8642 books match the query '20th Century' and 493 start with m

cover of Making Michigan Home: Mexican Americans Bridging the Rural-Urban Experience

Making Michigan Home

Mexican Americans Bridging the Rural-Urban Experience

Brett T. Olmsted

University of Illinois Press, 2025

Mexicanos in Michigan and across the Midwest share a common experience: living as largely invisible outsiders as they struggled to build vibrant communities in places that wanted their labor but not their presence. Brett Olmsted ranges from the 1920s to the 1970s as he analyzes how Mexicanos sought to transcend social, cultural, economic, and political exclusion. Never numerous in any one area, Mexican Americans pursued inclusion via leisure spaces and labor unionism. Activities like celebrations, sports, movies, and music encouraged Mexicanos to claim physical and social space, connect with Michigan’s other Mexicano communities, and construct their own sense of identity. Mexicano workers, meanwhile, embraced interethnic union activism to address racism in job placement and promotion. Olmsted also examines how the state’s Mexicanos adapted to Michigan’s dual economy and found advantages in moving back-and-forth between rural and urban areas. In-depth and innovative, Making Michigan Home spotlights the state’s overlooked Mexicanos and their distinctive experiences within the Latina/o/x Studies Midwest.
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cover of Making Minnesota Liberal: Civil Rights And The Transformation Of The Democratic Party

Making Minnesota Liberal

Civil Rights And The Transformation Of The Democratic Party

Jennifer A. Delton

University of Minnesota Press, 2002

The surprising story of how Minnesota politicians helped redirect the course of American politics. How did a largely white state like Minnesota become a springboard for leadership in civil rights? Why did it produce a generation of liberals-Hubert Humphrey, Walter Mondale, Donald Fraser, Orville Freeman, and Eugene McCarthy-whose ideals transformed the Democratic Party? In Making Minnesota Liberal, Jennifer A. Delton delves into the roots of Minnesota politics for the answer, tracing the change from the regional, third-party, class-oriented politics of the Farmer-Labor Party to the national, two-party, pluralistic liberalism of the Democratic-Farmer-Labor Party (DFL). While others have examined how anticommunism and the Cold War shaped this transformation, Delton takes a new approach, showing the key roles played by antiracism and the civil rights movement. In telling this story, Delton contributes to our understanding not only of Minnesota's political history but also of the relationship between antiracism and American politics in the twentieth century. Making Minnesota Liberal combines political history with a discussion of the symbolic role played by race in political battles between whites. Delton recounts the creation of Minnesota's Farmer-Labor Party, its merger with the Democrats, and the acrimonious battle for control of the DFL just after World War II. She argues that the Humphrey liberals won this battle in part because antiracism activities enabled previously antagonistic groups, divided by ethnicity, religion, and class, to unify around a common cause. Delton contends that although liberal Minnesotans' concern for racial justice was genuine, it also provided them with national political relevance and imbued their bid for power with a sense of morality. Ultimately the language of tolerance and diversity that emerged from antiracism prepared Minnesotans for Humphrey's vision of a pluralistic and state-centered liberalism, which eventually became the model for Democratic politics nationwide. Making Minnesota Liberal is an absorbing and trenchant account of a key moment in American history, one that continues to resonate in our time. Jennifer A. Delton is assistant professor of history at Skidmore College.
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cover of Making Modern Girls: A History of Girlhood, Labor, and Social Development in Colonial Lagos

Making Modern Girls

A History of Girlhood, Labor, and Social Development in Colonial Lagos

Abosede A. George

Ohio University Press, 2014

Winner of the 2015 Aidoo-Snyder Book Prize for outstanding book on African women's experiences. (African Studies Association)
Honorable Mention, New York African Studies Association Book Prize

In Making Modern Girls, Abosede A. George examines the influence of African social reformers and the developmentalist colonial state on the practice and ideology of girlhood as well as its intersection with child labor in Lagos, Nigeria. It draws from gender studies, generational studies, labor history, and urban history to shed new light on the complex workings of African cities from the turn of the twentieth century through the nationalist era of the 1950s.

The two major schemes at the center of this study were the modernization project of elite Lagosian women and the salvationist project of British social workers. By approaching children and youth, specifically girl hawkers, as social actors and examining the ways in which local and colonial reformers worked upon young people, the book offers a critical new perspective on the uses of African children for the production and legitimization of national and international social development initiatives.

Making Modern Girls demonstrates how oral sources can be used to uncover the social history of informal or undocumented urban workers and to track transformations in practices of childhood over the course of decades. George revises conventional accounts of the history of development work in Africa by drawing close attention to the social welfare initiatives of late colonialism and by highlighting the roles that African women reformers played in promoting sociocultural changes within their own societies.

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cover of Making Modern Japanese-Style Painting: Kano Hogai and the Search for Images

Making Modern Japanese-Style Painting

Kano Hogai and the Search for Images

Chelsea Foxwell

University of Chicago Press, 2015

The Western discovery of Japanese paintings at nineteenth-century world’s fairs and export shops catapulted Japanese art to new levels of international popularity. With that popularity, however, came criticism, as Western writers began to lament a perceived end to pure Japanese art and a rise in westernized cultural hybrids. The Japanese response: nihonga, a traditional style of painting that reframed existing techniques to distinguish them from Western artistic conventions. Making Modern Japanese-Style Painting explores the visual characteristics and social functions of nihonga and traces its relationship to the past, its viewers, and emerging notions of the modern Japanese state.

Chelsea Foxwell sheds light on interlinked trends in Japanese nationalist discourse, government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hogai (1828–88) is one telling example: originally a painter for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hogai and others broke with pre-Meiji painting even as it worked to neutralize the rupture.

By arguing that fundamental changes to audience expectations led to the emergence of nihonga—a traditional interpretation of Japanese art for a contemporary, international market—Making Modern Japanese-Style Painting offers a fresh look at an important aspect of Japan’s development into a modern nation.
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cover of Making Modern Love: Sexual Narratives and Identities in Interwar Britain

Making Modern Love

Sexual Narratives and Identities in Interwar Britain

Lisa Z. Sigel

Temple University Press, 2012

After the Great War, British men and women grappled with their ignorance about sexuality and desire. Seeking advice and information from doctors, magazines, and each other, they wrote tens of thousands of letters about themselves as sexual subjects. In these letters, they disclosed their uncertainties, their behaviors, and the role of sexuality in their lives. Their fascinating narratives tell how people sought to unleash their imaginations and fashion new identities.

Making Modern Love shows how readers embraced popular media—self-help books, fetish magazines, and advice columns—as a source of information about sexuality and a means for telling their own stories. From longings for transcendent marital union to fantasies of fetish-wear, cross-dressing, and whipping, men and women revealed a surprising range of desires and behaviors (queer and otherwise) that have been largely disregarded until now.

