8642 books match the query '20th Century' and 493 start with m

cover of Mexican Chicago: Race, identity and Nation, 1916-39

Mexican Chicago

Race, identity and Nation, 1916-39

Gabriela F. Arredondo

University of Illinois Press, 2007

Mexican Chicago builds on previous studies of Mexicans in the United States while challenging static definitions of “American” and underlying assumptions of assimilation. Gabriela F. Arredondo contends that because of the revolutionary context from which they came, Mexicans in Chicago between 1916 and 1939 were not just another ethnic group working to be assimilated into a city that has a long history of incorporating newcomers. Suggesting a new understanding of identity formation, she argues that Mexicans wielded tools of identification forged in revolutionary Mexico to collectively battle the prejudices of ethnic groups that included Poles, Italians, and the Irish, as well as African Americans. By turning inward, however, Mexicans also highlighted tremendous differences among themselves, such as gender and class. In discussing this distinctive process of becoming “Mexican” in Chicago during the early twentieth century, Arredondo not only explores how that identity was constructed but also provides telling insight into the repercussions of that identity formation process.

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cover of Mexican Masculinities

Mexican Masculinities

Robert McKee Irwin

University of Minnesota Press, 2003

A fascinating examination of masculinity in nineteenth- and twentieth-century Mexico

The first of its kind and a powerful challenge to customary views of gender and sexuality in the life and literature of Mexico, this book traces literary representations of masculinity in Mexico from independence in 1810 to the 1960s, and shows how these intersect with the constructions of nation and nationality.

The rhetoric of “Mexicanness” makes constant use of images of masculinity, though it does so in shifting and often contradictory ways. Robert McKee Irwin’s work follows these shifts from the male homosocial bonding that was central to notions of national integration in the nineteenth century, to questioning of gender norms stirred by science and scandals at the turn of the century, to the virulent reaction against gender chaos after the Mexican revolution, to the association of Mexicanness with machismo and homophobia in the literature of the 1940s and 1950s—even as male homosexuality was established as an integral part of national culture.As the first historical study of how masculinity and, particularly, homosexuality were understood in Mexico in the national era, this book not only provides “queer readings” of most major canonical texts of the period in question, but also uncovers a variety of unknown texts from queer Mexican history, including the 1906 novel Los 41, which reenacts the scandal of a turn-of-the-century transvestite ball that launched modern discussion of homosexuality in Mexico. It is a radical undermining of the simple hetero/homosexual and masculine/feminine oppositions that have for so long informed views of the country’s national character.
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cover of Mexican Murals in Times of Crisis

Mexican Murals in Times of Crisis

Bruce Campbell

University of Arizona Press, 2003

Murals have been an important medium of public expression in Mexico since the Mexican Revolution, and names such as Diego Rivera, David Alfaro Siqueiros, and José Clemente Orozco will forever be linked with this revolutionary art form. Many people, however, believe that Mexico's renowned mural tradition died with these famous practitioners, and today's mural artists labor in obscurity as many of their creations are destroyed through hostility or neglect.

This book traces the ongoing critical contributions of mural arts to public life in Mexico to show how postrevolutionary murals have been overshadowed both by the Mexican School and by the exclusionary nature of official public arts. By documenting a range of mural practices—from fixed-site murals to mantas (banner murals) to graffiti—Bruce Campbell evaluates the ways in which the practical and aesthetic components of revolutionary Mexican muralism have been appropriated and redeployed within the context of Mexico's ongoing economic and political crisis. Four dozen photographs illustrate the text. Blending ethnography, political science, and sociology with art history, Campbell traces the emergence of modern Mexican mural art as a composite of aesthetic, discursive, and performative elements through which collective interests and identities are shaped.

He focuses on mural activists engaged combatively with the state—in barrios, unions, and street protests—to show that mural arts that are neither connected to the elite art world nor supported by the government have made significant contributions to Mexican culture. Campbell brings all previous studies of Mexican muralism up to date by revealing the wealth of art that has flourished in the shadows of official recognition. His work shows that interpretations by art historians preoccupied with contemporary high art have been incomplete—and that a rich mural tradition still survives, and thrives, in Mexico.
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cover of Mexican Waves: Radio Broadcasting Along Mexico's Northern Border, 1930–1950

Mexican Waves

Radio Broadcasting Along Mexico's Northern Border, 1930–1950

Sonia Robles

University of Arizona Press, 2019

Mexican Waves is the fascinating history of how borderlands radio stations shaped the identity of an entire region as they addressed the needs of the local population and fluidly reached across borders to the United States. In so doing, radio stations created a new market of borderlands consumers and worked both within and outside the constraints of Mexican and U.S. laws.

Historian Sonia Robles examines the transnational business practices of Mexican radio entrepreneurs between the Golden Age of radio and the early years of television history. Intersecting Mexican history and diaspora studies with communications studies, this book explains how Mexican radio entrepreneurs targeted the Mexican population in the United States decades before U.S. advertising agencies realized the value of the Spanish-language market.

Robles’s robust transnational research weaves together histories of technology, performance, entrepreneurship, and business into a single story. Examining the programming of northern Mexican commercial radio stations, the book shows how radio stations from Tijuana to Matamoros courted Spanish-language listeners in the U.S. Southwest and local Mexican audiences between 1930 and 1950. Robles deftly demonstrates Mexico’s role in creating the borderlands, adding texture and depth to the story.

Scholars and students of radio, Spanish-language media in the United States, communication studies, Mexican history, and border studies will see how Mexican radio shaped the region’s development and how transnational listening communities used broadcast media’s unique programming to carve out a place for themselves as consumers and citizens of Mexico and the United States.
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cover of Mexican Women and the Other Side of Immigration: Engendering Transnational Ties

Mexican Women and the Other Side of Immigration

Engendering Transnational Ties

By Luz María Gordillo

University of Texas Press, 2010

Weaving narratives with gendered analysis and historiography of Mexicans in the Midwest, Mexican Women and the Other Side of Immigration examines the unique transnational community created between San Ignacio Cerro Gordo, Jalisco, and Detroit, Michigan, in the last three decades of the twentieth century, asserting that both the community of origin and the receiving community are integral to an immigrant's everyday life, though the manifestations of this are rife with contradictions.

Exploring the challenges faced by this population since the inception of the Bracero Program in 1942 in constantly re-creating, adapting, accommodating, shaping, and creating new meanings of their environments, Luz María Gordillo emphasizes the gender-specific aspects of these situations. While other studies of Mexican transnational identity focus on social institutions, Gordillo's work introduces the concept of transnational sexualities, particularly the social construction of working-class sexuality. Her findings indicate that many female San Ignacians shattered stereotypes, transgressing traditionally male roles while their husbands lived abroad. When the women themselves immigrated as well, these transgressions facilitated their adaptation in Detroit. Placed within the larger context of globalization, Mexican Women and the Other Side of Immigration is a timely excavation of oral histories, archival documents, and the remnants of three decades of memory.

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cover of Mexican Workers and the American Dream: Immigration, Repatriation, and California Farm Labor, 1900-1939

Mexican Workers and the American Dream

Immigration, Repatriation, and California Farm Labor, 1900-1939

Guerin-Gonzales, Camille

Rutgers University Press, 1994

"Guerin-Gonzales's special contribution is the link she explores between immigrant experience and the American dream. The towering irony her fine book reveals is how an ideology of promise for others was for the Mexican migrants the justification for their exploitation and, when the Great Drepression struck, for expelling many of them from the country."--David Brody, University of California, Davis

"Based on exhaustive research in U.S. and Mexican archives, this study offers a richly-textured history of Mexican immigrants in rural California. A work of exceptional breadth, especially with regard to repatriation, [it] is a pivotal contribution to Chicano historiography and immigration studies."--Vicki L. Ruiz, Andrew W. Mellon All-Claremont Professor in the Humanities, The Claremont Graduate School

In the first forty years of this century, over one million Mexican immigrants moved to the United States, attracted by the prospect of farm work in California. They became workers in industrial agriculture --barely recognized, never respected, and poorly paid. Native white American workers did not resent the Mexicans during prosperous times, when everyone who wanted to work could do so. But during the Great Depression, native workers began to realize that many of the Mexican workers were here to stay.  Native workers, blaming their unemployment on the immigrants, joined with government officials to demand that Mexican workers and their families return to Mexico. During the 1930s, the federal government and county relief agencies cooperated in a nasty repatriation program,  forcing half a million Mexicans living in the U.S. to return to Mexico.   

