22279 books match the query 'Social Science' and 1258 start with m

cover of Matters of Life and Death: Moral Responsibility, Care, and Dignity in Dying

Matters of Life and Death

Moral Responsibility, Care, and Dignity in Dying

Stephanie O'Connor

Haus Publishing, 2026

A thoughtful examination of dignity at the end of life and the ethical limits of choice in modern medicine.

For most of human history, death was shaped by circumstance, custom, and human presence. Today, it is increasingly mediated by medicine, law, and the language of choice. Our expanding capacity to prolong life and manage dying has outstripped the moral habits that once helped us make sense of such moments. What confronts us now is not only the question of what may be done, or what is permitted, but also how moral responsibility is borne when knowledge is partial and responsibility is dispersed.

Resisting moral certainty and procedural comfort, Stephanie O’Connor considers what is revealed and obscured when complex situations are reduced to questions of choice or rights alone. Considering dignity as a guiding moral concern at the limits of life, and drawing on healthcare ethics, case law, and contemporary debates—including those surrounding assisted dying and artificial intelligence—this book examines how decisions made under conditions of vulnerability are shaped not only by autonomy and consent, but also by dependence, unequal power, and institutional practice. Acutely attentive to the tensions that exist between compassion and restraint, as well as personal agency and shared responsibility, O’Connor does not propose solutions or offer moral closure. Instead, she asks what is owed: to those whose lives are ending, to those who care for them, and to the fragile shared moral life that binds personal decisions to their public consequences.

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cover of Mature Audiences: Television in the Lives of Elders

Mature Audiences

Television in the Lives of Elders

Karen E. Riggs

Rutgers University Press, 1998

A medium in which Dawson's Creek is displacing the "aging" Beverly Hills 90210 and Melrose Place has little room for older Americans. Mass communications professor Riggs studies the other side of the television screen: "creative ways in which older Americans are using television today." Her book gathers several ethnographic studies: on older women's reaction to Murder, She Wrote; on the vital place of C-SPAN, PBS, and other nontraditional fiction and nonfiction TV among the upper-class residents of a midwestern retirement community; on involvement in public-access television by older Milwaukee African Americans; and on ways minority and immigrant elders interacted with TV. Americans, Riggs notes, "have linked television viewing among the aged with deadly passivity, hinting that elders who spend hours each day with the tube have ceded over their lives." In fact, she argues, elders from different classes, genders, races, and social circumstances choose the shows they watch deliberately and thoughtfully and as a key element in their interaction with the world around them.
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cover of Maturing Masculinities: Aging, Chronic Illness, and Viagra in Mexico

Maturing Masculinities

Aging, Chronic Illness, and Viagra in Mexico

Emily A. Wentzell

Duke University Press, 2013

Maturing Masculinities is a nuanced exploration of how older men in urban Mexico incorporate aging, chronic illness, changing social relationships, and decreasing erectile function into their conceptions of themselves as men. It is based on interviews that Emily A. Wentzell conducted with more than 250 male patients in the urology clinic of a government-run hospital in Cuernavaca. Drawing on science studies, medical anthropology, and gender theory, Wentzell suggests the idea of "composite masculinities" as a paradigm for understanding how men incorporate physical and social change into gendered selfhoods.

Erectile dysfunction treatments like Viagra are popular in Mexico, where stereotypes of men as sex-obsessed "machos" persist. However, most of the men Wentzell interviewed saw erectile difficulty as a chance to demonstrate difference from this stereotype. Rather than using drugs to continue youthful sex lives, many collaborated with wives and physicians to frame erectile difficulty as a prompt to embody age-appropriate, mature masculinities.

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cover of Mau Mau From Below: Eastern African Studies

Mau Mau From Below

Eastern African Studies

Greet Kershaw

Ohio University Press, 1996

John Lonsdale says in his introduction:

“This is the oral evidence of the Kikuyu villagers with whom Greet Kershaw lived as an aid worker during the Mau Mau ‘Emergency’ in the 1950s, and which is now totally irrecoverable in any form save in her own field notes.

Professor Kershaw has uncovered long local histories of social tension which could have been revealed by no other means than patient enquiry, of both her neighbour’s memory and government archives…

Nobody, whether Kikuyu participant, Kenyan or European scholar, has provided such startlingly authoritative ethnographic insights into the values, fears and expectations of Kikuyu society and thus of the motivation of Kikuyu action…

Her data suggests, as other scholars have also accepted, that there never was a single such movement and that none of its members, even those who supposed themselves to be its leaders, ever saw it whole, not because they did not have a political aim, but because that agenda was contested within different political circles over which they had no control and of which they may scarcely have had any knowledge.

And why is this finding important? It is because others, including almost all the movement’s enemies, did see Mau Mau whole in order to try to comprehend it, a first step towards defeating it.”

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cover of Mau Mau and Nationhood: Arms, Authority, and Narration

Mau Mau and Nationhood

Arms, Authority, and Narration

E. S. Atieno Odhiambo

Ohio University Press, 2003

Fifty years after the declaration of the state of emergency, Mau Mau still excites argument and controversy, not least in Kenya itself. Mau Mau and Nationhood is a collection of essays providing the most recent thinking on the uprising and its aftermath.

The work of well-established scholars as well as of young researchers with fresh perspectives, Mau Mau and Nationhood achieves a multilayered analysis of a subject of enduring interest. According to Terence Ranger, Emeritus Rhodes Professor, Oxford, “In some ways the historiography of Mau Mau is a supreme example not only of ambiguity and complexity, but also of redemption of a topic once thought incapable of rational analysis.”

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cover of Mau Mau’s Children: The Making of Kenya’s Postcolonial Elite

Mau Mau’s Children

The Making of Kenya’s Postcolonial Elite

David P. Sandgren; Foreword by Thomas Spear

University of Wisconsin Press, 2012

In 1963 David P. Sandgren went to Kenya to teach in a small, rural school for boys, where he remained for the next four years. These were heady times for Kenyans, as the nation gained its independence, approved a new constitution, and held its first elections. In the school where Sandgren taught, the sons of Gikuyu farmers rose to the challenges of this post colonial era and, in time, entered Kenyan society as adults, joining Kenya’s first generation of post colonial elites.
    In Mau Mau’s Children, Sandgren has reconnects with these former students. Drawing on more than one hundred interviews, he provides readers with a collective biography of the lives of Kenya’s first postcolonial elite, stretching from their 1940s childhood to the peak of their careers in the 1990s. Through these interviews, Mau Mau’s Children shows the trauma of growing up during the Mau Mau Rebellion, the nature of nationalism in Kenya, the new generational conflicts arising, and the significance of education and Gikuyu ethnicity on his students' path to success.

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cover of Mavericks of Style: The Seventies in Color

Mavericks of Style

The Seventies in Color

Uri McMillan

Duke University Press, 2025

In Mavericks of Style, Uri McMillan tells the story of New York City’s downtown art and fashion scene of the 1970s through the lives and careers of experimental Black and Brown artists. McMillan focuses on model and musician Grace Jones, fashion illustrator Antonio Lopez, fashion designer Stephen Burrows, and their orbit of friends, showing how they restlessly moved across genres and disciplines, transgressing boundaries between the commercial and the avant-garde. Bypassing the exclusive art world and cultivating uniquely personal styles, these artists thrived on friendship and collaboration in their experimental use of bold color, gold lamé, and Instamatic photography. McMillan transports readers to the spaces Jones, Lopez, and Burrows frequented and worked in, from hair salons, nondescript artist studios, and buzzy boutiques to funky discos and high fashion runways. By foregrounding their impact on the decade’s aesthetics, McMillan complicates and expands the understanding of these artists, offering a new vision of New York’s art world in sultry, bombastic color.
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cover of Mavericks, Money, and Men: The AFL, Black Players, and the Evolution of Modern Football

Mavericks, Money, and Men

The AFL, Black Players, and the Evolution of Modern Football

Charles Ross

Temple University Press, 2016

The American Football League, established in 1960, was innovative both in its commitment to finding talented, overlooked players—particularly those who played for historically black colleges and universities—and in the decision by team owners to share television revenues. 