Lisa Sigel mines these provocative narratives to understand how they contributed to new subjectivities and the development of modern sexualities.

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cover of Making Modern Science, Second Edition

Making Modern Science, Second Edition

Peter J. Bowler and Iwan Rhys Morus

University of Chicago Press, 2020

In this new edition of the top-selling coursebook, seasoned historians Peter J. Bowler and Iwan Rhys Morus expand on their authoritative survey of how the development of science has shaped our world. Exploring both the history of science and its influence on modern thought, the authors chronicle the major developments in scientific thinking, from the revolutionary ideas of the seventeenth century to contemporary issues in genetics, physics, and more.
 
Thoroughly revised and expanded, the second edition draws on the latest research and scholarship. It also contains two entirely new chapters: one that explores the impact of computing on the development of science, and another that shows how the West used science and technology as tools for geopolitical expansion. Designed for entry-level college courses and as a single-volume introduction for the general reader, Making Modern Science presents the history of science not as a series of names and dates, but as an interconnected and complex web of relationships joining science and society.
 
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cover of Making Modern Science: A Historical Survey

Making Modern Science

A Historical Survey

Peter J. Bowler and Iwan Rhys Morus

University of Chicago Press, 2005

The development of science, according to respected scholars Peter J. Bowler and Iwan Rhys Morus, expands our knowledge and control of the world in ways that affect-but are also affected by-society and culture. In Making Modern Science, a text designed for introductory college courses in the history of science and as a single-volume introduction for the general reader, Bowler and Morus explore both the history of science itself and its influence on modern thought.

Opening with an introduction that explains developments in the history of science over the last three decades and the controversies these initiatives have engendered, the book then proceeds in two parts. The first section considers key episodes in the development of modern science, including the Scientific Revolution and individual accomplishments in geology, physics, and biology. The second section is an analysis of the most important themes stemming from the social relations of science-the discoveries that force society to rethink its religious, moral, or philosophical values. Making Modern Science thus chronicles all major developments in scientific thinking, from the revolutionary ideas of the seventeenth century to the contemporary issues of evolutionism, genetics, nuclear physics, and modern cosmology.

Written by seasoned historians, this book will encourage students to see the history of science not as a series of names and dates but as an interconnected and complex web of relationships between science and modern society. The first survey of its kind, Making Modern Science is a much-needed and accessible introduction to the history of science, engagingly written for undergraduates and curious readers alike.
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cover of Making Modernism Soviet: The Russian Avant-Garde in the Early Soviet Era, 1918-1928

Making Modernism Soviet

The Russian Avant-Garde in the Early Soviet Era, 1918-1928

Pamela Kachurin

Northwestern University Press, 2013

Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.
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cover of Making Movement Modern: Science, Politics, and the Body in Motion

Making Movement Modern

Science, Politics, and the Body in Motion

Whitney E. Laemmli

University of Chicago Press, 2026

Explores how researchers used systems for recording human movement to navigate the relationship between mind and body, freedom and control, and the individual and the state.
 
In the early twentieth century, human bodily movement garnered interest among researchers who were convinced that understanding and controlling it could help govern an increasingly frazzled, fragmented world. Making Movement Modern traces one movement visualization technique, Labanotation, from its origins in expressionist dance, Austro-Hungarian military discipline, and contemporary physiology to its employment in factories and offices a half-century later. Frustrated by societies that seemed plagued by regimentation and alienation, the users of Laban-inspired systems—from artists and scientists to factory owners, politicians, lawyers, anthropologists, psychiatrists, and computer scientists—hoped to provide opportunities for individual expression while simultaneously harnessing movement to serve the needs of larger communities, businesses, and states.  
 
Making Movement Modern reveals how Labanotation’s creator, choreographer Rudolf Laban, and his acolytes offered this system to a surprising variety of individuals and groups. It was a technique that promised liberation through expressive movement; it was also a means of organizing fascist displays of pure “Aryan” culture. The book explores these political ambiguities as Laban-based systems entered postwar society in the United States and the United Kingdom, where they were used to document disappearing folk cultures, treat Holocaust survivors, and make even the dullest, most repetitive work feel spiritually meaningful. Central to these efforts were vast programs to collect and store new kinds of personal movement data, and this history also has much to tell us about mass data collection today. This is a book for anyone interested in the relationship between art, science, data, and the human body across the tumultuous twentieth century.
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cover of Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983–1987

Making New People

Politics, Cinema, and Liberation in Burkina Faso, 1983–1987

James Genova

Michigan State University Press, 2022

On August 4, 1983, Captain Thomas Sankara led a coalition of radical military officers, communist activists, labor leaders, and militant students to overtake the government of the Republic of Upper Volta. Almost immediately following the coup’s success, the small West African country—renamed Burkina Faso, or Land of the Dignified People—gained international attention as it charted a new path toward social, economic, cultural, and political development based on its people’s needs rather than external pressures and Cold War politics. James E. Genova’s Making New People: Politics, Cinema, and Liberation in Burkina Faso, 1983–1987 recounts in detail the revolutionary government’s rise and fall, demonstrating how it embodied the critical transition period in modern African history between the era of decolonization and the dawning of neoliberal capitalism. It also uncovers one of the revolution’s most enduring and significant aspects: its promotion of film as a vehicle for raising the people’s consciousness, inspiring their efforts at social transformation, and articulating a new self-generated image of Africa and Africans. Foregrounding film and drawing evocative connections between Sankara’s political philosophy and Frantz Fanon, Making New People provides a deeply nuanced explanation for the revolution’s lasting influence throughout Africa and the world.
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cover of Making Photography Matter: A Viewer's History from the Civil War to the Great Depression

Making Photography Matter

A Viewer's History from the Civil War to the Great Depression

Cara Finnegan

University of Illinois Press, 2017

Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship.
 
Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
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cover of Making Rights Real: Activists, Bureaucrats, and the Creation of the Legalistic State

Making Rights Real

Activists, Bureaucrats, and the Creation of the Legalistic State

Charles R. Epp

University of Chicago Press, 2009

It’s a common complaint: the United States is overrun by rules and procedures that shackle professional judgment, have no valid purpose, and serve only to appease courts and lawyers. Charles R. Epp argues, however, that few Americans would want to return to an era without these legalistic policies, which in the 1970s helped bring recalcitrant bureaucracies into line with a growing national commitment to civil rights and individual dignity. 

Focusing on three disparate policy areas—workplace sexual harassment, playground safety, and police brutality in both the United States and the United Kingdom—Epp explains how activists and professionals used legal liability, lawsuit-generated publicity, and innovative managerial ideas to pursue the implementation of new rights. Together, these strategies resulted in frameworks designed to make institutions accountable through intricate rules, employee training, and managerial oversight. Explaining how these practices became ubiquitous across bureaucratic organizations, Epp casts today’s legalistic state in an entirely new light.

