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“Chicago is a tale of two cities,” headlines declare. This narrative has been gaining steam alongside reports of growing economic divisions and diverging outlooks on the future of the city. Yet to keen observers of the Second City, this is nothing new. Those who truly know Chicago know that for decades—even centuries—the city has been defined by duality, possibly since the Great Fire scorched a visible line between the rubble and the saved. For writers like Alex Kotlowitz, the contradictions are what make Chicago. And it is these contradictions that form the heart of Never a City So Real.

The book is a tour of the people of Chicago, those who have been Kotlowitz’s guide into this city’s – and by inference, this country’s – heart.  Chicago, after all, is America’s city. Kotlowitz introduces us to the owner of a West Side soul food restaurant who believes in second chances,  a steelworker turned history teacher, the “Diego Rivera of the projects,” and the lawyers and defendants who populate Chicago’s Criminal Courts Building.  These empathic, intimate stories chronicle the city’s soul, its lifeblood.

This new edition features a new afterword from the author, which examines the state of the city today as seen from the double-paned windows of a pawnshop. Ultimately, Never a City So Real is a love letter to Chicago, a place that Kotlowitz describes as “a place that can tie me up in knots but a place that has been my muse, my friend, my joy.”

Throughout the last two centuries, a controversial question has plagued the field of education of the deaf: should sign language be used to communicate with and instruct deaf children? Never the Twain Shall Meet focuses on the debate over this question, especially as it was waged in the nineteenth century, when it was at its highest pitch and the battle lines were clearly drawn. In addition to exploring Alexander Graham Bell's and Edward Miner Gallaudet's familial and educational backgrounds, Never the Twain Shall Meet looks at how their views of society affected their philosophies of education and how their work continues to influence the education of deaf students today.

New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films.  
 
Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.
 

Bringing together historically and ethnographically grounded studies of the social and political life of Brazil and Mexico, this collection of essays revitalizes resistance as an area of study. Resistance studies boomed in the 1980s and then was subject to a wave of critique in the 1990s. Covering the colonial period to the present day, the case studies in this collection suggest that, even if much of that critique was justified, resistance remains a useful analytic rubric. The collection has three sections, each of which is preceded by a short introduction. A section focused on religious institutions and movements is bracketed by one featuring historical studies from the sixteenth through the nineteenth centuries and another gathering more contemporary, ethnographically-based studies. Introducing the collection, the anthropologist John Gledhill traces the debates about resistance studies. In the conclusion, Alan Knight provides a historian’s perspective on the broader implications of the contributors’ findings.

Contributors. Helga Baitenmann, Marcus J. M. de Carvalho, Guillermo de la Peña, John Gledhill, Matthew Gutmann, Maria Gabriela Hita, Alan Knight, Ilka Boaventura Leite, Jean Meyer, John Monteiro, Luis Nicolau Parés, Patricia R. Pessar, Patience A. Schell, Robert Slenes, Juan Pedro Viqueira, Margarita Zárate

In 2010, with a bequest from the Garfield Weston Foundation, the Bodleian Library and the London firm Wilkinson Eyre Architects began to move forward with plans to refurbish the New Bodleian. Having served the community for seventy years, the New Bodleian housed more than three million books and manuscripts and was listed as a site of historic interest. Now, the stately building on Broad Street would preserve its façade while gaining updates to meet modern research needs.

New Bodleian: The Making of the Weston Library tells the story of how the plans for the new Weston Library—as the New Bodleian is now known—were realized, describing in detail the architectural, academic, curatorial, and heritage considerations addressed, as well as the successful collaborations between clients and consultants. Among the updates introduced were enhanced public access, including new entrance spaces; redesigned reading rooms for the study of special collections; new teaching facilities; and state-of-the-art storage space for the library’s many treasures. With over one hundred color illustrations, the book sheds light on the challenges of meeting the needs of an internationally renowned, four-hundred-year-old institution in the twenty-first century.

While many older American cities struggle to remain vibrant, New Brunswick has transformed itself, adapting to new forms of commerce and a changing population, and enjoying a renaissance that has led many experts to cite this New Jersey city as a model for urban redevelopment. Featuring more than 100 remarkable photographs and many maps, New Brunswick, New Jersey explores the history of the city since the seventeenth century, with an emphasis on the dramatic changes of the past few decades.

