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Dube’s account examines and documents the issues that drew women into the movement, from concerns for themselves and their communities to grander visions for the Ogoni. As she shows, these issues not only influenced organizing in Nigeria but also the diaspora in general and the United States in particular. Ogoni women relied upon nonviolent protest to realize their aims. Dube looks at their campaigns and how their actions reflected their concerns, values, interests, and priorities. The result is a rare account of Black women and transnational organizing for women’s, climate, and environmental justice that merges a history of their involvement with an in-depth analysis of the racial, gender, and ethnic dimensions of the Ogoni Struggle.

In early March of 2020, Americans watched with uncertain terror as the novel coronavirus pandemic unfolded. One week later, Ohio announced its first confirmed cases. Just one year later, the state had over a million cases and 18,000 Ohioans had died. What happened in that first pandemic year is not only a story of a public health disaster, but also a story of social disparities and moral dilemmas, of lives and livelihoods turned upside down, and of institutions and safety nets stretched to their limits.  

Ohio under COVID tells the human story of COVID in Ohio, America’s bellwether state. Scholars and practitioners examine the pandemic response from multiple angles, and contributors from numerous walks of life offer moving first-person reflections. Two themes emerge again and again: how the pandemic revealed a deep tension between individual autonomy and the collective good, and how it exacerbated social inequalities in a state divided along social, economic, and political lines. Chapters address topics such as mask mandates, ableism, prisons, food insecurity, access to reproductive health care, and the need for more Black doctors. The book concludes with an interview with Dr. Amy Acton, the state’s top public health official at the time COVID hit Ohio. Ohio under COVID captures the devastating impact of the pandemic, both in the public discord it has unearthed and in the unfair burdens it has placed on the groups least equipped to bear them.

A walking journey through France’s vast interior becomes a meditation on both personal recovery and the role of history in the present—more than 425,000 copies sold in France

 

After a free-climbing accident lands him in a coma and a hospital for four months, the French writer Sylvain Tesson makes a promise to himself: if he’s ever able to walk again, he will traverse the entire country of France on foot.  

Part literary adventure, part philosophical reflection on our contemporary consumer culture, On the Wandering Paths takes us deep into the heart of what Tesson terms France’s “hyperrural” zones. Tracing the obscure paths peasants once followed throughout the countryside, Tesson embarks on a three-month journey of solitude and personal contemplation as he walks along vast stretches of mountain ranges and rivers, encountering ancient Roman stone bridges and walkways, the French Foreign Legion, pagan prayer sites, Provençal villages, and the majestic Mont-Saint-Michel. Connecting deeply with the places he visits, his experiences inspire reflection on the essential need to disengage from the digital and immerse oneself in natural beauty.

Rich with humor, historical insight, and literary power, On the Wandering Paths is both a meditation on the act of recovery and a potent recognition of the traces of our past in the present. Asking us to reassess our values and our relationship to the land, Tesson’s exquisite chronicle through landscapes that continue to resist urbanization and technology is a thoughtful—and thought-provoking—glimpse into a poet’s adventurous life. Les Chemins de Pierre, a film based on the book starring Jean Dujardin, is due to release in 2022.

André Goodfriend was Deputy Chief of Mission from 2013 to 2015 at the US Embassy in Budapest. In the absence of an ambassador, most of the time he was Chargé d’Affaires. Goodfriend represented his country, and for that matter, liberal democracy, in the early period of the increasingly autocratic Orbán regime. This tenure was distinguished by an unusually high public visibility and broad-based popularity. This book contains the distilled essence of conversations recorded in the fall of 2015 and in the years after his departure.

Aside from Goodfriend’s reflections on his personal history, the main focus of the deliberations is on open government: its characteristics, preconditions, benefits, and its relation to modern diplomacy. The mindset of a democracy-rooted diplomat with a working experience in an increasingly autocratic regime lends a particular perspective to the topics discussed. These topics include the fight against corruption, the protection of civil society, crisis prevention, education, economy, international relations, applied humanities, and the use of the social and traditional media to achieve policy goals.

This book presents modern, “people-friendly” diplomacy in an era in which public officials are increasingly expected to be transparent and engaged.

Opposing Democracy in the Digital Age is about why ordinary people in a democratizing state oppose democracy and how they leverage both traditional and social media to do so. Aim Sinpeng focuses on the people behind popular, large-scale antidemocratic movements that helped bring down democracy in 2006 and 2014 in Thailand. The yellow shirts (PAD—People’s Alliance for Democracy) that are the focus of the book are antidemocratic movements grown out of democratic periods in Thailand, but became the catalyst for the country’s democratic breakdown. Why, when, and how supporters of these movements mobilize offline and online to bring down democracy are some of the key questions that Sinpeng answers. While the book primarily uses a qualitative methodological approach, it also uses several quantitative tools to analyze social media data in the later chapters. This is one of few studies in the field of regime transition that focuses on antidemocratic mobilization and takes the role of social media seriously.

WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE

Exploring how music reshapes the possibilities of poetry.

Orphic Bend: Music and Innovative Poetics explores the impact of music on recent pioneering literary practices in the United States. Adopting the myth of Orpheus as its framework, Robert L. Zamsky argues that works by Charles Bernstein, Robert Creeley, John Taggart, Tracie Morris, and Nathaniel Mackey restage ancient debates over the relationship between poetry and music even as they develop work that often sharply diverges from traditional literary forms. Opening each chapter with a consideration of the orphic roots of lyric, Zamsky integrates contemporary debates over the prospects and limitations of humanism, the meaningfulness of gesture and performance, and the nature of knowledge with the poetics of the writers under consideration, grounding his analysis in close readings of their work.

