical model of montane foraging create a new understanding of the lifeways of foraging peoples worldwide.
Aldenderfer's investigation forms a methodological and theoretical tour de force that elucidates elevational stress—what it takes for humans to adjust and survive at high altitudes. In a masterful integration of mountain biology and ecology, he emphasizes the nature of hunter-gatherer adaptations to high-mountain environments. He carefully documents the cultural history of Asana, the first stratified, open-air site discovered in the highlands of the south-central Andes. He establishes a number of major occurrences at this revolutionary site, including the origins of plant and animal domestication and transitions to food production, the growth and packing of forager populations, and the advent of some form of complexity and social hierarchy.
The rich and diversified archaeological record recovered at Asana—which spans from 10,000 to 3,500 years ago—includes the earliest houses as well as public and ceremonial buildings in the central cordillera. Built, used, and abandoned over many millennia, the Asana structures completely transform our understanding of the antiquity and development of native American architecture. Aldenderfer's detailed archaeological case study of high-elevation foraging adaptation, his description of this extreme environment as a viable human habitat, and his theoretical model of montane foraging create a new understanding of the lifeways of foraging peoples worldwide.
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Mother Tongues of the High Andes
Gender, Language, and Indigenous Difference in PeruSandhya Krittika Narayanan
University of Arizona Press, 2025
The Peruvian altiplano, a high plateau around Lake Titicaca, is known for its breathtaking landscapes and the cultivation of commodities like quinoa and alpaca wool. The region also stands out for its history of inter-Indigenous language contact and multilingualism between Quechua- and Aymara-speaking communities. This linguistic ecology predates the Spanish conquest and persists today, making the altiplano, with its capital, Puno, a unique space where Indigenous multiplicity is recognized and celebrated. Yet this celebration is accompanied by additional ideological challenges around defining Quechua and Aymara as distinct Indigenous languages and ethnic groups.
Anthropologist Sandhya Krittika Narayanan begins with these challenges, and asks: What does it mean to be a Quechua or Aymara speaker in Puno today? What does it mean to be an Indigenous ethnic Quechua or Aymara individual?
Mother Tongues of the High Andes opens with these questions, exploring what Quechua and Aymara languages and identities mean for Indigenous puneños as they navigate their past and present. Narayanan argues that understanding inter-Indigenous linguistic and social differences involves examining Indigenous gender roles, responsibilities, and linguistic practices, particularly those of Indigenous puneña women. She shows how these practices have contributed to the maintenance of Indigenous multilingualism and continuity in local modes of understanding Indigenous identity and difference.
Even as ideologies around Indigenous identity and linguistic practices shift due to global discourses on Indigenous ethnic identity and nationalism, Indigenous women continue to play a crucial role, promoting new ways to speak and think about Quechua and Aymara linguistic differences, making the Indigenous roots and histories of Puno recognizable to a global audience. Through a comprehensive ethnographic exploration of gender, language, and Indigenous difference, Narayanan shows how the linguistic and social practices of Indigenous puneña women both contest and reaffirm competing visions of Quechua and Aymara linguistic identity and authority.
Anthropologist Sandhya Krittika Narayanan begins with these challenges, and asks: What does it mean to be a Quechua or Aymara speaker in Puno today? What does it mean to be an Indigenous ethnic Quechua or Aymara individual?
Mother Tongues of the High Andes opens with these questions, exploring what Quechua and Aymara languages and identities mean for Indigenous puneños as they navigate their past and present. Narayanan argues that understanding inter-Indigenous linguistic and social differences involves examining Indigenous gender roles, responsibilities, and linguistic practices, particularly those of Indigenous puneña women. She shows how these practices have contributed to the maintenance of Indigenous multilingualism and continuity in local modes of understanding Indigenous identity and difference.
Even as ideologies around Indigenous identity and linguistic practices shift due to global discourses on Indigenous ethnic identity and nationalism, Indigenous women continue to play a crucial role, promoting new ways to speak and think about Quechua and Aymara linguistic differences, making the Indigenous roots and histories of Puno recognizable to a global audience. Through a comprehensive ethnographic exploration of gender, language, and Indigenous difference, Narayanan shows how the linguistic and social practices of Indigenous puneña women both contest and reaffirm competing visions of Quechua and Aymara linguistic identity and authority.
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Moving Away from Silence
Music of the Peruvian Altiplano and the Experience of Urban MigrationThomas Turino
University of Chicago Press, 1993
Increasingly popular in the United States and Europe, Andean panpipe and flute music draws its vitality from the traditions of rural highland villages and of rural migrants who have settled in Andean cities. In Moving Away from Silence, Thomas Turino describes panpipe and flute traditions in the context of this rural-urban migration and the turbulent politics that have influenced Peruvian society and local identities throughout this century.
Turino's ethnography is the first large-scale study to concentrate on the pervasive effects of migration on Andean people and their music. Turino uses the musical traditions of Conima, Peru as a unifying thread, tracing them through the varying lives of Conimeos in different locales. He reveals how music both sustains and creates meaning for a people struggling amid the dramatic social upheavals of contemporary Peru.
Moving Away from Silence contains detailed interpretations based on comparative field research of Conimeo musical performance, rehearsals, composition, and festivals in the highlands and Lima. The volume will be of great importance to students of Latin American music and culture as well as ethnomusicological and ethnographic theory and method.
Turino's ethnography is the first large-scale study to concentrate on the pervasive effects of migration on Andean people and their music. Turino uses the musical traditions of Conima, Peru as a unifying thread, tracing them through the varying lives of Conimeos in different locales. He reveals how music both sustains and creates meaning for a people struggling amid the dramatic social upheavals of contemporary Peru.
Moving Away from Silence contains detailed interpretations based on comparative field research of Conimeo musical performance, rehearsals, composition, and festivals in the highlands and Lima. The volume will be of great importance to students of Latin American music and culture as well as ethnomusicological and ethnographic theory and method.
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