In Mavericks, Money and Men, football historian Charles Ross chronicles the AFL’s key events,  including Buck Buchanan becoming the first overall draft pick in 1963, and the 1965 boycott led by black players who refused to play in the AFL-All Star game after experiencing blatant racism. He also recounts how the success of the AFL forced a merger with the NFL in 1969, which arguably facilitated the evolution of modern professional football.

Ross shows how the league, originally created as a challenge to the dominance of the NFL, pressured for and ultimately accelerated the racial integration of pro football and also allowed the sport to adapt to how African Americans were themselves changing the game.

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cover of Max Brand: Western Giant: The Life and Times of Frederick Schiller Faust

Max Brand

Western Giant: The Life and Times of Frederick Schiller Faust

William F. Nolan

University of Wisconsin Press, 1985

Called the King of the Pulps, Frederick Schiller Faust, aka Max Brand, wrote nearly 400 Westerns from The Untamed to Destry Rides Again—a total of more than 220 books in this genre. Yet Max Brand also created Dr. Kildare (of books, films, and television) and wrote under twenty-one pseudonyms, in another dozen genres. This book removes the mask, with deeply personal memoirs from family, friends and fellow writers, taking us through his orphaned boyhood on the brutal ranches of California, his frustrating decades in Italy, as both a classical poet and a fast-action pulpist, to his heroic death as a war correspondent on the World War II battlefields. Faust’s life story is augmented by a complete bibliography of his work—over a thousand books, stories, and films—plus the first listing of works about Faust.
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cover of Max Weber's Comparative-Historical Sociology

Max Weber's Comparative-Historical Sociology

Stephen Kalberg

University of Chicago Press, 1994

The revival of historical sociology in recent decades has largely neglected the contributions of Max Weber. Yet Weber's writings offer a fundamental resource for analyzing problems of comparative historical development. Stephen Kalberg rejects the view that Weber's historical writings consist of an ambiguous mixture of fragmented ideal types on the one hand and the charting of vast processes of rationalization and bureaucracy on the other. On the contrary, Weber's substantive work offers a coherent and distinctive model for comparative analysis. A reconstruction of Weber's comparative historical method, Kalberg argues, uncovers a sophisticated outlook that addresses problems of agency and structure, multiple causation, and institutional interpretation. Kalberg shows how such a representation of Weber's work casts a direct light upon issues of pressing importance in comparative historical studies today. Weber addresses in a forceful way the whole range of issues confronted by the comparative historical enterprise. Once the full analytical and empirical power of Weber's historical writings becomes clear, Weber's work can be seen to generate procedures and strategies appropriate to the study of present day as well as past social processes. Written in an accessible and engaging fashion, this book will appeal to students and professionals in the areas of sociology, anthropology, and comparative history.
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cover of Max Weber: An Intellectual Biography

Max Weber

An Intellectual Biography

Fritz Ringer

University of Chicago Press, 2004

Max Weber was one of the most influential and creative intellectual forces of the twentieth century. In his methodology of the social sciences, he both exposed the flaws and solidified the foundations of the German historical tradition. Throughout his life, he saw bureaucracy as a serious obstacle to cultural vitality but as an inescapable part of organizational rationality. And in his most famous essay, on the Protestant ethic, he uncovered the psychological underpinnings of capitalism and modern occupational life.

This searching work offers the first comprehensive introduction to Weber's thought for students and newcomers. Fritz Ringer locates Weber in his historical context, relating his ideas to the controversies and politics of his day. Ringer also considers the importance of Weber to contemporary life, discussing his insights into the limits of scholarly research and the future of Western capitalist societies. Weber, Ringer reminds us, believed in democracy, liberalism, and fundamental human rights; his ethic of responsibility remains as vital to our historical moment as it was to his own.

A concise and incisive look at the man and personality behind the thought, Max Weber is a masterful outing in intellectual biography and social theory.
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cover of Max Weber: An Introduction to His Life and Work

Max Weber

An Introduction to His Life and Work

Dirk Käsler

University of Chicago Press, 1988

Max Weber: An Introduction to His Life and Work has established itself as the standard short introduction in German to the work of Max Weber, and appears here for the first time in English translation. Sociologist Dirk Käsler has a profound sense of Weber's writings, yet manages to make Weber's ideas accessible to the beginner.

Käsler offers a comprehensive account of Weber's views, giving attention both to the context in which Weber produced his most significant contributions to social science, and to the changes involved in his work over the course of his career. This volume also serves as an introduction to the controversies that Weber's writings have stimulated, from the time of their first appearance to the present day.

This book will be of vital interest to anyone concerned with Max Weber and will undoubtedly become the leading student text on Weber in the English-speaking world.
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cover of Maximum Security: The Culture of Violence in Inner-City Schools

Maximum Security

The Culture of Violence in Inner-City Schools

John Devine

University of Chicago Press, 1996

Escalations in student violence continue throughout the nation, but inner-city schools are the hardest hit, with classrooms and corridors infected by the anger, aggression, and criminality endemic to street life. Technological surveillance, security personnel, and paramilitary control tactics to maintain order and safety are the common administrative response. Essential educational programs are routinely slashed from school budgets, even as the number of guards, cameras, and metal detectors continues to multiply.

Based on years of frontline experience in New York's inner-city schools, Maximum Security demonstrates that such policing strategies are not only ineffectual, they divorce students and teachers from their ethical and behavioral responsibilities. Exploring the culture of violence from within, John Devine argues that the security system, with its uniformed officers and invasive high-tech surveillance, has assumed presumptive authority over students' bodies and behavior, negating the traditional roles of teachers as guardians and agents of moral instruction. The teacher is reduced to an information bureaucrat, a purveyor of technical knowledge, while the student's physical well-being and ethical actions are left to the suspect scrutiny of electronic devices and security specialists with no pedagogical mission, training, or interest. The result is not a security system at all, but an insidious institutional disengagement from the caring supervision of the student body.

With uncompromising honesty, Devine provides a powerful portrayal of an educational system in crisis and bold new insight into the malignant culture of school violence.
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cover of Maxwell Street: Writing and Thinking Place

Maxwell Street

Writing and Thinking Place

Tim Cresswell

University of Chicago Press, 2019

What is the nature of place, and how does one undertake to write about it? To answer these questions, geographer and poet Tim Cresswell looks to Chicago’s iconic Maxwell Street Market area. Maxwell Street was for decades a place where people from all corners of the city mingled to buy and sell goods, play and listen to the blues, and encounter new foods and cultures. Now, redeveloped and renamed University Village, it could hardly be more different.
 
In Maxwell Street, Cresswell advocates approaching the study of place as an “assemblage” of things, meanings, and practices. He models this innovative approach through a montage format that exposes the different types of texts—primary, secondary, and photographic sources—that have attempted to capture the essence of the area. Cresswell studies his historical sources just as he explores the different elements of Maxwell Street—exposing them layer by layer. Brilliantly interweaving words and images, Maxwell Street sheds light on a historic Chicago neighborhood and offers a new model for how to write about place that will interest anyone in the fields of geography, urban studies, or cultural history.
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cover of May Irwin: Singing, Shouting, and the Shadow of Minstrelsy

May Irwin

Singing, Shouting, and the Shadow of Minstrelsy

Sharon Ammen

University of Illinois Press, 2017

May Irwin reigned as America's queen of comedy and song from the 1880s through the 1920s. A genuine pop culture phenomenon, Irwin conquered the legitimate stage, composed song lyrics, and parlayed her celebrity into success as a cookbook author, suffragette, and real estate mogul.
 