 

Using oral histories, archival materials, census data, and surveys, authors David Listokin, Dorothea Berkhout, and James W. Hughes illuminate the decision-making and planning process that led to New Brunswick’s dramatic revitalization, describing the major redevelopment projects that demonstrate the city’s success in capitalizing on funding opportunities. These projects include the momentous decision of Johnson & Johnson to build its world headquarters in the city, the growth of a theater district, the expansion of Rutgers University into the downtown area, and the destruction and rebuilding of public housing. But while the authors highlight the positive effects of the transformation, they also explore the often heated controversies about demolishing older neighborhoods and ask whether new building benefits residents. Shining a light on both the successes and failures in downtown revitalization, they underscore the lessons to be learned for national urban policy, highlighting the value of partnerships, unwavering commitment, and local leadership. 

 

Today, New Brunswick’s skyline has been dramatically altered by new office buildings, residential towers, medical complexes, and popular cultural centers. This engaging volume explores the challenges facing urban America, while also providing a specific case study of a city’s quest to raise its economic fortunes and retool its economy to changing needs.

 

Contributors. Alfredo Ávila, Roberto Breña, Sarah C. Chambers, Jordana Dym, Carolyn Fick, Erick Langer, Adam Rothman, David Sartorius, Kirsten Schultz, John Tutino

New Day Begun presents the findings of the first major research project on black churches’ civic involvement since C. Eric Lincoln and Lawrence H. Mamiya’s landmark study The Black Church in the African American Experience. Since the passage of the 1964 Civil Rights Act and the 1965 Voting Rights Act, the scale and scope of African American churches’ civic involvement have changed significantly: the number of African American clergy serving in elective and appointive offices has noticeably increased, as have joint efforts by black churches and government agencies to implement policies and programs. Filling a vacuum in knowledge about these important developments, New Day Begun assesses the social, political, and ecclesiastical factors that have shaped black church responses to American civic and political life since the Civil Rights movement.

This collection of essays analyzes the results of an unprecedented survey of nearly 2,000 African American churches across the country conducted by The Public Influences of African-American Churches Project, which is based at Morehouse College in Atlanta. These essays—by political scientists, theologians, ethicists, and others—draw on the survey findings to analyze the social, historical, and institutional contexts of black church activism and to consider the theological and moral imperatives that have shaped black church approaches to civic life—including black civil religion and womanist and afrocentric critiques. They also look at a host of faith-based initiatives addressing economic development and the provision of social services. New Day Begun presents necessary new interpretations of how black churches have changed—and been changed by—contemporary American political culture.

Contributors. Lewis Baldwin, Allison Calhoun-Brown, David D. Daniels III, Walter Earl Fluker, C.R.D. Halisi, David Howard-Pitney, Michael Leo Owens, Samuel Roberts, David Ryden, Corwin Smidt, R. Drew Smith

The most comprehensive account available of the rise and fall of the Black Power Movement and of its dramatic transformation of both African-American and larger American culture. With a gift for storytelling and an ear for street talk, William Van Deburg chronicles a decade of deep change, from the armed struggles of the Black Panther party to the cultural nationalism of artists and writers creating a new aesthetic. Van Deburg contends that although its tactical gains were sometimes short-lived, the Black Power movement did succeed in making a revolution—one in culture and consciousness—that has changed the context of race in America.

"New Day in Babylon is an extremely intelligent synthesis, a densely textured evocation of one of American history's most revolutionary transformations in ethnic group consciousness."—Bob Blauner, New York Times

Winner of the Gustavus Myers Center Outstanding Book Award, 1993

The twelve essays in this book, several published here for the first time, represent some of Tony Badger’s best work in his ongoing examination of how white liberal southern politicians who came to prominence in the New Deal and World War II handled the race issue when it became central to politics in the 1950s and 1960s. Franklin Roosevelt in the 1930s thought a new generation of southerners would wrestle Congress back from the conservatives. The Supreme Court thought that responsible southern leaders would lead their communities to general school desegregation after the Brown decision. John F. Kennedy believed that moderate southern leaders would, with government support, facilitate peaceful racial change. Badger’s writings demonstrate how all of these hopes were misplaced. Badger shows time and time again that moderates did not control southern politics. Southern liberal politicians for the most part were paralyzed by their fear that ordinary southerners were all-too-aroused by the threat of integration and were reluctant to offer a coherent alternative to the conservative strategy of resistance.

