288 books match the query 'Rise' and 10 start with m

cover of Making Girls into Women: American Women's Writing and the Rise of Lesbian Identity

Making Girls into Women

American Women's Writing and the Rise of Lesbian Identity

Kathryn R. Kent

Duke University Press, 2003

Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its roots not just, or even primarily, in sexology and medical literature, but in white, middle-class women’s culture. Kent demonstrates how, as white women's culture shifted more and more from the home to the school, workplace, and boarding house, the boundaries between the public and private spheres began to dissolve. She shows how, within such spaces, women's culture, in attempting to mold girls into proper female citizens, ended up inciting in them other, less normative, desires and identifications, including ones Kent calls "protolesbian" or queer.

Kent not only analyzes how texts represent queer erotics, but also theorizes how texts might produce them in readers. She describes the ways postbellum sentimental literature such as that written by Harriet Beecher Stowe, Louisa May Alcott, and Emma D. Kelley eroticizes, reacts against, and even, in its own efforts to shape girls’ selves, contributes to the production of queer female identifications and identities. Tracing how these identifications are engaged and critiqued in the early twentieth century, she considers works by Djuna Barnes, Gertrude Stein, Marianne Moore, and Elizabeth Bishop, as well as in the queer subject-forming effects of another modern invention, the Girl Scouts. Making Girls into Women ultimately reveals that modern lesbian identity marks an extension of, rather than a break from, nineteenth-century women’s culture.

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cover of Manly Writing: Gender, Rhetoric and the Rise of Compostion

Manly Writing

Gender, Rhetoric and the Rise of Compostion

Miriam Brody

Southern Illinois University Press, 1993

In this critical history of the gendered politics of rhetoric and the rise of composition, Miriam Brody argues that nothing about words or their arrangement is innately gendered. Yet since the English Enlightenment, teachers have encouraged their students to admire and imitate "manly" writing, writing that is plain, forceful, cogent, and true. Similarly, students have been enjoined to avoid so-called effeminate or feminine writing—writing characterized as vague, unorganized, ornate, and deceitful.

Such advice, part of what Brody terms the hidden curriculum, has served the interests of discourse communities as various as the early Enlightenment Royal Society in seventeenth-century London (by urging a clear and masculine style for the work of science) and the land-grant universities of nineteenth-century America (by claiming that the work of writing was similar to clearing the land and pushing back the frontier). Brody’s discussion in fact becomes a social history of canonical rhetorical essays and important late Enlightenment, nineteenth-century, and early modern school texts. She points out that in their advice to writers even the Strunks and Whites and Peter Elbows of more recent times have extolled masculine virtues and urged control over invasive and problematic feminine qualities.

Brody’s book not only clarifies rhetoric’s inheritance and transformation of the classical ideal of manliness, it also is the first critical work to explore the ideological significance of gendered imagery and to interpret in light of this imagery rhetorical essays and hard-to-locate early composition texts against a background of previously unpublished archival materials.

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cover of Mashed Up: Music, Technology, and the Rise of Configurable Culture

Mashed Up

Music, Technology, and the Rise of Configurable Culture

Aram Sinnreich

University of Massachusetts Press, 2010

From ancient times to the present day, writers and thinkers have remarked on the unique power of music to evoke emotions, signal identity, and bond or divide entire societies, all without the benefit of literal representation. Even if we can't say precisely what our favorite melody means, we know very well what kind of effect it has on us, and on our friends and neighbors.

According to Aram Sinnreich, this power helps to explain why music has so often been regulated in societies around the globe and throughout history. Institutional authorities ranging from dynastic China's “Office to Harmonize Sounds” to today's copyright collecting societies like BMI and ASCAP leverage the rule of law and the power of the market to make sure that some musical forms and practices are allowed and others are prohibited.

Yet, despite the efforts of these powerful regulators, musical cultures consistently devise new and innovative ways to work around institutional regulations. These workarounds often generate new styles and traditions in turn, with effects far beyond the cultural sphere.

Mashed Up chronicles the rise of “configurability,” an emerging musical and cultural moment rooted in today's global, networked communications infrastructure. Based on interviews with dozens of prominent DJs, attorneys, and music industry executives, the book argues that today's battles over sampling, file sharing, and the marketability of new styles such as “mash-ups” and “techno” presage social change on a far broader scale. 

Specifically, the book suggests the emergence of a new ethic of configurable collectivism; an economic reunion of labor; a renegotiation of the line between public and private; a shift from linear to recursive logic; and a new “DJ consciousness,” in which the margins are becoming the new mainstream. Whether these changes are sudden or gradual, violent or peaceful, will depend on whether we heed the lessons of configurability, or continue to police and punish the growing ranks of the mashed up.