Sharon Ammen's in-depth study traces Irwin's hurly-burly life. Irwin gained fame when, layering aspects of minstrelsy over ragtime, she popularized a racist "Negro song" genre. Ammen examines this forgotten music, the society it both reflected and entertained, and the ways white and black audiences received Irwin's performances. She also delves into Irwin's hands-on management of her image and career, revealing how Irwin carefully built a public persona as a nurturing housewife whose maternal skills and performing acumen reinforced one another. Irwin's act, soaked in racist song and humor, built a fortune she never relinquished. Yet her career's legacy led to a posthumous obscurity as the nation that once adored her evolved and changed.
 
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cover of Maya Achi Marimba Music In Guatemala

Maya Achi Marimba Music In Guatemala

Sergio Navarrete Pellicer

Temple University Press, 2005

For the Achi, one of the several Mayan ethnic groups indigenous to Guatemala, the music of the marimba serves not only as a form of entertainment but also as a form of communication, a vehicle for memory, and an articulation of cultural identity. Sergio Navarrete Pellicer examines the marimba tradition—the confluence of African musical influences, Spanish colonial power, and Indian ethnic assimilation—as a driving force in the dynamics of cultural continuity and change in Rabinal, the heart of Achi culture and society. By examining the performance and consumption of marimba music as essential parts of a system of social interaction, religious practice, and ethnic identification, Navarrete Pellicer reveals how the strains of the marimba resonate with the spiritual yearnings and cultural negotiations of the Achi as they try to come to terms with the violence and economic hardship wrought by their colonial past.
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cover of Maya Archaeology and Ethnohistory

Maya Archaeology and Ethnohistory

Edited by Norman Hammond and Gordon R. Willey

University of Texas Press, 1979

Embracing a wide range of research, this book offers various views on the intellectual history of Maya archaeology and ethnohistory and the processes operating in the rise and fall of Maya civilization.

The fourteen studies were selected from those presented at the Second Cambridge Symposium on Recent Research in Mesoamerican Archaeology and are presented in three major sections.

The first of these deals with the application of theory, both anthropological and historical, to the great civilization of the Classic Maya, which flourished in the Yucatan, Guatemala, and Belize during the first millennium A.D. The structural remains of the Classic Period have impressed travelers and archaeologists for over a century, and aspects of the development and decline of this strange and brilliant tropical forest culture are examined here in the light of archaeological research.

The second section presents the results of field research ranging from the Highlands of Mexico east to Honduras and north into the Lowland heart of Maya civilization, and iconographic study of excavated material.

The third section covers the ethnohistoric approach to archaeology, the conjunction of material and documentary evidence. Early European documents are used to illuminate historic Maya culture. This section includes transcriptions of previously unpublished archival material.

Although not formally linked beyond their common field of inquiry, the essays here offer a conspectus of late-twentieth century Maya research and a series of case histories of the work of some of the leading scholars in the field.

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cover of Maya Blue: Unlocking the Mysteries of an Ancient Pigment

Maya Blue

Unlocking the Mysteries of an Ancient Pigment

Dean E. Arnold

University Press of Colorado, 2025

One of the great technological achievements of the ancient Maya, Maya Blue is one the world’s most unusual ancient pigments. In Maya Blue, Dean E. Arnold offers a comprehensive history of its study for almost a century, filled with personal anecdotes drawn from his decades of work uncovering the Maya knowledge of its constituents, its ancient sources, and how it was made—including previously unknown methods. The book presents a fresh holistic perspective that documents these discoveries and the scientific process that led to them and provides testable hypotheses about how the pigment and the technology used to make it moved throughout Mesoamerica.
 
Combining the organic dye indigo and the inorganic clay mineral palygorskite in a highly stable chemical hybrid that, unlike indigo, resists attacks by acids, alkalines, and organic solvents and endures without fading, Maya Blue has a rich blue color that has survived for centuries in one of the world’s harshest climates. First used at the site of Calakmul in the tropical forest of southern Mexico during the Late Preclassic period, the Maya’s abiding hue diffused across Mesoamerica over a period of 1,700 years. It appears on Maya pottery, sculpture, murals, and codices and carries multiple meanings, standing as a symbol for cultural cornerstones such as sacrifice and the rain god Chaak. It was discovered in 1931 at Chichén Itzá, and its composition was a mystery for more than three decades, then questions about its source, how and why it achieved such stability, and how and why the Maya made the pigment persisted even longer.
 
In Maya Blue, Arnold summarizes ethnographic, archaeological, chemical, and material science research over the last century from an anthropological perspective. This thorough, engaging, and accessible book chronicles the history of this pigment as no work has done before.
 
 
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cover of Maya Bonesetters: Manual Healers in a Changing Guatemala

Maya Bonesetters

Manual Healers in a Changing Guatemala

By Servando Z. Hinojosa; Illustrations by Servando G. Hinojosa

University of Texas Press, 2020

Scholarship on Maya healing traditions has focused primarily on the roles of midwives, shamans, herbalists, and diviners. Bonesetters, on the other hand, have been largely excluded from conversations about traditional health practitioners and community health resources. Maya Bonesetters is the first book-length study of bonesetting in Guatemala and situates the manual healing tradition within the current cultural context—one in which a changing medical landscape potentially threatens bonesetters’ work yet presents an opportunity to strengthen its relevance.

Drawing on extensive field research in highland Guatemala, Servando Z. Hinojosa introduces readers to a seldom documented, though nonetheless widespread, variety of healer. This book examines the work of Kaqchikel and Tz’utujiil Maya bonesetters, analyzes how they diagnose and treat injuries, and contrasts the empirical and sacred approaches of various healers. Hinojosa shows how bonesetters are carefully adapting certain biomedical technologies to meet local expectations for care and concludes that, despite pressures and criticisms from the biomedical community, bonesetting remains culturally meaningful and vital to Maya people, even if its future remains uncertain.

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cover of Maya Calendar Origins: Monuments, Mythistory, and the Materialization of Time

Maya Calendar Origins

Monuments, Mythistory, and the Materialization of Time

By Prudence M. Rice

University of Texas Press, 2007

In Maya Political Science: Time, Astronomy, and the Cosmos, Prudence M. Rice proposed a new model of Maya political organization in which geopolitical seats of power rotated according to a 256-year calendar cycle known as the May. This fundamental connection between timekeeping and Maya political organization sparked Rice's interest in the origins of the two major calendars used by the ancient lowland Maya, one 260 days long, and the other having 365 days. In Maya Calendar Origins, she presents a provocative new thesis about the origins and development of the calendrical system.

Integrating data from anthropology, archaeology, art history, astronomy, ethnohistory, myth, and linguistics, Rice argues that the Maya calendars developed about a millennium earlier than commonly thought, around 1200 BC, as an outgrowth of observations of the natural phenomena that scheduled the movements of late Archaic hunter-gatherer-collectors throughout what became Mesoamerica. She asserts that an understanding of the cycles of weather and celestial movements became the basis of power for early rulers, who could thereby claim "control" over supernatural cosmic forces. Rice shows how time became materialized—transformed into status objects such as monuments that encoded calendrical or temporal concerns—as well as politicized, becoming the foundation for societal order, political legitimization, and wealth. Rice's research also sheds new light on the origins of the Popol Vuh, which, Rice believes, encodes the history of the development of the Mesoamerican calendars. She also explores the connections between the Maya and early Olmec and Izapan cultures in the Isthmian region, who shared with the Maya the cosmovision and ideology incorporated into the calendrical systems.