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cover of Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali

Making Scenes

Reggae, Punk, and Death Metal in 1990s Bali

Emma Baulch

Duke University Press, 2007

In 1996, Emma Baulch went to live in Bali to do research on youth culture. Her chats with young people led her to an enormously popular regular outdoor show dominated by local reggae, punk, and death metal bands. In this rich ethnography, she takes readers inside each scene: hanging out in the death metal scene among unemployed university graduates clad in black T-shirts and ragged jeans; in the punk scene among young men sporting mohawks, leather jackets, and hefty jackboots; and among the remnants of the local reggae scene in Kuta Beach, the island’s most renowned tourist area. Baulch tracks how each music scene arrived and grew in Bali, looking at such influences as the global extreme metal underground, MTV Asia, and the internationalization of Indonesia’s music industry.

Making Scenes is an exploration of the subtle politics of identity that took place within and among these scenes throughout the course of the 1990s. Participants in the different scenes often explained their interest in death metal, punk, or reggae in relation to broader ideas about what it meant to be Balinese, which reflected views about Bali’s tourism industry and the cultural dominance of Jakarta, Indonesia’s capital and largest city. Through dance, dress, claims to public spaces, and onstage performances, participants and enthusiasts reworked “Balinese-ness” by synthesizing global media, ideas of national belonging, and local identity politics. Making Scenes chronicles the creation of subcultures at a historical moment when media globalization and the gradual demise of the authoritarian Suharto regime coincided with revitalized, essentialist formulations of the Balinese self.

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cover of Making Sense in Life and Literature

Making Sense in Life and Literature

Hans Ulrich Gumbrecht

University of Minnesota Press, 1992

“The translation of these essays by Gumbrecht on literary theory and history marks the appearance in English of one of Europe’s most learned, productive, and inventive scholars. Their range is extraordinary. They show that Gumbrecht is not only a sophisticated theorist and historian of literature, but a master practitioner of cultural studies.” --Hayden White, University of California, Santa Cruz

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cover of Making Sense of American Liberalism

Making Sense of American Liberalism

Edited by Jonathan Bell and Timothy Stanley

University of Illinois Press, 2012

This collection of thoughtful and timely essays offers refreshing and intelligent new perspectives on postwar American liberalism. Sophisticated yet accessible, Making Sense of American Liberalism challenges popular myths about liberalism in the United States. The volume presents the Democratic Party and liberal reform efforts such as civil rights, feminism, labor, and environmentalism as a more united, more radical force than has been depicted in scholarship and the media emphasizing the decline and disunity of the left.
 
Distinguished contributors assess the problems liberals have confronted in the twentieth century, examine their strategies for reform, and chart the successes and potential for future liberal reform.
 
Contributors are Anthony J. Badger, Jonathan Bell, Lizabeth Cohen, Susan Hartmann, Ella Howard, Bruce Miroff, Nelson Lichtenstein, Doug Rossinow, Timothy Stanley, and Timothy Thurber.
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cover of Making Sense of Dictatorship: Domination and Everyday Life in East Central Europe after 1945

Making Sense of Dictatorship

Domination and Everyday Life in East Central Europe after 1945

Celia Donert

Central European University Press, 2022

How did political power function in the communist regimes of East Central Europe after 1945? Making Sense of Dictatorship addresses this question with a particular focus on the acquiescent behavior of the majority of the population until, at the end of the 1980s, their rejection of state socialism and its authoritarian world.

The authors refer to the concept of Sinnwelt, the way in which groups and individuals made sense of the world around them. The essays focus on the dynamics of everyday life and the extent to which the relationship between citizens and the state was collaborative or antagonistic. Each chapter addresses a different aspect of life in this period, including modernization, consumption and leisure, and the everyday experiences of “ordinary people,” single mothers, or those adopting alternative lifestyles.

Empirically rich and conceptually original, the essays in this volume suggest new ways to understand how people make sense of everyday life under dictatorial regimes.

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cover of Making Sense of the Census Revisited: Census Records for England and Wales,1801-1901. A Handbook for Historical Researchers

Making Sense of the Census Revisited

Census Records for England and Wales,1801-1901. A Handbook for Historical Researchers

Edward Higgs

University of London Press, 2005

This book, published jointly by the Institute of Historical Research and The National Archives, updates the earlier work, 'A Clearer Sense of the Census' (1996). It now includes material relating to the recently released 1901 census returns and to the pre-1841 censuses. It includes details of the structure and geography of the census, and has comprehensive information on the houses, households, individuals and occupations that appear in the returns. There are also chapters on using the censuses, the skills required (and how you acquire them), and the various reference tools and finding aids available, online and in print. This is an invaluable guide to an important source for the history of the 19th century. 'This is an invaluable and very welcome book. It will be widely used for reference and in teaching. No-one should use the printed or manuscript records with any seriousness without having a copy' R J Morris (Edinburgh University) The author, Edward Higgs, is Reader in History at the University of Essex.
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cover of Making Sex Public and Other Cinematic Fantasies

Making Sex Public and Other Cinematic Fantasies

Damon R. Young

Duke University Press, 2018

Beginning in the late 1950s, representations of and narratives about sex proliferated on French and U.S. movie screens. Cinema began to display forms of sexuality that were no longer strictly associated with domesticity nor limited to heterosexual relations between loving couples. Women’s bodies and queer sexualities became intensely charged figures of political contestation, aspiration, and allegory, central to new ways of imagining sexuality and to new liberal understandings of individual freedom and social responsibility. In Making Sex Public Damon R. Young tracks the emergence of two conflicting narratives: on the one hand, a new model of sex as harmoniously integrated into civic existence; on the other, an idea of women’s and queer sexuality as corrosive to the very fabric of social life. Taking a transatlantic perspective from the late '50s through the present, from And God Created Woman and Barbarella to Cruising and Shortbus, Young argues that cinema participated in the transformation of the sexual subject while showing how women and queers were both agents and objects of that transformation.
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cover of Making Social Welfare Policy in America: Three Case Studies since 1950

Making Social Welfare Policy in America

Three Case Studies since 1950

Edward D. Berkowitz

University of Chicago Press, 2020

American social welfare policy has produced a health system with skyrocketing costs, a disability insurance program that consigns many otherwise productive people to lives of inactivity, and a welfare program that attracts wide criticism. Making Social Welfare Policy in America explains how this happened by examining the historical development of three key programs—Social Security Disability Insurance, Medicare, and Temporary Aid to Needy Families. Edward D. Berkowitz traces the developments that led to each program’s creation. Policy makers often find it difficult to dislodge a program’s administrative structure, even as political, economic, and cultural circumstances change. Faced with this situation, they therefore solve contemporary problems with outdated programs and must improvise politically acceptable solutions. The results vary according to the political popularity of the program and the changes in the conventional wisdom. Some programs, such as Social Security Disability Insurance, remain in place over time. Policy makers have added new parts to Medicare to reflect modern developments. Congress has abolished Aid to Families of Dependent Children and replaced with a new program intended to encourage work among adult welfare recipients raising young children. 

