459 books match the query 'Criminology' and 7 start with n

cover of Natural Born Celebrities: Serial Killers in American Culture

Natural Born Celebrities

Serial Killers in American Culture

David Schmid

University of Chicago Press, 2005

Jeffrey Dahmer. Ted Bundy. John Wayne Gacy. Over the past thirty years, serial killers have become iconic figures in America, the subject of made-for-TV movies and mass-market paperbacks alike. But why do we find such luridly transgressive and horrific individuals so fascinating? What compels us to look more closely at these figures when we really want to look away? Natural Born Celebrities considers how serial killers have become lionized in American culture and explores the consequences of their fame.

David Schmid provides a historical account of how serial killers became famous and how that fame has been used in popular media and the corridors of the FBI alike. Ranging from H. H. Holmes, whose killing spree during the 1893 Chicago World's Fair inspired The Devil in the White City, right up to Aileen Wuornos, the lesbian prostitute whose vicious murder of seven men would serve as the basis for the hit film Monster, Schmid unveils a new understanding of serial killers by emphasizing both the social dimensions of their crimes and their susceptibility to multiple interpretations and uses. He also explores why serial killers have become endemic in popular culture, from their depiction in The Silence of the Lambs and The X-Files to their becoming the stuff of trading cards and even Web sites where you can buy their hair and nail clippings.

Bringing his fascinating history right up to the present, Schmid ultimately argues that America needs the perversely familiar figure of the serial killer now more than ever to manage the fear posed by Osama bin Laden since September 11.

"This is a persuasively argued, meticulously researched, and compelling examination of the media phenomenon of the 'celebrity criminal' in American culture. It is highly readable as well."—Joyce Carol Oates

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cover of Negotiating Responsibility in the Criminal Justice System

Negotiating Responsibility in the Criminal Justice System

Edited by Jack Kamerman. Foreword by Gilbert Geis

Southern Illinois University Press, 1998

With this collection of essays, Jack Kamerman presents the first sustained examination of one of the underpinnings of the operation of the criminal justice system: the issue of responsibility for actions and, as a consequence, the issue of accountability.

 

Unique in the breadth of its approach, this volume examines the issue of responsibility from the perspectives of criminal justice professionals, sociologists, philosophers, and public administrators from four countries. Attacking the problem on various levels, the essayists look first at the assumptions made by criminal justice institutions regarding offender responsibility, then turn to the views of offenders on the causes of their own actions and to the consequences of offenders either to accept or deny responsibility.

 

These scholars also examine the social and psychological circumstances under which people in general accept or deny responsibility for what they do, thus providing the basis for understanding the process of social distance as a major precondition for people to commit atrocities without seeing themselves as responsible. Understanding the circumstances under which people either distance themselves from or embrace responsibility enables criminologists to make grounded recommendations for reordering responsibility in the criminal justice system and, more generally, for restoring a sense of responsibility to organizations, occupations, and society.

 

Aside from Kamerman, the contributors are William C. Collins, Charles Fethe, Gilbert Geis, Robert J. Kelly, Alison Liebling, Jess Maghan, Mark Harrison Moore, Paul Neurath, John Rakis, William Rentzmann, and José E. Sánchez.

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cover of Neither Villain nor Victim: Empowerment and Agency among Women Substance Abusers

Neither Villain nor Victim

Empowerment and Agency among Women Substance Abusers

Anderson, Tammy

Rutgers University Press, 2008

Female drug addicts are often stereotyped either as promiscuous, lazy, and selfish, or as weak, scared, and trapped into addiction. These depictions typify the "pathology and powerlessness" narrative that has historically characterized popular and academic conversations about female substance abusers. Neither Villain Nor Victim attempts to correct these polarizing perspectives by presenting a critical feminist analysis of the drug world. By shifting the discussion to one centered on women's agency and empowerment, this book reveals the complex experiences and social relationships of women addicts.

Essays explore a range of topics, including the many ways that women negotiate the illicit drug world, how former drug addicts manage the more intimate aspects of their lives as they try to achieve abstinence, how women tend to use intervention resources more positively than their male counterparts, and how society can improve its response to female substance abusers by moving away from social controls (such as the criminalization of prostitution) and rehabilitative programs that have been shown to fail women in the long term.

Advancing important new perspectives about the position of women in the drug world, this book is essential reading in courses on women and crime, feminist theory, and criminal justice.
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cover of Neodomestic American Fiction

Neodomestic American Fiction

Kristin J. Jacobson

The Ohio State University Press, 2010

In American literature, domestic fictions—that is, novels focused on the home and homemaking—are linked with white, middle-class women’s fiction and culture. Employing a spatial lens, Neodomestic American Fiction joins and extends other studies in redefining domestic fiction’s literary history and definition. Unlike previous redefinitions and reevaluations, Neodomestic American Fiction reads domestic novels alongside feminist geography and architectural history to map the links and disjunctions among a range of authors writing during the same period as well as across centuries and cultures. Kristin Jacobson’s attention to domestic geographies reveals a new space and subgenre emerge in the 1980s: neodomestic fiction.
 