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cover of Maya Creation Myths: Words and Worlds of the Chilam Balam

Maya Creation Myths

Words and Worlds of the Chilam Balam

Timothy Knowlton

University Press of Colorado, 2010

There is no Classical Yucatecan Maya word for "myth." But around the close of the seventeenth century, an anonymous Maya scribe penned what he called u kahlay cab tu kinil, "the world history of the era," before Christianity came to the Peten. He collected numerous accounts of the cyclical destruction and reestablishment of the cosmos; the origins of gods, human beings, and the rituals and activities upon which their relationship depends; and finally the dawn of the sun and the sacred calendar Maya diviners still use today to make sense of humanity's place in the otherwise inscrutable march of time. These creation myths eventually became part of the documents known today as the Books of Chilam Balam.

Maya Creation Myths provides not only new and outstanding translations of these myths but also an interpretive journey through these often misunderstood texts, providing insight into Maya cosmology and how Maya intellectuals met the challenge of the European clergy's attempts to eradicate their worldviews. Unlike many scholars who focus primarily on traces of pre-Hispanic culture or Christian influence within the Books of Chilam Balam, Knowlton emphasizes the diversity of Maya mythic traditions and the uniquely Maya discursive strategies that emerged in the Colonial period.

This book will be of significant interest to Maya scholars, folklorists, and historians, as well as students and scholars of religion, cosmology, and anthropology.

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cover of Maya Cultural Activism in Guatemala

Maya Cultural Activism in Guatemala

Edited by Edward F. Fischer and R. McKenna Brown

University of Texas Press, 1996

Maya Cultural Activism in Guatemala marks a new era in Guatemalan studies by offering an up-to-the-minute look at the pan-Maya movement and the future of the Maya people as they struggle to regain control over their cultural destiny. The successful emergence of what is in some senses a nationalism grounded in ethnicity and language has challenged scholars to reconsider their concepts of nationalism, community, and identity.

Editors Edward F. Fischer and R. McKenna Brown have brought together essays by virtually all the leading U.S. experts on contemporary Maya communities and the top Maya scholars working in Guatemala today. Supplementing scholarly analysis of Mayan cultural activism is a position statement originating within the movement and more wide-ranging and personal reflections by anthropologists and linguists who have worked with the Maya over the years. Among the broader issues that come in for examination are the complex relations between U.S. Mayanists and the Mayan cultural movement, efforts to promote literacy in Mayan languages, the significance of woven textiles and native dress, the relations between language and national identity, and the cultural meanings that the present-day Maya have encountered in ancient Mayan texts and hieroglyphic writing.

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cover of Maya Daykeeping: Three Calendars from Highland Guatemala

Maya Daykeeping

Three Calendars from Highland Guatemala

John M. Weeks

University Press of Colorado, 2009

In Maya Daykeeping, three divinatory calendars from highland Guatemala - examples of a Mayan literary tradition that includes the Popul Vuh, Annals of the Cakchiquels, and the Titles of the Lords of Totonicapan - dating to 1685, 1722, and 1855, are transcribed in K'iche or Kaqchikel side-by-side with English translations. Calendars such as these continue to be the basis for prognostication, determining everything from the time for planting and harvest to foreshadowing illness and death. Good, bad, and mixed fates can all be found in these examples of the solar calendar and the 260-day divinatory calendar.

The use of such calendars is mentioned in historical and ethnographic works, but very few examples are known to exist. Each of the three calendars transcribed and translated by John M. Weeks, Frauke Sachse, and Christian M. Prager - and housed at the University of Pennsylvania Museum of Archaeology and Anthropology - is unique in structure and content. Moreover, except for an unpublished study of the 1722 calendar by Rudolf Schuller and Oliver La Farge (1934), these little-known works appear to have escaped the attention of most scholars. Introductory essays contextualize each document in time and space, and a series of appendixes present previously unpublished calendrical notes assembled in the early twentieth century.

Providing considerable information on the divinatory use of calendars in colonial highland Maya society previously unavailable without a visit to the University of Pennsylvania's archives, Maya Daykeeping is an invaluable primary resource for Maya scholars. Mesoamerican Worlds Series

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cover of Maya Diaspora: Guatemalan Roots, New American Lives

Maya Diaspora

Guatemalan Roots, New American Lives

edited by James Loucky and Marilyn M. Moors

Temple University Press, 2000

Maya people have lived for thousands of years in the mountains and forests of Guatemala, but they lost control of their land, becoming serfs and refugees, when the Spanish invaded in the sixteenth century. Under the Spanish and the Guatemalan non-Indian elites, they suffered enforced poverty as a resident source of cheap labor for non-Maya projects, particularly agriculture production. Following the CIA-induced coup that toppled Guatemala's elected government in 1954, their misery was exacerbated by government accommodation to United States "interests," which promoted crops for export and reinforced the need for cheap and passive labor.

This widespread poverty was endemic throughout northwestern Guatemala, where 80 percent of Maya children were chronically malnourished, and forced wide-scale migration to the Pacific coast. The self-help aid that flowed into the area in the 1960s and 1970s raised hopes for justice and equity that were brutally suppressed by Guatemala's military government. This military reprisal led to a massive diaspora of Maya throughout Canada, the United States, Mexico, and Central America.

This collection describes that process and the results. The chapters show the dangers and problems of the migratory/refugee process and the range of creative cultural adaptations that the Maya have developed. It provides the first comparative view of the formation and transformation of this new and expanding transnational population, presented from the standpoint of the migrants themselves as well as from a societal and international perspective. Together, the chapters furnish ethnographically grounded perspectives on the dynamic implications of uprooting and resettlement, social and psychological adjustment, long-term prospects for continued links to migration history from Guatemala, and the development of a sense of co-ethnicity with other indigenous people of Maya descent. As the Maya struggle to find their place in a more global society, their stories of quiet courage epitomize those of many other ethnic groups, migrants, and refugees today.
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cover of Maya Ethnolinguistic Identity: Violence, Cultural Rights, and Modernity in Highland Guatemala

Maya Ethnolinguistic Identity

Violence, Cultural Rights, and Modernity in Highland Guatemala

Brigittine M. French

University of Arizona Press, 2010

In this valuable book, ethnographer and anthropologist Brigittine French mobilizes new critical-theoretical perspectives in linguistic anthropology, applying them to the politically charged context of contemporary Guatemala. Beginning with an examination of the “nationalist project” that has been ongoing since the end of the colonial period, French interrogates the “Guatemalan/indigenous binary.” In Guatemala, “Ladino” refers to the Spanish-speaking minority of the population, who are of mixed European, usually Spanish, and indigenous ancestry; “Indian” is understood to mean the majority of Guatemala’s population, who speak one of the twenty-one languages in the Maya linguistic groups of the country, although levels of bilingualism are very high among most Maya communities. As French shows, the Guatemalan state has actively promoted a racialized, essentialized notion of “Indians” as an undifferentiated, inherently inferior group that has stood stubbornly in the way of national progress, unity, and development—which are, implicitly, the goals of “true Guatemalans” (that is, Ladinos).

French shows, with useful examples, how constructions of language and collective identity are in fact strategies undertaken to serve the goals of institutions (including the government, the military, the educational system, and the church) and social actors (including linguists, scholars, and activists). But by incorporating in-depth fieldwork with groups that speak Kaqchikel and K’iche’ along with analyses of Spanish-language discourses, Maya Ethnolinguistic Identity also shows how some individuals in urban, bilingual Indian communities have disrupted the essentializing projects of multiculturalism. And by focusing on ideologies of language, the author is able to explicitly link linguistic forms and functions with larger issues of consciousness, gender politics, social positions, and the forging of hegemonic power relations.
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cover of Maya Figurines: Intersections between State and Household

Maya Figurines

Intersections between State and Household

By Christina T. Halperin

University of Texas Press, 2014

Rather than view the contours of Late Classic Maya social life solely from towering temple pyramids or elite sculptural forms, this book considers a suite of small anthropomorphic, zoomorphic, and supernatural figurative remains excavated from household refuse deposits. Maya Figurines examines these often neglected objects and uses them to draw out relationships between the Maya state and its subjects.

