John Clabeaux
University of Scranton Press, 2009
For many years now John Clabeaux has been perfecting his technique for teaching New Testament Greek—using his classrooms at St. John’s Seminary College, Harvard Divinity School, and the Pontifical College Josephinum as language laboratories. The comprehensive, meticulous, and user-friendly text NT Greek: A Systems Approach is the fruit of these efforts.
NT Greek is designed to be used both as a classroom text and as a reference manual for those students pursuing degrees in theological and biblical studies. The text includes a Greek index, an English index, a Greek-to-English glossary, verb maps, noun and adjective declension charts, and a list of helpful hints and rules. A digitally mastered CD of Greek recitations comes with every book to assist students with their pronunciations.
Daniel Lawson
Utah State University Press, 2026
Writing centers are the locus for a wide range of emotional labor on campus, often serving students beyond the typical educational purpose. Naming How We Feel grapples with the question of how writing center administrators account for, train for, and theorize emotion and affect in the writing center to facilitate better and more ethical practices and considers how writing center administrators might ameliorate the costs of such emotional labor to faculty, tutors, and students.
Beginning with a discussion of how writing center scholars might identify and understand emotional labor, the book then expands to examine richly varied case studies and anecdotes to showcase how tutors tend to experience such labor and consider its relationship and association with emotional intelligence and burnout. Lawson considers how the field might better prepare and train tutors for affect and emotional labor, ultimately advocating for more equitable conditions for emotional labor within writing centers.
Naming How We Feel examines the critical role feelings play in writing and writing center work, offering advice on training tutors for emotional labor and literacy and suggestions for how administrators might engage institutional stakeholders to create and support more equitable conditions for emotional labor within their writing centers.
Linda Adler-Kassner
Utah State University Press, 2016
Linda Adler-Kassner
Utah State University Press, 2015
Naming What We Know examines the core principles of knowledge in the discipline of writing studies using the lens of “threshold concepts”—concepts that are critical for epistemological participation in a discipline. The first part of the book defines and describes thirty-seven threshold concepts of the discipline in entries written by some of the field’s most active researchers and teachers, all of whom participated in a collaborative wiki discussion guided by the editors. These entries are clear and accessible, written for an audience of writing scholars, students, and colleagues in other disciplines and policy makers outside the academy. Contributors describe the conceptual background of the field and the principles that run throughout practice, whether in research, teaching, assessment, or public work around writing. Chapters in the second part of the book describe the benefits and challenges of using threshold concepts in specific sites—first-year writing programs, WAC/WID programs, writing centers, writing majors—and for professional development to present this framework in action.
Naming What We Know opens a dialogue about the concepts that writing scholars and teachers agree are critical and about why those concepts should and do matter to people outside the field.
Andrew Cowell
University of Arizona Press, 2018
Didier Coste
University of Minnesota Press, 1989
Narrative as Communication is the first major treatise on narrative and narrative theory to make use of all the analytic tools developed in the twenty years. Intended as an up-to-date introduction, it carefully defines narrative discourse, distinguishing it from other discourses, and analyzes what it entails by referring to numerous examples spanning a wide range of media and literary works. At the same time, it orients narrative theory in the current debates surrounding the “New Historicism” and postmodern ideology, showing that theories of narrative are necessarily central to any understanding of history.
Not restricted to any single genre, Coste’s text emphasizes the production of narrative meaning in diverse contexts: The Epic of Gilgamesh, a John Ford film classic, French American, and Spanish new fiction, Dante, Shakespeare, the pastoral, the fairy tale, The Communist Manifesto, Prescott’s History of the Conquest of Peru, a painting by Gustave Moreau. Coste thoroughly and critically examines the usual concepts of voice, character, point of view and narrative syntax, and he develops radical revisions in the notion of fictionality, character, narrative economy and the function of narrative meaning itself. The book is a remarkable synthesis that will likely become a reference for future studies in narratology.Eric S. Rabkin
University of Michigan Press, 1973
Tracey Overbey and Amanda L. Folk
American Library Association, 2022
Still a predominantly white profession, librarianship has a legacy of racial discrimination, and it is essential that we face the ways that race impacts how we meet the needs of diverse user communities. Identifying and acknowledging implicit and learned bias is a necessary step toward transforming not only our professional practice but also our scholarship, assessment, and evaluation practices. From this Special Report, readers will
Amanda L. Folk and Tracey Overbey
American Library Association, 2022
Asao B. Inoue
University Press of Colorado, 2024
Claude Hurlbert
Utah State University Press, 2013
In National Healing, author Claude Hurlbert persuasively relates nationalism to institutional racism and contends that these are both symptoms of a national ill health afflicting American higher education and found even in the field of writing studies. Teachers and scholars, even in progressive fields like composition, are unwittingly at odds with their own most liberatory purposes, he says, and he advocates consciously broadening our understanding of rhetoric and writing instruction to include rhetorical traditions of non-Western cultures.
Threading a personal narrative of his own experiences as a student, professor, and citizen through a wide ranging discussion of theory, pedagogy, and philosophy in the writing classroom, Hurlbert weaves a vision that moves beyond simple polemic and simplistic multiculturalism. National Healing offers a compelling new aesthetic, epistemological, and rhetorical configuration.
Clarke Rountree
Michigan State University Press, 2019
Michael McCafferty
University of Illinois Press, 2007
A linguistic history of Native American place-names in Indiana
In tracing the roots of Indiana place names, Michael McCafferty focuses on those created and used by local Native Americans. Drawing from exciting new sources that include three Illinois dictionaries from the eighteenth century, the author documents the language used to describe landmarks essential to fur traders in Les Pays d’en Haut and settlers of the Old Northwest territory. Impeccably researched, this study details who created each name, as well as when, where, how and why they were used. The result is a detailed linguistic history of lakes, streams, cities, counties, and other Indiana names. Each entry includes native language forms, translations, and pronunciation guides, offering fresh historical insight into the state of Indiana.
Edited by Stephanie Nohelani Teves, Andrea Smith, and Michelle Raheja
University of Arizona Press, 2015
Margaret Ann Paauw
American Library Association, 2025
Paula Martin
Assoc of College & Research Libraries, 2025