Camille Guerin-Gonzales tells the story of their migration, their years here, and of the repatriation program--one of the largest mass removal operations ever sanctioned by the U.S. government.She documents both their efforts to resist and the overpowering forces that worked against them.

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cover of Mexican-Origin People in the United States: A Topical History

Mexican-Origin People in the United States

A Topical History

Oscar J. Martínez

University of Arizona Press, 2001

The history of the United States in the twentieth century is inextricably entwined with that of people of Mexican origin. The twenty million Mexicans and Mexican Americans living in the U.S. today are predominantly a product of post-1900 growth, and their numbers give them an increasingly meaningful voice in the political process. Oscar J. Martínez here recounts the struggle of a people who have scraped and grappled to make a place for themselves in the American mainstream.
 
Focusing on social, economic, and political change during the twentieth century—particularly in the American West—Martínez provides a survey of long-term trends among Mexican Americans and shows that many of the difficult conditions they have experienced have changed decidedly for the better. Organized thematically, the book addresses population dynamics, immigration, interaction with the mainstream, assimilation into the labor force, and growth of the Mexican American middle class. Martínez then examines the various forms by which people of Mexican descent have expressed themselves politically: becoming involved in community organizations, participating as voters, and standing for elective office. Finally he summarizes salient historical points and offers reflections on issues of future significance. Where appropriate, he considers the unique circumstances that distinguish the experiences of Mexican Americans from those of other ethnic groups.
 
By the year 2000, significant numbers of people of Mexican origin had penetrated the middle class and had achieved unprecedented levels of power and influence in American society; at the same time, many problems remain unsolved, and the masses face new challenges created by the increasingly globalized U.S. economy. This concise overview of Mexican-origin people puts these successes and challenges in perspective and defines their contribution to the shaping of modern America.
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cover of Mexicans in Wisconsin

Mexicans in Wisconsin

Sergio González

Wisconsin Historical Society Press, 2017

From agricultural and factory workers to renowned writers and musicians, the Mexican immigrants who have made their homes in Wisconsin over the past century have become a significant and diverse part of this state’s cultural and economic history. Coming from a variety of educational and professional backgrounds, the earliest Mexican immigrants traveled north in search of better economic opportunities and relief from the violence and economic turmoil of the Mexican Revolution. They found work in tanneries and foundries, and on beet farms where they replaced earlier European immigrant workers who had moved on to family farms. As Mexican immigration has grown to the present day, these families have become integral members of Wisconsin communities, building businesses, support systems, and religious institutions. But their experience has also been riddled with challenges, as they have fought for adequate working conditions, access to education, and acceptance amid widespread prejudice. In this concise history, learn the fascinating stories of this vibrant and resilient immigrant population: from the Tejano migrant workers who traveled north seasonally to work in the state’s cucumber fields, to the determined labor movement led by Jesus Salas, to the young activists of the Chicano Movement, and beyond.

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cover of Mexicans in the Midwest, 1900-1932

Mexicans in the Midwest, 1900-1932

Juan R. García

University of Arizona Press, 1996

Early in this century, a few Mexican migrants began streaming northward into the Midwest, but by 1914--in response to the war in Europe and a booming U.S. economy--the stream had become a flood. Barely a generation later, this so-called Immigrant Generation of Mexicans was displaced and returned to the U.S. Southwest or to Mexico. Drawing on both published works and archival materials, this new study considers the many factors that affected the process of immigration as well as the development of communities in the region. These include the internal forces of religion, ethnic identity, and a sense of nationalism, as well as external influences such as economic factors, discrimination, and the vagaries of U.S.-Mexico relations.

Here is a book that persuasively challenges many prevailing assumptions about Mexican people and the communities they established in the Midwest. The author notes the commonalities and differences between Mexicans in that region and their compadres who settled elsewhere. He further demonstrates that although Mexicans in the Midwest maintained a strong sense of cultural identity, they were quick to adopt the consumer culture and other elements of U.S. life that met their needs.

Focusing on a people, place, and time rarely covered before now, this wide-ranging work will be welcomed by scholars and students of history, sociology, and Chicano studies. General readers interested in ethnic issues and the multicultural fabric of American society will find here a window to the past as well as new perspectives for understanding the present and the future.
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cover of Mexico and the United States in the Oil Controversy, 1917–1942

Mexico and the United States in the Oil Controversy, 1917–1942

By Lorenzo Meyer; translated by Muriel Vasconcellos

University of Texas Press, 1977

From reviews of the Spanish edition:

“Meyer’s perceptive commentary on Mexican power politics presents new insights into the petroleum lobbies in Mexico City and Washington. With unbiased empathy he shows the validity of Mexico’s complaints about foreigners’ deriving an overabundance of profit from a nonrenewable natural resource. He understands United States history and never abuses his license to criticize.” —Hispanic American Historical Review

“This useful addition to the literature on twentieth-century Mexican–United States diplomatic relations is a scholarly work, worthy of consideration by all students of the subject.”—American Historical Review

Mexico and the United States in the Oil Controversy, 1917–1942 explores the relationship between the United States and Mexico during the first half of the twentieth century, with special attention to the Mexican nationalization of the oil industry. Relying on Mexican archival material never before analyzed, the author presents a unique perspective on the period following the Mexican Revolution and Mexico’s efforts to diminish its economic dependency on the United States. This work not only describes the political and economic struggle between the Mexican government and the U.S. oil companies but also serves to illustrate in general the nature of dependency between Latin American countries and the United States. It will be of interest not only to Mexican specialists but also to diplomatic and economic historians.

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cover of Mexico in Verse: A History of Music, Rhyme, and Power

Mexico in Verse

A History of Music, Rhyme, and Power

Edited by Stephen Neufeld and Michael Matthews; Foreword by William H. Beezley

University of Arizona Press, 2015

The history of Mexico is spoken in the voice of ordinary people. In rhymed verse and mariachi song, in letters of romance and whispered words in the cantina, the heart and soul of a nation is revealed in all its intimacy and authenticity. Mexico in Verse, edited by Stephen Neufeld and Michael Matthews, examines Mexican history through its poetry and music, the spoken and the written word.

Focusing on modern Mexico, from 1840 to the 1980s, this volume examines the cultural venues in which people articulated their understanding of the social, political, and economic change they witnessed taking place during times of tremendous upheaval, such as the Mexican-American War, the Porfiriato, and the Mexican Revolution. The words of diverse peoples—people of the street, of the field, of the cantinas—reveal the development of the modern nation. Neufeld and Matthews have chosen sources so far unexplored by Mexicanist scholars in order to investigate the ways that individuals interpreted—whether resisting or reinforcing—official narratives about formative historical moments.

The contributors offer new research that reveals how different social groups interpreted and understood the Mexican experience. The collected essays cover a wide range of topics: military life, railroad accidents, religious upheaval, children’s literature, alcohol consumption, and the 1985 earthquake. Each chapter provides a translated song or poem that encourages readers to participate in the interpretive practice of historical research and cultural scholarship. In this regard, Mexico in Verse serves both as a volume of collected essays and as a classroom-ready primary document reader.
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cover of Mexico on Main Street: Transnational Film Culture in Los Angeles before World War II

Mexico on Main Street

Transnational Film Culture in Los Angeles before World War II

Gunckel, Colin

Rutgers University Press, 2015

In the early decades of the twentieth-century, Main Street was the heart of Los Angeles’s Mexican immigrant community. It was also the hub for an extensive, largely forgotten film culture that thrived in L.A. during the early days of Hollywood. Drawing from rare archives, including the city’s Spanish-language newspapers, Colin Gunckel vividly demonstrates how this immigrant community pioneered a practice of transnational media convergence, consuming films from Hollywood and Mexico, while also producing fan publications, fiction, criticism, music, and live theatrical events. 
 
Mexico on Main Street locates this film culture at the center of a series of key debates concerning national identity, ethnicity, class, and the role of Mexicans within Hollywood before World War II. As Gunckel shows, the immigrant community’s cultural elite tried to rally the working-class population toward the cause of Mexican nationalism, while Hollywood sought to position them as part of a lucrative transnational Latin American market. Yet ironically, both Hollywood studios and Mexican American cultural elites used the media to present negative depictions of working-class Mexicans, portraying their behaviors as a threat to middle-class respectability. Rather than simply depicting working-class immigrants as pawns of these power players, however, Gunckel reveals their active participation in the era’s film culture.  
 