These figurines provide a unique perspective for understanding Maya social and political relations; Christina T. Halperin argues that state politics work on the microscale of everyday routines, localized rituals, and small-scale representations. Her comprehensive study brings together archeology, anthropology, and art history with theories of material culture, performance, political economy, ritual humor, and mimesis to make a fascinating case for the role politics plays in daily life. What she finds is that, by comparing small-scale figurines with state-sponsored, often large-scale iconography and elite material culture, one can understand how different social realms relate to and represent one another. In Maya Figurines, Halperin compares objects from diverse households, archeological sites, and regions, focusing especially on figurines from Petén, Guatemala, and comparing them to material culture from Belize, the northern highlands of Guatemala, the Usumacinta River, the Campeche coastal area, and Mesoamerican sites outside the Maya zone. Ultimately, she argues, ordinary objects are not simply passive backdrops for important social and political phenomena. Instead, they function as significant mechanisms through which power and social life are intertwined.

[more]
cover of Maya Gods of War

Maya Gods of War

Karen Bassie-Sweet

University Press of Colorado, 2021

Numerous archaeological projects have found substantial evidence of the military nature of Maya society, and warfare is a frequent theme of Maya art. Maya Gods of War investigates the Classic period Maya gods who were associated with weapons of war and the flint and obsidian from which those weapons were made.
 
Author Karen Bassie-Sweet traces the semantic markers used to distinguish flint from other types of stone, surveys various types of Chahk thunderbolt deities and their relationship to flint weapons, and explores the connection between lightning and the ruling elite. Additional chapters review these fire and solar deities and their roles in Maya warfare and examine the nature and manifestations of the Central Mexican thunderbolt god Tlaloc, his incorporation into the Maya pantheon, and his identification with meteors and obsidian weapons. Finally, Bassie-Sweet addresses the characteristics of the deity God L, his role as an obsidian merchant god, and his close association with the ancient land route between the highland Guatemalan obsidian sources and the lowlands.
 
Through analysis of the nature of the Teotihuacán deities and exploration of the ways in which these gods were introduced into the Maya region and incorporated into the Maya worldview, Maya Gods of War offers new insights into the relationship between warfare and religious beliefs in Mesoamerica. This significant work will be of interest to scholars of Maya religion and iconography.
 
 
[more]
cover of Maya In Exile: Guatemalans in Florida

Maya In Exile

Guatemalans in Florida

Allan F. Burns, introduction by Jerónimo Camposeco

Temple University Press, 1993

The Maya are the single largest group of indigenous people living in North and Central America. Beginning in the early 1980s, hundreds of thousands of Maya fled the terror of Guatemalan civil strife to safety in Mexico and the U.S. This ethnography of Mayan immigrants who settled in Indiatown, a small agricultural community in south central Florida, presents the experiences of these traditional people, their adaptations to life in the U.S., and the ways they preserve their ancestral culture. For more than a decade, Allan F. Burns has been researching and doing advocacy work for these immigrant Maya, who speak Kanjobal, Quiche, Mamanâ, and several other of the more than thirty distinct languages in southern Mexico and Guatemala. In this fist book on the Guatemalan Maya in the U.S, he uses their many voices to communicate the experience of the Maya in Florida and describes the advantages and results of applied anthropology in refugee studies and cultural adaptation.

Burns describes the political and social background of the Guatemalan immigrants to the U.S. and includes personal accounts of individual strategies for leaving Guatemala and traveling to Florida. Examining how they interact with the community and recreate a Maya society in the U.S., he considers how low-wage labor influences the social structure of Maya immigrant society and discusses the effects of U.S. immigration policy on these refugees.

[more]
cover of Maya Market Women: Power and Tradition in San Juan Chamelco, Guatemala

Maya Market Women

Power and Tradition in San Juan Chamelco, Guatemala

S. Ashley Kistler

University of Illinois Press, 2014

As cultural mediators, Chamelco's market women offer a model of contemporary Q'eqchi' identity grounded in the strength of the Maya historical legacy. Guatemala's Maya communities have faced nearly five hundred years of constant challenges to their culture, from colonial oppression to the instability of violent military dictatorships and the advent of new global technologies. In spite of this history, the people of San Juan Chamelco, Guatemala, have effectively resisted significant changes to their cultural identities. Chamelco residents embrace new technologies, ideas, and resources to strengthen their indigenous identities and maintain Maya practice in the 21st century, a resilience that sets Chamelco apart from other Maya towns.

Unlike the region's other indigenous women, Chamelco's Q'eqchi' market women achieve both prominence and visibility as vendors, dominating social domains from religion to local politics. These women honor their families' legacies through continuation of the inherited, high-status marketing trade. In Maya Market Women, S. Ashley Kistler describes how market women gain social standing as mediators of sometimes conflicting realities, harnessing the forces of global capitalism to revitalize Chamelco's indigenous identity. Working at the intersections of globalization, kinship, gender, and memory, Kistler presents a firsthand look at Maya markets as a domain in which the values of capitalism and indigenous communities meet.

[more]
cover of Maya Narrative Arts

Maya Narrative Arts

Karen Bassie-Sweet

University Press of Colorado, 2018

In Maya Narrative Arts, authors Karen Bassie-Sweet and Nicholas A. Hopkins present a comprehensive and innovative analysis of the principles of Classic Maya narrative arts and apply those principles to some of the major monuments of the site of Palenque. They demonstrate a recent methodological shift in the examination of art and inscriptions away from minute technical issues and toward the poetics and narratives of texts and the relationship between texts and images.
 
Bassie-Sweet and Hopkins show that both visual and verbal media present carefully planned narratives, and that the two are intimately related in the composition of Classic Maya monuments. Text and image interaction is discussed through examples of stelae, wall panels, lintels, benches, and miscellaneous artifacts including ceramic vessels and codices. Bassie-Sweet and Hopkins consider the principles of contrast and complementarity that underlie narrative structures and place this study in the context of earlier work, proposing a new paradigm for Maya epigraphy. They also address the narrative organization of texts and images as manifested in selected hieroglyphic inscriptions and the accompanying illustrations, stressing the interplay between the two.
 
Arguing for a more holistic approach to Classic Maya art and literature, Maya Narrative Arts reveals how close observation and reading can be equally if not more productive than theoretical discussions, which too often stray from the very data that they attempt to elucidate. The book will be significant for Mesoamerican art historians, epigraphers, linguists, and archaeologists.
[more]
cover of Maya Palaces and Elite Residences: An Interdisciplinary Approach

Maya Palaces and Elite Residences

An Interdisciplinary Approach

Edited by Jessica Joyce Christie

University of Texas Press, 2003

Maya "palaces" have intrigued students of this ancient Mesoamerican culture since the early twentieth century, when scholars first applied the term "palace" to multi-room, gallery-like buildings set on low platforms in the centers of Maya cities. Who lived in these palaces? What types of ceremonial and residential activities took place there? How do the physical forms and spatial arrangement of the buildings embody Maya concepts of social organization and cosmology?

This book brings together state-of-the-art data and analysis regarding the occupants, ritual and residential uses, and social and cosmological meanings of Maya palaces and elite residences. A multidisciplinary team of senior researchers reports on sites in Belize (Blue Creek), Western Honduras (Copan), the Peten (Tikal, Dos Pilas, Aguateca), and the Yucatan (Uxmal, Chichen-Itza, Dzibilchaltun, Yaxuna). Archaeologist contributors discuss the form of palace buildings and associated artifacts, their location within the city, and how some palaces related to landscape features. Their approach is complemented by art historical analyses of architectural sculpture, epigraphy, and ethnography. Jessica Joyce Christie concludes the volume by identifying patterns and commonalties that apply not only to the cited examples, but also to Maya architecture in general.