Written in an accessible style and using a minimum of academic jargon, this book illuminates how three of our most important social welfare programs have come into existence and how they have fared over time. 
 
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cover of Making Spirit Matter: Neurology, Psychology, and Selfhood in Modern France

Making Spirit Matter

Neurology, Psychology, and Selfhood in Modern France

Larry Sommer McGrath

University of Chicago Press, 2020

The connection between mind and brain has been one of the most persistent problems in modern Western thought; even recent advances in neuroscience haven’t been able to explain it satisfactorily. Historian Larry Sommer McGrath’s Making Spirit Matter studies how a particularly productive and influential group of nineteenth- and early twentieth-century French thinkers attempted to solve this puzzle by showing the mutual dependence of spirit and matter. The scientific revolution taking place at this point in history across disciplines, from biology to psychology and neurology, located our mental powers in the brain and offered a radical reformulation of the meaning of society, spirit, and the self. Tracing connections among thinkers such as Henri Bergson, Alfred Fouillée, Jean-Marie Guyau, and others, McGrath plots alternative intellectual movements that revived themes of creativity, time, and experience by applying the very sciences that seemed to undermine metaphysics and religion. Making Spirit Matter lays out the long legacy of this moment in the history of ideas and how it might renew our understanding of the relationship between mind and brain today.

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cover of Making Steel: Sparrows Point and the Rise and Ruin of American Industrial Might

Making Steel

Sparrows Point and the Rise and Ruin of American Industrial Might

Mark Reutter

University of Illinois Press, 1988

Making Steel chronicles the rise and fall of American steel by focusing on the fateful decisions made at the world's once largest steel mill at Sparrows Point, Maryland. Mark Reutter examines the business, production, and daily lives of workers as corporate leaders became more interested in their own security and enrichment than in employees, community, or innovative technology. This edition features 26 pages of photos, an author's preface, and a new chapter on the devastating effects of Bethlehem Steel's bankruptcy titled "The Discarded American Worker."
 
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cover of Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation

Making The Best Years of Our Lives

The Hollywood Classic That Inspired a Nation

By Alison Macor

University of Texas Press, 2022

2023 Wall Award Finalist, Theatre Library Association

How a Hollywood gem transformed the national discourse on post-traumatic stress disorder.


Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act.

Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In this authoritative history, Macor chronicles the making and meaning of a film that changed America.

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cover of Making Theory/Constructing Art: On the Authority of the Avant-Garde

Making Theory/Constructing Art

On the Authority of the Avant-Garde

Daniel Herwitz

University of Chicago Press, 1993

Artists and critics regularly enlist theory in the creation and assessment of artworks, but few have scrutinized the art theories themselves. Here, Daniel examines and critiques the norms, assumptions, historical conditions, and institutions that have framed the development and uses of art theory.

Spurred by the theoretical claims of Arthur Danto, a leader in the philosophy of the avant-garde, Herwitz reexamines the art and theory of major figures in the avant-garde movement including John Cage, Jean-François Lyotard, Jean Baudrillard, and Andy Warhol.
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cover of Making Things Perfectly Queer: Interpreting Mass Culture

Making Things Perfectly Queer

Interpreting Mass Culture

Alexander Doty

University of Minnesota Press, 1993

Doty argues that films, television, and other forms of mass culture consistently elicit a wide range of queer (sexually liminal) responses, and suggests an interpretive framework for understanding mass culture that stands as a corrective to many standard cultural approaches.

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cover of Making World Literature: Actors, Institutions, and Networks in the United States since 1890

Making World Literature

Actors, Institutions, and Networks in the United States since 1890

Anna Muenchrath

University of Massachusetts Press, 2024

From universities to governments, the Big Five publishers to Amazon, the influence of institutions abounds in US publishing. A diverse array of books from around the globe have been made into world literature in the US, selected by editors, publishers, and bureaucrats, produced by non-profits and for-profit presses of all sizes, and distributed through schools, publishing programs, and bookstores. The resulting world literary canon is the product of complex negotiations between individual preferences and institutional mandates, as well as economic, cultural, and pedagogical logics. While book publishing has fallen increasingly under the sway of global capitalism, yet the literary world remains made up of a series of individuals making choices about whom to fund, teach, translate, edit, and publish. The “world” of world literature, Anna Muenchrath argues, is a heterogeneous network of people whose circulation of literature is necessarily imbricated in the market economy, but whose selections might resist that economy and open new literary futures. Through archival research and close readings, this book considers what those participating are trying to do in circulating a text, and what communities they are helping to form or strengthen.

Making World Literature posits that network theory can effectively model the agency of actors and institutions in the literary field, making visible both the long-term accrual of power, as well as the choices of authors, translators, editors, and readers who do not simply replicate the values of a global literary marketplace, but divert, question, and undermine them. Muenchrath closely examines the paratexts and archival documents surrounding moments of global circulation in and through institutions like US world literature anthologies, the Council of Books in Wartime, the Iowa Writer’s Workshop, Oprah’s Book Club, and Amazon’s translation imprint. The granularity of these case studies reveals the increasingly limited agency of the individual in the global literary field, demonstrating how such players are important actors, and how their choices open up further options for later actors seeking to take texts down new paths toward or after publication. 

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cover of Making a Mass Institution: Indianapolis and the American High School

Making a Mass Institution

Indianapolis and the American High School

Kyle P. Steele

Rutgers University Press, 2020

Making a Mass Institution describes how Indianapolis, Indiana created a divided and unjust system of high schools over the course of the twentieth century, one that effectively sorted students geographically, economically, and racially. Like most U.S. cities, Indianapolis began its secondary system with a singular, decidedly academic high school, but ended the 1960s with multiple high schools with numerous paths to graduation. Some of the schools were academic, others vocational, and others still for what was eventually called “life adjustment.” This system mirrored the multiple forces of mass society that surrounded it, as it became more bureaucratic, more focused on identifying and organizing students based on perceived abilities, and more anxious about teaching conformity to middle-class values. By highlighting the experiences of the students themselves and the formation of a distinct, school-centered youth culture, Kyle P. Steele argues that high school, as it evolved into a mass institution, was never fully the domain of policy elites, school boards and administrators, or students, but a complicated and ever-changing contested meeting place of all three.
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cover of Making a Promised Land: Harlem in Twentieth-Century Photography and Film

Making a Promised Land

Harlem in Twentieth-Century Photography and Film

Massood, Paula J.