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cover of Mass Authorship and the Rise of Self-Publishing

Mass Authorship and the Rise of Self-Publishing

Timothy Laquintano

University of Iowa Press, 2016

In the last two decades, digital technologies have made it possible for anyone with a computer and an Internet connection to rapidly and inexpensively self-publish a book. Once a stigmatized niche activity, self-publishing has grown explosively. Hobbyists and professionals alike have produced millions of books, circulating them through e-readers and the web. What does this new flood of books mean for publishing, authors, and readers? Some lament the rise of self-publishing because it tramples the gates and gatekeepers who once reserved publication for those who met professional standards. Others tout authors’ new freedom from the narrow-minded exclusivity of traditional publishing. Critics mourn the death of the author; fans celebrate the democratization of authorship.

Drawing on eight years of research and interviews with more than eighty self-published writers, Mass Authorship avoids the polemics, instead showing how writers are actually thinking about and dealing with this brave new world. Timothy Laquintano compares the experiences of self-publishing authors in three distinct genres—poker strategy guides, memoirs, and romance novels—as well as those of writers whose self-published works hit major bestseller lists. He finds that the significance of self-publishing and the challenge it presents to traditional publishing depend on the aims of authors, the desires of their readers, the affordances of their platforms, and the business plans of the companies that provide those platforms.

In drawing a nuanced portrait of self-publishing authors today, Laquintano answers some of the most pressing questions about what it means to publish in the twenty-first century: How do writers establish credibility in an environment with no editors to judge quality? How do authors police their copyrights online without recourse to the law? How do they experience Amazon as a publishing platform? And how do they find an audience when, it sometimes seems, there are more writers than readers? 
 
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cover of Meat, Modernity, and the Rise of the Slaughterhouse

Meat, Modernity, and the Rise of the Slaughterhouse

Paula Young Lee

University of New Hampshire Press, 2008

Over the course of the nineteenth century, factory slaughterhouses replaced the hand-slaughter of livestock by individual butchers, who often performed this task in back rooms, letting blood run through streets. A wholly modern invention, the centralized municipal slaughterhouse was a political response to the public's increasing lack of tolerance for "dirty" butchering practices, corresponding to changing norms of social hygiene and fear of meat-borne disease. The slaughterhouse, in Europe and the Americas, rationalized animal slaughter according to capitalist imperatives. What is lost and what is gained when meat becomes a commodity? What do the sites of animal slaughter reveal about our relationship to animals and nature? Essays by the best international scholars come together in this cutting-edge interdisciplinary volume to examine the cultural significance of the slaughterhouse and its impact on modernity.

Contributors include: Dorothee Brantz, Kyri Claflin, Jared Day, Roger Horowitz, Lindgren Johnson, Ian MacLachlan, Christopher Otter, Dominic Pacyga, Richard Perren, Jeffrey Pilcher, and Sydney Watts.
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cover of Michigan State University: The Rise of a Research University and the New Millennium, 1970-2005

Michigan State University

The Rise of a Research University and the New Millennium, 1970-2005

Douglas A. Noverr

Michigan State University Press, 2015

In the 1960s and ’70s, Michigan State College transformed into the major research institution known today as Michigan State University, a true “megaversity.” Michigan State University, the final volume of this trilogy, explores the history of that transformation and the growing pains the school endured as it became a part of the Association of American Universities. From President John A. Hannah’s vision, the new university has been defined by rapid expansion, growth, new opportunities, and the occasional crisis. Its development has been a massive undertaking that marshaled individuals, research interests, federal funds, state appropriations, and more.
Through the vicissitudes of government funding and other challenges, the university has established itself as a renowned research and educational institution with a remarkably rich array of facilities, scientists, and researchers who continue to make landmark contributions to their fields. At the same time it has strived to be known for its accessibility, diversity, equality of opportunity, and antidiscrimination policies and practices. Michigan State University sheds new light on the growth of this dynamic and multifaceted institution.
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cover of Militant Zionism in America: The Rise and Impact of the Jabotinsky Movement in the United States, 1926-1948

Militant Zionism in America

The Rise and Impact of the Jabotinsky Movement in the United States, 1926-1948

Rafael Medoff

University of Alabama Press, 2006

This in-depth look at a controversial faction of American Zionism fills
a void in the story of American Zionism--and in the story of American Judaism.


This book recounts the fascinating and little-known story
of the militant American Zionists who lobbied Congress, rallied American
public opinion, and influenced British-American relations in their campaign
for Jewish statehood in the 1930s and 1940s. Although these activists have
been dismissed as fanatics who fragmented the American Zionist movement,
Rafael Medoff reveals that the faction--which included an Academy Award-winning
screenwriter and several future members of the Israeli parliament--was
more influential than has been previously acknowledged.
 

These militants stirred America's conscience by placing
controversial newspaper ads, lobbying conservative as well as liberal members
of Congress, and staging dramatic protest rallies. Through these tactics,
Medoff shows, they attracted a wave of support from an extraordinary cross-section
of leading Americans, including comedians Harpo Marx and Carl Reiner, actors
Vincent Price, Marlon Brando, and Jane Wyatt, musician Leonard Bernstein,
and rising young politicians Jacob Javits and Hubert Humphrey. Medoff also
describes the shadowy underground division that smuggled weapons to the
Holy Land in caskets, naming and interviewing for the first time members
of this gunrunning network.
 