[more]
cover of Maya Political Science: Time, Astronomy, and the Cosmos

Maya Political Science

Time, Astronomy, and the Cosmos

By Prudence M. Rice

University of Texas Press, 2004

How did the ancient Maya rule their world? Despite more than a century of archaeological investigation and glyphic decipherment, the nature of Maya political organization and political geography has remained an open question. Many debates have raged over models of centralization versus decentralization, superordinate and subordinate status—with far-flung analogies to emerging states in Europe, Asia, and Africa. But Prudence Rice asserts that neither the model of two giant "superpowers" nor that which postulates scores of small, weakly independent polities fits the accumulating body of material and cultural evidence.

In this groundbreaking book, Rice builds a new model of Classic lowland Maya (AD 179-948) political organization and political geography. Using the method of direct historical analogy, she integrates ethnohistoric and ethnographic knowledge of the Colonial-period and modern Maya with archaeological, epigraphic, and iconographic data from the ancient Maya. On this basis of cultural continuity, she constructs a convincing case that the fundamental ordering principles of Classic Maya geopolitical organization were the calendar (specifically a 256-year cycle of time known as the may) and the concept of quadripartition, or the division of the cosmos into four cardinal directions. Rice also examines this new model of geopolitical organization in the Preclassic and Postclassic periods and demonstrates that it offers fresh insights into the nature of rulership, ballgame ritual, and warfare among the Classic lowland Maya.

[more]
cover of Maya Potters' Indigenous Knowledge: Cognition, Engagement, and Practice

Maya Potters' Indigenous Knowledge

Cognition, Engagement, and Practice

Dean E. Arnold

University Press of Colorado, 2017

Based on fieldwork and reflection over a period of almost fifty years, Maya Potters’ Indigenous Knowledge utilizes engagement theory to describe the indigenous knowledge of traditional Maya potters in Ticul, Yucatán, Mexico. In this heavily illustrated narrative account, Dean E. Arnold examines craftspeople’s knowledge and skills, their engagement with their natural and social environments, the raw materials they use for their craft, and their process for making pottery.

Following Lambros Malafouris, Tim Ingold, and Colin Renfrew, Arnold argues that potters’ indigenous knowledge is not just in their minds but extends to their engagement with the environment, raw materials, and the pottery-making process itself and is recursively affected by visual and tactile feedback. Pottery is not just an expression of a mental template but also involves the interaction of cognitive categories, embodied muscular patterns, and the engagement of those categories and skills with the production process. Indigenous knowledge is thus a product of the interaction of mind and material, of mental categories and action, and of cognition and sensory engagement—the interaction of both human and material agency.

Engagement theory has become an important theoretical approach and “indigenous knowledge” (as cultural heritage) is the focus of much current research in anthropology, archaeology, and cultural resource management. While Dean Arnold’s previous work has been significant in ceramic ethnoarchaeology, Maya Potters' Indigenous Knowledge goes further, providing new evidence and opening up different concepts and approaches to understanding practical processes. It will be of interest to a wide variety of researchers in Maya studies, material culture, material sciences, ceramic ecology, and ethnoarchaeology.

[more]
cover of Maya Saints and Souls in a Changing World

Maya Saints and Souls in a Changing World

By John M. Watanabe

University of Texas Press, 1992

The Maya of Santiago Chimaltenango have experienced increasingly rapid, even violent, integration into Guatemalan society in the last fifty years, yet they still distinguish themselves ethnically from Spanish-speaking Guatemalans and other Maya. Why this sense of ethnic identity persists—and also changes—over time is the focus of Maya Saints and Souls in a Changing World, a beautifully written ethnography of a Mam-speaking Maya town in the western highlands of Guatemala.

John Watanabe uniquely explores how Chimaltecos themselves define their local distinctiveness. This approach uncovers significant continuities in lifeways and world view that might otherwise remain imperceptible to an outsider.

Another important feature of the study is that it updates Charles Wagley's pioneering research in the community during the 1930s. Watanabe identifies both the external, historical factors that have prompted change in the community since Wagley's time and the people's responses to these changes.

[more]
cover of Maya Worldviews at Conquest

Maya Worldviews at Conquest

Leslie G. Cecil

University Press of Colorado, 2009

Maya Worldviews at Conquest examines Maya culture and social life just prior to contact and the effect the subsequent Spanish conquest, as well as contact with other Mesoamerican cultures, had on the Maya worldview.

Focusing on the Postclassic and Colonial periods, Maya Worldviews at Conquest provides a regional investigation of archaeological and epigraphic evidence of Maya ideology, landscape, historical consciousness, ritual practices, and religious symbolism before and during the Spanish conquest. Through careful investigation, the volume focuses on the impact of conversion, hybridization, resistance, and revitalization on the Mayans’ understanding of their world and their place in it.

The volume also addresses the issue of anthropologists unconsciously projecting their modern worldviews on the culture under investigation. Thus, the book critically defines and strengthens the use of worldviews in the scholarly literature regardless of the culture studied, making it of value not only to Maya scholars but also to those interested in the anthropologist’s projection of worldview on other cultures in general.

[more]
cover of Maya after War: Conflict, Power, and Politics in Guatemala

Maya after War

Conflict, Power, and Politics in Guatemala

By Jennifer L. Burrell

University of Texas Press, 2013

Guatemala’s thirty-six-year civil war culminated in peace accords in 1996, but the postwar transition has been marked by continued violence, including lynchings and the rise of gangs, as well as massive wage-labor exodus to the United States. For the Mam Maya municipality of Todos Santos Cuchumatán, inhabited by a predominantly indigenous peasant population, the aftermath of war and genocide resonates with a long-standing tension between state techniques of governance and ancient community-level power structures that incorporated concepts of kinship, gender, and generation. Showing the ways in which these complex histories are interlinked with wartime and enduring family/class conflicts, Maya after War provides a nuanced account of a unique transitional postwar situation, including the complex influence of neoliberal intervention.

Drawing on ethnographic field research over a twenty-year period, Jennifer L. Burrell explores the after-war period in a locale where community struggles span culture, identity, and history. Investigating a range of tensions from the local to the international, Burrell employs unique methodologies, including mapmaking, history workshops, and an informal translation of a historic ethnography, to analyze the role of conflict in animating what matters to Todosanteros in their everyday lives and how the residents negotiate power. Examining the community-based divisions alongside national postwar contexts, Maya after War considers the aura of hope that surrounded the signing of the peace accords, and the subsequent doubt and waiting that have fueled unrest, encompassing generational conflicts. This study is a rich analysis of the multifaceted forces at work in the quest for peace, in Guatemala and beyond.

[more]
cover of Maya-British Conflict at the Edge of the Yucatecan Caste War

Maya-British Conflict at the Edge of the Yucatecan Caste War

Christine A. Kray

University Press of Colorado, 2023

Maya-British Conflict at the Edge of the Yucatecan Caste War interrogates the 1862 alliance forged between the San Pedro Maya and the British during the Caste War of Yucatán (1847–1901). Illuminating the complex interactions among Maya groups, Yucatecans of Spanish descent, and British settlers in what is now Belize, Christine A. Kray uses storytelling techniques, suspense, and humor, via historical documents and oral history interviews to tell a new story about the dynamics at the heart of the Social War.
 
