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The Natural and Moral History of the Indies, the classic work of New World history originally published by José de Acosta in 1590, is now available in the first new English translation to appear in several hundred years. A Spanish Jesuit, Acosta produced this account by drawing on his own observations as a missionary in Peru and Mexico, as well as from the writings of other missionaries, naturalists, and soldiers who explored the region during the sixteenth century. One of the first comprehensive investigations of the New World, Acosta’s study is strikingly broad in scope. He describes the region’s natural resources, flora and fauna, and terrain. He also writes in detail about the Amerindians and their religious and political practices.
A significant contribution to Renaissance Europe's thinking about the New World, Acosta's Natural and Moral History of the Indies reveals an effort to incorporate new information into a Christian, Renaissance worldview. He attempted to confirm for his European readers that a "new" continent did indeed exist and that human beings could and did live in equatorial climates. A keen observer and prescient thinker, Acosta hypothesized that Latin America's indigenous peoples migrated to the region from Asia, an idea put forth more than a century before Europeans learned of the Bering Strait. Acosta's work established a hierarchical classification of Amerindian peoples and thus contributed to what today is understood as the colonial difference in Renaissance European thinking.

As both an idea and an institution, the family has been at the heart of Chicano/a cultural politics since the Mexican American civil rights movement emerged in the late 1960s. In Next of Kin, Richard T. Rodríguez explores the competing notions of la familia found in movement-inspired literature, film, video, music, painting, and other forms of cultural expression created by Chicano men. Drawing on cultural studies and feminist and queer theory, he examines representations of the family that reflect and support a patriarchal, heteronormative nationalism as well as those that reconfigure kinship to encompass alternative forms of belonging.

Describing how la familia came to be adopted as an organizing strategy for communitarian politics, Rodríguez looks at foundational texts including Rodolfo Gonzales’s well-known poem “I Am Joaquín,” the Chicano Liberation Youth Conference’s manifesto El Plan Espiritual de Aztlán, and José Armas’s La Familia de La Raza. Rodríguez analyzes representations of the family in the films I Am Joaquín, Yo Soy Chicano, and Chicana; the Los Angeles public affairs television series ¡Ahora!; the experimental videos of the artist-activist Harry Gamboa Jr.; and the work of hip-hop artists such as Kid Frost and Chicano Brotherhood. He reflects on homophobia in Chicano nationalist thought, and examines how Chicano gay men have responded to it in works including Al Lujan’s video S&M in the Hood, the paintings of Eugene Rodríguez, and a poem by the late activist Rodrigo Reyes. Next of Kin is both a wide-ranging assessment of la familia’s symbolic power and a hopeful call for a more inclusive cultural politics.

Organized in the mid-1970s as a means of communal protection against livestock rustling and general thievery in Peru’s rugged northern mountains, the rondas campesinas (peasants who make the rounds) grew into an entire system of peasant justice and one of the most significant Andean social movements of the late twentieth century. Nightwatch is the first full-length ethnography and the only study in English to examine this grassroots agrarian social movement, which became a rallying point for rural pride.
Drawing on fieldwork conducted over the course of a decade, Orin Starn chronicles the historical conditions that led to the formation of the rondas, the social and geographical expansion of the movement, and its gradual decline in the 1990s. Throughout this anecdotal yet deeply analytical account, the author relies on interviews with ronda participants, villagers, and Peru’s regional and national leaders to explore the role of women, the involvement of nongovernmental organizations, and struggles for leadership within the rondas. Starn moves easily from global to local contexts and from the fifteenth to the twentieth century, presenting this movement in a straightforward manner that makes it accessible to both specialists and nonspecialists.
An engagingly written story of village mobilization, Nightwatch is also a meditation on the nature of fieldwork, the representation of subaltern people, the relationship between resistance and power, and what it means to be politically active at the end of the century. It will appeal widely to scholars and students of anthropology, Latin American studies, cultural studies, history, subaltern studies, and those interested in the politics of social movements.