Based on years of archival research and interviews and
written in a compelling style, Militant Zionism in America documents
events that reshaped the American Jewish community, influenced American
foreign policy, and contributed to one of the most extraordinary events
of modern history: the creation of the State of Israel.

Rafael Medoff is a Visiting Scholar at the State University of New York -- Purchase College.

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cover of Modern Autocracy: The Rise of Authoritarian Economies—and Why Only Some Can Succeed

Modern Autocracy

The Rise of Authoritarian Economies—and Why Only Some Can Succeed

Simon Commander and Saul Estrin

University of Chicago Press, 2027

Strongman governments are back. What becomes of their economies?

Autocracy has once again become a rising force. Today, two thirds of the world’s population live under regimes where electoral democracy is either absent or debased. Moreover, even many functioning democracies are now facing a significant share of their citizens who favor switching to authoritarian rule. But as states return to their old authoritarian ways, what happens to their still-modernized economies?

Simon Commander and Saul Estrin examine the scale of this change—and the unevenly distributed economic consequences that will soon accompany it. Modern Autocracy reveals how authoritarian economies generally perform worse than economies in democratic states, in part because many authoritarian states are centralized around a leader whose economic stewardship facilitates political favor and cronyism. In all, these features, combined with the likelihood of repression, sap economic vitality and stymie competition, innovation, and, ultimately, growth.

The exception, the authors reveal, is that autocracies can perform better when they’re built around an institutional framework rather than simply a leader. That is because they can pursue strategic goals, including innovation; even so, their autocratic foundations open up major vulnerabilities and tensions. Brimming with political relevance, Modern Autocracy is a defining taxonomy of economies and their natures in this century.

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cover of Modern Nature: The Rise of the Biological Perspective in Germany

Modern Nature

The Rise of the Biological Perspective in Germany

Lynn K. Nyhart

University of Chicago Press, 2009

In Modern Nature,Lynn K. Nyhart traces the emergence of a “biological perspective” in late nineteenth-century Germany that emphasized the dynamic relationships among organisms, and between organisms and their environment. Examining this approach to nature in light of Germany’s fraught urbanization and industrialization, as well the opportunities presented by new and reforming institutions, she argues that rapid social change drew attention to the role of social relationships and physical environments in rendering a society—and nature—whole, functional, and healthy.

This quintessentially modern view of nature, Nyhart shows, stood in stark contrast to the standard naturalist’s orientation toward classification. While this new biological perspective would eventually grow into the academic discipline of ecology, Modern Nature locates its roots outside the universities, in a vibrant realm of populist natural history inhabited by taxidermists and zookeepers, schoolteachers and museum reformers, amateur enthusiasts and nature protectionists.

Probing the populist beginnings of animal ecology in Germany, Nyhart unites the history of popular natural history with that of elite science in a new way. In doing so, she brings to light a major orientation in late nineteenth-century biology that has long been eclipsed by Darwinism.

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cover of More Than Pretty Boxes: How the Rise of Professional Organizing Shows Us the Way We Work Isn’t Working

More Than Pretty Boxes

How the Rise of Professional Organizing Shows Us the Way We Work Isn’t Working

Carrie M. Lane

University of Chicago Press, 2024

This study of organizing and decluttering professionals helps us understand—and perhaps alleviate—the overwhelming demands society places on our time and energy.

For a widely dreaded, often mundane task, organizing one’s possessions has taken a surprising hold on our cultural imagination. Today, those with the means can hire professionals to help sort and declutter their homes. In More Than Pretty Boxes, Carrie M. Lane introduces us to this world of professional organizers and offers new insight into the domains of work and home, which are forever entangled—especially for women.

The female-dominated organizing profession didn’t have a name until the 1980s, but it is now the subject of countless reality shows, podcasts, and magazines. Lane draws on interviews with organizers, including many of the field’s founders, to trace the profession’s history and uncover its enduring appeal to those seeking meaningful, flexible, self-directed work. Taking readers behind the scenes of real-life organizing sessions, More Than Pretty Boxes details the strategies organizers use to help people part with their belongings, and it also explores the intimate, empathetic relationships that can form between clients and organizers.

But perhaps most importantly, More Than Pretty Boxes helps us think through an interconnected set of questions around neoliberal work arrangements, overconsumption, emotional connection, and the deeply gendered nature of paid and unpaid work. Ultimately, Lane situates organizing at the center of contemporary conversations around how work isn’t working anymore and makes a case for organizing’s radical potential to push back against the overwhelming demands of work and the home, too often placed on women’s shoulders. Organizers aren’t the sole answer to this crisis, but their work can help us better understand both the nature of the problem and the sorts of solace, support, and solutions that might help ease it.
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