1441 books match the query 'Great Britain' and 24 start with n
Iveta Jusová
The Ohio State University Press, 2005

David Cromwell and David Edwards
Pluto Press, 2009
Since 2001, Media Lens has encouraged thousands of readers to challenge the filtered and distorted version of the world provided by major newspapers and broadcasters. The media responses, collected in Newspeak, are an exposé of the arrogance and servility to power of our leading journalists and editors, starring Andrew Marr, Alan Rusbridger, Roger Alton, Jon Snow, Jeremy Bowen and even George Monbiot.
Picking up where the highly acclaimed and successful Guardians of Power (2006) left off, Newspeak is packed with forensic media analysis, revealing the lethal bias in "balanced" reporting. Even the "best" UK media -- the Guardian, the Independent, Channel 4 News and the BBC -- turn out to be cheerleaders for government, business and war.
Alongside an A-Z of BBC propaganda and chapters on Iraq and climate change, Newspeak focuses on the demonisation of Iran and Venezuela, the Israel-Palestine conflict, the myth of impartial reporting and the dark art of smearing dissidents.
George L. Mosse, With a critical introduction by Mary Louise Roberts
University of Wisconsin Press, 2020

Arthur Aughey
Pluto Press, 2001
Timothy P. Barnard
National University of Singapore Press, 2017
Edited by Renate Mayntz
Campus Verlag, 2016
Jon Mee
University of Chicago Press, 2023
Denise Albanese
Duke University Press, 1996

Ardis, Ann
Rutgers University Press, 1990
David Read
University of Missouri Press, 2005
Richard W. Bailey
University of Michigan Press, 1998
Jack Brown
Haus Publishing, 2019
Don N. Hagist
Westholme Publishing, 2025
Philip Hoare
University of Chicago Press, 1998
Edited by Scott Oldenburg and Matteo Pangallo
University of Alabama Press, 2025

Erdman Palmore
Duke University Press, 1970
Sjoerd Levelt and Ad Putter
Bodleian Library Publishing, 2022

Marie Smyth and Mike Morrissey
Pluto Press, 2002
Frank Field and Andrew Forsey
Haus Publishing, 2017
Richard Yeo
University of Chicago Press, 2014
James Mulvihill
University of Delaware Press, 2012
Notorious Facts examines the sensationalistic confounding of persons and principles in the public life of Romantic England (1780–1830). Its purview is limited to five decades straddling the late eighteenth and early nineteenth centuries, but its trajectory, moving from a politics rendered in personal terms to a politics of personality, describes a shift still in process today. The study’s chapters draw on a motley body of literature (pamphlets, secret histories, and the like) that at first glance seems uncharacteristic of what literary historians call the English Romantic period. Viewed in the context of something called late Georgian England, these texts seem more indigenous, but if the canonical revisionism of the last few decades should teach us anything, it is that a Romanticism encompassing all romanticisms ideally excludes nothing.
In its heroic Enlightenment sense, publicity is concerned with exposing the workings of power for all to see. A good deal may be inferred about publicity in Romantic England from primary texts in which this salutary function is at once espoused and subverted. These texts—the mostly nameless or pseudonymous authors of the age’s pamphlet literature are the heroes and villains of the piece—almost invariably claim to speak from a disinterested conception of publicity while putting its methods of critical exposure to wholly self-interested purposes. This study examines well-known authors of the period like Jeremy Bentham, Samuel Taylor Coleridge, and William Hazlitt, as well as pamphleteers like John Horne Tooke, Philip Withers, and Nathaniel Jefferys. Other figures include authors of secret history like Thomas Ashe, Mary Anne Clarke, Lewis Goldsmith, and Joseph Haslewood in addition to notorious figures in their own right such as the Prince and Princess of Wales, Mrs. Fitzherbert, and the Reverend Edward Irving. Among the topics treated are treasonous libel, royal scandal, secret history, and celebrity.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Adelene Buckland
University of Chicago Press, 2013
By Aldous Huxley
University of Texas Press, 2000
Over the course of his career, British writer Aldous Huxley (1894-1963) shifted away from elitist social satires and an atheistic outlook toward greater concern for the masses and the use of religious terms and imagery. This change in Huxley's thinking underlies the previously unpublished play Now More Than Ever.
Written in 1932-1933 just after Brave New World, Now More Than Ever is a response to the social, economic, and political upheavals of its time. Huxley's protagonist is an idealistic financier whose grandiose schemes for controlling the means of production drive him to swindling and finally to suicide. His fate allows Huxley to expose the evils he perceives in free-market capitalism while pleading the case for national economic planning and the rationalization of Britain's industrial base.
This volume contains the full text of Now More Than Ever, which was believed to be lost until 1976, when a copy was found at the Harry Ransom Humanities Research Center of the University of Texas at Austin. A "thinker's play" that has never been produced on stage, it is the last previously unpublished piece of Huxley's major writings and immensely important to understanding his development as a writer. The editors of this volume have annotated the play for contemporary readers. Their introduction sets the play in the context of Huxley's intellectual life.
Janet Wood
The Institution of Engineering and Technology, 2007