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Since 2001, Media Lens has encouraged thousands of readers to challenge the filtered and distorted version of the world provided by major newspapers and broadcasters. The media responses, collected in Newspeak, are an exposé of the arrogance and servility to power of our leading journalists and editors, starring Andrew Marr, Alan Rusbridger, Roger Alton, Jon Snow, Jeremy Bowen and even George Monbiot.

Picking up where the highly acclaimed and successful Guardians of Power (2006) left off, Newspeak is packed with forensic media analysis, revealing the lethal bias in "balanced" reporting. Even the "best" UK media -- the Guardian, the Independent, Channel 4 News and the BBC -- turn out to be cheerleaders for government, business and war.

Alongside an A-Z of BBC propaganda and chapters on Iraq and climate change, Newspeak focuses on the demonisation of Iran and Venezuela, the Israel-Palestine conflict, the myth of impartial reporting and the dark art of smearing dissidents.

Evangelical Christianity is Mexico’s fastest-growing religious movement, with about ten million adherents today. Most belong to Protestant denominations introduced from the United States (e.g., Jehovah’s Witnesses, Seventh-day Adventists), but perhaps as many as 800,000 are members of homegrown, “native” evangelical sects. These native Mexican sects share much with the American denominations of which they are spinoffs. For instance, they are Trinitarian, Anabaptist, and Millenarian; they emphasize a personal relationship with God, totally rejecting intermediation by saints; and they insist that they are the only true Christians. Beyond that, each native sect has its distinctive characteristics.

This book focuses on two sharply contrastive native evangelical sects in Central Mexico: Amistad y Vida (Friendship and Life) and La Luz del Mundo (The Light of the World). The former, founded in 1982, now has perhaps 120,000 adherents nationwide. It is nonhierarchical, extremely egalitarian, and has no dogmatic directives. It is a cheerful religion that emphasizes charity, community service, and personal kindness as the path to salvation. It attracts new members, mainly from the urban middle class, through personal example rather than proselytizing. La Luz del Mundo, founded in 1926, now has about 350,000 members in Mexico and perhaps one million in the hemisphere. It is hierarchically organized and demands total devotion to the sect’s founder and his son, who are seen as direct links to Jesus on Earth. It is a proselytizing sect that recruits mainly among the urban poor by providing economic benefits within the congregations, but does no community service as such.

Based on ten years of fieldwork (1996–2006) and contextualized by nearly fifty years of anthropological study in the region, Native Evangelism in Central Mexico presents the first ethnography of Mexico’s native evangelical congregations.

In Loreto, Baja California Sur, Mexico, artisanal fishing families and staff of Loreto Bay National Park face an array of choices as tourism, environmental concerns, and economic precarity challenge livelihoods and natural resource availability. In Net Values, Nicole D. Peterson offers a critical examination of how the idea of “choice” is understood, and what it means for policies, planning, and programs to ignore the social, political, economic, and cultural contexts surrounding these choices.

Anchored by more than twenty years of research, Peterson provides insight into the fishing community of Loreto and reveals an important role in decision-making that diverges from previous studies. She argues that decisions about fishing, natural resource management, and other aspects of life are influenced by context, values, and expectations in ways that go beyond the typical psychological or cognitive theories of choice. Instead, Net Values highlights the ways that choices are constrained and enabled by values and expectations of cultures, histories, relationships, and experiences, both personal and shared. Peterson answers questions such as “why do the fishermen fish?” or “what is the marine park staff doing?” These decisions and choices are related to the larger implication addressed by this book: that in order to make effective policies around natural resource management and other issues, we must understand how those potential policies interact with the decision processes already underway.

Divided into five chapters, Net Values is rich in ethnographic detail, drawing from real people to inform the narratives, chapters, and theoretical elaboration. Peterson’s interactions with fishers such as Don Javier and his family and friends support the ideas offered around choice, values, and strategies, connecting ideas to real experiences.

Winner of the 2025 MLA Scaglione Prize for African Studies

Simultaneously transnational and local, poetry in the twenty-first century is produced across digital networks, shaped through local communities, and evaluated on a global scale. It might start on social media, where a video of a poet circulates and goes viral, gaining international attention without ever going through traditional modes of publication. In Networked Poetics, Susanna L. Sacks introduces readers to the southern African poetry scene in Malawi, Zimbabwe, and South Africa, illustrating how contemporary poetry is shaped, from inception to canonization, by the influence of digital media publication.

