200 books match the query 'Asian American & Pacific Islander' and 4 start with o

cover of Ocean Passages: Navigating Pacific Islander and Asian American Literatures

Ocean Passages

Navigating Pacific Islander and Asian American Literatures

Erin Suzuki

Temple University Press, 2021

In her pathbreaking book, Ocean Passages, Erin Suzuki explores how movement through—and travel across—the ocean mediates the construction of Asian American and Indigenous Pacific subjectivities in the wake of the colonial conflicts that shaped the modern transpacific. Ocean Passages considers how Indigenous Pacific scholars have emphasized the importance of the ocean to Indigenous activism, art, and theories of globalization and how Asian American studies might engage in a deconstructive interrogation of race in conversation with this Indigenous-centered transnationalism. 

The ocean passages that Suzuki addresses include the U.S. occupation and militarization of ocean space; refugee passage and the history and experiences of peoples displaced from the Pacific Islands; migratory circuits and the labors required to cross the sea; and the different ways that oceans inform postcolonial and settler colonial nationalisms. She juxtaposes work by Indigenous Pacific and Asian American artists and authors including James George, Maxine Hong Kingston, Kathy Jetñil-Kijiner, lê thi diếm thúy, Ruth Ozeki, and Craig Santos Perez. In Ocean Passages, Suzuki explores what new ideas, alliances, and flashpoints might arise when comparing and contrasting Asian and Pacific Islander passages across a shared sea.

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cover of Ordinary Misfortunes

Ordinary Misfortunes

Emily Yoon

Tupelo Press, 2017

Korea continues to grapple with the shared memory of its Japanese and US occupations. The poems in Ordinary Misfortunes incorporate actual testimony about cruelty against vulnerable bodies—including the wianbu, euphemistically known as “comfort women”—as the poet seeks to find places where brutality is overcome through true human connections. Emily Jungmin Yoon asks Why do we write poems amid such violence? What can I, and what can poetry, do? Her response to those tough questions is a sequence of reverberating poems that blend documentary precision with impassioned witness, bringing to bear both scholarship and artistry.
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cover of Orphan/Agent: A Korean Adoptee Life in Cold War America

Orphan/Agent

A Korean Adoptee Life in Cold War America

Elizabeth Lawrence

Lever Press, 2027

Roger Paul Clow, an orphaned refugee of the Korean War, was sent to America as a child in 1953. Seventy years later, his historian daughter grapples with the meaning of her father’s life while grieving his death. 

Orphan/Agent is a personal narrative that doubles as an accessible introduction to key issues in transpacific history and Asian American studies. As the book follows Roger from a childhood in wartime Korea, to student years in the continental US, to a career in Hawai‘i, it reckons with the lasting consequences of war and challenges mythic narratives of the American Dream, the model minority, and American exceptionalism. 

Blending family stories and historical analysis, Orphan/Agent models historical thinking for students. Readers may well be inspired to revisit their own family stories, with new questions, respect for their sources, and love.

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cover of Other Lovings: An AfroAsian American Theory of Life

Other Lovings

An AfroAsian American Theory of Life

Seulghee Lee

The Ohio State University Press, 2025

In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West.

By assessing love’s positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices.

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