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857 books match the query 'Architecture' and 58 start with m

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Mound Excavations at Moundville

Vernon James Knight, Jr.

University of Alabama Press, 2010

How social and political power was wielded in order to build Moundville

This work is a state-of-the-art, data-rich study of excavations undertaken at the Moundville site in west central Alabama, one of the largest and most complex of the mound sites of pre-contact North America. Despite the site's importance and sustained attention by researchers, until now it has lacked a comprehensive analysis of its modern excavations. Richly documented by maps, artifact photo-graphs, profiles of strata, and inventories of materials found, the present work explores one expression of social complexity; the significance of Moundville’s monumental architecture, including its earthen mounds; the pole-frame architecture that once occupied the summits of these mounds; and the associated middens that reveal the culture of Moundville’s elites.

This book supplies a survey of important materials recovered in more than a decade of recent excavations of seven mounds and related areas under the author’s direction, as part of a long-term archaeological project consisting of new field work at the Mississippian political and ceremonial center of Moundville.

Visitors to Moundville are immediately impressed with its monumentality. The expansiveness and grandness of that landscape are, of course, deliberate features that have a story to tell and this archaeological project reveals Moundville’s monumentality and its significance to the people whose capital town it was.

Exactly how the social and political power symbolized by mound building was distributed is a question central to this work. It seems critical to ask to what extent this monumental landscape was the product of a chief’s ability to recruit and direct the labor of large groups of political subordinates, most of whom were presumably non-kin. At the onset of the present project, speculations regarding the paired orders of mounds and the timing of the formal structuring of space at Moundville were already suggested but were in need of further testing, confirmation, and refinement. The work reported in this volume is largely devoted to filling in such evidence and refining those initial insights. An excellent chapter by H. Edwin Jackson and Susan L. Scott, "Zooarchaeology of Mounds Q, G, E, F, and R," compliments this research.

A Dan Josselyn Memorial Publication

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Movable Londons

Performance and the Modern City

Julia H Fawcett

University of Michigan Press, 2025

In September 1666, a fire sparked in a bakery on Pudding Lane grew until it had destroyed four-fifths of central London. The rebuilding efforts that followed not only launched the careers of some of London’s most famous architects, but also transformed Londoners’ relationship to their city by underscoring the ways that people could shape a city’s spaces—and the ways that a city’s spaces could shape its people. Movable Londons looks to the Restoration theater to understand how the dispossessed made London into a modern city after the Great Fire of 1666 and how the introduction of changeable scenery in theaters altered how Londoners conceptualized the city. Fawcett makes a claim for the centrality of unplanned spaces and the role of the Restoration theater in articulating those spaces as the modern city emerged and argues that movable scenery revolutionized London’s public theaters, inviting audiences to observe how the performers—many of them hailing from the same communities as their characters—navigated the stage.

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Movie Censorship and American Culture

Francis G. Couvares

University of Massachusetts Press, 2006

From the earliest days of public outrage over “indecent” nickelodeon shows, Americans have worried about the power of the movies. The eleven essays in this book examine nearly a century of struggle over cinematic representations of sex, crime, violence, religion, race, and ethnicity, revealing that the effort to regulate the screen has reflected deep social and cultural schisms.

In addition to the editor, contributors include Daniel Czitrom, Marybeth Hamilton, Garth Jowett, Charles Lyons, Richard Maltby, Charles Musser, Alison M. Parker, Charlene Regester, Ruth Vasey, and Stephen Vaughn. Together they make it clear that censoring the movies is more than just a reflex against "indecency," however defined. Whether censorship protects the vulnerable or suppresses the creative, it is part of a broader culture war that breaks out recurrently as Americans try to come to terms with the market, the state, and the plural society in which they live.

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Moving Boarders

Skateboarding and the Changing Landscape of Urban Youth Sports

Matthew Atencio

University of Arkansas Press, 2018

Once considered a kind of delinquent activity, skateboarding is on track to join soccer, baseball, and basketball as an approved way for American children to pass the after-school hours. With family skateboarding in the San Francisco Bay Area as its focus, Moving Boarders explores this switch in stance, integrating first-person interviews and direct observations to provide a rich portrait of youth skateboarders, their parents, and the social and market forces that drive them toward the skate park.

This excellent treatise on the contemporary youth sports scene examines how modern families embrace skateboarding and the role commerce plays in this unexpected new parent culture, and highlights how private corporations, community leaders, parks and recreation departments, and nonprofits like the Tony Hawk Foundation have united to energize skate parks—like soccer fields before them—as platforms for community engagement and the creation of social and economic capital.

