Results by title
3369 books match the query 'Cultural & Social' and 208 start with m
My Mother Made Me Deaf
Discourse and Identity in a Deaf CommunityBryan K. Eldredge
Gallaudet University Press, 2017
Bryan K. Eldredge seeks to more precisely understand the relationship between ASL use and Deaf identity using the tools of linguistic anthropology. In this work, he presents research resulting from fieldwork with the Deaf community of Utah Valley. Through informal interactions and formal interviews, he explores the role of discourse in the projection and construction of Deaf identities and, conversely, considers how ideas about language affect the discourse that shapes identities. He finds that specific linguistic ideologies exist that valorize some forms of language over others and that certain forms of ASL serve to establish a culturally Deaf identity. My Mother Made Me Deaf demonstrates that the DEAF-WORLD consists of a multitude of experiences and ways of being even as it is bound together by certain essential elements that are common to Deaf people.
My Voice Is My Weapon
Music, Nationalism, and the Poetics of Palestinian ResistanceDavid A. McDonald
Duke University Press, 2013
Myth and Archive
A Theory of Latin American NarrativeRoberto González-Echevarría
Duke University Press, 1998
Providing ways to link literary and nonliterary narratives, González Echevarría examines a variety of archival writings—from the chronicles of the discovery and conquest of the New World to scientific travel narratives and records of criminal confessions—and explores the relationship of these writings to novels by authors such as García Márquez, Borges, Barnet, Sarmiento, Carpentier, and Garcilaso de la Vega. Moving beyond demonstrating that early forms of creative narrative had their geneses in the sixteenth-century authoritative discourse of the Spanish Empire, González Echevarría shows how this same originating process has been repeated in other key moments in the history of the Latin American narrative. He shows how the discourse of scientific discovery was the model for much nineteenth-century literature, as well as how anthropological writings on the nature of language and myth have come to shape the ideology and form of literature in the twentieth century. This most recent form of Latin American narrative creates its own mythic form through an atavistic return to its legal origins—the archive.
This acclaimed book—originally published in 1990—will be of continuing interest to historians, anthropologists, literary theorists, and students of Latin American culture.
Myth
A HandbookWilliam G. Doty
University of Alabama Press, 2007
An accessible introduction to the role of myth historically and in popular culture.
Myth: A Handbook by William G. Doty is a foundational and wide-ranging exploration of myth as one of humanity’s most enduring and powerful forms of expression. Designed for students and scholars across the humanities and social sciences, this authoritative volume offers both a comprehensive introduction to myth studies and a sophisticated framework for interpreting myth in diverse cultural contexts.
Doty approaches myth not as a static body of ancient stories, but as a dynamic and evolving system of meaning—one that reflects the values, beliefs, and psychological structures of the societies that produce and preserve it. Drawing from a rich interdisciplinary base that includes anthropology, literary criticism, psychology, religious studies, and cultural theory, the book examines how myths operate symbolically, structurally, and socially. Readers are guided through major theoretical approaches to myth, from classical interpretations to modern critical frameworks, enabling them to engage thoughtfully with myth as both narrative and cultural artifact.
One of the book’s central strengths is its emphasis on methodology. Rather than presenting myth as a fixed subject, Doty equips readers with analytical tools to interpret myths across different traditions and historical periods. He explores how myths encode meaning through symbols and archetypes, how they reinforce or challenge cultural norms, and how they adapt over time to address shifting social realities. By emphasizing interpretation over simple retelling, Doty transforms myth from a collection of stories into a living field of inquiry.
The handbook also addresses key questions that continue to resonate in contemporary scholarship: What distinguishes myth from legend or folklore? How do myths shape identity—individual, communal, and national? In what ways do myths persist in modern literature, film, and popular culture? Through clear explanations and carefully structured discussions, Doty demonstrates that myth remains deeply relevant, not only in understanding ancient civilizations but also in analyzing modern narratives and cultural expressions.
Accessible yet intellectually rigorous, Myth: A Handbook has become a widely respected resource in university classrooms, providing students with the conceptual grounding needed to engage critically with mythological material. At the same time, its clarity and breadth make it valuable for general readers interested in the deeper meanings behind the stories that have shaped human thought across time and place.
Ultimately, Doty’s work reveals that myth is not confined to the past—it is an essential framework through which humans interpret experience, construct meaning, and understand their place in the world. This handbook stands as an indispensable guide to that process, illuminating the enduring significance of myth in both ancient traditions and contemporary life.