Menzi L. Behrnd-Klodt
American Library Association, 2009
Eric Detweiler
Utah State University Press, 2026
Offering practical applications of scholarship in spatial theory and rhetorics of space and place, Navigating Space On and Beyond Campus profiles how writing and rhetoric programs across the United States have responded to the spatial challenges and possibilities facing higher education. Exploring how instructors creatively and critically navigate actual, virtual, and inaccessible spaces in the pursuit of effective, ethically informed rhetoric and writing education, this book also reveals how the use of space contributes to the creation and/or denial of equity among students, faculty, and programs.
Contributors document how they have secured and repurposed campus real estate, literally and metaphorically navigated relationships with other campus resources, and responded to austerity measures that have threatened the spaces they have historically called their own. Individual sections focus on the historical pressures that have shaped programs’ locations and resources, developments in the work and design of writing centers, the creation of new labs and centers, and the relationship between writing programs and the broader places and communities with which they are intertwined.
How spaces are allocated, structured, and regulated is a key determinant of access and equity in higher education. Navigating Space On and Beyond Campus offers timely strategies for and reflections on the place of rhetoric and writing on college and university campuses.

Joan Giesecke
Assoc of College & Research Libraries, 2015
Doreen Bradley
Against the Grain, LLC, 2024
Lía D. Kamhi-Stein, Bahiyyih Hardacre, and Jeremy Kelley
University of Michigan Press, 2024

Joan Giesecke
Assoc of College & Research Libraries, 2015
John J. Burke
American Library Association, 2020
Carrying over the reorganization that made the fifth edition such a convenient learning resource for students and working professionals alike, the newest edition of this comprehensive library technology primer is timelier and more compelling than ever. Burke's guide should be at the top of the reading list for any current or future library professional looking to stay at the forefront of technological advancement. Updated with new case studies to illuminate key areas, its incisive coverage includes
Informed by a large-scale survey of librarians across the spectrum of institution types, this guide will be a true technology companion to readers at all experience levels.