Arizona’s art history is emblematic of the story of the modern West, and few periods in that history were more significant than the era of the New Deal. From Dorothea Lange and Ansel Adams to painters and muralists including Native American Gerald Nailor, the artists working in Arizona under New Deal programs were a notable group whose art served a distinctly public purpose. Their photography, paintings, and sculptures remain significant exemplars of federal art patronage and offer telling lessons positioned at the intersection of community history and culture.

Art is a powerful instrument of historical record and cultural construction, and many of the issues captured by the Farm Security Administration photographers remain significant issues today: migratory labor, the economic volatility of the mining industry, tourism, and water usage. Art tells important stories, too, including the work of Japanese American photographer Toyo Miyatake in Arizona’s internment camps, murals by Native American artist Gerald Nailor for the Navajo Nation Council Chamber in Window Rock, and African American themes at Fort Huachuca. Illustrated with 100 black-andwhite photographs and covering a wide range of both media and themes, this fascinating and accessible volume reclaims a richly textured story of Arizona history with potent lessons for today.

In New Deal Modernism Michael Szalay examines the effect that the rise of the welfare state had on American modernism during the 1930s and 1940s, and, conversely, what difference this revised modernism made to the New Deal’s famed invention of “Big Government.”
Szalay situates his study within a liberal culture bent on security, a culture galvanized by its imagined need for private and public insurance.
Taking up prominent exponents of social and economic security—such as Franklin Delano Roosevelt, John Maynard Keynes, and John Dewey—Szalay demonstrates how the New Deal’s revision of free-market culture required rethinking the political function of aesthetics. Focusing in particular on the modernist fascination with the relation between form and audience, Szalay offers innovative accounts of Busby Berkeley, Jack London, James M. Cain, Robert Frost, Ayn Rand, Betty Smith, and Gertrude Stein, as well as extended analyses of the works of Ernest Hemingway, John Steinbeck, and Richard Wright.

Upon entering the White House in 1933, President Franklin D. Roosevelt faced an ailing economy in the throes of the Great Depression and rushed to transform the country through recovery programs and legislative reform. By 1934, he began to send professional photographers to the state of West Virginia to document living conditions and the effects of his New Deal programs. The photographs from the Farm Security Administration Project not only introduced “America to Americans,” exposing a continued need for government intervention, but also captured powerful images of life in rural and small town America.

New Deal Photographs of West Virginia, 1934-1943 presents images of the state’s northern and southern coalfields, the subsistence homestead projects of Arthurdale, Eleanor, and Tygart Valley, and various communities from Charleston to Clarksburg and Parkersburg to Elkins. With over one hundred and fifty images by ten FSA photographers, including Walker Evans, Marion Post Wolcott, Arthur Rothstein, and Ben Shahn, this collection is a remarkable proclamation of hardship, hope, endurance, and, above all, community. These photographs provide a glimpse into the everyday lives of West Virginians during the Great Depression and beyond.

Challenging received American history and forging a new path for Native American studies

Addressing Native American Studies' past, present, and future, the essays in New Indians, Old Wars tackle the discipline head-on, presenting a radical revision of the popular view of the American West in the process. Instead of luxuriating in its past glories or accepting the widespread historians' view of the West as a shared place, Elizabeth Cook-Lynn argues that it should be fundamentally understood as stolen.

Firmly grounded in the reality of a painful past, Cook-Lynn understands the story of the American West as teaching the political language of land theft and tyranny. She argues that to remedy this situation, Native American studies must be considered and pursued as its own discipline, rather than as a subset of history or anthropology. She makes an impassioned claim that such a shift, not merely an institutional or theoretical change, could allow Native American studies to play an important role in defending the sovereignty of indigenous nations today.

The New England Puritans' fascination with the legacy of the Jewish religion has been well documented, but their interactions with actual Jews have escaped sustained historical attention. New Israel/New England tells the story of the Sephardic merchants who traded and sojourned in Boston and Newport between the mid-seventeenth century and the era of the American Revolution. It also explores the complex and often contradictory meanings that the Puritans attached to Judaism and the fraught attitudes that they bore toward the Jews as a people.

