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138 books match the query 'Postcolonialism' and 6 start with m

cover of Mediating the South Korean Other: Representations and Discourses of Difference in the Post/Neocolonial Nation-State

Mediating the South Korean Other

Representations and Discourses of Difference in the Post/Neocolonial Nation-State

David C. Oh, Editor

University of Michigan Press, 2022

Multiculturalism in Korea formed in the context of its neoliberal, global aspirations, its postcolonial legacy with Japan, and its subordinated neocolonial relationship with the United States. The Korean ethnoscape and mediascape produce a complex understanding of difference that cannot be easily reduced to racism or ethnocentrism. Indeed the Korean word, injongchabyeol, often translated as racism, refers to discrimination based on any kind of “human category.” Explaining Korea’s relationship to difference and its practices of othering, including in media culture, requires new language and nuance in English-language scholarship.

This collection brings together leading and emerging scholars of multiculturalism in Korean media culture to examine mediated constructions of the “other,” taking into account the nation’s postcolonial and neocolonial relationships and its mediated construction of self. “Anthrocategorism ,” a more nuanced translation  of injongchabyeol, is proffered as a new framework for understanding difference in ways that are locally meaningful in a society and media system in which racial or even ethnic differences are not the most salient. The collection points to the construction of racial others that elevates, tolerates, and incorporates difference; the construction of valued and devalued ethnic others, and the ambivalent construction of co-ethnic others as sympathetic victims or marginalized threats.
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cover of Men at Home: Imagining Liberation in Colonial and Postcolonial India

Men at Home

Imagining Liberation in Colonial and Postcolonial India

Gyanendra Pandey

Duke University Press, 2025

In Men at Home, Gyanendra Pandey offers a detailed exploration of men’s comportment and conduct in the home and the implications of their ambiguous commitment to this critical part of their lives. The author draws on a wealth of archival materials—autobiographies, memoirs, fiction, and ethnographies—to situate Indian men firmly in the domestic world, underlining their dependence on the family and home. He investigates how men negotiate marriage, intimacy, and conjugality and focuses the effects of the humiliating and constant assertion of gender, caste, and class power in familial interactions. To uncover the nuances of these relationships, Pandey attends to the domestic commitments of upper-, middle-, and lower-class men across religion and caste. He considers issues of honor and shame, rights and responsibilities, citizenship and belonging through this exploration of how men across the subcontinent understand themselves in and beyond their domestic relationships. As much as it is a book about masculinity and conjugality, this is a book about Indian modernity, nationalism, and society as seen from the location of men in the home.
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cover of Messy Beginnings: Postcoloniality and Early American Studies

Messy Beginnings

Postcoloniality and Early American Studies

Edited by Malini Johar Schueller and Edward Watts

Rutgers University Press, 2003

When exploring the links between America and postcolonialism, scholars tend to think either in terms of contemporary multiculturalism, or of imperialism since 1898.  This narrow view has left more than the two prior centuries of colonizing literary and political culture unexamined.

Messy Beginnings challenges the idea of early America’s immunity from issues of imperialism, that its history is not as “clean” as European colonialism.  By addressing  the literature ranging from the diaries of American women missionaries in the Middle East to the work of Benjamin Franklin and Nathaniel Hawthorne, and through appraisals of key postcolonial theorists such as Edward Said, Gayatri Spivak, and Homi Bhabha, the contributors to this volume explore the applicability of their models to early American culture. 

 Messy Beginnings argues against the simple concept that the colonization of what became the United States was a confrontation between European culture and the “other.”  Contributors examine the formation of America through the messy or unstable negotiations of the idea of “nation.” 

The essays forcefully show that the development of  “Americanness” was a raced and classed phenomenon, achieved through a complex series of violent encounters, legal maneuvers, and political compromises.   The complexity of early American colonization, where there was not one coherent “nation” to conquer, contradicts the simple label of imperialism used in other lands. The unique approach of Messy Beginnings will reshape both pre-conceived notions of postcolonialism, and how postcolonialists think about the development of the American nation.

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cover of Mexico Unveiled: Resisting Colonial Vices and Other Complaints

Mexico Unveiled

Resisting Colonial Vices and Other Complaints

Carlos Pereda; Translated by Noell Birondo with Andres Bonilla

Vanderbilt University Press, 2025

Carlos Pereda’s Mexico Unveiled is a fresh, idiosyncratic synthesis of twentieth-century Mexican philosophy that puts contemporary debates about Mexican identity politics into a critical perspective. This edition—translated, edited, and introduced by Noell Birondo—brings the Mexican thinker’s ideas to a new English-language audience.