Gunckel’s innovative approach combines media studies, urban history, and ethnic studies to reconstruct a distinctive, richly layered immigrant film culture. Mexico on Main Street demonstrates how a site-specific study of cultural and ethnic issues challenges our existing conceptions of U.S. film history, Mexican cinema, and the history of Los Angeles. 
 
 
 
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cover of Mexico's Once and Future Revolution: Social Upheaval and the Challenge of Rule since the Late Nineteenth Century

Mexico's Once and Future Revolution

Social Upheaval and the Challenge of Rule since the Late Nineteenth Century

Gilbert M. Joseph and Jürgen Buchenau

Duke University Press, 2013

In this concise historical analysis of the Mexican Revolution, Gilbert M. Joseph and Jürgen Buchenau explore the revolution's causes, dynamics, consequences, and legacies. They do so from varied perspectives, including those of campesinos and workers; politicians, artists, intellectuals, and students; women and men; the well-heeled, the dispossessed, and the multitude in the middle. In the process, they engage major questions about the revolution. How did the revolutionary process and its aftermath modernize the nation's economy and political system and transform the lives of ordinary Mexicans? Rather than conceiving the revolution as either the culminating popular struggle of Mexico's history or the triumph of a new (not so revolutionary) state over the people, Joseph and Buchenau examine the textured process through which state and society shaped each other. The result is a lively history of Mexico's "long twentieth century," from Porfirio Díaz's modernizing dictatorship to the neoliberalism of the present day.
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cover of Mexico, Nation in Transit: Contemporary Representations of Mexican Migration to the United States

Mexico, Nation in Transit

Contemporary Representations of Mexican Migration to the United States

Christina L. Sisk

University of Arizona Press, 2011

Mexico, Nation in Transit examines how the Mexican migrant population in the United States is represented in the Mexican national im-aginary—on both sides of the border. Exploring representations of migration in literature, film, and music produced in the past twenty years, Christina Sisk argues that Mexico is imagined as a nation that exists outside of its territorial borders and into the United States. Although some Americans feel threatened by the determined resilience of Mexican national identity among immigrants, Sisk counters that the persis-tence of immigrant Mexicans’ identities with their homeland—with the cities, states, regions, and nation where they were born or have family—is not in opposition to their identity as Americans.

Sisk’s transnational investigation moves easily across the US–Mexico border, analyzing films made on both sides, literature de la frontera, Mexican rock music, migrant narratives, and texts written by second- and third-generation immigrants. Included are the perspectives of those who left Mexico, those who were left behind, and the children who travel back “home.” Sisk discovers that the loss of Mexicans to the United States through emigration has had an effect on Mexico similar to the impact of the perceived Mexican invasion of the United States.

Spanning the social sciences and the humanities, Mexico, Nation in Transit poses a new transnational alternative to the postnational view that geopolitical borders are being erased by the forces of migration and globalization, and the nationalist view that borders must be strictly enforced. It shows that borders, like identities, are not easy to locate precisely.
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cover of Michael Oakeshott on Religion, Aesthetics, and Politics

Michael Oakeshott on Religion, Aesthetics, and Politics

Elizabeth Campbell Corey

University of Missouri Press, 2006

For much of his career, British political philosopher Michael Oakeshott was identified with Margaret Thatcher’s conservative policies. He has been called by some a guru to the Tories, while others have considered him one of the last proponents of British Idealism. Best known for such books as Experience and Its Modes and Rationalism in Politics, Oakeshott has been the subject of numerous studies, but always with an emphasis on his political thought.

Elizabeth Campbell Corey now makes the case that Oakeshott’s moral and political philosophies are more informed by religious and aesthetic considerations than has previously been supposed. Hers is the first book-length study of this premise, arguing that Oakeshott’s views on aesthetics, religion, and morality are intimately linked in a creative moral personality that underlies his political theorizing.

Corey focuses on a wealth of early material from Oakeshott’s career that has only recently been published, as well as his acclaimed “Tower of Babel” essays, to show that these works illuminate his thinking in ways that could not have been realized prior to their publication. She places Oakeshott squarely in the Augustinian tradition, citing his 1929 essay “Religion and the World,” and then identifies his departure from it. She explores Oakeshott’s recurring theme of “living one’s life in the present”; examines his explicit discussions of religion, aesthetics, and morality; and then considers his political thought in light of this moral vision. She finally compares his idea of Rationalism to Eric Voegelin’s concept of
Gnosticism and considers both thinkers’ treatment of Hobbes to delineate their philosophical differences.

Through this insightful analysis, Corey shows Oakeshott to be not merely a political philosopher but a thinker with humanistic interests—one who throughout his life was deeply interested in the question of what it means to be human and was moved by art, poetry, and religion while recognizing the necessary evil of political arrangements in order for those activities to flourish. Her work is a major step in a reevaluation of Oakeshott, showing that his conservatism has been greatly misunderstood and that he is more properly regarded as a philosopher whose vision of the human condition, while oftentimes detached and skeptical, is also romantic and inspired.
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cover of Michael Polanyi and His Generation: Origins of the Social Construction of Science

Michael Polanyi and His Generation

Origins of the Social Construction of Science

Mary Jo Nye

University of Chicago Press, 2011

In Michael Polanyi and His Generation, Mary Jo Nye investigates the role that Michael Polanyi and several of his contemporaries played in the emergence of the social turn in the philosophy of science. This turn involved seeing science as a socially based enterprise that does not rely on empiricism and reason alone but on social communities, behavioral norms, and personal commitments. Nye argues that the roots of the social turn are to be found in the scientific culture and political events of Europe in the 1930s, when scientific intellectuals struggled to defend the universal status of scientific knowledge and to justify public support for science in an era of economic catastrophe, Stalinism and Fascism, and increased demands for applications of science to industry and social welfare.
 
At the center of this struggle was Polanyi, who Nye contends was one of the first advocates of this new conception of science. Nye reconstructs Polanyi’s scientific and political milieus in Budapest, Berlin, and Manchester from the 1910s to the 1950s and explains how he and other natural scientists and social scientists of his generation—including J. D. Bernal, Ludwik Fleck, Karl Mannheim, and Robert K. Merton—and the next, such as Thomas Kuhn, forged a politically charged philosophy of science, one that newly emphasized the social construction of science.
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cover of Microgroove: Forays into Other Music

Microgroove

Forays into Other Music

John Corbett

Duke University Press, 2015

Microgroove continues John Corbett's exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music. Corbett's approach to writing is as polymorphous as the music, ranging from oral history and journalistic portraiture to deeply engaged cultural critique. Corbett advocates for the relevance of "little" music, which despite its smaller audience is of enormous cultural significance. He writes on musicians as varied as Sun Ra, PJ Harvey, Koko Taylor, Steve Lacy, and Helmut Lachenmann. Among other topics, he discusses recording formats; the relationship between music and visual art, dance, and poetry; and, with Terri Kapsalis, the role of female orgasm sounds in contemporary popular music. Above all, Corbett privileges the importance of improvisation; he insists on the need to pay close attention to “other” music and celebrates its ability to open up pathways to new ideas, fresh modes of expression, and unforeseen ways of knowing.
 
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cover of Midcentury Modern Art in Texas

Midcentury Modern Art in Texas

By Katie Robinson Edwards

University of Texas Press, 2014

Winner, Award of Merit for Non-Fiction, The Philosophical Society of Texas, 2015

Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state’s dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas.

Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era’s most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art’s “Americans” exhibitions.

The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.

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cover of Middle Class Union: Organizing the ‘Consuming Public’ in Post-World War I America

Middle Class Union

Organizing the ‘Consuming Public’ in Post-World War I America

Mark W. Robbins

University of Michigan Press, 2017

Middle Class Union argues that the period following World War I was a pivotal moment in the development of middle-class consumer politics in the 20th century. At this time, middle-class Americans politically mobilized to define for society what was fair in the growing consumer marketplace. They projected themselves as guardians of the producerist values of hard work, honesty, and thrift, and called for greater adherence to them among the working and elite classes. In this era and in later periods, they flexed their muscles as consumers, and claimed to defend the values of the nation.

