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This compelling never-before-published
  account takes the reader into Red Guard and Red Army units, Moscow factories,
  workers' homes, and to the unfamiliar world of feudal Dagestan. Worker-revolutionary
  Eduard Dune was seventeen when the Russian revolution began. He joined the Bolshevik
  party and fought with the Moscow Red Guard during the October revolution. Notes
  of a Red Guard is his candid account of what happened through 1921. This
  uncensored account offers a rare glimpse of revolutionary Russia from the perspective
  of an educated, skilled worker who became a rank-and-file participant.
 

China’s westernmost province of Xinjiang has experienced escalating cycles of violence, interethnic strife, and state repression since the 1990s. In their search for the roots of these growing tensions, scholars have tended to focus on ethnic clashes and political disputes. In Natural Resources and the New Frontier, historian Judd C. Kinzley takes a different approach—one that works from the ground up to explore the infrastructural and material foundation of state power in the region.
 
As Kinzley argues, Xinjiang’s role in producing various natural resources for regional powers has been an important but largely overlooked factor in fueling unrest. He carefully traces the buildup to this unstable situation over the course of the twentieth century by focusing on the shifting priorities of Chinese, Soviet, and provincial officials regarding the production of various resources, including gold, furs, and oil among others. Through his archival work, Kinzley offers a new way of viewing Xinjiang that will shape the conversation about this important region and offer a model for understanding the development of other frontier zones in China as well as across the global south.

"We live in a fantastic reality," Mikhail Kuraev writes. "Life itself, the turns of history, people’s fates are unlikely, amazing and fantastic." This is the strange reality, the fantastic world of Russia before glasnost, that comes to life in Kuraev’s remarkable short stories and novellas. Celebrated as one of the true innovators to emerge in recent years, Kuraev mines the rich literary tradition and the deep and not so distant past of his native Russia to produce tales that are both deeply moving and stylistically intriguing.
Though steeped in history, his stories pluck from obscurity the little people history ignores—and, in the Soviet Union of Stalin, often crushed. In the complex "Captain Dikshtein," a fictional account of an incident in the 1921 Kronstad, Kuraev evokes life within Soviet military culture and draws a vivid, difficult portrait of one particular life amid the ships and artillery. In "Night Patrol," a lowly member of the Soviet secret police narrates his evening rounds, interspersing the nightly arrests with reflections on his long career in the KGB. In "Petya on His Way to the Heavenly Kingdom," set in a construction site for a hydroelectric dam near Murmansk, a soldier’s murder of the village simpleton resonates through a small community committed to an enormous and enormously dubious technological project. Ranging over a broad landscape of historical foibles, Kuraev’s sympathetic wit and satiric brilliance have invited comparison to Gogol, but are finally unique. In this book, English-reading audiences will discover a new and challenging voice in a tradition that has given the world some of its greatest stories.

In 1920, on the third anniversary of the October Revolution, dramatist Nikolai Evreinov directed a cast of 10,000 actors, dancers, and circus performers—as well as a convoy of armored cars and tanks—in The Storming of the Winter Palace. The mass spectacle, presented in and around the real Winter Palace in Petrograd, was intended to recall the storming as the beginning of the October Revolution. But it was a deceptive reenactment because, in producing the events it sought to reenact, it created a new kind of theater, agit-drama, promulgating political propaganda and deliberately breaking down the distinction between performers and spectators.

Nikolaj Evreinov: “The Storming of the Winter Palace” tells the fascinating story of this production. Taking readers through the relevant history, the authors describe the role of The Storming of the Winter Palace in commemorating Soviet power. With a wealth of illustrations, they also show how photographs of Evreinov’s theatrical storming eventually became historical documents of the October Revolution themselves.
 

A Dostoevskian psychological novel of ideas, Novel with Cocaine explores the interaction between psychology, philosophy, and ideology in its frank portrayal of an adolescent's cocaine addiction. The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.