Rutgers University Press, 2013

Making a Promised Land examines the interconnected histories of African American representation, urban life, and citizenship as documented in still and moving images of Harlem over the last century. Paula J. Massood analyzes how photography and film have been used over time to make African American culture visible to itself and to a wider audience and charts the ways in which the “Mecca of the New Negro” became a battleground in the struggle to define American politics, aesthetics, and citizenship. Visual media were first used as tools for uplift and education. With Harlem’s downturn in fortunes through the 1930s, narratives of black urban criminality became common in sociological tracts, photojournalism, and film. These narratives were particularly embodied in the gangster film, which was adapted to include stories of achievement, economic success, and, later in the century, a nostalgic return to the past. Among the films discussed are Fights of Nations (1907), Dark Manhattan (1937), The Cool World (1963), Black Caesar (1974), Malcolm X (1992), and American Gangster (2007). Massood asserts that the history of photography and film in Harlem provides the keys to understanding the neighborhood’s symbolic resonance in African American and American life, especially in light of recent urban redevelopment that has redefined many of its physical and demographic contours.

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cover of Making a Spectacle: Feminist Essays on Contemporary Women's Theatre

Making a Spectacle

Feminist Essays on Contemporary Women's Theatre

Edited and with an Introduction by Lynda Hart

University of Michigan Press, 1988

Making a Spectacle: Feminist Essays on Contemporary Women's Theatre, edited by Lynda Hart, illuminates the dynamic intersection of feminism and theatre. This volume brings together scholars and practitioners to analyze, theorize, and celebrate the rich diversity and subversive power of contemporary women’s playwriting and performance.Spanning theoretical essays, close readings, and case studies, the book confronts both the historical marginalization and the creative strategies of women playwrights from the late twentieth century. Contributors explore how women have challenged patriarchal norms, re-envisioned dramatic structures, politicized theatrical space, and foregrounded issues of gender, sexuality, race, and class. Essays address influential artists and movements in American and British theatre, highlighting voices such as Caryl Churchill, Ntozake Shange, Maria Irene Fornes, Tina Howe, and groups like the WOW Café.From interrogating the male gaze and the politics of representation to celebrating collectivity and experimenting with language, Making a Spectacle considers the ways women theatre artists resist and reinvent the conventions of stage and story. Insightful, provocative, and accessible, this collection is essential reading for scholars, students, theatre-makers, and anyone interested in feminist performance, cultural criticism, or the artistry of women who have reclaimed the stage.
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cover of Making a World after Empire: The Bandung Moment and Its Political Afterlives

Making a World after Empire

The Bandung Moment and Its Political Afterlives

Christopher J. Lee

Ohio University Press, 2010

In April 1955, twenty-nine countries from Africa, Asia, and the Middle East came together for a diplomatic conference in Bandung, Indonesia, intending to define the direction of the postcolonial world. Representing approximately two-thirds of the world’s population, the Bandung conference occurred during a key moment of transition in the mid-twentieth century—amid the global wave of decolonization that took place after the Second World War and the nascent establishment of a new cold war world order in its wake. Participants such as Jawaharlal Nehru of India, Gamal Abdel Nasser of Egypt, Zhou Enlai of China, and Ahmed Sukarno of Indonesia seized this occasion to attempt the creation of a political alternative to the dual threats of Western neocolonialism and the cold war interventionism of the United States and the Soviet Union.

The essays in this volume explore the diverse repercussions of this event, tracing the diplomatic, intellectual, and sociocultural histories that have emanated from it. Making a World after Empire consequently addresses the complex intersection of postcolonial history and cold war history and speaks to contemporary discussions of Afro-Asianism, empire, and decolonization, thus reestablishing the conference’s importance in twentieth-century global history.

Contributors: Michael Adas, Laura Bier, James R. Brennan, G. Thomas Burgess, Antoinette Burton, Dipesh Chakrabarty, Julian Go, Christopher J. Lee, Jamie Monson, Jeremy Prestholdt, Denis M. Tull

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cover of Making a World after Empire: The Bandung Moment and Its Political Afterlives

Making a World after Empire

The Bandung Moment and Its Political Afterlives

Christopher J. Lee

Ohio University Press, 2019

With a new foreword by Vijay Prashad

In April 1955, twenty-nine countries from Africa, Asia, and the Middle East came together for a diplomatic conference in Bandung, Indonesia, intending to define the direction of the postcolonial world. Ostensibly representing two-thirds of the world’s population, the Bandung conference occurred during a key moment of transition in the mid-twentieth century—amid the global wave of decolonization that took place after the Second World War and the nascent establishment of a new Cold War world order in its wake. Participants such as Jawaharlal Nehru of India, Gamal Abdel Nasser of Egypt, Zhou Enlai of China, and Sukarno of Indonesia seized this occasion to attempt the creation of a political alternative to the dual threats of Western neocolonialism and the Cold War interventionism of the United States and the Soviet Union.

The essays collected here explore the diverse repercussions of this event, tracing diplomatic, intellectual, and sociocultural histories that ensued as well as addressing the broader intersection of postcolonial and Cold War history. With a new foreword by Vijay Prashad and a new preface by the editor, Making a World after Empire speaks to contemporary discussions of decolonization, Third Worldism, and the emergence of the Global South, thus reestablishing the conference’s importance in twentieth-century global history.

Contributors: Michael Adas, Laura Bier, James R. Brennan, G. Thomas Burgess, Antoinette Burton, Dipesh Chakrabarty, Julian Go, Christopher J. Lee, Jamie Monson, Jeremy Prestholdt, and Denis M. Tull.

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cover of Making and Breaking the Yugoslav Working Class: The Story of Two Self-Managed Factories

Making and Breaking the Yugoslav Working Class

The Story of Two Self-Managed Factories

Goran Music

Central European University Press, 2021

Workers' self-management was one of the unique features of communist Yugoslavia. Goran Musić has investigated the changing ways in which blue-collar workers perceived the recurring crises of the regime. Two self-managed metal enterprises, one in Serbia another in Slovenia, provide the frame of the analysis in the time span between 1945 and 1989. These two factories became famous for strikes in 1988 that evoked echoes in popular discourses in former Yugoslavia. Drawing on interviews, factory publications and other media, local archives, and secondary literature, Musić analyzes the two cases, going beyond the clichés of political manipulation from the top and workers' intrinsic attraction to nationalism.
The author explains how, in the later phase of communist Yugoslavia, growing social inequalities among the workers and undemocratic practices inside the self-managed enterprises facilitated the spread of a nationalist and pro-market ideology on the shop floors. Yet rather than being a mass taken advantage of by populist leaders, the working class Musić presents is one with agency and voice, a force that played an important role in shaping the fate of the country. The book thus seeks to open a debate on the social processes leading up to the dissolution of Yugoslavia.