Combining social history with interdisciplinary approaches to the study of consumption and symbolic space, Middle Class Union illustrates how acts of consumption, representations of the middle class in literary, journalistic, and artistic discourses, and ground-level organizing combined to enable white-collar activists to establish themselves as both the middle class and the backbone of the nation. This book contributes to labor history by examining the nexus of class and consumption to show how many white-collar workers drew on their consumer identity to express an anti-labor politics, later facilitating the struggles of unions throughout the post–World War I years. It also contributes to political history by emphasizing how these middle-class activists laid important groundwork for both 1920s business conservatism and New Deal liberalism. They exerted their political influence well before the post–World War II period, when a self-interested and powerful middle-class consumer identity is more widely acknowledged to have taken hold.

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cover of Middlebrow Queer: Christopher Isherwood in America

Middlebrow Queer

Christopher Isherwood in America

Jaime Harker

University of Minnesota Press, 2013


How could one write about gay life for the mainstream public in Cold War America? Many midcentury gay American writers, hampered by external and internal censors, never managed to do it. But Christopher Isherwood did, and what makes his accomplishment more remarkable is that while he was negotiating his identity as a gay writer, he was reinventing himself as an American one. Jaime Harker shows that Isherwood refashioned himself as an American writer following his emigration from England by immersing himself in the gay reading, writing, and publishing communities in Cold War America.


Drawing extensively on Isherwood’s archives, including manuscript drafts and unpublished correspondence with readers, publishers, and other writers, Middlebrow Queer demonstrates how Isherwood mainstreamed gay content for heterosexual readers in his postwar novels while also covertly writing for gay audiences and encouraging a symbiotic relationship between writer and reader. The result—in such novels as The World in the Evening, Down There on a Visit, A Single Man, and A Meeting by the River—was a complex, layered form of writing that Harker calls “middlebrow camp,” a mode that extended the boundaries of both gay and middlebrow fiction.


Weaving together biography, history, and literary criticism, Middlebrow Queer traces the continuous evolution of Isherwood’s simultaneously queer and American postwar authorial identity. In doing so, the book illuminates many aspects of Cold War America’s gay print cultures, from gay protest novels to “out” pulp fiction.


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cover of Midlife Crisis: The Feminist Origins of a Chauvinist Cliché

Midlife Crisis

The Feminist Origins of a Chauvinist Cliché

Susanne Schmidt

University of Chicago Press, 2020

The phrase “midlife crisis” today conjures up images of male indulgence and irresponsibility—an affluent, middle-aged man speeding off in a red sports car with a woman half his age—but before it become a gendered cliché, it gained traction as a feminist concept. Journalist Gail Sheehy used the term to describe a midlife period when both men and women might reassess their choices and seek a change in life. Sheehy’s definition challenged the double standard of middle age—where aging is advantageous to men and detrimental to women—by viewing midlife as an opportunity rather than a crisis. Widely popular in the United States and internationally, the term was quickly appropriated by psychological and psychiatric experts and redefined as a male-centered, masculinist concept.
 
The first book-length history of this controversial concept, Susanne Schmidt’s Midlife Crisis recounts the surprising origin story of the midlife debate and traces its movement from popular culture into academia. Schmidt’s engaging narrative telling of the feminist construction—and ensuing antifeminist backlash—of the midlife crisis illuminates a lost legacy of feminist thought, shedding important new light on the history of gender and American social science in the 1970s and beyond.
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cover of Midnight Basketball: Race, Sports, and Neoliberal Social Policy

Midnight Basketball

Race, Sports, and Neoliberal Social Policy

Douglas Hartmann

University of Chicago Press, 2016

Midnight basketball may not have been invented in Chicago, but the City of Big Shoulders—home of Michael Jordan and the Bulls—is where it first came to national prominence. And it’s also where Douglas Hartmann first began to think seriously about the audacious notion that organizing young men to run around in the wee hours of the night—all trying to throw a leather ball through a metal hoop—could constitute meaningful social policy.
            Organized in the 1980s and ’90s by dozens of American cities, late-night basketball leagues were designed for social intervention, risk reduction, and crime prevention targeted at African American youth and young men. In Midnight Basketball, Hartmann traces the history of the program and the policy transformations of the period, while exploring the racial ideologies, cultural tensions, and institutional realities that shaped the entire field of sports-based social policy. Drawing on extensive fieldwork, the book also brings to life the actual, on-the-ground practices of midnight basketball programs and the young men that the programs intended to serve. In the process, Midnight Basketball offers a more grounded and nuanced understanding of the intricate ways sports, race, and risk intersect and interact in urban America.
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cover of Midwives of the Revolution: Female Bolsheviks and Women Workers in 1917

Midwives of the Revolution

Female Bolsheviks and Women Workers in 1917

Jane McDermid

Ohio University Press, 1999

The Bolshevik seizure of power in 1917 and the ensuing communist regime have often been portrayed as a man’s revolution, with women as bystanders or even victims. Midwives of the Revolution examines the powerful contribution made by women to the overthrow of tsarism in 1917 and their importance in the formative years of communism in Russia.

Focusing on the masses as well as the high-ranking intelligentsia, Midwives of the Revolution is the first sustained analysis of female involvement in the revolutionary era of Russian history. The authors investigate the role of Bolshevik women and the various forms their participation took. Drawing on the experiences of representative individuals, the authors discuss the important relationship between Bolshevik women and the workers in the turbulent months of 1917.

The authors demonstrate that women were an integral part of the revolutionary process and challenge assumptions that they served merely to ignite an essentially masculine revolt. By placing women center stage, without exaggerating their roles, this study enriches our understanding of a momentous event in twentieth-century history.

[more]
cover of Mies van der Rohe: A Critical Biography, New and Revised Edition

Mies van der Rohe

A Critical Biography, New and Revised Edition

Franz Schulze and Edward Windhorst

University of Chicago Press, 2012

Mies van der Rohe: A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the master German-American modern architect. Coauthored with architect Edward Windhorst, this revised edition, three times the length of the original text, features extensive new research and commentary and draws on the best recent work of American and German scholars. The authors’ major new discoveries include the massive transcript of the early-1950s Farnsworth House court case, which discloses for the first time the facts about Mies’s epic battle with his client Edith Farnsworth. Giving voice to dozens of architects who knew and worked with (and sometimes against) Mies, this comprehensive biography tells the compelling story of how Mies and his students and followers created some of the most significant buildings of the twentieth century.
 
 
[more]
cover of Migrant Marketplaces: Food and Italians in North and South America

Migrant Marketplaces

Food and Italians in North and South America

Elizabeth Zanoni

University of Illinois Press, 2018

Italian immigrants to the United States and Argentina hungered for the products of home. Merchants imported Italian cheese, wine, olive oil, and other commodities to meet the demand. The two sides met in migrant marketplaces—urban spaces that linked a mobile people with mobile goods in both real and imagined ways.

Elizabeth Zanoni provides a cutting-edge comparative look at Italian people and products on the move between 1880 and 1940. Concentrating on foodstuffs—a trade dominated by Italian entrepreneurs in New York and Buenos Aires—Zanoni reveals how consumption of these increasingly global imports affected consumer habits and identities and sparked changing and competing connections between gender, nationality, and ethnicity. Women in particular—by tradition tasked with buying and preparing food—had complex interactions that influenced both global trade and their community economies. Zanoni conveys the complicated and often fraught values and meanings that surrounded food, meals, and shopping.

A groundbreaking interdisciplinary study, Migrant Marketplaces offers a new perspective on the linkages between migration and trade that helped define globalization in the late nineteenth and early twentieth centuries.

[more]
cover of Migrant Sites: America, Place, and Diaspora Literatures

Migrant Sites

America, Place, and Diaspora Literatures

Dalia Kandiyoti

Dartmouth College Press, 2009

In Migrant Sites, Dalia Kandiyoti presents a compelling corrective to the traditional immigrant and melting pot story. This original and wide-ranging study embraces Jewish, European, and Chicana/o and Puerto Rican literatures of migration and diasporization through the literary works of Abraham Cahan, Willa Cather, Estela Portillo Trambley, Sandra Cisneros, Piri Thomas, and Ernesto Quiñonez. The author offers a transformed understanding of the ways in which the sense of place shapes migration imaginaries in U.S. writing. Place is a crucial category, one that along with race, class, and gender, has a profound impact in shaping migration and diaspora identities and storytelling. Migrant Sites highlights enclosure as a prominent sense of place and translocality as its counterpart in diaspora experiences created in fiction. Repositioning national literature as diaspora literature, the author shows that migrant legacies such as colonialism, empire, borders, containment, and enclosure are part of the American story and constitute the “diaspora sense of place.”
[more]
cover of Migrant Song: Politics and Process in Contemporary Chicano Literature

Migrant Song

Politics and Process in Contemporary Chicano Literature

By Teresa McKenna

University of Texas Press, 1996

Migration and continuity have shaped both the Chicano people and their oral and written literature. In this pathfinding study of Chicano literature, Teresa McKenna specifically explores how these works arise out of social, political, and psychological conflict and how the development of Chicano literature is inextricably embedded in this fact.