Mythography
The Study of Myths and RitualsWilliam G. Doty
University of Alabama Press, 2000
This new edition of William Doty's critically acclaimed study provides a comprehensive guidebook to the many schools of interpretation in this burgeoning field
William Doty's popular text has been hailed as the most comprehensive work of its kind. Extensively rewritten and completely restructured, the new edition provides further depth and perspective and is even more accessible to students of myth. It includes expanded coverage of postmodern and poststructuralist perspectives, the Gernet Center, mythic iconography, neo-Jungian approaches, and cultural studies, and it summarizes what is new in the study of Greek myth, iconography, French classical scholarship, and ritual studies. It also features a comprehensive index of names and topics, a glossary, an up-to-date annotated bibliography, and a guide to myth on the Internet.
Presenting all major myth theorists from antiquity to the present, Mythography is an encyclopedic work that offers a cross-disciplinary approach to the study of myth. By reflecting the dramatic increase in interest in myth among both scholars and general readers since publication of the first edition, it remains a key study of modern approaches to myth and
an essential guide to the wealth of mythographic research available today.
Myths of Modernity
Peonage and Patriarchy in NicaraguaElizabeth Dore
Duke University Press, 2006
Dore seamlessly combines archival research, oral history, and an innovative theoretical approach that unites political economy with social history. She recovers the bygone voices of peons, planters, and local officials within documents such as labor contracts, court records, and official correspondence. She juxtaposes these historical perspectives with those of contemporary peasants, landowners, activists, and politicians who share memories passed down to the present. The reconceptualization of the coffee economy that Dore elaborates has far-reaching implications. The Sandinistas mistakenly believed, she contends, that Nicaraguan capitalism was mature and ripe for socialist revolution, and after their victory in 1979 that belief led them to alienate many peasants by ignoring their demands for land. Thus, the Sandinistas’ myths of modernity contributed to their downfall.
Myths of the Popol Vuh in Cosmology, Art, and Ritual
Holley Moyes
University Press of Colorado, 2021
The chapters are grouped into four sections. The first section interprets the Highland Maya worldview through examination of the text, analyzing interdependence between deities and human beings as well as the textual and cosmological coherence of the Popol Vuh as a source. The second section analyzes the Precolumbian Maya archaeological record as it relates to the myths of the Popol Vuh, providing new interpretations of the use of space, architecture, burials, artifacts, and human remains found in Classic Maya caves. The third explores ancient Maya iconographic motifs, including those found in Classic Maya ceramic art; the nature of predatory birds; and the Hero Twins’ deeds in the Popol Vuh. The final chapters address mythological continuities and change, reexamining past methodological approaches using the Popol Vuh as a resource for the interpretation of Classic Maya iconography and ancient Maya religion and mythology, connecting the myths of the Popol Vuh to iconography from Preclassic Izapa, and demonstrating how narratives from the Popol Vuh can illuminate mythologies from other parts of Mesoamerica.
The Myths of the Popol Vuh in Cosmology, Art, and Ritual is the first volume to bring together multiple perspectives and original interpretations of the Popol Vuh myths. It will be of interest not only to Mesoamericanists but also to art historians, archaeologists, ethnohistorians, iconographers, linguists, anthropologists, and scholars working in ritual studies, the history of religion, historic and Precolumbian literature and historic linguistics.
Contributors: Jaime J. Awe, Karen Bassie-Sweet, Oswaldo Chinchilla Mazariegos, Michael D. Coe, Iyaxel Cojtí Ren, Héctor Escobedo, Thomas H. Guderjan, Julia Guernsey, Christophe Helmke, Nicholas A. Hopkins, Barbara MacLeod, Jesper Nielsen, Colin Snider, Karl A. Taube
México Profundo
Reclaiming a CivilizationBy Guillermo Bonfil Batalla
University of Texas Press, 1996
This translation of a major work in Mexican anthropology argues that Mesoamerican civilization is an ongoing and undeniable force in contemporary Mexican life.
For Guillermo Bonfil Batalla, the remaining Indian communities, the "de-Indianized" rural mestizo communities, and vast sectors of the poor urban population constitute the México profundo. Their lives and ways of understanding the world continue to be rooted in Mesoamerican civilization. An ancient agricultural complex provides their food supply, and work is understood as a way of maintaining a harmonious relationship with the natural world. Health is related to human conduct, and community service is often part of each individual's life obligation. Time is circular, and humans fulfill their own cycle in relation to other cycles of the universe.
Since the Conquest, Bonfil argues, the peoples of the México profundo have been dominated by an "imaginary México" imposed by the West. It is imaginary not because it does not exist, but because it denies the cultural reality lived daily by most Mexicans.
Within the México profundo there exists an enormous body of accumulated knowledge, as well as successful patterns for living together and adapting to the natural world. To face the future successfully, argues Bonfil, Mexico must build on these strengths of Mesoamerican civilization, "one of the few original civilizations that humanity has created throughout all its history."