968 books match the query 'Movements' and 20 start with n
Miroslav Hroch
Central European University Press, 2007
Niloofar Kakhi
Gingko, 2023
Jerome A. Popp
Southern Illinois University Press, 1998
Jerome A. Popp examines the role of Dewey-based pragmatism in the past, present, and future of philosophy of education. He insists that even though Marx-ian utopian thought subjugated Dewey’s ideas during the 1970s, Dewey’s epistemological arguments are directly relevant to contemporary philosophy. He contends that not only are Dewey’s arguments related to how we think about philosophy of education; they actually improve the thinking reflected in the literature. Dewey’s arguments, he demonstrates, provide the basis for both a rejuvenated account of conceptual analysis and a criticism of the utopian relativism currently dominating the literature.
Popp notes that empiricism, manifested in the philosophy of education as analytic philosophy, holds that scientific findings, especially from psychology, have no place in philosophy. But contemporary writers in the philosophy of science contend that to justify the methods of science we must consider what is known about intelligence and cognitive processes. These arguments are relevant to the ways in which we justify claims about proper education.
Naturalizing epistemology (using the results of science in philosophic theories) leads to an enhanced account of Dewey’s instrumental approach to normative inquiry and strengthens attempts to justify educational practices. Dewey’s critique of utopian approaches to social theory is bolstered by contemporary arguments in epistemology and the philosophy of science. These arguments reject the attempt by some in philosophy of education to solve value questions through an appeal to utopian thinking. Popp agrees with Dewey’s view that the proper goals of education cannot be stated in these terms.
Didier Debaise
Duke University Press, 2017
Maurice Merleau-Ponty
Northwestern University Press, 2000
Lee Hardy
Ohio University Press, 2014
Edmund Husserl, founder of the phenomenological movement, is usually read as an idealist in his metaphysics and an instrumentalist in his philosophy of science. In Nature’s Suit, Lee Hardy argues that both views represent a serious misreading of Husserl’s texts.
Drawing upon the full range of Husserl’s major published works together with material from Husserl’s unpublished manuscripts, Hardy develops a consistent interpretation of Husserl’s conception of logic as a theory of science, his phenomenological account of truth and rationality, his ontology of the physical thing and mathematical objectivity, his account of the process of idealization in the physical sciences, and his approach to the phenomenological clarification and critique of scientific knowledge. Offering a jargon-free explanation of the basic principles of Husserl’s phenomenology, Nature’s Suit provides an excellent introduction to the philosophy of Edmund Husserl as well as a focused examination of his potential contributions to the philosophy of science.
While the majority of research on Husserl’s philosophy of the sciences focuses on the critique of science in his late work, The Crisis of European Sciences, Lee Hardy covers the entire breadth of Husserl’s reflections on science in a systematic fashion, contextualizing Husserl’s phenomenological critique to demonstrate that it is entirely compatible with the theoretical dimensions of contemporary science.

Andreas Huyssen, Anson Rabinbach, and Avinoam Shalem, special issue editors
Duke University Press, 2017
Jean-Luc Marion
University of Chicago Press, 2015
Daniel Breazeale and Tom Rockmore
Northwestern University Press, 2002
George J. Stack
Ohio University Press, 1993
George J. Stack traces the sources of ideas and theories that have long been considered the exclusive province of Friedrich Nietzsche to the surprisingly radical writings of the American essayist and poet, Ralph Waldo Emerson.
Nietzsche and Emerson makes us see Emerson’s writings in a new, more intensified light and presents a new perspective on Nietzsche’s philosophy. Stack traces how the rich theoretical ideas and literary images of Emerson entered directly into the existential dimension of Nietzsche’s thought and hence into the stream of what has been considered a distinctively European intellectual movement.
Richard Schacht
University of Chicago Press, 2024
Edited by Jeff Love and Jeffrey Metzger
Northwestern University Press, 2016
Marc de Launay
University of Chicago Press, 2023
Michael Steven Green
University of Illinois Press, 2002
In recent years, both analytic thinkers and postmodern theorists have looked at Friedrich Nietzsche's epistemology from the perspectives of their philosophical traditions. Michael Steven Green's penetrating study tries instead to do justice to Nietzsche's views on truth and knowledge by looking at them from the perspective of his contemporaries, particularly the Neo-Kantian philosopher Afrikan Spir, whose ideas exerted a tremendous influence on Nietzsche's thought.
Despite his generally naturalist outlook, Nietzsche was committed to an antinaturalist theory of cognition inherited from Kant and Spir. Green shows how this fundamental tension in Nietzsche's thought led him to present not only the antirealism that has commonly been attributed to him in the past, but two other epistemological positions. These are a denial of the possibility of human thought entirely, and an error theory–-the argument that all of our judgments are false–-that has strong parallels in Spir's thought and Kant's antinomies.
