74 books match the query 'Russian literature' and 2 start with n

cover of Nabokov's Canon: From "Onegin" to "Ada"

Nabokov's Canon

From "Onegin" to "Ada"

Marijeta Bozovic

Northwestern University Press, 2016

Nabokov's translation of Pushkin's Eugene Onegin (1964) and its accompanying Commentary, along with Ada, or Ardor (1969), his densely allusive late English language novel, have appeared nearly inscrutable to many interpreters of his work. If not outright failures, they are often considered relatively unsuccessful curiosities. In Bozovic's insightful study, these key texts reveal Nabokov's ambitions to reimagine a canon of nineteenth- and twentieth-century Western masterpieces with Russian literature as a central, rather than marginal, strain. Nabokov's scholarly work, translations, and lectures on literature bear resemblance to New Critical canon reformations; however, Nabokov's canon is pointedly translingual and transnational and serves to legitimize his own literary practice. The new angles and theoretical framework offered by Nabokov's Canon help us to understand why Nabokov's provocative monuments remain powerful source texts for several generations of diverse international writers, as well as richly productive material for visual, cinematic, musical, and other artistic adaptations.
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cover of No Good without Reward: Selected Writings: A Bilingual Edition

No Good without Reward

Selected Writings: A Bilingual Edition

Liubov Krichevskaya

Iter Press, 2011

A female contemporary of Alexander Pushkin, Liubov Krichevskaya makes her Anglophone debut in an excellent translation of her fiction, drama, and poetry, which deftly capture women’s estate in the early nineteenth century. Krichevskaya intriguingly combines Sentimentalist preoccupations—sensibility, virtue, and men’s moral reformation through confrontation with exemplary women’s passive piety—with the uncontrollable passions and volatile hero popularized by the Byronic strain of Romanticism. Her gynocentric texts poignantly convey the stringent limitations imposed upon women’s agency by a society that paradoxically credited them with the seemingly limitless capacity to exert a civilizing influence as icons of probity. Readers acquainted with Rousseau, Richardson, and Goethe will discover familiar feminized turf, but cultivated in a Russian vein.
—Helena Goscilo
Chair and Professor of Slavic, The Ohio State University
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