Official British declarations of neutrality in the Caste War were confounded by a variety of political and economic factors, including competing land claims befuddled by a tangled set of treaties, mahogany extraction by British companies in contested territories, Maya rent demands, British trade in munitions to different groups of Maya combatants, and a labor system reliant on debt servitude. All these factors contributed to uneasy alliances and opportunistic crossings of imagined geopolitical borders in both directions, ultimately leading to a new military conflict in the western and northern regions of the territory claimed by Britain. What frequently began as hyper-local disputes spun out into international affairs as actors called upon more powerful groups for assistance. Evading reductionism, this work traces the decisions and actions of key figures as they maneuvered through the miasma of violence, abuse, deception, fear, flight, and glimpses of freedom.
 
Positioning the historiographic and ethnographic gaze on the English side without adopting the colonialist narratives and objectives found in English repositories, Maya-British Conflict at the Edge of the Yucatecan Caste War is an important and original contribution to a neglected area of study. It will appeal to students, scholars, and general readers interested in anthropology, Latin American cultures and history, Central American history, British imperialism, Indigenous rights, political anthropology, and colonialism and culture.
 
[more]
cover of Mayan Drifter: Chicano Poet in the Lowlands of America

Mayan Drifter

Chicano Poet in the Lowlands of America

Juan Herrera

Temple University Press, 1997

[more]
cover of Mayan Voices for Human Rights: Displaced Catholics in Highland Chiapas

Mayan Voices for Human Rights

Displaced Catholics in Highland Chiapas

By Christine Kovic

University of Texas Press, 2005

In the last decades of the twentieth century, thousands of Mayas were expelled, often violently, from their homes in San Juan Chamula and other highland communities in Chiapas, Mexico, by fellow Mayas allied with the ruling Institutional Revolutionary Party (PRI). State and federal authorities generally turned a blind eye to these human rights abuses, downplaying them as local conflicts over religious conversion and defense of cultural traditions. The expelled have organized themselves to fight not only for religious rights, but also for political and economic justice based on a broad understanding of human rights.

This pioneering ethnography tells the intertwined stories of the new communities formed by the Mayan exiles and their ongoing efforts to define and defend their human rights. Focusing on a community of Mayan Catholics, the book describes the process by which the progressive Diocese of San Cristóbal and Bishop Samuel Ruiz García became powerful allies for indigenous people in the promotion and defense of human rights. Drawing on the words and insights of displaced Mayas she interviewed throughout the 1990s, Christine Kovic reveals how the exiles have created new communities and lifeways based on a shared sense of faith (even between Catholics and Protestants) and their own concept of human rights and dignity. She also uncovers the underlying political and economic factors that drove the expulsions and shows how the Mayas who were expelled for not being "traditional" enough are in fact basing their new communities on traditional values of duty and reciprocity.

[more]
cover of Mayas in Postwar Guatemala: Harvest of Violence Revisited

Mayas in Postwar Guatemala

Harvest of Violence Revisited

Edited by Walter E. Little and Timothy J. Smith

University of Alabama Press, 2009

Like the original Harvest of Violence, published in 1988, this volume reveals how the contemporary Mayas contend with crime, political violence, internal community power struggles, and the broader impact of transnational economic and political policies in Guatemala. However, this work, informed by long-term ethnographic fieldwork in Mayan communities and commitment to conducting research in Mayan languages, places current anthropological analyses in relation to Mayan political activism and key Mayan intellectuals’ research and criticism. Illustrating specifically how Mayas in this post-war period conceive of their social and political place in Guatemala, Mayas working in factories, fields, and markets, and participating in local, community-level politics provide critiques of the government, the Maya movement, and the general state of insecurity and social and political violence that they continue to face on a daily basis. Their critical assessments and efforts to improve political, social, and economic conditions illustrate their resiliency and positive, nonviolent solutions to Guatemala’s ongoing problems that deserve serious consideration by Guatemalan and US policy makers, international non-government organizations, peace activists, and even academics studying politics, social agency, and the survival of indigenous people.
CONTRIBUTORS
Abigail E. Adams / José Oscar Barrera Nuñez / Peter Benson / Barbara Bocek / Jennifer L. Burrell / Robert M. Carmack / Monica DeHart / Edward F. Fischer / Liliana Goldín / Walter E. Little / Judith M. Maxwell / J. Jailey Philpot-Munson / Brenda Rosenbaum / Timothy J. Smith / David Stoll
[more]
cover of Mayas in the Marketplace: Tourism, Globalization, and Cultural Identity

Mayas in the Marketplace

Tourism, Globalization, and Cultural Identity

By Walter E. Little

University of Texas Press, 2004

2005 — Best Book Award – New England Council of Latin American Studies

Selling handicrafts to tourists has brought the Maya peoples of Guatemala into the world market. Vendors from rural communities now offer their wares to more than 500,000 international tourists annually in the marketplaces of larger cities such as Antigua, Guatemala City, Panajachel, and Chichicastenango. Like businesspeople anywhere, Maya artisans analyze the desires and needs of their customers and shape their products to meet the demands of the market. But how has adapting to the global marketplace reciprocally shaped the identity and cultural practices of the Maya peoples?

Drawing on over a decade of fieldwork, Walter Little presents the first ethnographic study of Maya handicraft vendors in the international marketplace. Focusing on Kaqchikel Mayas who commute to Antigua to sell their goods, he explores three significant issues:

  • how the tourist marketplace conflates global and local distinctions.
  • how the marketplace becomes a border zone where national and international, developed and underdeveloped, and indigenous and non-indigenous come together.
  • how marketing to tourists changes social roles, gender relationships, and ethnic identity in the vendors' home communities.

Little's wide-ranging research challenges our current understanding of tourism's negative impact on indigenous communities. He demonstrates that the Maya are maintaining a specific, community-based sense of Maya identity, even as they commodify their culture for tourist consumption in the world market.

[more]
cover of Mayaya Rising: Black Female Icons in Latin American and Caribbean Literature and Culture

Mayaya Rising

Black Female Icons in Latin American and Caribbean Literature and Culture

Dawn Duke

Bucknell University Press, 2023

Who are the Black heroines of Latin America and the Caribbean? Where do we turn for models of transcendence among women of African ancestry in the region? In answer to the historical dearth of such exemplars, Mayaya Rising explores and celebrates the work of writers who intentionally center powerful female cultural archetypes. In this inventive analysis, Duke proposes three case studies and a corresponding womanist methodology through which to study and rediscover these figures. The musical Cuban-Dominican sisters and former slaves Teodora and Micaela Ginés inspired Aida Cartagena Portalatin’s epic poem Yania tierra; the Nicaraguan matriarch of the May Pole, “Miss Lizzie,” figures prominently in four anthologies from the country’s Bluefields region; and the iconic palenqueras of Cartagena, Colombia are magnified in the work of poets María Teresa Ramírez Neiva and Mirian Díaz Pérez. In elevating these figures and foregrounding these works, Duke restores and repairs the scholarly record.
[more]
cover of Me and My House: James Baldwin's Last Decade in France

Me and My House

James Baldwin's Last Decade in France

Magdalena J. Zaborowska

Duke University Press, 2018

The last sixteen years of James Baldwin's life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In Me and My House Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in The Welcome Table, Just above My Head, and If Beale Street Could Talk directly stem from Chez Baldwin's influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin's friends and lovers, unpublished letters, and manuscripts, Me and My House offers new insights into Baldwin's life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.
[more]
cover of Meadowood Phase Settlement Pattern in the Niagara Frontier Region of Western New York State

Meadowood Phase Settlement Pattern in the Niagara Frontier Region of Western New York State

Joseph E. Granger, Jr.