More often than not, Michael Hoberman shows, Puritans thought and wrote about Jews in order to resolve their own theological and cultural dilemmas. A number of prominent New Englanders, including Roger Williams, Increase Mather, Samuel Sewall, Benjamin Colman, Cotton Mather, Jonathan Edwards, and Ezra Stiles, wrote extensively about post-biblical Jews, in some cases drawing on their own personal acquaintance with Jewish contemporaries.

Among the intriguing episodes that Hoberman investigates is the recruitment and conversion of Harvard's first permanent instructor of Hebrew, the Jewish-born Judah Monis. Later chapters describe the ecumenical friendship between Newport minister Ezra Stiles and Haim Carigal, an itinerant rabbi from Palestine, as well as the life and career of Moses Michael Hays, the prominent freemason who was Boston's first permanently established Jewish businessman, a founder of its insurance industry, an early sponsor of the Bank of Massachusetts, and a personal friend of Paul Revere.

This second volume of <i>New Italian Migrations to the United States</i> explores the evolution of art and cultural expressions created by and about Italian immigrants and their descendants since 1945. The essays range from an Italian-language radio program that broadcast intimate messages from family members in Italy to the role of immigrant cookbook writers in crafting a fashionable Italian food culture. Other works look at how exoticized actresses like Sophia Loren and Pier Angeli helped shape a glamorous Italian style out of images of desperate postwar poverty; overlooked forms of brain drain; the connections between countries old and new in the works of Michigan self-taught artist Silvio Barile; and folk revival performer Alessandra Belloni's reinterpretation of tarantella dance and music for Italian American women. In the afterword, Anthony Julian Tamburri discusses the nomenclature ascribed to Italian American creative writers living in Italy and the United States.

Contributors: John Allan Cicala, Simone Cinotto, Teresa Fiore, Incoronata (Nadia) Inserra, Laura E. Ruberto, Joseph Sciorra, and Anthony Julian Tamburri.

This anthology contains seventeen essays covering eighteenth-century agrarian unrest, the Revolutionary War, politics in the Jackson era, feminism and the women's movements, slavery from the seventeenth to the nineteenth centuries, strikes and labor struggles, land use and regional planning issues, Blacks in Newark, the current political state of New Jersey, and more. The contributors are Michal R. Belknap, Lynn W. Dorsett, Gregory Evans Dowd, Charles E. Funnell, Steve Golin, Maxine N. Lurie, Richard P. McCormick, Gary Mitchell, Simeon F. Moss, Marie Marmo Mullaney, Mary R. Murrin, Gerald M. Pomper, Clement A. Price, Thomas L. Purvis, Daniel Schaffer, Warren E. Stickle III, Maurice Tandler.

From the earliest memorials used by Native Americans to the elaborate structures of the present day, Richard Veit and Mark Nonestied use grave markers to take an off-beat look at New Jersey’s history that is both fascinating and unique.

New Jersey Cemeteries and Tombstones presents a culturally diverse account of New Jersey’s historic burial places from High Point to Cape May and from the banks of the Delaware to the ocean-washed Shore, to explain what cemeteries tell us about people and the communities in which they lived. The evidence ranges from somber seventeenth-century decorations such as hourglasses and skulls that denoted the brevity of colonial life, to modern times where memorials, such as a life-size granite Mercedes Benz, reflect the materialism of the new millennium. Also considered are contemporary novelties such as pet cemeteries and what they reveal about today’s culture. To tell their story the authors visited more than 1,000 burial grounds and interviewed numerous monument dealers and cemetarians.

This richly illustrated book is essential reading for history buffs and indeed anyone who has ever wandered inquisitively through their local cemeteries.

Shades of F. Scott Fitzgerald roam Princeton as lads and lasses walk the well-clipped paths between venerable university halls, while russet leaves flutter overhead from rows of sturdy trees. Visions of knights and their fair maidens come to mind as explorers wander around Lambert Castle, an 1892 sandstone and granite mansion that looms like a medieval fortress with rounded towers and turrets on a hillside below the cliffs of the Garret Mountain Reservation. For art lovers who like to stroll on lush lawns and enjoy the beauty around them, Grounds for Sculpture is the place to be seen in New Jersey. And, then there's always the 127 miles of beach along the state's east coast that make perfect day trips for swimming, boating, fishing, and other fun activities.