Viewing Nietzsche's error theory in light of Kantian transcendental idealism, Green makes sense of arguments that have previously confounded Nietzsche interpreters. Green also provides the first English translations of many passages from Spir's writings and Nietzsche's notebooks.
In examining Nietzsche's thought through the lens of the philosophical influences upon him–-the philosophers that Nietzsche himself read–-Green establishes a significant new foundation from which to assess Nietzsche's place in modern philosophy and culture.
Keith Ansell-Pearson
University of Chicago Press, 2025

Edited by Alan D. Schrift and Daniel Conway
University of Chicago Press, 2010
From Kant to Kierkegaard, from Hegel to Heidegger, continental philosophers have indelibly shaped the trajectory of Western thought since the eighteenth century. Although much has been written about these monumental thinkers, students and scholars lack a definitive guide to the entire scope of the continental tradition. The most comprehensive reference work to date, this eight-volume History of Continental Philosophy will both encapsulate the subject and reorient our understanding of it. Beginning with an overview of Kant’s philosophy and its initial reception, the History traces the evolution of continental philosophy through major figures as well as movements such as existentialism, phenomenology, hermeneutics, and poststructuralism. The final volume outlines the current state of the field, bringing the work of both historical and modern thinkers to bear on such contemporary topics as feminism, globalization, and the environment. Throughout, the volumes examine important philosophical figures and developments in their historical, political, and cultural contexts.
The first reference of its kind, A History of Continental Philosophy has been written and edited by internationally recognized experts with a commitment to explaining complex thinkers, texts, and movements in rigorous yet jargon-free essays suitable for both undergraduates and seasoned specialists. These volumes also elucidate ongoing debates about the nature of continental and analytic philosophy, surveying the distinctive, sometimes overlapping characteristics and approaches of each tradition. Featuring helpful overviews of major topics and plotting road maps to their underlying contexts, A History of Continental Philosophy is destined to be the resource of first and last resort for students and scholars alike.
Yoav Di-Capua
University of Chicago Press, 2018
Jeffrey Moser
University of Chicago Press, 2023
Hilma af Klint
University of Chicago Press, 2018
By Jeffrey Chipps Smith
University of Texas Press, 1983
Although renowned for the excellence of its medieval art, the German city of Nuremberg reached the height of its artistic brilliance during the Renaissance. Beginning its ascendancy during the late fifteenth century, by 1500 the city had blossomed into both Germany's preeminent artistic center and one of the foremost cultural centers in all of Europe. Nuremberg was the home of Albrecht Dürer, the greatest Northern Renaissance master, whose creative genius inspired two generations of German artists. However, Dürer was only one of a host of extraordinary painters, printmakers, sculptors, and goldsmiths working in the city. Georg Pencz, Hans and Barthel Beham, Hans Schäufelein, Jost Amman, and Hans Lautensack were among the most accomplished printmakers of the day. Veit Stoss, Adam Kraft, Peter Flötner, and the Vischer family dominated early sixteenth-century German sculpture. Goldsmith Wenzel Jamnitzer was rivaled only by Florentine master Benvenuto Cellini in his inventiveness and technical virtuosity.
This remarkably comprehensive volume is the first English-language examination of Nuremberg at its creative peak. Following a mapping of the city's principal landmarks, Guy Fitch Lytle provides a compact historical background for Jeffrey Chipps Smith's detailed discussions of the city's social and artistic history. Smith examines the religious function of art before and during the Reformation to demonstrate the magnitude of the cultural transformations that resulted from the adoption of Lutheranism in 1525. He considers the early manifestations of humanism in Nuremberg and its influence on the art of Dürer and his contemporaries, and he reviews the central role of Dürer's pedagogical ideas and his workshop in the dissemination of Renaissance artistic concepts. Finally, Smith surveys the principal artists and stylistic trends in Nuremberg from 1500 to the outbreak of the Thirty Years War in 1618.
Nuremberg: A Renaissance City, 1500-1618 is the permanent record of an exhibition organized by the Archer M. Huntington Art Gallery as part of the centennial celebration of the University of Texas at Austin. As such, it represents not only a thorough introduction to the cultural heritage of Nuremberg during its period of greatest glory but also a catalogue of the more than two hundred objects borrowed for the exhibition from public and private collections in the United States, Canada, and Germany. The catalogue contains biographical sketches of forty-five major artists of the period. Over three hundred illustrations depict the city and its most magnificent artistic treasures.