Results by title
129 books match the query 'Technique' and 5 start with n
NOMADIC VOICES
CONRAD AND THE SUBJECT OF NARRATIVEBruce Henricksen
University of Illinois Press, 1992
"A highly intelligent and
successful study exploring the uncanny features of Conrad's art that respond,
and lend depth, to the concerns of theorists such as Bakhtin and Lyotard."
-- Suresh Raval, University of Arizona
successful study exploring the uncanny features of Conrad's art that respond,
and lend depth, to the concerns of theorists such as Bakhtin and Lyotard."
-- Suresh Raval, University of Arizona
[more]
Narrative Innovation and Incoherence
Ideology in Defoe, Goldsmith, Austen, Eliot, and HemingwayMichael M. Boardman
Duke University Press, 1992
When the impulse toward innovation arises late in a writer's career, it is often accompanied by a sense of urgency, and the result, as Narrative Innovation and Incoherence demonstrates, raises important questions for literary theory. Michael M. Boardman considers this pressing struggle to find a new form as it appears in the later works of Defoe, Goldsmith, Austen, Eliot, and Hemingway. He analyzes how these authors react to new and compelling beliefs for which a previous way of writing is no longer adequate.
Urgent innovations, in this account, can only be understood as unique, individual responses to crises in belief. Taking as a point of departure French theorist Althusser's conviction that ideology is intelligible only through structure, Boardman searches for an explanation of both form and ideology not in Marxist concepts of base and superstructure but in the particular structure of an individual artist's writing career. Narrative ideology here becomes more complex than is generally assumed.
Theoretically informed yet avoiding essentializing explanations of narrative invention, Narrative Innovation and Incoherence offers unexpected insights into the multifaceted relations between form and belief. It will encourage serious students of the novel to reexamine the importance of poetics as a mediating factor in the means of production.
Urgent innovations, in this account, can only be understood as unique, individual responses to crises in belief. Taking as a point of departure French theorist Althusser's conviction that ideology is intelligible only through structure, Boardman searches for an explanation of both form and ideology not in Marxist concepts of base and superstructure but in the particular structure of an individual artist's writing career. Narrative ideology here becomes more complex than is generally assumed.
Theoretically informed yet avoiding essentializing explanations of narrative invention, Narrative Innovation and Incoherence offers unexpected insights into the multifaceted relations between form and belief. It will encourage serious students of the novel to reexamine the importance of poetics as a mediating factor in the means of production.
[more]
North American Canoe Country
The Classic Guide to Canoe TechniqueCalvin Rutstrum
University of Minnesota Press, 2000
The essential resource on how to canoe, now back in print.
Calvin Rutstrum’s fans have long known about his nuts-and-bolts approach to wilderness living. With this reissue of North American Canoe Country, a new generation of readers has the opportunity to learn time-tested secrets of a safe canoe adventure from a master outdoorsman.
First published in 1964, North American Canoe Country is a complete treatise on the art of canoeing. Written as a guide for travelers who want to embark on self-sufficient trips deep into the wilderness, this book offers readers all the information they need to plan and undertake a canoe trip. Rutstrum gives the essentials on canoes, comparing birch-bark, wood, wood-and-canvas, and aluminum crafts. His paddling techniques are timeless-he describes strategies for rough waters and rapids, for boating alone or in tandem, including stroke diagrams. Portaging, safety procedures, direction finding, towing, and much more are systematically explained.[more]
Novel Subjects
Authorship as Radical Self-Care in Multiethnic American NarrativesLeah A. Milne
University of Iowa Press, 2021
How does contemporary literature contend with the power and responsibility of authorship, particularly when considering marginalized groups? How have the works of multiethnic authors challenged the notion that writing and authorship are neutral or universal?
In Novel Subjects, Leah Milne offers a new way to look at multicultural literature by focusing on scenes of writing in contemporary works by authors with marginalized identities. These scenes, she argues, establish authorship as a form of radical self-care—a term we owe to Audre Lorde, who defines self-care as self-preservation and “an act of political warfare.”
In engaging in this battle, the works discussed in this study confront limitations on ethnicity and nationality wrought by the institutionalization of multiculturalism. They also focus on identities whose mere presence on the cultural landscape is often perceived as vindictive or willful. Analyzing recent texts by Carmen Maria Machado, Louise Erdrich, Ruth Ozeki, Toni Morrison, and more, Milne connects works across cultures and nationalities in search of reasons for this recent trend of depicting writers as characters in multicultural texts. Her exploration uncovers fiction that embrace unacceptable or marginalized modes of storytelling—such as plagiarism, historical revisions, jokes, and lies—as well as inauthentic, invisible, and unexceptional subjects. These works ultimately reveal a shared goal of expanding the borders of belonging in ethnic and cultural groups, and thus add to the ever-evolving conversations surrounding both multicultural literature and self-care.
In Novel Subjects, Leah Milne offers a new way to look at multicultural literature by focusing on scenes of writing in contemporary works by authors with marginalized identities. These scenes, she argues, establish authorship as a form of radical self-care—a term we owe to Audre Lorde, who defines self-care as self-preservation and “an act of political warfare.”
In engaging in this battle, the works discussed in this study confront limitations on ethnicity and nationality wrought by the institutionalization of multiculturalism. They also focus on identities whose mere presence on the cultural landscape is often perceived as vindictive or willful. Analyzing recent texts by Carmen Maria Machado, Louise Erdrich, Ruth Ozeki, Toni Morrison, and more, Milne connects works across cultures and nationalities in search of reasons for this recent trend of depicting writers as characters in multicultural texts. Her exploration uncovers fiction that embrace unacceptable or marginalized modes of storytelling—such as plagiarism, historical revisions, jokes, and lies—as well as inauthentic, invisible, and unexceptional subjects. These works ultimately reveal a shared goal of expanding the borders of belonging in ethnic and cultural groups, and thus add to the ever-evolving conversations surrounding both multicultural literature and self-care.
[more]
Novels and Arguments
Inventing Rhetorical CriticismZahava K. McKeon
University of Chicago Press, 1982
In this absorbing study—the first comprehensive exploration of the rhetoric of the novel—Zahava Karl McKeon investigates the complex interrelations of critical poetics, grammars, dialectics, and rhetorics to devise a systematic means of dealing with the structure of prose works as communicative objects. Using the vocabulary and conceptual resources of Aristotle and Cicero, she pursues this exploration to discover the kinds of arguments that characterize novels, to find a way of distinguishing novels from other discursive wholes, and to discriminate different genres of the novel. McKeon's arguments are supplemented by readings of a variety of texts, including the novels and stories of Gunter Grass, John Fowles, Robert Coover, and Flannery O'Connor.
[more]