Now in a revised and expanded 12th edition, New Jersey Day Trips offers everyone a fascinating journey through hundreds of tourist attractions in all corners of the Garden State. Plus, this comprehensive resource explores the most popular points just beyond the state's borders. Patrick Sarver has updated most entries and added more than twenty new points of interest to an already extensive list of destinations, making this the most sought-after guidebook about New Jersey. Attractions can be located easily by subject category, letting travelers zero in on places that appeal to them. Entries include descriptions, hours of operation, location, price range, telephone numbers, and Web sites, making this best seller a one-stop source of discovery for day trippers of all ages--an ideal travel guide for adults or families who live in or plan to visit New Jersey..

NJSAA Edited Works Award Winner (2023) 

Despite the many jokes and stereotypes about New Jersey and its residents, in reality the state is a wildly diverse place, home to a vast variety of landscapes, cultures, and people. There is no singular New Jersey experience, and the stories that its residents have to share about the state will surprise you.
 
New Jersey Fan Club: Artists and Writers Celebrate the Garden State is an eclectic anthology featuring personal essays, interviews, and comics from a broad group of established and emerging writers and artists who have something to say about New Jersey. It offers a multifaceted look at the state’s history and significance, told through narrative nonfiction, photographs, and illustrations.
 
New Jersey Fan Club is edited by Kerri Sullivan, founder of the popular Instagram account Jersey Collective (@jerseycollective), which features weekly takeovers by different New Jerseyans. This book functions the same way: it gives dozens of different contributors the chance to share what New Jersey looks like to them. The book is an exploration of how the same locale can shape people in different ways, and it will inspire readers to look at the Garden State with fresh eyes and appreciate its bounty of beautiful places and vibrant spaces.

Barbara J. Mitnick has edited a remarkably comprehensive anthology, bringing new life to the rich and turbulent late eighteenth-century period in New Jersey. Originally conceived as a legacy of the state's 225th Anniversary of the Revolution Celebration Commission and sponsored by the Washington Association of New Jersey, the volume brings together contributions by twelve outstanding and recognized experts on New Jersey history.

Chapters explore topics including New Jersey as the "Crossroads of the Revolution," important military campaigns, the 1776 Constitution, and the significant contribution of blacks, Native Americans, and women. Reflecting the contemporary view that the war's impact extended beyond military engagements, original essays also discuss the fine and decorative arts, literature, architecture, archaeology, and social and economic conditions. The reader is presented with a picture of life in New Jersey both separate from as well as connected to the fight for American independence and the establishment of the nation.

Fresh and significant observations, including the fact that soldiers fought 238 battles on New Jersey soil (more than any other state) and that the social and political changes resulting from the war were more revolutionary than evolutionary make this accessibly written, beautifully illustrated volume appeal to the lay reader as well as scholars of New Jersey and Revolutionary War history.

A critical look at how and why the boundary lines of New Jersey's 566 municipalities were drawn, pointing to the irrationality of these excessive divisions.

Alan Karcher looks at the history and high cost of New Jersey's multiple municipalities. He investigates the economic considerations, political pressures, and personal agendas that created the bizarre configurations dividing the Garden State, while analyzing the public policies that allowed and even encouraged the formation of new municipalities. Karcher also examines the political dynamics that thwarted every effort of New Jersey metropolises to join the front ranks of major American cities.

Karcher identifies the major motivations behind the unparalleled experience of New Jersey's municipal multiplication. He delves deeply into the primary causes of new lines being drawn, such as road appropriations, the location of a railroad station, control of a local school district, the regulation of alcohol sales, and the preservation of exclusivity prior to the acceptance of zoning. He also assesses the present situation and what has happened in the past 60 years since the municipal multiplication madness ceased, calling on elected officials to confront reality and correct yesterday's excesses.

The genesis of the present political map of the state is a story that while interesting is not always charming, while fascinating is far from edifying. Little in the history can be called quaint. Rather it is a story of separation and exclusion, of division and greed, of preservation of prerogatives and prejudices. It is a story that supports the conclusion that these lines are rarely the product of chance, rather they were drawn by politicians with very human foibles and frailties, and with very narrow agendas-agendas that have proven to be egregiously expensive for today's taxpayers.

Alan Karcher, the former Speaker of the New Jersey Assembly during the activist 1980s, currently practices municipal law in Middlesex County. He represents the third generation of his family to serve as a member of the New Jersey State Legislature.

