91 books match the query 'Radio' and 6 start with m

cover of Making Waves: The Rag Radio Interviews

Making Waves

The Rag Radio Interviews

Thorne Dreyer

University of Texas Press, 2022

Journalist and activist Thorne Dreyer has interviewed hundreds of people for Rag Radio since it went on the air in 2009. Making Waves features transcripts from twenty-one of those interviews, with everyone from TV anchor Dan Rather to Senator Bernie Sanders to monumental sculptor Bob “Daddy-O” Wade. The Rag Radio archive is now part of the collections at the Briscoe Center for American History at the University of Texas.

As a student at the University of Texas in the 1960s, Dreyer joined the Students for a Democratic Society (SDS) and became heavily involved in civil rights and the movement to end the war in Vietnam. He also helped create and edit two underground newspapers—The Rag in Austin and Space City! in Houston—and later ran a public relations business with a diverse list of clients, including progressive political campaigns. Dreyer credits the influence of his artist mother and writer father and their lively salons plus his journalism career, his political and social activism, and his stage acting experience for his interviewing success—“Put it all in a blender and Rag Radio was bound to whip up.”

Making Waves holds a wealth of information, but Dreyer makes it read like conversations among friends. “I always tell my guests that I want the discussion to be informal,” Dreyer says. “We’re going to record some important history here, but we also want to have fun.”

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cover of Media Laboratories: Late Modernist Authorship in South America

Media Laboratories

Late Modernist Authorship in South America

Sarah Ann Wells

Northwestern University Press, 2017

Winner, LASA Best Book Published in 2017, Southern Cone Section, Humanities category

Media Laboratories explores a pivotal time for South American literature of the 1930s and ’40s. Cinema, radio, and the typewriter, once seen as promising catalysts for new kinds of writing, began to be challenged by authors, workers, and the public. What happens when media no longer seem novel and potentially democratic but rather consolidated and dominant? Moving among authors from Brazil, Argentina, and Uruguay, and among the genres of fiction, the essay, popular journalism, and experimental little magazines, Sarah Ann Wells shows how writers on the periphery of global modernity were fashioning alternative approaches to these media. Analyzing authors such as Clarice Lispector, Jorge Luis Borges, and Felisberto Hernández, along with their lesser-known contemporaries, Media Laboratories casts a wide net: from spectators of Hollywood and Soviet montage films, to inventors of imaginary media, to proletarian typists who embodied the machine-human encounters of the period. The text navigates contemporary scholarly and popular debates about the relationship of literature to technological innovation, media archaeology, sound studies, populism, and global modernisms. Ultimately, Wells underscores a question that remains relevant: what possibilities emerge when the enthusiasm for new media has been replaced by anxiety over their potentially pernicious effects in a globalizing, yet vastly unequal, world?
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cover of Microwave and RF Design: A Systems Approach

Microwave and RF Design

A Systems Approach

Michael Steer

The Institution of Engineering and Technology, 2010

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cover of Microwave and RF Design: A Systems Approach, 2nd Edition

Microwave and RF Design

A Systems Approach, 2nd Edition

Michael Steer

The Institution of Engineering and Technology, 2013

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cover of Modern Personal Radio Systems

Modern Personal Radio Systems

R.C.V. Macario

The Institution of Engineering and Technology, 1996

This topical book builds upon an earlier IEE text Personal & mobile radio systems, by the same editor, which set out the fundamental issues in a discipline that appeared to have global expansion potential. That potential has now become a reality, and something more than a new edition of the previous book was needed to bring it up to date. This book is completely new, drawing on the experience and the many intensive studies that have been concentrated in this field in the past five years.
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cover of Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio

Music, Sound, and Technology in America

A Documentary History of Early Phonograph, Cinema, and Radio

Timothy D. Taylor, Mark Katz, and Tony Grajeda, eds.

Duke University Press, 2012

This unique anthology assembles primary documents chronicling the development of the phonograph, film sound, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time the technologies were thoroughly integrated into everyday life. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column advising listeners "desirous of gaining more from music as presented by the radio." Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry. Most importantly, they depict the ways that the new sound technologies were received by real people in particular places and moments in time.
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