McKenna begins by appraising the evolution of Chicano literature from oral forms—including the important role of the corrido in the development of Chicano poetry. In subsequent chapters she examines the works of Richard Rodriguez and Rolando Hinojosa. She also devotes a chapter to the development of the Chicana voice in Chicano literature. Her epilogue considers the parallel development of Chicano literary theory and discusses some possible directions for research.

In McKenna's own words, "I believe that the future of this literature, as that of all literatures by people of color in the United States, rests largely on its being effectively introduced into the curricula at all levels, as well as its entrance into the critical consciousness of literary theory." This book will be an important step in that process.

[more]
cover of Migrating Fictions: Gender, Race, and Citizenship in U.S. Internal Displacements

Migrating Fictions

Gender, Race, and Citizenship in U.S. Internal Displacements

Abigail G. H. Manzella

The Ohio State University Press, 2018

Winner, 2021 Society for the Study of American Women Writers Book Award
Winner, 2021 CCCC Outstanding Book Award


Migrating Fictions analyzes the role of race, gender, and citizenship in the major internal displacements of the 20th century in history and in narrative. Surveying the particular tactics employed by the United States during the Great Migration, the Dust Bowl, the Japanese American incarceration, and the migrant labor of the Southwest, Abigail G. H. Manzella reveals how the country’s past is imbued with governmentally (en)forced movements that diminished access to full citizenship rights for the laboring class, people of color, and women.
 
This work is the first book-length study to examine all of these movements together along with their literature, including Zora Neale Hurston’s Their Eyes Were Watching God, Sanora Babb’s Whose Names Are Unknown, Julie Otsuka’s When the Emperor Was Divine, Helena María Viramontes’s Under the Feet of Jesus, and Jesmyn Ward’s Salvage the Bones. Manzella shows how the United States’ history of spatial colonization within its own borders extends beyond isolated incidents into a pattern based on ideology about nation-building, citizenship, and labor. This book seeks to theorize a Thirdspace, an alternate location for social justice that acknowledges the precarity of the internally displaced person.
[more]
cover of Mikhail Bakhtin: The Duvakin Interviews, 1973

Mikhail Bakhtin

The Duvakin Interviews, 1973

Slav N Gratchev

Bucknell University Press, 2019

Whenever Bakhtin, in his final decade, was queried about writing his memoirs, he shrugged it off. Unlike many of his Symbolist generation, Bakhtin was not fascinated by his own self-image. This reticence to tell his own story was the point of access for Viktor Duvakin, Mayakovsky scholar, fellow academic, and head of an oral history project, who in 1973 taped six interviews with Bakhtin over twelve hours. They remain our primary source of Bakhtin’s personal views:  on formative moments in his education and exile, his reaction to the Revolution, his impressions of political, intellectual, and theatrical figures during the first two decades of the twentieth century, and his non-conformist opinions on Russian and Soviet poets and musicians. Bakhtin's passion for poetic language and his insights into music also come as a surprise to readers of his essays on the novel. One remarkable thread running through the conversations is Bakhtin's love of poetry, masses of which he knew by heart in several languages. Mikhail Bakhtin: The Duvakin Interviews, 1973, translated and annotated here from the complete transcript of the tapes, offers a fuller, more flexible image of Bakhtin than we could have imagined beneath his now famous texts.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
[more]
cover of Miles of Smiles, Years of Struggle: STORIES OF BLACK PULLMAN PORTERS

Miles of Smiles, Years of Struggle

STORIES OF BLACK PULLMAN PORTERS

Jack Santino

University of Illinois Press, 1989

As service workers in a luxurious sleeping-car train system, Pullman porters had both the highest status in the black community and the lowest rank on the train. They were trapped in the dual roles of charming host and obedient servant, and their constant smiles--even in the face of unreasonable demands by white passengers--were part of the job requirement.
 
Jack Santino's interviews with retired porters provide extensive firsthand accounts of their work, the job inequities they faced, the formation of the Brotherhood of Sleeping Car Porters, and the aborted Pullman porter strike of 1928. Through the testimony of ran-and-file workers as well as key figures such as E. D. Nixon, the porter who initiated the Montgomery bus boycott and helped launch the career of Martin Luther King, Jr. and C.L. Dellums, the only surviving founding member of the BSCP, Miles of Smiles, Years of Struggle illuminates the Pullman porters' struggle for dignity.
 
 
[more]
cover of Militant Nationalism: Between Movement and Party in Ireland and the Basque Country

Militant Nationalism

Between Movement and Party in Ireland and the Basque Country

Cynthia Irvin

University of Minnesota Press, 1999

A comparative analysis of two militant nationalist groups.

Why do some militant nationalists turn to electoral politics while others resist-and even seek to destroy-that arena? Cynthia L. Irvin examines two cases of electoral interventions by nationalist organizations engaged in violent political competition: in Northern Ireland and in the Basque provinces of Spain. Based on her findings, she offers insights into the circumstances that lead such groups to abandon violence in favor of institutional political struggle.

Using fieldwork done in Northern Ireland and the Basque Country, Irvin develops a model linking the internal dynamics of Sinn Fein and Herri Batasuna (the electoral arm of the militant Basque separatists) to changes in their external environments. In this unusual comparative analysis, she draws on interviews with more than 100 Sinn Fein and Herri Batasuna activists and on a unique survey of 140 Herri Batasuna activists. This approach moves Irvin’s work beyond previous analyses, which have relied on either descriptive and historical accounts or formal models of insurgent violence. This detailed account has broad implications for the study of social movements and ethnic identity, providing a valuable new perspective into the strategic interactions and often conflict-ridden relationship between social movements and political parties. ISBN 0-8166-3114-X Cloth £00.00 $49.95xxISBN 0-8166-3115-8 Paper £00.00 $19.95x304 Pages 26 Tables 5 7/8 x 9 MaySocial Movements, Protest, and Contention Series, volume 9Translation inquiries: University of Minnesota Press
[more]
cover of Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema

Militant Visions

Black Soldiers, Internationalism, and the Transformation of American Cinema

Reich, Elizabeth

Rutgers University Press, 2016

Militant Visions examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers. Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance.

Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself.
 
[more]
cover of Militant Zionism in America: The Rise and Impact of the Jabotinsky Movement in the United States, 1926-1948

Militant Zionism in America

The Rise and Impact of the Jabotinsky Movement in the United States, 1926-1948

Rafael Medoff

University of Alabama Press, 2006

This in-depth look at a controversial faction of American Zionism fills
a void in the story of American Zionism--and in the story of American Judaism.


This book recounts the fascinating and little-known story
of the militant American Zionists who lobbied Congress, rallied American
public opinion, and influenced British-American relations in their campaign
for Jewish statehood in the 1930s and 1940s. Although these activists have
been dismissed as fanatics who fragmented the American Zionist movement,
Rafael Medoff reveals that the faction--which included an Academy Award-winning
screenwriter and several future members of the Israeli parliament--was
more influential than has been previously acknowledged.
 

These militants stirred America's conscience by placing
controversial newspaper ads, lobbying conservative as well as liberal members
of Congress, and staging dramatic protest rallies. Through these tactics,
Medoff shows, they attracted a wave of support from an extraordinary cross-section
of leading Americans, including comedians Harpo Marx and Carl Reiner, actors
Vincent Price, Marlon Brando, and Jane Wyatt, musician Leonard Bernstein,
and rising young politicians Jacob Javits and Hubert Humphrey. Medoff also
describes the shadowy underground division that smuggled weapons to the
Holy Land in caskets, naming and interviewing for the first time members
of this gunrunning network.
 

Based on years of archival research and interviews and
written in a compelling style, Militant Zionism in America documents
events that reshaped the American Jewish community, influenced American
foreign policy, and contributed to one of the most extraordinary events
of modern history: the creation of the State of Israel.