New Jersey: A History of the Garden State presents a fresh, comprehensive overview of New Jersey’s history from the prehistoric era to the present. The findings of archaeologists, political, social, and economic historians provide a new look at how the Garden State has evolved.

The state has a rich Native American heritage and complex colonial history. It played a pivotal role in the American Revolution, early industrialization, and technological developments in transportation, including turnpikes, canals, and railroads. The nineteenth century saw major debates over slavery. While no Civil War battles were fought in New Jersey, most residents supported it while questioning the policies of the federal government.

Next, the contributors turn to industry, urbanization, and the growth of shore communities. A destination for immigrants, New Jersey continued to be one of the most diverse states in the nation. Many of these changes created a host of social problems that reformers tried to minimize during the Progressive Era. Settlement houses were established, educational institutions grew, and utopian communities were founded. Most notably, women gained the right to vote in 1920. In the decades leading up to World War II, New Jersey benefited from back-to-work projects, but the rise of the local Ku Klux Klan and the German American Bund were sad episodes during this period.

The story then moves to the rise of suburbs, the concomitant decline of the state’s cities, growing population density, and changing patterns of wealth. Deep-seated racial inequities led to urban unrest as well as political change, including such landmark legislation as the Mount Laurel decision. Today, immigration continues to shape the state, as does the tension between the needs of the suburbs, cities, and modest amounts of remaining farmland.

Well-known personalities, such as Jonathan Edwards, George Washington, Woodrow Wilson, Dorothea Dix, Thomas Edison, Frank Hague, and Albert Einstein appear in the narrative. Contributors also mine new and existing sources to incorporate fully scholarship on women, minorities, and immigrants. All chapters are set in the context of the history of the United States as a whole, illustrating how New Jersey is often a bellwether for the nation..

The military history of New Jersey, from New Netherland’s struggles with the Lenape through colonial wars of empire to twenty-first-century conflicts in Iraq and Afghanistan, is extensive and significant. New Jersey justly earned the title “Crossroads of the Revolution” in the War for Independence, and made a significant contribution to the Union victory in the Civil War. The state’s position along the Atlantic Coast brought war to the home front in 1812, 1918, and 1942. New Jersey was also the site of Bergen County’s Camp Merritt, which processed most of the American soldiers who went overseas in World War I, Fort Dix, a major training base, and Fort Monmouth, a center for military technology development in the twentieth century.
New Jersey: A Military History by military historian Joseph G. Bilby tells the long, diverse, and sometimes complicated story of New Jersey’s citizens and their significant and continuing role in America’s defense. Over more than 350 years as a colony and state, hundreds of thousands of New Jersey residents have served in regular armed forces, militia, and National Guard units or in direct support of those organizations. New Jerseyans in the military include General “Scotch Willie” Maxwell of Sussex County, an unappreciated Revolutionary War master tactician; First Sergeant George Ashby of Allentown, of Company H, 45th United States Colored Infantry, the state’s last surviving Civil War veteran; Clara Maas of Newark, a nurse who sacrificed her life in the effort to eradicate Yellow Fever; Captain William J. Reddan, who led his company into hell during the Meuse-Argonne offensive in 1918; and Medal of Honor winner John Basilone, whose sense of duty and honor led him to return to combat and death in World War II.
Complete with maps, an annotated list of historical sites in the state, and further reading, New Jersey: A Military History is an important reference for those interested in the role of the Garden State in our nation’s wars. 
 

The 2012 smash "Gangnam Style" by the Seoul-based rapper Psy capped the triumph of Hallyu , the Korean Wave of music, film, and other cultural forms that have become a worldwide sensation. Dal Yong Jin analyzes the social and technological trends that transformed South Korean entertainment from a mostly regional interest aimed at families into a global powerhouse geared toward tech-crazy youth. Blending analysis with insights from fans and industry insiders, Jin shows how Hallyu exploited a media landscape and dramatically changed with the 2008 emergence of smartphones and social media, designating this new Korean Wave as Hallyu 2.0. Hands-on government support, meanwhile, focused on creative industries as a significant part of the economy and turned intellectual property rights into a significant revenue source. Jin also delves into less-studied forms like animation and online games, the significance of social meaning in the development of local Korean popular culture, and the political economy of Korean popular culture and digital technologies in a global context.

