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In this original study, Gabriel Horowitz examines the work of select nineteenth- and twentieth-century Latin American writers through the lens of contemporary theoretical debates about nature, postcoloniality, and national identity. In the work of José Martí, Gertrudis Gómez de Avellaneda, Jorge Luis Borges, Augusto Roa Bastos, Cesar Aira, and others, he traces historical constructions of nature in regional intellectual traditions and texts as they inform political culture on the broader global stage. By investigating national literary discourses from Cuba, Argentina, and Paraguay, he identifies a common narrative thread that imagines the utopian wilderness of the New World as a symbolic site of independence from Spain. In these texts, Horowitz argues, an expressed desire to return to the nation’s foundational nature contributed to a movement away from political and social engagement and toward a “biopolitical state,” in which nature, traditionally seen as pre-political, conversely becomes its center.

In Loreto, Baja California Sur, Mexico, artisanal fishing families and staff of Loreto Bay National Park face an array of choices as tourism, environmental concerns, and economic precarity challenge livelihoods and natural resource availability. In Net Values, Nicole D. Peterson offers a critical examination of how the idea of “choice” is understood, and what it means for policies, planning, and programs to ignore the social, political, economic, and cultural contexts surrounding these choices.

Anchored by more than twenty years of research, Peterson provides insight into the fishing community of Loreto and reveals an important role in decision-making that diverges from previous studies. She argues that decisions about fishing, natural resource management, and other aspects of life are influenced by context, values, and expectations in ways that go beyond the typical psychological or cognitive theories of choice. Instead, Net Values highlights the ways that choices are constrained and enabled by values and expectations of cultures, histories, relationships, and experiences, both personal and shared. Peterson answers questions such as “why do the fishermen fish?” or “what is the marine park staff doing?” These decisions and choices are related to the larger implication addressed by this book: that in order to make effective policies around natural resource management and other issues, we must understand how those potential policies interact with the decision processes already underway.

Divided into five chapters, Net Values is rich in ethnographic detail, drawing from real people to inform the narratives, chapters, and theoretical elaboration. Peterson’s interactions with fishers such as Don Javier and his family and friends support the ideas offered around choice, values, and strategies, connecting ideas to real experiences.

An essential interdisciplinary study of culture, history, and identity on Nicaragua’s Caribbean frontier.

Separated from Nicaragua’s Pacific plain by mountains, the Atlantic coastal plain extends between 70 and 100 miles into the interior. Early Spanish settlers were ousted by the British, who engaged in the mahogany trade, and who also hoped for trade with Americans seeking a short route to California. In 1850, with the signing of the Clayton-Bulwer Treaty, the U.S. and Britain agreed that neither country would seek to acquire exclusive control over a Nicaraguan canal. Plans for the development of a Nicaraguan canal had a marked influence on the region for the next 100 years.

During the second half of the 19th century both rubber and bananas were produced commercially in eastern Nicaragua, and the Standard Fruit Company of New Orleans became the larges single commercial influence in the region. The first over American intervention in eastern Nicaragua occurred in 1912, when a contingent of Marines was dispatched to protect American commercial interests. The Marines remained for thirteen years.

Dozier develops the history of the current political troubles in Nicaragua, which had their origin in the early 1930s and which center about the control of the rich area inhabited by the Mosquitos. His book presents the historical background for the tragic events that are taking place in that region.

Recent anthropological scholarship on “new midwifery” centers on how professional midwives in various countries are helping women reconnect with “nature,” teaching them to trust in their bodies, respecting women’s “choices,” and fighting for women’s right to birth as naturally as possible. In No Alternative, Rosalynn A. Vega uses ethnographic accounts of natural birth practices in Mexico to complicate these narratives about new midwifery and illuminate larger questions of female empowerment, citizenship, and the commodification of indigenous culture, by showing how alternative birth actually reinscribes traditional racial and gender hierarchies.

Vega contrasts the vastly different birthing experiences of upper-class and indigenous Mexican women. Upper-class women often travel to birthing centers to be delivered by professional midwives whose methods are adopted from and represented as indigenous culture, while indigenous women from those same cultures are often forced by lack of resources to use government hospitals regardless of their preferred birthing method. Vega demonstrates that women’s empowerment, having a “choice,” is a privilege of those capable of paying for private medical services—albeit a dubious privilege, as it puts the burden of correctly producing future members of society on women’s shoulders. Vega’s research thus also reveals the limits of citizenship in a neoliberal world, as indigeneity becomes an object of consumption within a transnational racialized economy.

2025 Foreword Indies Finalist, Nonfiction (Multicultural)

north by north/west is a hybrid work of creative nonfiction assembled as several iterative sequences—a discontinuous itinerary—of exile. Harnessing both montage and collage to represent the incohesive experience of being between cultures, categories, and language, this book is a personal, critical, and autoethnographic exploration of diasporic identity formation and creative expression amidst the cultural and political impacts of Cold War colonialism and fragmentation. As the narrator begins work on a rough translation of the 1959 film North by Northwest, focal points surface through textual correspondences with distant coordinates, shifting between close readings of Whitney Houston’s early music videos, current events reportage, illness journals, eighties spy movies, the most recent solar eclipse, Alfred Hitchcock’s unproduced films, Cold War “stay-behind operations,” an ill-fated party at the Festival de Cannes, and family accounts of migration. These meticulously arranged narrative threads—harnessing elements of a novel alongside poetry, photographs, and field notes—attempt to discompose the epistemology of the West/Global North in order to conceptualize a genre of work by the children of exiles who have been called “the post-dictatorship generation.”