Rafael Medoff is a Visiting Scholar at the State University of New York -- Purchase College.

[more]
cover of Militarism, Ethnicity, and Politics in the Sierra Norte de Puebla, 1917-1930

Militarism, Ethnicity, and Politics in the Sierra Norte de Puebla, 1917-1930

Keith Brewster

University of Arizona Press, 2003

In the wake of the Mexican Revolution, citizens in many parts of Mexico experienced turbulent and uncertain times. This book tells the story of how the people of the Sierra Norte de Puebla emerged from those traumatic years and came to terms with the many challenges facing them in the decade that followed. It also examines the phenomenon of caciquismo in the postrevolutionary period as seen in the career of one powerful individual.

Gabriel Barrios Cabrera, leader of the Brigada Serrana, rose from rural obscurity in the tiny village of Cuacuila to a position of unprecedented military strength during the Revolution, and throughout the 1920s he and his brother Demetrio came to enjoy the confidence of the nation's presidents. This work provides an in-depth look at how a local political boss held on to power. Keith Brewster reveals how the story of the Sierra is inextricably linked to that of the Barrios Cabrera family, and he investigates the ways in which this interconnection developed.

Brewster argues that Barrios owed his long prominence to his sensitivity to the region's culture, but also shows that the extent of his power was exaggerated by both contemporaries and historians. Barrios was able to develop a working relationship with the federal government by endorsing its objectives and convincing them of his own indispensability, but his authority depended on the weakness of the federal government and on infighting within the Puebla state government; once both governments stabilized, Barrios quickly lost his grip on power.

Masterfully blending archival sources and oral history, Brewster captures life in the Sierra during the 1920s and examines the decision-making processes that determined how communities responded to new pressures, such as requests for soldiers or support for development projects. He shows that subaltern groups were able to shape and even resist state reforms, mustering evidence that the Sierra's indigenous communities drove hard bargains over issues affecting their everyday lives. Although many communities used Barrios as an intermediary, Brewster reveals that they did not universally accept his legitimacy but simply used his connections to pursue their own local agendas.

Brewster depicts the Sierra de Puebla of the 1920s as a scene of shifting balances of power where political, economic, social, and ethnic factors combined to produce the temporary ascendancy of different interest groups beyond and within the region. His study forces us to question assumptions about how power was exercised at the local and regional levels in postrevolutionary Mexico and will be of lasting interest to all concerned with the dynamics of caciquismo and the evolution of the Mexican political system.

[more]
cover of Militarized Currents: Toward a Decolonized Future in Asia and the Pacific

Militarized Currents

Toward a Decolonized Future in Asia and the Pacific

Setsu Shigematsu

University of Minnesota Press, 2010

Foregrounding indigenous and feminist scholarship, this collection analyzes militarization as an extension of colonialism from the late twentieth to the twenty-first century in Asia and the Pacific. The contributors theorize the effects of militarization across former and current territories of Japan and the United States, such as Guam, Okinawa, the Marshall Islands, the Philippines, and Korea, demonstrating that the relationship between militarization and colonial subordination—and their gendered and racialized processes—shapes and produces bodies of memory, knowledge, and resistance.
 
Contributors: Walden Bello, U of the Philippines; Michael Lujan Bevacqua, U of Guam; Patti Duncan, Oregon State U; Vernadette Vicuña Gonzalez, U of Hawai‘i, M noa; Insook Kwon, Myongji U; Laurel A. Monnig, U of Illinois, Urbana–Champaign; Katharine H. S. Moon, Wellesley College; Jon Kamakawiwo‘ole Osorio, U of Hawai‘i, M noa; Naoki Sakai, Cornell U; Fumika Sato, Hitotsubashi U; Theresa Cenidoza Suarez, California State U, San Marcos; Teresia K. Teaiwa, Victoria U, Wellington; Wesley Iwao Ueunten, San Francisco State U.
[more]
cover of Militarizing Marriage: West African Soldiers’ Conjugal Traditions in Modern French Empire

Militarizing Marriage

West African Soldiers’ Conjugal Traditions in Modern French Empire

Sarah J. Zimmerman

Ohio University Press, 2020

Following tirailleurs sénégalais’ deployments in West Africa, Congo, Madagascar, North Africa, Syria-Lebanon, Vietnam, and Algeria from the 1880s to 1962, Militarizing Marriage historicizes how African servicemen advanced conjugal strategies with women at home and abroad. Sarah J. Zimmerman examines the evolution of women’s conjugal relationships with West African colonial soldiers to show how the sexuality, gender, and exploitation of women were fundamental to the violent colonial expansion and the everyday operation of colonial rule in modern French Empire.

These conjugal behaviors became military marital traditions that normalized the intimate manifestation of colonial power in social reproduction across the empire. Soldiers’ cross-colonial and interracial households formed at the intersection of race and sexuality outside the colonizer/colonized binary. Militarizing Marriage uses contemporary feminist scholarship on militarism and violence to portray how the subjugation of women was indispensable to military conquest and colonial rule.

[more]
cover of Military Intervention after the Cold War: The Evolution of Theory and Practice

Military Intervention after the Cold War

The Evolution of Theory and Practice

Andrea Kathryn Talentino

Ohio University Press, 2005

For hundreds of years military intervention was considered taboo and prohibited by international law. Since 1992, intervention has often been described as an international responsibility and efforts have been made to give it legal justification. This represents an extraordinary change in perceptions, and one that has taken place in only the space of a decade.

Military Intervention After the Cold War explores how and why this change took place, looking at how both ideas and actions changed in the post-Cold War period to make military intervention a tool of international security and a defining characteristic of the international system. Although it is often touted as a strategy to rebuild collapsed states, the examples of success are few and far between. Andrea Kathryn Talentino argues that standards of human rights and responsible governance have become part of the definition of international security. She addresses questions that are vital in the post-9/11 world, where weak and collapsed states are recognized as permissive and at times supportive environments for criminal actors.

The specter of terrorism has placed even greater emphasis on the need to understand why military intervention happens and how it could be more effective. With the news full of stories on intervention and nation-building, scholars, graduate and undergraduate students, and readers interested in understanding global interdependence will find Military Intervention After the Cold War an indispensable book.Andrea Kathryn Talentino is an assistant professor of international relations at Tulane University, New Orleans.The author of numerous articles on military intervention and post- conflict rebuilding, she is currently focusing on the link between nation-building and political violence.
[more]
cover of Military Power and Popular Protest: The U.S. Navy in Vieques, Puerto Rico

Military Power and Popular Protest

The U.S. Navy in Vieques, Puerto Rico

McCaffrey, Katherine T

Rutgers University Press, 2002

Residents of Vieques, a small island just off the east coast of Puerto Rico, live wedged between an ammunition depot and live bombing range for the U.S. Navy. Since the 1940s when the navy expropriated over two-thirds of the island, residents have struggled to make a life amid the thundering of bombs and rumbling of weaponry fire. Like the armys base in Okinawa, Japan, the facility has drawn vociferous protests from residents who challenged U.S. security interests overseas. In 1999, when a local civilian employee of the base was killed by a stray bomb, Vieques again erupted in protests that have mobilized tens of thousands individuals and transformed this tiny Caribbean Island into the setting for an international cause célèbre.

Katherine T. McCaffrey gives a complete analysis of the troubled relationship between the U.S. Navy and island residents. She explores such topics as the history of U.S. naval involvement in Vieques; a grassroots mobilizationled by fishermenthat began in the 1970s; how the navy promised to improve the lives of the island residentsand failed; and the present-day emergence of a revitalized political activism that has effectively challenged naval hegemony.

The case of Vieques brings to the fore a major concern within U.S. foreign policy that extends well beyond Puerto Rico: military bases overseas act as lightning rods for anti-American sentiment, thus threatening this countrys image and interests abroad. By analyzing this particular, conflicted relationship, the book also explores important lessons about colonialism and postcolonialism and the relationship of the United States to the countries in which it maintains military bases.

[more]
cover of Military Realism: The Logic and Limits of Force and Innovation in the U.S. Army

Military Realism

The Logic and Limits of Force and Innovation in the U.S. Army

Peter Campbell

University of Missouri Press, 2024

After the Vietnam War, the U.S. Army considered counterinsurgency (COIN) a mistake to be avoided. Many found it surprising, then, when setbacks in recent conflicts led the same army to adopt a COIN doctrine. Scholarly debates have primarily employed existing theories of military bureaucracy or culture to explain the army’s re-embrace of COIN, but Peter Campbell advances a unique argument centering on military realism to explain the complex evolution of army doctrinal thinking from 1960 to 2008.