Interweaving ethnographic observation and extensive literary analysis, Sacks demonstrates that, as more artists in Africa reach wider audiences through online publication, poetic form has shifted to reflect social media’s aesthetic norms of urgency, immediacy, and populism. These changes have, in turn, challenged elite processes of valuation, forcing literary institutions like prizes, festivals, and curricula to accommodate the digital turn.

A comprehensive analysis of the major trends and developments in contemporary Israeli media.

In the twenty-first century, Israeli filmmaking has transformed from a localized industry into a globally recognized and diverse national cinema, its filmmakers gaining prominence internationally and introducing new themes, aesthetics, and voices to the scene. At the same time, Israeli television shows have emerged as a dominant force, propelled by the spread of streaming. Through the rise of online content creation and consumption, especially in the 2010s, new voices have revolutionized the creative landscape.

With Israel’s position at the cutting edge of technology and virtual platforms, Israeli media has seen a boom, winning prizes at international film festivals and adapting shows like Euphoria, Homeland, and Fauda for wider audiences. In New Directions in Israeli Media, thirteen contributors detail the shifting dynamics of Israeli cinema, television, and online content in the digital age, exploring how globalization, technological advances, and changing audience preferences are reshaping creative industries. Editors Yaron Peleg, Eran Kaplan, and Ido Rosen have assembled a volume that prompts critical reflection on the intersection of art, technology, and culture in a rapidly changing media landscape.

On July 22, 2011, a white supremacist killed eight people at Oslo’s Government Center in Norway and then terrorized the idyllic island of Utøya, where he executed sixty-nine more people, mostly teenagers. The country had never suffered such a massacre, and in the aftermath, the entire population was reeling.

Utøya, the Norwegian Labor Party’s summer camp for youth, a beloved place where many Norwegians learned about democratic values and processes, made lifelong friendships, and developed a vision for a just society, became mired in grief and discord. When Jørgen Watne Frydnes took on the daunting task of rebuilding the island and charting its future, he had to figure out a compassionate and just way forward. He made a radical decision: he set out to talk with each family of a murdered person, seeking to understand their needs and their hopes so that the future of the island could include their wishes and concerns. This emotionally grueling work, which was never considered in the scholarly literature on commemoration, led to a true renewal of Utøya, resulting in a meaningful memorial to those who were lost as well as beautiful surroundings for campers who come there to study democracy and peace.

Frydnes’s narrative, originally published in Norwegian, is structured around the seasons of the year and the landscape of the island, and tracks one person’s account of learning how to remember, commemorate, and honor the dead, and acknowledge a mass tragedy, and yet also create a nurturing, aspirational space for hope.

Exploring contemporary literature to expose how post-9/11 counterterror strategies are used to unhome families of color

More than a quarter of a century after 9/11, the global war on terror continues to rage in the name of homeland security. Through literature and archival research, Jay Shelat shows how war, Islamophobia, police brutality, and other state-sponsored legal and social maneuvers are used to revoke and control Brown and Black families and their belonging, and why the empire always starts at home.

By exploring insurgent narratives in fiction and poetry by writers of color such as Kamila Shamsie, N. K. Jemisin, and Dur e Aziz Amna, No Place for Home traces the long history of white supremacy infiltrating family life. Shelat expands this picture to include records, laws, brochures, executive orders, and other forms of documentation to illuminate how domesticity is posited as conditional—dependent on racial permission—in the United States. Woven through this nuanced exploration of radicalized violence in the US since the attacks are discussions of stubborn identity, queer kinship, and community organizing.

No Place for Home analyzes post-9/11 literature as a crucial informant for our understanding of how the war on terror has evolved into its current state. In doing so, Shelat charts a radical, healing way forward.

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An analysis of the growing visibility of nonreligion in Egypt.

Egypt's 2011 Uprising, while often perceived as a failed revolution, nonetheless nonetheless had durable social effects. Among these has been a rise in expressing atheism and agnosticism, especially among educated and affluent youth—the country’s future leaders.

An intimate ethnography, Nonreligious Lifeworlds in Egypt explores the intellectual and emotional transformations of atheists and agnostics inspired by the aspirational freedom-seeking of the Arab Spring. Rejecting both of Egypt’s dominant religious traditions, Islam and Coptic Christianity, nonreligious people are widely viewed as agents of moral outrage. Amid media-driven panics, their sanity is often questioned by their own families as they experiment with new ways of living and relating. Drawing from in-depth fieldwork, interviews, and social media analysis, Karin van Nieuwkerk reveals her interlocutors’ changing perspectives on sex and gender, eating and drinking, and life and death. Above all, she emphasizes the affective experiences of renouncing religion, marked by anxiety and regret—but also liberation and relief. With rigor and compassion, Van Nieuwkerk opens our minds to the arduous process of exchanging established norms for self-determination.