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cover of Making and Unmaking Literature in the Warsaw, Lodz, and Vilna Ghettos

Making and Unmaking Literature in the Warsaw, Lodz, and Vilna Ghettos

Sven-Erik Rose

Brandeis University Press, 2025

A study of literature written by Jewish authors while interned in Nazi ghettos emphasizes how authors processed their horrific experiences through poetry and prose.

Published in Association with the United States Holocaust Memorial Museum

This is the first study devoted to how little known but essential authors grappled with the destitution of ghetto existence by writing within, at the limits of, and against an array of literary scenarios, tropes, plot lines, and generic conventions, including those of nature lyric, modernist interior monologue, the realist social novel, the detective story, and the gothic horror tale. Contending with starvation, disease, desperate housing conditions and the looming threat of being murdered, inhabitants of ghettos in Poland nonetheless made them sites of rich Jewish cultural production. Rose’s readings of these literary works reveal how authors asserted their humanity by insisting on writing works of literature. In such radically dehumanizing circumstances, however, their recourse to established literary genres was not naive. Rather, ghetto authors brilliantly meditated on the grotesque incongruities between established literary models and the extreme conditions of ghetto existence.

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cover of Making the American Home: Middle-Class Women and Domestic Material Culture, 1840–1940

Making the American Home

Middle-Class Women and Domestic Material Culture, 1840–1940

Marilyn F. Motz

University of Wisconsin Press, 1988

The transformation of a house into a home has been in our culture a traditional task of women. The articles examine this process as they reflected the role of American middle-class women as homemakers in the years 1840–1940.
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cover of Making the American Mouth: Dentists and Public Health in the Twentieth Century

Making the American Mouth

Dentists and Public Health in the Twentieth Century

Picard, Alyssa

Rutgers University Press, 2009

Why are Americans so uniquely obsessed with teeth? Brilliantly white, straight teeth?

Making the American Mouth is at once a history of United States dentistry and a study of a billion-dollar industry. Alyssa Picard chronicles the forces that limited Americans' access to dental care in the early twentieth century and the ways dentists worked to expand that access--and improve the public image of their profession. Comprehensive in scope, this work describes how dentists' early public health commitments withered under the strain of fights over fluoride, mid-century social movements for racial and gender equity, and pressure to insure dental costs. It explains how dentists came to promote cosmetic services, and why Americans were so eager to purchase them. As we move into the twentyfirst century, dentists' success in shaping their industry means that for many, the perfect American smile will remain a distant--though tantalizing--dream.
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cover of Making the American Team: Sport, Culture, and the Olympic Experience

Making the American Team

Sport, Culture, and the Olympic Experience

Mark Dyreson

University of Illinois Press, 1998

Sport dominates television and the mass media. Politics and business are a-bustle with sports metaphors. Endorsements by athletes sell us products. "Home run," "slam dunk," and the rest of the vocabulary of sport color daily conversation. Even in times of crisis and emergency, the media reports the scores and highlights. 

Marky Dyreson delves into how our obsession with sport came into being with a close look at coverage of the Olympic Games between 1896 and 1912. How people reported and consumed information on the Olympics offers insight into how sport entered the heart of American culture as part of an impetus for social reform. Political leaders came to believe in the power of sport to revitalize the "republican experiment." Sport could instill a new sense of national identity that would forge a new sense of community and a healthy political order while at the same time linking America's intellectual and power elite with the experiences of the masses.

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cover of Making the Desert Modern: Americans, Arabs, and Oil on the Saudi Frontier, 1933–1973

Making the Desert Modern

Americans, Arabs, and Oil on the Saudi Frontier, 1933–1973

Chad Parker

University of Massachusetts Press, 2015

In 1933 American oilmen representing what later became the Arabian American Oil Company (Aramco) signed a concession agreement with the Saudi Arabian king granting the company sole proprietorship over the oil reserves in the country's largest province. As drilling commenced and wells proliferated, Aramco soon became a major presence in the region. In this book Chad H. Parker tells Aramco's story, showing how an American company seeking resources and profits not only contributed to Saudi “nation building” but helped define U.S. foreign policy during the early Cold War.

In the years following World War II, as Aramco expanded its role in Saudi Arabia, the idea of “modernization” emerged as a central component of American foreign policy toward newly independent states. Although the company engaged in practices supportive of U.S. goals, its own modernizing efforts tended to be pragmatic rather than policy-driven, more consistent with furthering its business interests than with validating abstract theories. Aramco built the infrastructure necessary to extract oil and also carved an American suburb out of the Arabian desert, with all the air-conditioned comforts of Western modern life. At the same time, executives cultivated powerful relationships with Saudi government officials and, to the annoyance of U.S. officials, even served the monarchy in diplomatic disputes. Before long the company became the principal American diplomatic, political, and cultural agent in the country, a role it would continue to play until 1973, when the Saudi government took over its operation.

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cover of Making the Forever War: Marilyn B. Young on the Culture and Politics of American Militarism

Making the Forever War

Marilyn B. Young on the Culture and Politics of American Militarism

Mary L. Dudziak

University of Massachusetts Press, 2021

The late historian Marilyn B. Young, a preeminent voice on the history of U.S. military conflict, spent her career reassessing the nature of American global power, its influence on domestic culture and politics, and the consequences felt by those on the receiving end of U.S. military force. At the center of her inquiries was a seeming paradox: How can the United States stay continually at war, yet Americans pay so little attention to this militarism?

Making the Forever War brings Young's articles and essays on American war together for the first time, including never before published works. Moving from the first years of the Cold War to Korea, Vietnam, and more recent "forever" wars in Iraq and Afghanistan, Young reveals the ways in which war became ever-present, yet more covert and abstract, particularly as aerial bombings and faceless drone strikes have attained greater strategic value. For Young, U.S. empire persisted because of, not despite, the inattention of most Americans. The collection concludes with an afterword by prominent military historian Andrew Bacevich.
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cover of Making the Grade: The Economic Evolution of American School Districts

Making the Grade

The Economic Evolution of American School Districts

William A. Fischel

University of Chicago Press, 2009

A significant factor for many people deciding where to live is the quality of the local school district, with superior schools creating a price premium for housing. The result is a “race to the top,” as all school districts attempt to improve their performance in order to attract homebuyers. Given the importance of school districts to the daily lives of children and families, it is surprising that their evolution has not received much attention.

In this provocative book, William Fischel argues that the historical development of school districts reflects Americans’ desire to make their communities attractive to outsiders. The result has been a standardized, interchangeable system of education not overly demanding for either students or teachers, one that involved parents and local voters in its governance and finance. Innovative in its focus on bottom-up processes generated by individual behaviors rather than top-down decisions by bureaucrats, Making the Grade provides a new perspective on education reform that emphasizes how public schools form the basis for the localized social capital in American towns and cities.