In five case studies of U.S. Army doctrine, Campbell pits military realism against bureaucratic and cultural perspectives in three key areas—nuclear versus conventional warfare, preferences for offense versus defense, and COIN missions—and finds that the army has been more doctrinally flexible than those perspectives would predict. He demonstrates that decision makers, while vowing in the wake of Vietnam to avoid (COIN) missions, nonetheless found themselves adapting to the geopolitical realities of fighting “low intensity” conflicts. In essence, he demonstrates that pragmatism has won out over dogmatism. At a time when American policymakers remain similarly conflicted about future defense strategies, Campbell’s work will undoubtedly shape and guide the debate.
 
[more]
cover of Millay At 100: A Critical Reappraisal

Millay At 100

A Critical Reappraisal

Diane F. Freedman

Southern Illinois University Press, 1995

In this newest addition to Sandra M. Gilbert’ s Ad Feminam: Women and Literature series, Diane P. Freedman brings together twelve essays by critics of poetry and women’ s writing for a critical reappraisal of the prolific work of Edna St. Vincent Millay.



Though finding its occasion in the life of Millay— the centennial of the writer’ s birth— this volume refocuses attention on Millay’ s art by asking questions central to our present concerns: What in the varied body of Millay’ s work speaks to us most forcefully today? Which critical perspectives most illuminate her texts? How might those approaches be challenged, extended, or reoriented? In seeking the answers to such questions, the volume’ s contributors illuminate the means by which Millay’ s early success has been slighted and misunderstood and examine issues of personality, personae, critical stature, and formal experimentation in Millay’ s various genres: lyric poetry, the sonnet, verse drama, fiction, and the personal letter.



In 1920, following the publication of A Few Figs from Thistles, Millay was the "It girl" of American poetry. But by the late 1930s, her popularity waned as her critical reputation declined under the reign of high modernism and its critics. In fact, Millay, like others of her generation, had rejected modernist elitism in favor of public engagement, using her powerful public voice to plead for an end to the Sacco-Vanzetti trials as well as for U.S. entry into World War II. Condemned for both her politicizing and her political poetry, she was the first to admit that she and her poetry suffered in the service of public causes.



Grouped into four parts, these essays focus on Millay’ s relation to modernism, her revisionary perspectives on love, her treatment of time and of the female body, and her use of masquerade and impersonation in life and in art. Throughout, the essayists pose such questions as: Where is Millay’ s place in the literary histories of modern writing and in our hearts? How are we to value, interpret, and characterize the various forms and genres in which she wrote? What is the cultural work Millay achieves and reflects? How does she help us redefine modernism? What do Millay’ s great gifts enable us to see about genre, the social construction of gender, the definition of modernism, and the role of the poet?



Millay’ s considerable productivity, the range and virtues of her forms, and her experimentation clearly argue for a wide-ranging reappraisal of her work.

[more]
cover of Millenarian Vision, Capitalist Reality: Brazil’s Contestado Rebellion, 1912–1916

Millenarian Vision, Capitalist Reality

Brazil’s Contestado Rebellion, 1912–1916

Todd A. Diacon

Duke University Press, 1991

Why did a millenarian movement erupt in the Brazilian interior in 1912? Setting out to answer this deceptively simple question, Todd A. Diacon delivers a fascinating account of a culture in crisis.
Combining oral history with detailed archival research, Millenarian Vision, Capitalist Reality depicts a peasant community whose security in economic, social, and religious relations was suddenly disrupted by the intrusion of international capital. Diacon shows how a “deadly triumvirate” comprised to foreign capital, state power, and local bosses engineered a land tenure revolution that threatened smallholders’ subsistence, sparking rebellion among the Contestado peasants.
Unlike most analysis of millenarian movements, Diacon combines a material analysis with a careful exploration of the movement’s millenarian ideology to demonstrate how a particular combination of external and internal forces produced a crisis of values in the Contestado society. Such a crisis, Diacon concludes, gave a special power to the millenarian vision that promised not only outward reform, but inner salvation as well. This work offers a significant contribution to the literature of millenarian movements, popular religion, peasant rebellions, and the transition to capitalism in Brazil.
[more]
cover of Millennium Park: Creating a Chicago Landmark

Millennium Park

Creating a Chicago Landmark

Timothy J. Gilfoyle

University of Chicago Press, 2006

At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world. “Politicians come and go; business leaders come and go,” proclaimed mayor Richard M. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an unprecedented combination of distinctive architecture, monumental sculpture, and innovative landscaping. Including structures and works by Frank Gehry, Anish Kapoor, Jaume Plensa, and Kathryn Gustafson, the park represents the collaborative efforts of hundreds to turn an unused railroad yard in the heart of the city into a world-class civic space—and, in the process, to create an entirely new kind of cultural philanthropy.
        
Timothy Gilfoyle here offers a biography of this phenomenal undertaking, beginning before 1850 when the site of the park, the “city’s front yard,” was part of Lake Michigan. Gilfoyle studied the history of downtown; spent years with the planners, artists, and public officials behind Millennium Park; documented it at every stage of its construction; and traced the skeins of financing through municipal government, global corporations, private foundations, and wealthy civic leaders. The result is a thoroughly readable and lavishly illustrated testament to the park, the city, and all those attempting to think and act on a monumental scale. And underlying Gilfoyle’s history is also a revealing study of the globalization of art, the use of culture as an engine of economic expansion, and the nature of political and philanthropic power.

Born out of civic idealism, raised in political controversy, and maturing into a
symbol of the new Chicago, Millennium Park is truly a twenty-first-century
landmark, and it now has the history it deserves.
[more]
cover of Millicent Garrett Fawcett: Selected Writings

Millicent Garrett Fawcett

Selected Writings

Edited by Melissa Terras and Elizabeth Crawford

University College London, 2022

The first scholarly appraisal of suffragette Dame Millicent Garrett Fawcett in more than 30 years.

“Courage calls to courage everywhere” is the best-known phrase associated with Millicent Garrett Fawcett (1847–1929), the leading UK suffragist and women’s rights campaigner of the late nineteenth and early twentieth centuries. But what is the source of her quote, and what is its context?

This book reproduces Fawcett’s essential speeches, pamphlets, and newspaper columns to tell the story of her dynamic contribution to public life. Thirty-five texts and twenty-two images are contextualized and linked to contemporary news coverage as well as to historical and literary references. These speeches, articles, artworks, and photographs cover both the advances and the defeats in the campaign for women’s votes. They also demonstrate a variety of the topics and causes Fawcett pursued: the provision of education for women, feminist history, a love of literature (and Fawcett’s own attempt at fiction), purity and temperance, the campaign against the employment of children, the British Army’s approach to the South African War, the Unionist cause against Home Rule for Ireland, and the role of suffrage organizations during World War I. This volume offers a rich, intertextual web of literary works, preferred reading material, organizations, contacts, friends, and sometimes enemies, that reveals Fawcett the individual throughout sixty-one years of campaigning.
[more]
cover of Milton Babbitt: Words About Music

Milton Babbitt

Words About Music

Stephen Dembski

University of Wisconsin Press, 1987

Many consider Pulitzer Prize-winning composer Milton Babbitt to be the preeminent figure in post-World War II American music. Beyond the extraordinary power of his music, he is also, as he says, “somewhat known as a talker.” In fact, he is renowned as an energetic teacher and inspired lecturer.
    In 1983 at the University of Wisconsin–Madison, Babbitt presented a concise summary of his most essential musical insights in a series of lectures and seminars. These are gathered here, presenting for the first time in book form a comprehensive overview of the subjects that have formed the core of his teaching for the past forty years.
    Babbitt’s central concern in these lectures is the twelve-tone tradition with which he is so closely identified. His discussion of this tradition ranges from close consideration of specific compositional problems to frank evaluation of his own position in that tradition. In his characteristically penetrating way, Babbitt discusses the most controversial issues in twentieth-century music, from serialism and atonality to the responsibility of the listener and the place of music in the university.
    Until now, few have had direct exposure to Babbitt’s ideas. In Madison, he spoke to a variety of audiences and, because of the pedagogical context, his presentation was direct and explanatory. This volume preserves the dazzling constructions and spontaneous excitement of his spoken language.
    At the time of publication, Milton Babbitt was William Shubael Conant Professor of Music Emeritus at Princeton University. He has been showered with awards during his long and distinguished career, including the Pulitzer Prize (1982) and a prestigious MacArthur Fellowship (1986). He was a member of the National Institute of Arts and Letters and a Fellow of the American Academy of Arts and Sciences.
[more]
cover of Milton Friedman and Economic Debate in the United States, 1932–1972, Volume 1

Milton Friedman and Economic Debate in the United States, 1932–1972, Volume 1

Edward Nelson

University of Chicago Press, 2020

Milton Friedman is widely recognized as one of the most influential economists of the twentieth century. Yet no previous study has distilled Friedman’s vast body of writings into an authoritative account of his research, his policy views, and his interventions in public debate. With this ambitious new work, Edward Nelson closes the gap: Milton Friedman and Economic Debate in the United States is the defining narrative on the famed economist, the first to grapple comprehensively with Friedman’s research output, economic framework, and legacy.