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Multiplicity

On Constraint and Agency in Contemporary Architecture

Edited by Pari Riahi, Laure Katsaros, and Michael T. Davis

University of Massachusetts Press, 2024

Today, the field of architecture faces a reckoning. While there is no longer consensus on what defines an architectural work, theorists, historians, and practitioners are grappling with urgent issues—among them the impact of climate change, the dynamics of power and race in relation with the built environment, and the technological, practical, and ethical dimensions of architecture. As established practices, academic objectives, and professional expectations come under scrutiny, architecture is in search of new definitions, identities, and voices.

Inspired by Italo Calvino’s memos about literature in the twenty-first century, this volume—the second in a series— situates architecture within a broad framework, exploring its complex interactions with environmental, cultural, political, social, artistic, and technological forces. The editors’ objective is to spur conversation across the boundaries that divide architecture’s theorists and historians from practitioners. In addition to the editors, the contributors include Sanford Kwinter, Aleksandra Jaeschke, Jennifer Mack, Rahul Mehrotra, Charles Waldheim, Kristi Cheramie, Jesse Reiser, Julian Harake, Jenny E. Sabin, Charles Davis, Esra Akcan, and David Karmon.

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Museums, Monuments, and National Parks

Toward a New Genealogy of Public History

Denise D. Meringolo

University of Massachusetts Press, 2012

The rapid expansion of the field of public history since the 1970s has led many to believe that it is a relatively new profession. In this book, Denise D. Meringolo shows that the roots of public history actually reach back to the nineteenth century, when the federal government entered into the work of collecting and preserving the nation's natural and cultural resources. Scientists conducting research and gathering specimens became key figures in a broader effort to protect and interpret the nation's landscape. Their collaboration with entrepreneurs, academics, curators, and bureaucrats alike helped pave the way for other governmental initiatives, from the Smithsonian Institution to the parks and monuments today managed by the National Park Service.

All of these developments included interpretive activities that shaped public understanding of the past. Yet it was not until the emergence of the education-oriented National Park Service history program in the 1920s and 1930s that public history found an institutional home that grounded professional practice simultaneously in the values of the emerging discipline and in government service. Even thereafter, tensions between administrators in Washington and practitioners on the ground at National Parks, monuments, and museums continued to define and redefine the scope and substance of the field. The process of definition persists to this day, according to Meringolo, as public historians establish a growing presence in major universities throughout the United States and abroad.

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Music, Sound, and Architecture in Islam

Edited by Michael Frishkopf and Federico Spinetti

University of Texas Press, 2018

Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in constructed environments in Muslim religious and cultural expression.

Representing the fields of ethnomusicology, anthropology, art history, architecture, history of architecture, religious studies, and Islamic studies, the volume’s contributors consider sonic performances ranging from poetry recitation to art, folk, popular, and ritual musics—as well as religious expressions that are not usually labeled as “music” from an Islamic perspective—in relation to monumental, vernacular, ephemeral, and landscape architectures; interior design; decoration and furniture; urban planning; and geography. Underscoring the intimate relationship between traditional Muslim sonic performances, such as the recitation of the Qur’an or devotional songs, and conventional Muslim architectural spaces, from mosques and Sufi shrines to historic aristocratic villas, gardens, and gymnasiums, the book reveals Islam as an ideal site for investigating the relationship between sound and architecture, which in turn proves to be an innovative and significant angle from which to explore Muslim cultures.

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Myth, Ethos, and Actuality

Official Art in Fifth Century B.C. Athens

David Castriota

University of Wisconsin Press, 1992

Using material remains, as well as the evidence of contemporary Greek history, rhetoric, and poetry, David Castriota interprets the Athenian monuments as vehicles of an official ideology intended to celebrate and justify the present in terms of the past.

Castriota focuses on the strategy of ethical antithesis that asserted Greek moral superiority over the “barbaric” Persians, whose invasion had been repelled a generation earlier. He examines how, in major public programs of painting and sculpture, the leading artists of the period recast the Persians in the guise of wild and impious mythic antagonists to associate them with the ethical flaws or weaknesses commonly ascribed to women, animals, and foreigners. The Athenians, in contrast, were compared to mythic protagonists representing the excellence and triumph of Hellenic culture.

Castriota’s study is innovative in emphasizing the ethical implication of mythic precedents, which required substantial alterations to render them more effective as archetypes for the defense of Greek culture against a foreign, morally inferior enemy. The book looks in new ways at how the patrons and planners sought to manipulate viewer response through the selective presentation or repackaging of mythic traditions.

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