In this innovative study, Kristin Jacobson identifies over thirty novels that renovate traditional forms, therefore challenging model domesticity’s conservative gender, racial, and sexual politics. Rather than produce stable single-family homes, neodomestic fictions advance a politics of instability characterized by mobility, renovation and redesign, and relational space. These “alternative” domesticities—when read in the context of neodomestic fiction—are not marginal but rather central to domesticity’s configurations. Such resistance, as Iris Marion Young argues, “is integral to modern political theory and is not an alternative to it.”
 
Thus, this spatial analysis of post-1980 domestic novels does not indicate a post-feminist or post-gender world. Rather, neodomestic fiction’s heterogeneous, unstable spaces offer opportunities to examine contemporary hierarchies and experiment with more egalitarian homemaking. These fictions include Toni Morrison’s Paradise, Barbara Kingsolver’s The Poisonwood Bible, Leslie Marmon Silko’s Gardens in the Dunes, and Chang-rae Lee’s A Gesture Life.
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cover of New York Undercover: Private Surveillance in the Progressive Era

New York Undercover

Private Surveillance in the Progressive Era

Jennifer Fronc

University of Chicago Press, 2009

To combat behavior they viewed as sexually promiscuous, politically undesirable, or downright criminal, social activists in Progressive-era New York employed private investigators to uncover the roots of society’s problems. New York Undercover follows these investigators—often journalists or social workers with no training in surveillance—on their information-gathering visits to gambling parlors, brothels, and meetings of criminal gangs and radical political organizations.

Drawing on the hundreds of detailed reports that resulted from these missions, Jennifer Fronc reconstructs the process by which organizations like the National Civic Federation and the Committee of Fourteen generated the knowledge they needed to change urban conditions. This information, Fronc demonstrates, eventually empowered government regulators in the Progressive era and beyond, strengthening a federal state that grew increasingly repressive in the interest of pursuing a national security agenda. Revealing the central role of undercover investigation in both social change and the constitution of political authority, New York Undercover narrates previously untold chapters in the history of vice and the emergence of the modern surveillance state.

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cover of No Way Out: Precarious Living in the Shadow of Poverty and Drug Dealing

No Way Out

Precarious Living in the Shadow of Poverty and Drug Dealing

Waverly Duck

University of Chicago Press, 2015

In 2005 Waverly Duck was called to a town he calls Bristol Hill to serve as an expert witness in the sentencing of drug dealer Jonathan Wilson. Convicted as an accessory to the murder of a federal witness and that of a fellow drug dealer, Jonathan faced the death penalty, and Duck was there to provide evidence that the environment in which Jonathan had grown up mitigated the seriousness of his alleged crimes. Duck’s exploration led him to Jonathan’s church, his elementary, middle, and high schools, the juvenile facility where he had previously been incarcerated, his family and friends, other drug dealers, and residents who knew him or knew of him. After extensive ethnographic observations, Duck found himself seriously troubled and uncertain: Are Jonathan and others like him a danger to society? Or is it the converse—is society a danger to them?

Duck’s short stay in Bristol Hill quickly transformed into a long-term study—one that forms the core of No Way Out. This landmark book challenges the common misconception of urban ghettoes as chaotic places where drug dealing, street crime, and random violence make daily life dangerous for their residents. Through close observations of daily life in these neighborhoods, Duck shows how the prevailing social order ensures that residents can go about their lives in relative safety, despite the risks that are embedded in living amid the drug trade. In a neighborhood plagued by failing schools, chronic unemployment, punitive law enforcement, and high rates of incarceration, residents are knit together by long-term ties of kinship and friendship, and they base their actions on a profound sense of community fairness and accountability. Duck presents powerful case studies of individuals whose difficulties flow not from their values, or a lack thereof, but rather from the multiple obstacles they encounter on a daily basis.

No Way Out explores how ordinary people make sense of their lives within severe constraints and how they choose among unrewarding prospects, rather than freely acting upon their own values. What emerges is an important and revelatory new perspective on the culture of the urban poor.
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cover of Notorious New Jersey: 100 True Tales of Murders and Mobsters, Scandals and Scoundrels

Notorious New Jersey

100 True Tales of Murders and Mobsters, Scandals and Scoundrels

Jon Blackwell

Rutgers University Press, 2007

Notorious New Jersey is the definitive guide to murder, mayhem, the mob, and corruption in the Garden State. With tabloid punch, Jon Blackwell tells riveting accounts of Alexander Hamilton falling mortally wounded on the dueling grounds of Weehawken; Dutch Schultz getting pumped full of lead in the men’s room of the Palace Chop House in Newark; and a gang of Islamic terrorists in Jersey City mixing the witch’s brew of explosives that became the first bomb to rock the World Trade Center. Along with these dramatic stories are tales of lesser-known oddities, such as the nineteenth-century murderer whose skin was turned into leather souvenirs, and the state senator from Jersey City who faked his death in a scuba accident in the 1970s in an effort to avoid prison.

Blackwell also sheds light on some historical whodunits—was Bruno Hauptmann really guilty of kidnapping the Lindbergh baby? Who was behind the anthrax attacks of 2001? Not forgotten either are notorious characters who may actually be innocent, including Rubin “Hurricane” Carter, and those who have never been convicted of wrongdoing although they left office in scandal, including Robert Torricelli and James McGreevey.

Through 100 historic true-crime tales that span over 300 years of history, Blackwell shows readers a side of New Jersey that would make even the Sopranos shudder.

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