967 books match the query 'Theater' and 52 start with m

cover of Mysterious Actions: New American Drama, Volume 99

Mysterious Actions

New American Drama, Volume 99

Jody McAuliffe, ed.

Duke University Press, 0

With this special issue, South Atlantic Quarterly presents five never-before-published plays by some of the brightest stars in contemporary American theater. Mysterious Actions presents works that go beyond realism and will challenge audiences’ expectations,moving them toward a revolutionary theatrical experience. The plays by Neal Bell, Nilo Cruz, Erin Cressida Wilson, Marlane Meyer, and Don DeLillo employ techniques and situations that are original and unexpected. Each is followed by a scholarly analysis by such respected critics as Fredric Jameson, José Esteban Muñoz, and Frank Lentricchia, as well as an interview with each playwright.
Monster, by Neal Bell, is a powerful adaptation of Mary Shelley’s Frankenstein, thrusting the violence of the novel into the sharp relief of our times. Nilo Cruz’s Two Sisters and a Piano takes an intimate look at Cuba during the collapse of the Soviet Union and contemplates the meaning of “Cubanness” in today’s culture. The Mystery at the Middle of Ordinary Life, DeLillo’s short play, meditates on the “gradually shattering” nature of human relationships. In The Trail of Her Inner Thigh, Erin Cressida Wilson follows a boy-man as he embarks on an epic journey into emotionality and sensuality with the help of the women in his life. And Marlane Meyer’s play, The Mystery of Attraction, navigates the dangerous waters of contemporary masculinity.

Contributors. Neal Bell, Nilo Cruz, Don DeLillo, Frederic Jameson, William Davies King, Frank Lentricchia, Jody McAuliffe, Marlane Meyer, José Esteban Muñoz, Teri Reynolds, Erin Cressida Wilson


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cover of mPalermu, Dancers, and Other Plays

mPalermu, Dancers, and Other Plays

Emma Dante

Swan Isle Press, 2019

Emma Dante’s passionate and brutal plays stem from a need to confront important familial and societal realities in contemporary southern Italy. Her twenty-first century tales challenge stereotypes of the country and stage acts of resistance against the social, political, and economic conditions of Sicily. The seven works in this anthology paint a complex image of the peninsula through stories of disenfranchisement, misogyny, deep-set bigotry, and religious hypocrisy that reveal economic disparities between the north and south of the country, oppressive gender relations, and deep rooted mafioso-like attitudes. Dante’s lyrical and visceral storytelling oscillates between the humorous and the tragic aspects of everyday life, undertaking an irreverent subversion of the status quo with its extreme physicality and unsettling imagery.

This exquisite first English translation of Emma Dante’s work enables English-speaking readers, theatre scholars, and directors alike to encounter character-driven “civic theatre” with its portraits of individuals existing at the fringes of Italy. Ultimately, it allows us to “listen” to those who are not given a voice anywhere else.
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