95 books match the query 'Ideology' and 5 start with n

cover of Narrative Innovation and Incoherence: Ideology in Defoe, Goldsmith, Austen, Eliot, and Hemingway

Narrative Innovation and Incoherence

Ideology in Defoe, Goldsmith, Austen, Eliot, and Hemingway

Michael M. Boardman

Duke University Press, 1992

When the impulse toward innovation arises late in a writer's career, it is often accompanied by a sense of urgency, and the result, as Narrative Innovation and Incoherence demonstrates, raises important questions for literary theory. Michael M. Boardman considers this pressing struggle to find a new form as it appears in the later works of Defoe, Goldsmith, Austen, Eliot, and Hemingway. He analyzes how these authors react to new and compelling beliefs for which a previous way of writing is no longer adequate.
Urgent innovations, in this account, can only be understood as unique, individual responses to crises in belief. Taking as a point of departure French theorist Althusser's conviction that ideology is intelligible only through structure, Boardman searches for an explanation of both form and ideology not in Marxist concepts of base and superstructure but in the particular structure of an individual artist's writing career. Narrative ideology here becomes more complex than is generally assumed.
Theoretically informed yet avoiding essentializing explanations of narrative invention, Narrative Innovation and Incoherence offers unexpected insights into the multifaceted relations between form and belief. It will encourage serious students of the novel to reexamine the importance of poetics as a mediating factor in the means of production.
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cover of Narratology and Ideology: Negotiating Context, Form, and Theory in Postcolonial Narratives

Narratology and Ideology

Negotiating Context, Form, and Theory in Postcolonial Narratives

Divya Dwivedi

The Ohio State University Press, 2018

Narratology and Ideology: Negotiating Context, Form, and Theory in Postcolonial Narratives, edited by Divya Dwivedi, Henrik Skov Nielsen, and Richard Walsh, brings together many of the most prominent figures in the interface between narratology and postcolonial criticism. While narrative theory has for some time recognized the importance of context in the analysis of fiction, this recognition has not quickly translated into substantial work in fields like postcolonialism, where situated questions of value and ideology have been brought to the fore. Postcolonial criticism, on the other hand, has often neglected the formal qualities of fiction in preference for ideological thematic interpretations, precisely because of the suspect legacy of formalism. The volume, then, stages a meeting between these two fields, negotiating both narratological and postcolonialist concerns by addressing specific features of narrative form and technique in the ideological analysis of key postcolonial texts.
 
The thirteen essays in Narratology and Ideology offer compelling readings of individual novels, with a focus upon South Asian literature, that provide a cumulative case study on the value of postcolonial narratology. The essays show not only how narrative theory can be productively applied in service of postcolonial criticism but also how such attention to postcolonial fictions can challenge and refine our theoretical understanding of narrative.
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cover of Native American Language Ideologies: Beliefs, Practices, and Struggles in Indian Country

Native American Language Ideologies

Beliefs, Practices, and Struggles in Indian Country

Edited by Paul V. Kroskrity and Margaret C. Field

University of Arizona Press, 2009

Beliefs and feelings about language vary dramatically within and across Native American cultural groups and are an acknowledged part of the processes of language shift and language death. This volume samples the language ideologies of a wide range of Native American communities--from the Canadian Yukon to Guatemala--to show their role in sociocultural transformation.

These studies take up such active issues as "insiderness" in Cherokee language ideologies, contradictions of space-time for the Northern Arapaho, language socialization and Paiute identity, and orthography choices and language renewal among the Kiowa. The authors--including members of indigenous speech communities who participate in language renewal efforts--discuss not only Native Americans' conscious language ideologies but also the often-revealing relationship between these beliefs and other more implicit realizations of language use as embedded in community practice.

The chapters discuss the impact of contemporary language issues related to grammar, language use, the relation between language and social identity, and emergent language ideologies themselves in Native American speech communities. And although they portray obvious variation in attitudes toward language across communities, they also reveal commonalities--notably the emergent ideological process of iconization between a language and various national, ethnic, and tribal identities.

As fewer Native Americans continue to speak their own language, this timely volume provides valuable grounded studies of language ideologies in action--those indigenous to Native communities as well as those imposed by outside institutions or language researchers. It considers the emergent interaction of indigenous and imported ideologies and the resulting effect on language beliefs, practices, and struggles in today's Indian Country as it demonstrates the practical implications of recognizing a multiplicity of indigenous language ideologies and their impact on heritage language maintenance and renewal.
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cover of Natural Aristocracy: History, Ideology, and the Production of William Faulkner

Natural Aristocracy

History, Ideology, and the Production of William Faulkner

Kevin Railey

University of Alabama Press, 1999

Kevin Railey uses a materialist critical approach--which envisions literature as a discourse necessarily interactive with other forces in the world--to identify and historicize Faulkner’s authorial identity. Working from the assumption that Faulkner was deeply affected by the sociohistorical forces that surrounded his life, Railey explores the interrelationships between American history and Faulkner’s fiction, between southern history and Faulkner’s subjectivity. Railey argues that Faulkner’s obsession with history and his struggle with specific ideologies affecting southern society and his family guided his development as an artist, influencing and overdetermining characterizations and narrative structures as well as the social vision manifest in his work. By seeing Faulkner the artist and Faulkner the man as one and the same, Railey concludes that the celebrated author wrote himself into history in a way that satisfied the image he had of himself as a natural, artistic aristocrat, based on the notion of natural aristocracy.
 
After examining two prevailing and opposing ideologies in the South of Faulkner’s lifetime--paternalism and liberalism--Railey shows how Faulkner’s working-through of his identifications with these forces helped develop his values and perceptions as an artist and individual. Railey reads Faulkner’s fiction as exploring social concerns about the demise of paternalism, questions of leadership within liberalism, and doubts about both an aristocracy of heritage and one of wealth. This reading of The Sound and the Fury, As I Lay Dying, Sanctuary, Light in August, Absalom, Absalom!, the Snopes trilogy and The Reivers details Faulkner’s explorations of various manifestations of paternalism and liberalism and the intense conflict between them, as well as his attempts to resolve that conflict.
 
Providing new insights into the full range of Faulkner’s fiction, Natural Aristocracy is the first systematic materialist critique of the author and his world.
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cover of New Social Movements: From Ideology to Identity

New Social Movements

From Ideology to Identity

edited by Enrique Laraña, Hank Johnston and Joseph R. Gusfield

Temple University Press, 1994

Cultural changes over the past two decades have led to a proliferation of new social movements in Europe and the United States. New social movements such as ecology, peace, ethnicity, New Age philosophies, alternative medicine, and gender and sexual identity are among those that are emerging to challenge traditional categories in social movement theory. Synthesizing classic and modern perspectives the contributors help to redefine the field of social movements and advance an understanding of them through cross-cultural research, comparison with older movements, and an examination of the dimensions of identity—individual, collective, and melding of the two.

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