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cover of Making the Mission: Planning and Ethnicity in San Francisco

Making the Mission

Planning and Ethnicity in San Francisco

Ocean Howell

University of Chicago Press, 2015

In the aftermath of the 1906 San Francisco earthquake, residents of the city’s iconic Mission District bucked the city-wide development plan, defiantly announcing that in their neighborhood, they would be calling the shots. Ever since, the Mission has become known as a city within a city, and a place where residents have, over the last century, organized and reorganized themselves to make the neighborhood in their own image.

In Making the Mission, Ocean Howell tells the story of how residents of the Mission District organized to claim the right to plan their own neighborhood and how they mobilized a politics of place and ethnicity to create a strong, often racialized identity—a pattern that would repeat itself again and again throughout the twentieth century. Surveying the perspectives of formal and informal groups, city officials and district residents, local and federal agencies, Howell articulates how these actors worked with and against one another to establish the very ideas of the public and the public interest, as well as to negotiate and renegotiate what the neighborhood wanted. In the process, he shows that national narratives about how cities grow and change are fundamentally insufficient; everything is always shaped by local actors and concerns.
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cover of Making the Modern: Industry, Art, and Design in America

Making the Modern

Industry, Art, and Design in America

Terry Smith

University of Chicago Press, 1993

In this ambitious book, Terry Smith chronicles the modernist revolution in American art and design between the world wars—from its origins in the new industrial age of mass production, automation, and corporate culture to its powerful and transforming effects on the way Americans came to see themselves and their world. From Ford Motor's first assembly line in 1913 to the New York World's Fair of 1939, Smith traces the evolution of visual imagery in the first half of America's century of progress.
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cover of Making the News Popular: Mobilizing U.S. News Audiences

Making the News Popular

Mobilizing U.S. News Audiences

Anthony Nadler

University of Illinois Press, 2016

The professional judgment of gatekeepers defined the American news agenda for decades. Making the News Popular examines how subsequent events brought on a post-professional period that opened the door for imagining that consumer preferences should drive news production--and unleashed both crisis and opportunity on journalistic institutions.

Anthony Nadler charts a paradigm shift, from market research's reach into the editorial suite in the 1970s through contemporary experiments in collaborative filtering and social news sites like Reddit and Digg. As Nadler shows, the transition was and is a rocky one. It also goes back much further than many experts suppose. Idealized visions of demand-driven news face obstacles with each iteration. Furthermore, the post-professional philosophy fails to recognize how organizations mobilize interest in news and public life. Nadler argues that this civic function of news organizations has been neglected in debates on the future of journalism. Only with a critical grasp of news outlets' role in stirring broad interest in democratic life, he says, might journalism's digital crisis push us toward building a more robust and democratic news media.

Wide-ranging and original, Making the News Popular offers a critical examination of an important, and still evolving, media phenomenon.

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cover of Making the Past Present: David Jones, the Middle Ages and Modernism

Making the Past Present

David Jones, the Middle Ages and Modernism

Paul Robichaud

Catholic University of America Press, 2007

Robichaud charts the growth of Jones's medievalism from his earliest Pre-Raphaelite influences, showing how his commitment to modernist aesthetics transformed his vision of the Middle Ages.
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cover of Making the Radical University: Identity and Politics on the American College Campus, 1966–1991

Making the Radical University

Identity and Politics on the American College Campus, 1966–1991

Elizabeth M. Kalbfleisch

University of Massachusetts Press, 2024

In the 1960s, professors, students, and activists on the political Left viewed college curricula as useful sites for political transformation. They coordinated efforts to alter general education requirements at the college level to foster change in American thought, with greater openness toward people who had previously been excluded, including women, people of color, the poor and working classes, people with disabilities, and members of the LGBTQ community. Their work reshaped American culture and politics, while prompting a significant backlash from conservatives attempting to, in their view, protect classical education from modern encroachment.

Elizabeth M. Kalbfleisch details how American universities became a battleground for identity politics from the 1960s through the 1980s. Focusing on two case studies at Stanford University and the University of Texas at Austin, Making the Radical University examines how curricular changes led to polarizing discussions nationwide around academic standards and identity politics, including the so-called canon wars. Today, these debates have only become more politically charged, complex, and barbed.

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cover of Making the Second Ghetto: Race and Housing in Chicago, 1940-1960

Making the Second Ghetto

Race and Housing in Chicago, 1940-1960

Arnold R. Hirsch

University of Chicago Press, 2021

First published in 1983 and praised by the likes of Ta-Nehisi Coates and Thomas Sugrue, Arnold R. Hirsch’s Making the Second Ghetto is the rare book that has only become more piercingly prescient over the years.

Hirsch’s classic and groundbreaking work of urban history is a revelatory look at Chicago in the decades after the Great Depression, a period when the city dealt with its rapidly growing Black population not by working to abolish its stark segregation but by expanding and solidifying it. Even as the civil rights movement rose to prominence, Chicago exploited a variety of methods of segregation—including riots, redevelopment, and a host of new legal frameworks—that provided a national playbook for the emergence of a new kind of entrenched inequality. Hirsch’s chronicle of the strategies employed by ethnic, political, and business interests in reaction to the Great Migration of Southern Blacks in the mid-twentieth century makes startingly clear how the violent reactions of an emergent white population found common ground with policy makers to segregate first a city and then the nation.

This enlarged edition of Making the Second Ghetto features a visionary afterword by historian N. D. B. Connolly, explaining why Hirsch’s book still crackles with “blistering relevance” for contemporary readers.
 
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cover of Making the Unequal Metropolis: School Desegregation and Its Limits

Making the Unequal Metropolis

School Desegregation and Its Limits

Ansley T. Erickson

University of Chicago Press, 2016

In a radically unequal United States, schools are often key sites in which injustice grows. Ansley T. Erickson’s Making the Unequal Metropolis presents a broad, detailed, and damning argument about the inextricable interrelatedness of school policies and the persistence of metropolitan-scale inequality. While many accounts of education in urban and metropolitan contexts describe schools as the victims of forces beyond their control, Erickson shows the many ways that schools have been intertwined with these forces and have in fact—via land-use decisions, curricula, and other tools—helped sustain inequality.

Taking Nashville as her focus, Erickson uncovers the hidden policy choices that have until now been missing from popular and legal narratives of inequality. In her account, inequality emerges not only from individual racism and white communities’ resistance to desegregation, but as the result of long-standing linkages between schooling, property markets, labor markets, and the pursuit of economic growth. By making visible the full scope of the forces invested in and reinforcing inequality, Erickson reveals the complex history of, and broad culpability for, ongoing struggles in our schools.
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cover of Making the Weather: Six Politicians Who Changed Modern Britain

Making the Weather

Six Politicians Who Changed Modern Britain

Vernon Bogdanor

Haus Publishing, 2025

A study of six prominent postwar politicians in the United Kingdom.