This two-volume account provides a foundational introduction to Friedman’s role in several major economic debates that took place in the United States between 1932 and 1972. The first volume, which takes the story through 1960, covers the period in which Friedman began and developed his research on monetary policy. It traces Friedman’s thinking from his professional beginnings in the 1930s as a combative young microeconomist, to his wartime years on the staff of the US Treasury, and his emergence in the postwar period as a leading proponent of monetary policy. The second volume covers the years between 1960 and 1972— years that saw the publication of Friedman and Anna Schwartz’s Monetary History of the United States. The book also covers Friedman’s involvement in a number of debates in the 1960s and 1970s, on topics such as unemployment, inflation, consumer protection, and the environment.

As a fellow monetary economist, Nelson writes from a unique vantage point, drawing on both his own expertise in monetary analysis and his deep familiarity with Friedman’s writings. Using extensive documentation, the book weaves together Friedman’s research contributions and his engagement in public debate, providing an unparalleled analysis of Friedman’s views on the economic developments of his day.
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cover of Milton Friedman and Economic Debate in the United States, 1932–1972, Volume 2

Milton Friedman and Economic Debate in the United States, 1932–1972, Volume 2

Edward Nelson

University of Chicago Press, 2020

Milton Friedman is widely recognized as one of the most influential economists of the twentieth century. Yet no previous study has distilled Friedman’s vast body of writings into an authoritative account of his research, his policy views, and his interventions in public debate. With this ambitious new work, Edward Nelson closes the gap: Milton Friedman and Economic Debate in the United States is the defining narrative on the famed economist, the first to grapple comprehensively with Friedman’s research output, economic framework, and legacy.

This two-volume account provides a foundational introduction to Friedman’s role in several major economic debates that took place in the United States between 1932 and 1972. The first volume, which takes the story through 1960, covers the period in which Friedman began and developed his research on monetary policy. It traces Friedman’s thinking from his professional beginnings in the 1930s as a combative young microeconomist, to his wartime years on the staff of the US Treasury, and his emergence in the postwar period as a leading proponent of monetary policy. The second volume covers the years between 1960 and 1972— years that saw the publication of Friedman and Anna Schwartz’s Monetary History of the United States. The book also covers Friedman’s involvement in a number of debates in the 1960s and 1970s, on topics such as unemployment, inflation, consumer protection, and the environment.

As a fellow monetary economist, Nelson writes from a unique vantage point, drawing on both his own expertise in monetary analysis and his deep familiarity with Friedman’s writings. Using extensive documentation, the book weaves together Friedman’s research contributions and his engagement in public debate, providing an unparalleled analysis of Friedman’s views on the economic developments of his day.
[more]
cover of Milwaukee in the 1930s: A Federal Writers Project City Guide

Milwaukee in the 1930s

A Federal Writers Project City Guide

John D. Buenker

Wisconsin Historical Society Press, 2016

What would it be like to take an intensive tour of Milwaukee as it was during the late 1930s—at the confluence of the Great Depression, the New Deal, and the run-up to World War II? That is precisely what the participants in the Federal Writers Project did while researching their Guide to Milwaukee. The fruits of their labors were ready for publication by 1940, but for a number of reasons the finished product never saw the light of day—until now.

Fortunately, the manuscript has been carefully preserved in the Wisconsin Historical Society Archives

. Seventy-five years after the work’s completion, the Wisconsin Historical Society Press and historian John D. Buenker present this guide—now serving as a time machine, ready to transport readers back to the Milwaukee of the 1930s, neighborhood by neighborhood, building by building. Much more than a nostalgic snapshot, the book examines Milwaukee’s history from its earliest days to 1940.

Buenker’s thoughtful introduction provides historical context, detailing the FWP’s development of this guide, as well as Milwaukee’s political climate leading up to, and during, the 1930s. Next, essays on thirteen "areas," ranging from Civic Center to Bay View, delve deeper into the geography, economy, and culture of old Milwaukee’s neighborhoods, and simulated auto tours take readers to locales still familiar today, exploring the city’s most celebrated landmarks and institutions. With a calendar of annual events and a list of public services and institutions, plus dozens of photographs from the era, Milwaukee in the 1930s provides a unique record of a pre–World War II American city.

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cover of Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism

Mimetic Disillusion

Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism

Anne Fleche

University of Alabama Press, 1997

Reimagining American dramatic realism through the lenses of mimesis, theory, and theatrical innovation.

This volume focuses on two major writers of the 1930s and 1940s—Eugene O'Neill and Tennessee Williams—one whose writing career was just ending and the other whose career was just beginning. In new readings of their major works from this period, Long Day's Journey into Night, The Iceman Cometh, The Glass Menagerie, and A Streetcar Named Desire, Fleche develops connections to the writings of Jacques Derrida, Paul de Man, and Michel Foucault, among others, and discusses poststructuralism in the light of modern writers such as Bertolt Brecht, Antonin Artaud, and Walter Benjamin. Fleche also extends this discussion to the work of two contemporary playwrights, Adrienne Kennedy and Tony Kushner. The aim of Mimetic Disillusion is not to reject "mimetic" and "realistic" readings but to explore the rich complexities of these two ideas and the fruit of their ongoing relevance to U.S. theatre.
 

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cover of Minding the Helm: An Unlikely Career in the U.S. Coast Guard

Minding the Helm

An Unlikely Career in the U.S. Coast Guard

Kevin P. Gilheany

University of North Texas Press, 2019

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cover of Minding the South

Minding the South

John Shelton Reed

University of Missouri Press, 2003

You're in the American South now, a proud region with a distinctive history and culture. A place that echoes with names like Thomas Jefferson and Robert E. Lee, Scarlett O'Hara and Uncle Remus, Martin Luther King and William Faulkner, Billy Graham, Mahalia Jackson, Muhammad Ali, Elvis Presley. Home of the country blues and country music, bluegrass and Dixieland jazz, gospel music and rock and roll. Where menus offer both down-home biscuits and gravy and uptown shrimp and grits. Where churches preach against "cigarettes, whiskey, and wild, wild women" (all Southern products) and where American football is a religion.

For more than thirty years John Shelton Reed has been “minding” the South—watching over it, providing commentary upon it. He is the author or editor of thirteen books about the South, and despite his disclaimer regarding formal study of Southern history, Reed has read widely and in depth about the South. His primary focus is upon Southerners’ present-day culture and consciousness, but he knows that one must approach the South historically in order to understand the place and its people.

Why is the South so different from the rest of the country? Rupert Vance, Reed’s predecessor in sociology at Chapel Hill, once observed that the very existence of the South is a triumph of history over geography and economics. The South has resisted being assimilated by the larger United States and has kept a personality that is distinctly its own.
That is why Reed celebrates the South. His essays cover everything from great thinkers about the South—Eugene D. Genovese, C. Vann Woodward, M. E. Bradford—to the uniqueness of a region that was once a hotbed of racism, but has recently attracted hundreds of thousands of blacks transplanted from the North. There are even a few chapters about Southerners who have devoted their talents to different subjects altogether, from politics or soft drinks to rock and roll or the design of silver jewelry. Reed writes with wit and Southern charm, never afraid to speak his mind, even when it comes to taking his beloved South to task. While readers may not share all his opinions, most will agree that John Shelton Reed is one of the best “South watchers” there is.
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