California has long been mythologized as the quintessential land of opportunity and reinvention—a place where anyone, regardless of origin, can forge a new life and realize their aspirations. Yet beneath this gilded narrative lies a starker reality: California ranks among the most unequal states in one of the world's most unequal countries, where the middle class finds itself increasingly squeezed. Economic inequality is not an anomaly but part of a broader global phenomenon, as disparities deepen across the world. While we know a lot about its contours, its evolution over time and its intersections with race and immigration, we understand far less about how ordinary people interpret and internalize it. In Normalizing Inequality, sociologists G. Cristina Mora and Tianna S. Paschel illuminate how middle-class Californians perceive and come to accept the inequalities that surround them.

Drawing on extensive interviews and surveys, Mora and Paschel uncover a profound paradox at the heart of middle-class consciousness. They find that Californians are keenly aware of the systemic causes of inequality—they recognize policies engineered to benefit the wealthy, they acknowledge how structural racism makes it hard for some groups to get ahead—yet they consistently minimize these forces. Instead, they gravitate toward explanations rooted in individualism, moral character, and the idea that things are worse in other places. Racism and racial inequality in California become palatable when framed as "not as bad as the South." Immigrant exploitation, however severe, transforms into evidence of the American Dream fulfilled simply upon arrival. Economic pressures that displace others become surmountable through personal industriousness and forbearance.

These beliefs about inequality grow more troubling still. Middle-class Californians sometimes blame disempowered people for their circumstances—acknowledging structural barriers facing homeless and undocumented populations while simultaneously faulting them for insufficient drive or criminal behavior that compounds their difficulties. When contemplating California's future, interviewees envision economic prosperity propelled by technological innovation, yet remain curiously unconcerned with how present inequalities might shape that tomorrow. Their imagined future is one where White and Asian American populations thrive, while Black, Latino, and economically marginalized Californians either vanish through displacement or fade into irrelevance. As respondents use these interpretive frameworks to make sense of inequality, they lean heavily on California's foundational narratives of opportunity, sanctuary and multiracial promise.

Normalizing Inequality offers an incisive examination of how ordinary citizens make sense of inequality and, through that very process of sense-making, how they tolerate and passively reproduce the conditions they often claim to deplore.

Since the end of the cold war, Africa has seen a dramatic rise in new political and religious phenomena, including an eviscerated privatized state, neoliberal NGOs, Pentecostalism, a resurgence in accusations of witchcraft, a culture of scamming and fraud, and, in some countries, a nearly universal wish to emigrate. Drawing on fieldwork in Togo, Charles Piot suggests that a new biopolitics after state sovereignty is remaking the face of one of the world’s poorest regions.

In a country where playing the U.S. Department of State’s green card lottery is a national pastime and the preponderance of cybercafés and Western Union branches signals a widespread desire to connect to the rest of the world, Nostalgia for the Future makes clear that the cultural and political terrain that underlies postcolonial theory has shifted. In order to map out this new terrain, Piot enters into critical dialogue with a host of important theorists, including Agamben, Hardt and Negri, Deleuze, and Mbembe. The result is a deft interweaving of rich observations of Togolese life with profound insights into the new, globalized world in which that life takes place.

Speculative fiction imagines impossible futures and alternative pasts, alien species and angelic monsters, technological marvels and magical solutions. In recent years, however, many in its fandoms have protested the inclusion of nonwhite, nonmale, and nonheterosexual characters as betrayals of their beloved media for the sake of “wokeness.” Nostalgic Futures: The Reactionary Fantasies of Speculative Fiction Fandoms examines how contemporary fan controversies— particularly those surrounding gender, race, and sexuality in speculative fiction media—intersect with reactionary movements within and beyond fandom. This book explores how the nostalgic fantasies of fans and far-right movements contribute to broader reactionary discourses, shaping not only the past they long for but the future they fear. From the Hugo Awards and PuppyGate to Star Wars’ #NotMyJedi to Mass Effect and The Last of Us boycotts, Nostalgic Futures reveals how speculative fiction fandom has become a site of contestation over our visions of the past, present, and future.