Making the Weather is the story of six postwar politicians, all of whom exerted an outsized influence on the political life of the United Kingdom—an influence greater than that of most prime ministers. Vernon Bogdanor’s cast includes three from the political Left—Aneurin “Nye” Bevan, Roy Jenkins, and Tony Benn—and three from the Right—Enoch Powell, Keith Joseph, and Nigel Farage. Each study is a fascinating analysis examining how these men achieved such prominence and influence and how, though very different figures in many ways, they came to dominate the political landscape, often for years.

Each of the six made fundamental contributions to the debate about Britain’s future and to the vibrancy of British democracy. From immigration to Europe, from the National Health Service to devolution, the issues and causes that brought these men to prominence are still relevant.
 
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cover of Making the White Man's West: Whiteness and the Creation of the American West

Making the White Man's West

Whiteness and the Creation of the American West

Jason E. Pierce

University Press of Colorado, 2016

The West, especially the Intermountain states, ranks among the whitest places in America, but this fact obscures the more complicated history of racial diversity in the region. In Making the White Man’s West, author Jason E. Pierce argues that since the time of the Louisiana Purchase, the American West has been a racially contested space. Using a nuanced theory of historical “whiteness,” he examines why and how Anglo-Americans dominated the region for a 120-year period.

In the early nineteenth century, critics like Zebulon Pike and Washington Irving viewed the West as a “dumping ground” for free blacks and Native Americans, a place where they could be segregated from the white communities east of the Mississippi River. But as immigrant populations and industrialization took hold in the East, white Americans began to view the West as a “refuge for real whites.” The West had the most diverse population in the nation with substantial numbers of American Indians, Hispanics, and Asians, but Anglo-Americans could control these mostly disenfranchised peoples and enjoy the privileges of power while celebrating their presence as providing a unique regional character. From this came the belief in a White Man’s West, a place ideally suited for “real” Americans in the face of changing world.

The first comprehensive study to examine the construction of white racial identity in the West, Making the White Man’s West shows how these two visions of the West—as a racially diverse holding cell and a white refuge—shaped the history of the region and influenced a variety of contemporary social issues in the West today.

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cover of Making the World Safe for Workers: Labor, the Left, and Wilsonian Internationalism

Making the World Safe for Workers

Labor, the Left, and Wilsonian Internationalism

Elizabeth McKillen

University of Illinois Press, 2018

 
In this intellectually ambitious study, Elizabeth McKillen explores the significance of Wilsonian internationalism for workers and the influence of American labor in both shaping and undermining the foreign policies and war mobilization efforts of Woodrow Wilson's administration. McKillen highlights the major fault lines and conflicts that emerged within labor circles as Wilson pursued his agenda in the context of Mexican and European revolutions, World War I, and the Versailles Peace Conference. As McKillen shows, the choice to collaborate with or resist U.S. foreign policy remained an important one for labor throughout the twentieth century. In fact, it continues to resonate today in debates over the global economy, wars in Iraq and Afghanistan, and the impact of U.S. policies on workers at home and abroad.

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cover of Malady of Monoculture: Pellagra, Public Health, and the Pathologies of Cotton's Capitalism

Malady of Monoculture

Pellagra, Public Health, and the Pathologies of Cotton's Capitalism

Dana Landress

University of Chicago Press, 2027

How the cotton industry restricted sharecroppers’ access to nutritious food, a public health crisis that spurred a wave of influential and inspiring activism.

Pellagra, a nutritional deficiency disease, was once widespread in the southern United States, where it was concentrated in areas of high-yield cotton production. This wasn’t a coincidence. In the early twentieth century, pellagra was ubiquitous in regions where monocultural cotton production foreclosed cotton workers’ access to nutritious foods. Planters paid sharecroppers and millworkers in their own currency—tokens, coins, and other substitutes for money—and sold them unhealthy and overpriced food in company-owned stores. Employers kept workers poor through wage theft, predatory credit systems, and labor coercion, all of which maintained a system of food scarcity.

In Malady of Monoculture, Dana Landress reveals how the unrelenting demands of the cotton economy during the Jim Crow South created a public health crisis in the form of pellagra. She carefully details a “closed food system” that restricted workers’ diets through employer-generated currency; the use of food as an instrument of labor compulsion; manufactured debt structures; alliances between government and private industry; and restrictions on foraging, gardening, and land use. Though official public health programs framed pellagra in personal and behavioral terms, those afflicted with the illness actively challenged the closed food system through union organizing, community health care, freedom farms, and collective action lawsuits. Excavating the landmark contributions of Black nutritionists to the field of public health, Landress spotlights the many constituencies that worked tirelessly to combat hunger and foregrounds their creativity, resilience, and determination.

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cover of Malcolm Before X

Malcolm Before X

Patrick Parr

University of Massachusetts Press, 2024

A Kirkus Reviews Best Nonfiction Book of 2024
A Spectator Best Book of the Year
Finalist for the 2025 ASALH Book Prize


Drawing upon interviews, correspondence, and nearly 2000 pages of never-before-used prison records, Malcolm Before X is the definitive examination of the prison years of civil rights icon Malcolm X. 

In February 1946, when 20-year-old Malcolm Little was sentenced to eight to ten years in a maximum-security prison, he was a petty criminal and street hustler in Boston. By the time he was paroled in August 1952, he had transformed into a voracious reader, joined the Black Muslims, and was poised to become Malcolm X, one of the most prominent and important intellectuals of the civil rights era. While scholars and commentators have exhaustively detailed, analyzed, and debated Malcolm X’s post-prison life, they have not explored these six and a half transformative years in any depth.

Paying particular attention to his time in prison, Patrick Parr’s Malcolm Before X provides a comprehensive and groundbreaking examination of the first twenty-seven years of Malcolm X’s life (1925–1965). Parr traces Malcolm’s African lineage, explores his complicated childhood in the Midwest, and follows him as he moves east to live with his sister Ella in Boston’s Roxbury neighborhood, where he is convicted of burglary and sentenced.

Parr utilizes a trove of previously overlooked documents that include prison files and prison newspapers to immerse the reader into the unique cultures—at times brutal and at times instructional—of Charlestown State Prison, the Concord Reformatory, and the Norfolk Prison Colony. It was at these institutions that Malcolm devoured books, composed poetry, boxed, debated, and joined the Nation of Islam, changing the course of his life and setting the stage for a decade of antiracist activism that would fundamentally reshape American culture.

In this meticulously researched and beautifully written biography, the inspiring story of how Malcolm Little became Malcolm X is finally told. 

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