During the mid-1990s, a bilingual intercultural education initiative was launched to promote the introduction of indigenous languages alongside Spanish in public elementary schools in Bolivia’s indigenous regions. Bret Gustafson spent fourteen years studying and working in southeastern Bolivia with the Guarani, who were at the vanguard of the movement for bilingual education. Drawing on his collaborative work with indigenous organizations and bilingual-education activists as well as more traditional ethnographic research, Gustafson traces two decades of indigenous resurgence and education politics in Bolivia, from the 1980s through the election of Evo Morales in 2005. Bilingual education was a component of education reform linked to foreign-aid development mandates, and foreign aid workers figure in New Languages of the State, as do teachers and their unions, transnational intellectual networks, and assertive indigenous political and intellectual movements across the Andes.

Gustafson shows that bilingual education is an issue that extends far beyond the classroom. Public schools are at the center of a broader battle over territory, power, and knowledge as indigenous movements across Latin America actively defend their languages and knowledge systems. In attempting to decolonize nation-states, the indigenous movements are challenging deep-rooted colonial racism and neoliberal reforms intended to mold public education to serve the market. Meanwhile, market reformers nominally embrace cultural pluralism while implementing political and economic policies that exacerbate inequality. Juxtaposing Guarani life, language, and activism with intimate portraits of reform politics among academics, bureaucrats, and others in and beyond La Paz, Gustafson illuminates the issues, strategic dilemmas, and imperfect alliances behind bilingual intercultural education.

During the last two decades of the twentieth century, U.S. Latina writers have made a profound impact on American letters with fiction in both mainstream and regional venues. Following on the heels of this vibrant and growing body of work, New Latina Narrative offers the first in-depth synthesis and literary analysis of this transethnic genre. Focusing on the dynamic writing published in the 1980s and 1990s by Mexican American, Puerto Rican, Cuban American, and Domincan American women, New Latina Narrative illustrates how these writers have redefined the concepts of multiculturalism and diversity in American society. As participants in both mainstream and grassroots forms of multiculturalism, these new Latina narrativists have created a feminine space within postmodern ethnicity, disrupting the idealistic veneer of diversity with which publishers often market this fiction. In this groundbreaking study, author Ellen McCracken opens the conventional boundaries of Latino/a literary criticism, incorporating elements of cultural studies theory and contemporary feminism. Emphasizing the diversity within new Latina narrative, McCracken discusses the works of more than two dozen writers, including Julia Alvarez, Denise Chávez, Sandra Cisneros, Cristina Garcia, Graciela Limón, Demetria Martínez, Pat Mora, Cherríe Moraga, Mary Helen Ponce, and Helena María Viramontes. She stresses such themes as the resignification of master narrative, the autobiographical self and collective identity, popular religiosity, subculture and transgression, and narrative harmony and dissonance. New Latina Narrative provides readers an enriched basis for reconceiving the overall Latino/a literary field and its relation to other contemporary literary and cultural trends. McCracken's original approach extends the Latina literary canon—both the works to be studied and the issues to be examined—resulting in a valuable work for all readers of women's studies, contemporary American literature, ethnic studies, communications, and sociology.

A scholarly narrative of UAB from its nascent beginnings through the mid 1990s.

While the economy and culture of the post—World War II South changed from an era of material capital (e.g., cotton and iron ore) to a period of social capital (intellectual development and networked approaches to social change), one of the most important components of urban life, the university, emerged as both a creator and a reflector of such modernization.

This is the case with Birmingham and its youthful institution of higher learning, the University of Alabama at Birmingham. From its early days as a struggling offshoot of the capstone campus in Tuscaloosa, UAB’s journey to its current status as a major university has been a bumpy but interesting one. Tennant McWilliams, a longtime UAB history professor, explores the whole range of historical considerations, including UAB’s similarities and connections to trans-Atlantic civic universities; the irony of the shift from Big Steel to Big Medicine in Birmingham; the visionary administrations of Joseph F. Volker and others; and the evolving decision to make non-medical life at UAB less of a commuter experience and more of a traditional campus experience. 

McWilliams does not palliate the missteps and disputes that have, from time to time, impeded the institution’s progress. But he explains why, despite various hurdles and distractions, UAB has risen to be Alabama’s largest employer and can rightly boast that its complex of health care services, especially organ transplantation and neuroscience, as well as such fields as philosophy and psychology, are among the best in the nation.