John J. Burke
American Library Association, 2016
Robin Hastings
American Library Association, 2025
Foreword by Maurice Coleman
Technology infuses every aspect of every day in every library, and thus basic technology skills are a prerequisite for everyone who works in a library. Providing a one-stop overview of all technologies used in libraries today, this comprehensive primer belongs at the top of the reading list for any current or future library professional looking to stay at the forefront of technological advancement. Representing a complete update of the book under a new author, this seventh edition of the guide is bolstered with fresh insights gleaned from librarians and library staff members sharing how they work with a given technology in their library settings. Readers will learn about
Kevin Kopelson Kopelson
University of Minnesota Press, 2006
edited by Magnus Gustafsson and Andreas Eriksson
University Press of Colorado, 2022
Edited by Louis A. Ferman, Joyce L. Kornbluh and J.A. Miller
University of Michigan Press, 1968
Rob Wittig
Amherst College Press, 2021

Lorcan American Library Association
American Library Association, 2014
Derek N. Mueller
University Press of Colorado, 2018
Cynthia B. Roy
Gallaudet University Press, 2006

American Library Association, 2002

American Library Association, 2009
Edited by Ellen Brandner and Heike Zinsmeister
CSLI, 2003
Michael D. Picone
University of Alabama Press, 2015

Elisabeth Doucett
American Library Association, 2015

American Library Association, 2007
Kenneth J. Varnum
American Library Association, 2019
Staci M. Perryman-Clark
Utah State University Press, 2023
Patrick Sullivan
Utah State University Press, 2014
In A New Writing Classroom, Patrick Sullivan provides a new generation of teachers a means and a rationale to reconceive their approach to teaching writing, calling into question the discipline's dependence on argument.
Including secondary writing teachers within his purview, Sullivan advocates a more diverse, exploratory, and flexible approach to writing activities in grades six through thirteen. A New Writing Classroom encourages teachers to pay more attention to research in learning theory, transfer of learning, international models for nurturing excellence in the classroom, and recent work in listening to teach students the sort of dialogic stance that leads to higher-order thinking and more sophisticated communication.
The conventional argumentative essay is often a simplistic form of argument, widely believed to be the most appropriate type of writing in English classes, but other kinds of writing may be more valuable to students and offer more important kinds of cognitive challenges. Focusing on listening and dispositions or "habits of mind” as central elements of this new composition pedagogy, A New Writing Classroom draws not just on composition studies but also on cognitive psychology, philosophy, learning theory, literature, and history, making an exciting and significant contribution to the field.
Hilda K. Weisburg
American Library Association, 2014

Ruth Toor
American Library Association, 2007

American Library Association, 2001
Joseph Clark
University of Minnesota Press, 2020
A fascinating look at the United States’ conflicted relationship with news and the media, through the lens of the newsreel
When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized “indisputable evidence” of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel’s methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel’s place in the history of twentieth-century American culture and film history.
Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel’s coverage of Charles Lindbergh’s transatlantic flight and the Sino–Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship.
In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public’s relationship with the news in the 1930s—a history that can help us to better understand the transformations happening today.
Shanto Iyengar and Donald R. Kinder
University of Chicago Press, 2010
Almost twenty-five years ago, Shanto Iyengar and Donald R. Kinder first documented a series of sophisticated and innovative experiments that unobtrusively altered the order and emphasis of news stories in selected television broadcasts. Their resulting book News That Matters, now hailed as a classic by scholars of political science and public opinion alike, is here updated for the twenty-first century, with a new preface and epilogue by the authors. Backed by careful analysis of public opinion surveys, the authors show how, despite changing American politics, those issues that receive extended coverage in the national news become more important to viewers, while those that are ignored lose credibility. Moreover, those issues that are prominent in the news stream continue to loom more heavily as criteria for evaluating the president and for choosing between political candidates.
“News That Matters does matter, because it demonstrates conclusively that television newscasts powerfully affect opinion. . . . All that follows, whether it supports, modifies, or challenges their conclusions, will have to begin here.”—The Public Interest
Jack Fuller
University of Chicago Press, 1996
Pablo J. Boczkowski
University of Chicago Press, 2010
Before news organizations began putting their content online, people got the news in print or on TV and almost always outside of the workplace. But nowadays, most of us keep an eye on the headlines from our desks at work, and we have become accustomed to instant access to a growing supply of constantly updated stories on the Web. This change in the amount of news available as well as how we consume it has been coupled with an unexpected development in editorial labor: rival news organizations can now keep tabs on the competition and imitate them, resulting in a decrease in the diversity of the news. Peeking inside the newsrooms where journalists create stories and the work settings where the public reads them, Pablo J. Boczkowski reveals why journalists contribute to the growing similarity of news—even though they dislike it—and why consumers acquiesce to a media system they find increasingly dissatisfying.
Comparing and contrasting two newspapers in Buenos Aires with similar developments in the United States, News at Work offers an enlightening perspective on living in a world with more information but less news.
W. Lance Bennett
University of Chicago Press, 2011
W. Lance Bennett
University of Chicago Press, 2016