In three engaging essays written in a peerless prose style, Pereda considers the persistent influence of European colonialism on Mexican intellectual life, the politics of inclusion, and the changing ideas of what it means to be Mexican. He identifies three “vices”—social habits, customs, and beliefs inherited from European colonialism—that have influenced the development of Mexican national identity: subaltern fervor, craving for novelty, and nationalist zeal. Pereda demonstrates that these three tendencies have led Mexican intellectuals, and Mexican society more generally, to uncritically adopt a politics of exclusion and destructive nationalist attitudes.

Using a strategy he calls “nomadic” thinking—the act of moving beyond our cultural preconceptions and habits of thinking—Pereda guides readers through a number of examples drawn from Mexican philosophy and culture that illustrate these tendencies. At its core, Mexico Unveiled is an accessible and entertaining introduction to the philosophical themes that have long occupied Pereda’s life and work and Mexican philosophy more generally.
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cover of Model-Minority Imperialism

Model-Minority Imperialism

Victor Bascara

University of Minnesota Press, 2006

At the beginning of the twentieth century, soon after the conclusion of the Spanish-American War, the United States was an imperialistic nation, maintaining (often with the assistance of military force) a far-flung and growing empire. After a long period of collective national amnesia regarding American colonialism, in the Philippines and elsewhere, scholars have resurrected the power of “empire” as a way of revealing American history and culture. Focusing on the terms of Asian American assimilation and the rise of the model-minority myth, Victor Bascara examines the resurgence of empire as a tool for acknowledging—and understanding—the legacy of American imperialism. Model-Minority Imperialism links geopolitical dramas of twentieth-century empire building with domestic controversies of U.S. racial order by examining the cultural politics of Asian Americans as they are revealed in fiction, film, and theatrical productions. Tracing U.S. economic and political hegemony back to the beginning of the twentieth century through works by Jessica Hagedorn, R. Zamora Linmark, and Sui Sin Far; discourses of race, economics, and empire found in the speeches of William McKinley and William Jennings Bryan; as well as L. Frank Baum’s The Wonderful Wizard of Oz and other texts, Bascara’s innovative readings uncover the repressed story of U.S. imperialism and unearth the demand that the present empire reckon with its past. Bascara deploys the analytical approaches of both postcolonial studies and Asian American studies, two fields that developed in parallel but have only begun to converge, to reveal how the vocabulary of empire reasserted itself through some of the very people who inspired the U.S imperialist mission.Victor Bascara is assistant professor of English and Asian American studies at the University of Wisconsin, Madison.
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cover of Mongrel Nation: Diasporic Culture and the Making of Postcolonial Britain

Mongrel Nation

Diasporic Culture and the Making of Postcolonial Britain

Ashley Dawson

University of Michigan Press, 2007

Mongrel Nation surveys the history of the United Kingdom’s African, Asian, and Caribbean populations from 1948 to the present, working at the juncture of cultural studies, literary criticism, and postcolonial theory. Ashley Dawson argues that during the past fifty years Asian and black intellectuals from Sam Selvon to Zadie Smith have continually challenged the United Kingdom’s exclusionary definitions of citizenship, using innovative forms of cultural expression to reconfigure definitions of belonging in the postcolonial age. By examining popular culture and exploring topics such as the nexus of race and gender, the growth of transnational politics, and the clash between first- and second-generation immigrants, Dawson broadens and enlivens the field of postcolonial studies.

Mongrel Nation gives readers a broad landscape from which to view the shifting currents of politics, literature, and culture in postcolonial Britain. At a time when the contradictions of expansionist braggadocio again dominate the world stage, Mongrel Nation usefully illuminates the legacy of imperialism and suggests that creative voices of resistance can never be silenced.Dawson

“Elegant, eloquent, and full of imaginative insight, Mongrel Nation is a refreshing, engaged, and informative addition to post-colonial and diasporic literary scholarship.”

—Hazel V. Carby, Yale University

“Eloquent and strong, insightful and historically precise, lively and engaging, Mongrel Nation is an expansive history of twentieth-century internationalist encounters that provides a broader landscape from which to understand currents, shifts, and historical junctures that shaped the international postcolonial imagination.”

—May Joseph, Pratt Institute

Ashley Dawson is Associate Professor of English at the City University of New York’s Graduate Center and the College of Staten Island. He is coeditor of the forthcoming Exceptional State: Contemporary U.S. Culture and the New Imperialism.

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