The myth of Orpheus is used as a lens throughout the book, its different facets illuminating sometimes dramatically different aspects of the shared framework of poetry and music. In the case of Bernstein, for instance, Zamsky highlights Ezra Pound’s meditations on the relationship between poetry and music (the ground upon which Pound seeks to recapture the lost possibilities of the Renaissance) and Bernstein’s incisive critique of Pound. For her part, Morris emphasizes the performative power of spoken language, foregrounding the fact that all spoken language bears cultural, communal, and personal marks of the speaker, improving an ensemble self even within the most elemental features of language. Meanwhile, in Mackey’s work, the orphic voice of the poet powerfully reaches toward an order of knowledge in which poetry and music are nearly indecipherable from one another. In this sense, music and the musicality of poetic language are the gateways for Mackey’s Gnosticism, the mechanisms of initiation into a realm, not of secrets to be learned, but of visionary knowing that continuously unfolds.

The text explores a range of musical influences on the writers under consideration, from opera to different iterations of jazz, and underscores the variety of ways in which music informs their work. Many of these writers effectively present a theory of music in their invocations of it as an inspiration for, or as an analog to, poetic practice. Zamsky’s focus on poetry and music echoes important interdisciplinary studies on literary modernism, a period for which the importance of music to literary practice is well established and extends that discussion to the contemporary context. In doing so, Orphic Bend provides an important opportunity to consider both the specific legacy of modernism, and to situate contemporary writers in broader historical contexts.

Examining Afro-German artists’ use of Afrofuturist tropes to critique German racial history

The term Afrofuturism was first coined in the 1990s to describe African diasporic artists’ use of science fiction, speculative fiction, and fantasy to reimagine the diaspora’s pasts and to counter not only Eurocentric prejudices but also pessimistic narratives. Out of This World: Afro-German Afrofuturism focuses on contemporary Black German Afrofuturist literature and performance that critiques Eurocentrism and, specifically, German racism and colonial history. This young generation has, Priscilla Layne argues, engaged with Afrofuturism to disrupt linear time and imagine alternative worlds, to introduce non-Western technologies into the German cultural milieu, and to consider the possibilities of posthumanism. Their experiments in futurist and speculative narratives offer new tools for breaking with the binary thinking about race, culture, and gender identity that have been enforced by repressive ideological and state apparatuses, such as educational, cultural, and police institutions. Rather than providing escapism or purely imaginary alternatives, however, they have created a space—outer and artistic—in which their lives matter.

A groundbreaking collection of fiction from Iceland’s best contemporary authors

This extraordinary collection, the first anthology of Icelandic short fiction published in English translation, features work by twenty of Iceland’s most popular and celebrated living authors—including Andri Snær Magnason, Jón Kalman Stefánsson, Kristín Ómarsdóttir, and Auður Jónsdóttir—granddaughter of Halldór Laxness, who won the 1955 Nobel Prize in Literature. 

Celebrated in Europe and Scandinavia but less known in the English-speaking world, these writers traverse realms of darkness and light that will be familiar to readers who have fallen under the spell of Scandinavian fiction. While uniquely Icelandic in topography and tenor, with a touch of the island’s supernatural charm, the stories traffic in the enduring and universal complexities of human nature. Here is a fictional universe where the ghosts of Vikings and spirits tread, volcanoes grumble underfoot, and writers trip the Northern Lights fantastic across the landscape of the Icelandic imagination. 

At long last, readers can enjoy award-winning stories now expertly rendered into English by the country’s most renowned translators. In “Killer Whale” a father contemplates euthanasia for a terminally ill child, in “Self Portrait” a vacationing family in Spain crosses paths with migrants, in “Escape for Men” a woman searches for an ex-lover in the South of France, and in “The Most Precious Secret” the nature of artists and the art world is mercilessly revealed. Both the Viking myths of Iceland’s forefathers and the cutting-edge modern world of the country today are brilliantly alive in these remarkable and original stories.

This collection is an excursion to an island where almost two million travelers descend yearly on a population of 345 thousand natives. Iceland is the place Björk calls home, the location where Game of Thrones was filmed—a place with open lava fields, glaciers, and iceberg lagoons among other natural wonders that is becoming one of the “hottest” tourist destinations on earth.

Out of the Blue transports readers to Iceland’s timeless and magical island of Vikings and geographical wonders, and it promises to be a seminal collection that will define Icelandic literature in translation for decades to come. 

Contributors: Auður Ava Olafsdóttir, Kristín Eiríksdóttir, Þórarinn Eldjárn, Gyrðir Elíasson, Einar Örn Gunnarsson, Ólafur Gunnarsson, Einar Már Guðmundsson, Auður Jónsdóttir, Gerður Kristný, Andri Snær Magnason, Óskar Magnússon, Bragi Ólafsson, Kristín Ómarsdóttir, Óskar Árni Óskarsson, Magnús Sigurðsson, Jón Kalman Stefánsson, Ágúst Borgþór Sverrisson, Guðmundur Andri Thorsson, Þórunn Erlu-Valdimarsdóttir, Rúnar Helgi Vignisson.