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Walden Pond. The Grand Canyon.Yosemite National Park. Throughout the twentieth century, photographers and filmmakers created unforgettable images of these and other American natural treasures. Many of these images, including the work of Ansel Adams, continue to occupy a prominent place in the American imagination. Making these representations, though, was more than a purely aesthetic project. In fact, portraying majestic scenes and threatened places galvanized concern for the environment and its protection. Natural Visions documents through images the history of environmental reform from the Progressive era to the first Earth Day celebration in 1970, showing the crucial role the camera played in the development of the conservation movement.

In Natural Visions, Finis Dunaway tells the story of how visual imagery—such as wilderness photographs, New Deal documentary films, and Sierra Club coffee-table books—shaped modern perceptions of the natural world. By examining the relationship between the camera and environmental politics through detailed studies of key artists and activists, Dunaway captures the emotional and spiritual meaning that became associated with the American landscape. Throughout the book, he reveals how photographers and filmmakers adapted longstanding traditions in American culture—the Puritan jeremiad, the romantic sublime, and the frontier myth—to literally picture nature as a place of grace for the individual and the nation.

Beautifully illustrated with photographs by Ansel Adams, Eliot Porter, and a host of other artists, Natural Visions will appeal to a wide range of readers interested in American cultural history, the visual arts, and environmentalism.

“Waterman's profound respect for the northern lands burns on every page, and his photos and essays prove to us that there is still beauty in this world—beauty worth fighting for.”—Robert Redford

North of the sixtieth parallel, the sun shines for less than six hours in the winter, and towering mountains are the only skyscrapers. Pristine waters serve caribou, moose, and bears in an unbroken landscape. At any given moment in this spectacular scenery, there’s a chance that Jonathan Waterman is present, trekking across the land. A masterful adventurer, Waterman has spent decades exploring the farthest reaches of our beautiful spaces. The essays and photographs collected in Northern Exposures are a product of this passion for exploration and offer an unparalleled view into adventuring in the north and beyond.

Picking up after In the Shadow of Denali, his first book of essays, Northern Exposures collects twenty-three stories from Waterman’s thirty-year career that show the evolution of the adventurer’s career and work, from ducking avalanches near the Gulf of Alaska, to searching for the most pristine tundra on the continent, and from writing haiku on Denali in the depth of winter to decrying oil development in the Arctic National Wildlife Refuge. Ninety-six spectacular photographs taken by Waterman during his expeditions lend a broader context and allow readers to fully understand his heartfelt argument for protecting these places. Whether active, aspiring, or just armchair adventurers, readers will be inspired by Waterman’s daring spirit.