University of Michigan Press, 1978

In this work the author reports on his excavation of the Sinking Ponds site in Erie County, New York. He combines this with extensive information on the Riverhaven 2 site and a general definition and description of the Meadowood Phase in New York State. Using assemblages excavated in these areas of the Niagara Frontier, Granger explores adaptive processes (procurement, manufacturing, storage, and exchange) of the Meadowood settlement pattern and settlement system.
[more]
cover of Mean Girl Feminism: How White Feminists Gaslight, Gatekeep, and Girlboss

Mean Girl Feminism

How White Feminists Gaslight, Gatekeep, and Girlboss

Kim Hong Nguyen

University of Illinois Press, 2024

White feminists performing to maintain privilege

Mean girl feminism encourages girls and women to be sassy, sarcastic, and ironic as feminist performance. Yet it coopts its affect, form, and content from racial oppression and protest while aiming meanness toward people in marginalized groups.

Kim Hong Nguyen’s feminist media study examines four types of white mean girl feminism prominent in North American popular culture: the bitch, the mean girl, the power couple, and the global mother. White feminists mime the anger, disempowerment, and resistance felt by people of color and other marginalized groups. Their performance allows them to pursue and claim a special place within established power structures, present as intellectually superior, substitute nonpolitical playacting for a politics of solidarity and community, and position themselves as better, more enlightened masters than patriarchy. But, as Nguyen shows, the racialized meanness found across pop culture opens possibilities for building an intersectional feminist politics that rejects performative civility in favor of turning anger into liberation.

[more]
cover of Mean Lives, Mean Laws: Oklahoma's Women Prisoners

Mean Lives, Mean Laws

Oklahoma's Women Prisoners

Sharp, Susan F

Rutgers University Press, 2014

 Oklahoma has long held the dubious honor of having the highest female incarceration rate in the country, nearly twice the national average. In this compelling new book, sociologist Susan Sharp sets out to discover just what has gone so wrong in the state of Oklahoma—and what that might tell us about trends in female incarceration nationwide.

The culmination of over a decade of original research, Mean Lives, Mean Laws exposes a Kafkaesque criminal justice system, one that has no problem with treating women as collateral damage in the War on Drugs or with stripping female prisoners of their parental rights. Yet it also reveals the individual histories of women who were jailed in Oklahoma, providing intimate portraits of their lives before, during, and after their imprisonment. We witness the impoverished and abusive conditions in which many of these women were raised; we get a vivid portrait of their everyday lives behind bars; and we glimpse the struggles that lead many ex-convicts to fall back into the penal system.

Through an innovative methodology that combines statistical rigor with extensive personal interviews, Sharp shows how female incarceration affects not only individuals, but also families and communities. Putting a human face on a growing social problem, Mean Lives, Mean Laws raises important questions about both the state of Oklahoma and the state of the nation.
[more]
cover of Meaning Of A Disability: The Lived Experience of Paralysis

Meaning Of A Disability

The Lived Experience of Paralysis

Albert Robillard

Temple University Press, 1999

When ethnomethodologist Albert Robillard began to suffer the  symptoms of motor-neuron disease, he realized he was a living laboratory for revealing the countless taken-for-granted methods people use to produce being together. Meaning of a Disability is a detailed autobiography of the experiences and trained observations of a university professor who became paralyzed in mid-life.

With his loss of speech, Robillard was forced to communicate through a lip-reading system developed by his wife and student assistants. Restricted by this form of communication and his paralysis, he soon learned the frustrations of making his  meaning known. Hospital nurses wrongly anticipated his words. Those who translated for him inevitably distorted his meaning. Most of all, the casual pace of conversational  give-and-take was disrupted. Old friends would leave before Robillard could provide the expected interactional response.

Finding himself isolated due to his lack of both mobility and vocalization, Robillard threw himself into his academic work and began to develop settings and methods where he could satisfactorily interact with others. A researcher and writer experienced in describing the bodily and verbal methods used to coordinate and construct the most ordinary of social forms, Robillard joins in this book both his years of sociological training and his time with illness to talk with moving and illuminating analysis about a  broad range of matters. Moving gracefully from examinations of narratives about disability and illness, the stigmatizing things that healthcare providers unwittingly say to their patients, and communication problems in the intensive care unit, to more personal reflections on anger, isolation, and stories of tragedy, Robillard also discusses disability in the workplace and such seemingly simple topics as computers and vacations. Meaning of a Disability is the personal story of a highly trained observer forced to confront simultaneously the limits of the disabled person's social world and the unspoken assumptions about meaningful interaction -- as he struggles with the daily difficulties of maintaining his identity.

Meaning of a Disability will interest a wide audience, including healthcare professionals, disabled people, and caretakers as well as academics studying ethnomethodology, health and illness, conversation, symbolic interaction, storytelling, and most aspects of lived experience.
[more]
cover of Meaning of Folklore: The Analytical Essays of Alan Dundes

Meaning of Folklore

The Analytical Essays of Alan Dundes

Simon J. Bronner

Utah State University Press, 2020

The essays of Alan Dundes virtually created the meaning of folklore as an American academic discipline. Yet many of them went quickly out of print after their initial publication in far-flung journals. Brought together for the first time in this volume compiled and edited by Simon Bronner,  the selection surveys Dundes's major ideas and emphases, and is introduced by Bronner with a thorough analysis of Dundes's long career, his interpretations, and his inestimable contribution to folklore studies.

Runner-up, the Wayland Hand Award for Folklore and History, 2009
[more]
cover of Meaningless Citizenship: Iraqi Refugees and the Welfare State

Meaningless Citizenship

Iraqi Refugees and the Welfare State

Sally Wesley Bonet

University of Minnesota Press, 2022

A searing critique of the “freedom” that America offers to the victims of its imperialist machinations of war and occupation
 

Meaningless Citizenship traces the costs of America’s long-term military involvement around the world by following the forced displacement of Iraqi families, unveiling how Iraqis are doubly displaced: first by the machinery of American imperialism in their native countries and then through a more pernicious war occurring on U.S. soil—the dismantling of the welfare state.

Revealing the everyday struggles and barriers that texture the lives of Iraqi families recently resettled to the United States, Sally Wesley Bonet draws from four years of deep involvement in the refugee community of Philadelphia. An education scholar, Bonet’s analysis moves beyond the prevalent tendency to collapse schooling into education. Focusing beyond the public school to other critical institutions, such as public assistance, resettlement programs, and healthcare, she shows how encounters with institutions of the state are an inherently educative process for both refugee youths and adults, teaching about the types of citizenship they are expected to enact and embody while simultaneously shaping them into laboring subjects in service of capitalism. 

An intimate, in-depth ethnography, Meaningless Citizenship exposes how the veneer of American values—freedom, democracy, human rights—exported to countries like Iraq, disintegrates to uncover what is really beneath: a nation-state that prioritizes the needs of capitalism above the survival and wellbeing of its citizens.

[more]
cover of Meaninglessness: Time, Rhythm, and the Undead in Postcolonial Cinema

Meaninglessness

Time, Rhythm, and the Undead in Postcolonial Cinema

Vlad Dima

Michigan State University Press, 2023

For too long, the approach to seemingly universal experiences like love, death, and even time in film has been dominated by the Global North. But what if such explorations developed horizontally instead? Drawing from both European and African cultural theorists, including Gilles Deleuze and Wole Soyinka, Vlad Dima invites us to consider what happens to postcolonial African film if we no longer privilege the idea of time. How else might we understand the cinematic image, and how would its meanings change? Meaninglessness: Time, Rhythm, and the Undead in Postcolonial Cinema is a study of meaning and meaninglessness through the figure of the undead, beginning with francophone Africa and extending to postcolonial France. Through the analysis of films like Mati Diop’s Atlantics and Jean-Pierre Bekolo’s Miraculous Weapons, Dima shows how the African cinematic image may produce meaning without any attachment to European time, and how that meaning is connected instead to the philosophy of negritude and to the notion of rhythm. Meaninglessness introduces the concept of the rhythm-sequence as a new way to understand the African moving image.
[more]