Results by title
50 books match the query 'Field' and 3 start with o
Osiris, Volume 11
Science in the FieldEdited by Henrika Kuklick and Robert E. Kohler
University of Chicago Press, 1996
Unlike many histories of scientific practices, which deal with laboratory experiments, this collection of essays focuses on scientific investigations conducted out of doors: biological, physical, and social. Case studies from varied disciplines explore the material, human, and cultural aspects of fieldwork, and the relationships between scientific activity and popular outdoor activities such as exploration and recreation.
Included are "Gender, Culture, and Astrophysical Fieldwork: Elizabeth Campbell and the Lick Observatory-Crocker Eclipse Expeditions," by Alex Soo-jung-Kim Pang; "Wallace in Other Lands," by Jane Camerini; "The Heroic Science of Glacier Motion," by Bruce Hevly; "Objectivity or Heroism: Invisibility of Women in Science," by Naomi Oreskes; "When Nature is the Zoo: Vision and Power in the Art and Science of Natural History," by Gregg Mitman; "Manly Men in Scientific Balloons: Meteorology and the Victorian Scientist as Romantic Hero," by Jennifer Tucker; "Paul du Chaillu and Construction of Authority," by Stuart McCook; "Of Sangfroid and Sphinx Moths: Cruelty, Public Relations, and Entomology, 1800-1840," by Anne Larsen Hollerbach; "The Ship as a Scientific Instrument in the 18th Century," by Richard Sorrenson; and "'A Tent with a View:' Colonial Officers, Anthropologists, and the Making of the Field in Northern Rhodesia, 1937-1960," by Lynette Schumaker.
Included are "Gender, Culture, and Astrophysical Fieldwork: Elizabeth Campbell and the Lick Observatory-Crocker Eclipse Expeditions," by Alex Soo-jung-Kim Pang; "Wallace in Other Lands," by Jane Camerini; "The Heroic Science of Glacier Motion," by Bruce Hevly; "Objectivity or Heroism: Invisibility of Women in Science," by Naomi Oreskes; "When Nature is the Zoo: Vision and Power in the Art and Science of Natural History," by Gregg Mitman; "Manly Men in Scientific Balloons: Meteorology and the Victorian Scientist as Romantic Hero," by Jennifer Tucker; "Paul du Chaillu and Construction of Authority," by Stuart McCook; "Of Sangfroid and Sphinx Moths: Cruelty, Public Relations, and Entomology, 1800-1840," by Anne Larsen Hollerbach; "The Ship as a Scientific Instrument in the 18th Century," by Richard Sorrenson; and "'A Tent with a View:' Colonial Officers, Anthropologists, and the Making of the Field in Northern Rhodesia, 1937-1960," by Lynette Schumaker.
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Otto Dix in Detail
Painting and Precarity in the Field of Weimar CultureJames A. van Dyke
University of Chicago Press, 2026
How small details in the paintings of Otto Dix materialize the realities of a modern German artist.
Offering a fresh look at German art during a period of extraordinary transition and precarity, James A. van Dyke focuses on overlooked but critically significant details in works completed by Otto Dix between 1919 and 1936. A small lump of paint, a monogram, an almost invisible self-portrait, the verso of a drawing, a patch of discoloration, and a web of fine cracks—van Dyke reveals such details, hidden in plain sight, as coded dialogue through which Dix addressed audiences and art-world insiders amid the combative world of cultural production in Weimar Germany. Sly, cutting, and provocative, these are the material traces of social relationships between the painter and those who represented threats to his professional ambition: an avant-garde mentor and rival, an increasingly skeptical critic, a prominent bourgeois photographer, and a local Nazi authority.
Proving that small things offer insight into the big picture, this book highlights Dix’s satirical, transgressive work as nuanced and polyvocal, reflecting the complex fields of power and economics in which the field of art is located.
Offering a fresh look at German art during a period of extraordinary transition and precarity, James A. van Dyke focuses on overlooked but critically significant details in works completed by Otto Dix between 1919 and 1936. A small lump of paint, a monogram, an almost invisible self-portrait, the verso of a drawing, a patch of discoloration, and a web of fine cracks—van Dyke reveals such details, hidden in plain sight, as coded dialogue through which Dix addressed audiences and art-world insiders amid the combative world of cultural production in Weimar Germany. Sly, cutting, and provocative, these are the material traces of social relationships between the painter and those who represented threats to his professional ambition: an avant-garde mentor and rival, an increasingly skeptical critic, a prominent bourgeois photographer, and a local Nazi authority.
Proving that small things offer insight into the big picture, this book highlights Dix’s satirical, transgressive work as nuanced and polyvocal, reflecting the complex fields of power and economics in which the field of art is located.
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Out in the Field
Reflections of Lesbian and Gay AnthropologistsEdited by Ellen Lewin and William L. Leap
University of Illinois Press, 1996
"Definitive and well-rounded. . . . Explores how anthropologists
manage issues of identity and sexuality in field research and professional
life. In an era when the field worker's positionality is critical to research
and ethnographic writing, this insightful book has much to say to gay
and straight researchers alike." -- Louise Lamphere, University of
New Mexico
"Addresses sensitive, controversial, and tabooed subjects. . . .
Out in the Field will be read by a variety of audiences, within
and outside of anthropology." -- Jean Jackson, Massachusetts Institute
of Technology
Lesbian and gay anthropologists write candidly in Out in the Field
about their research and personal experiences in conducting fieldwork,
about the ethical and intellectual dilemmas they face in writing about
lesbian or gay populations, and about the impact on their careers of doing
lesbian/gay research.
The first volume in which lesbian and gay anthropologists discuss personal
experiences, Out in the Field offers compelling illustrations of
professional lives both closeted and out to colleagues and fieldwork informants.
It also concerns aligning career goals with personal sexual preferences
and speaks directly to issues of representation and authority currently
being explored throughout the social sciences.
CONTRIBUTORS: Geoffrey Burkhart, Liz Goodman, Delores M. Walters, Walter
L. Williams, Sabine Lang, Ellen Lewin, William L. Leap, Ralph Bolton,
Elizabeth Lapovsky Kennedy, Madeline Davis, Will Roscoe, Esther Newton,
Stephen O. Murray, James Wafer, Kath Weston, Sue-Ellen Jacobs
manage issues of identity and sexuality in field research and professional
life. In an era when the field worker's positionality is critical to research
and ethnographic writing, this insightful book has much to say to gay
and straight researchers alike." -- Louise Lamphere, University of
New Mexico
"Addresses sensitive, controversial, and tabooed subjects. . . .
Out in the Field will be read by a variety of audiences, within
and outside of anthropology." -- Jean Jackson, Massachusetts Institute
of Technology
Lesbian and gay anthropologists write candidly in Out in the Field
about their research and personal experiences in conducting fieldwork,
about the ethical and intellectual dilemmas they face in writing about
lesbian or gay populations, and about the impact on their careers of doing
lesbian/gay research.
The first volume in which lesbian and gay anthropologists discuss personal
experiences, Out in the Field offers compelling illustrations of
professional lives both closeted and out to colleagues and fieldwork informants.
It also concerns aligning career goals with personal sexual preferences
and speaks directly to issues of representation and authority currently
being explored throughout the social sciences.
CONTRIBUTORS: Geoffrey Burkhart, Liz Goodman, Delores M. Walters, Walter
L. Williams, Sabine Lang, Ellen Lewin, William L. Leap, Ralph Bolton,
Elizabeth Lapovsky Kennedy, Madeline Davis, Will Roscoe, Esther Newton,
Stephen O. Murray, James Wafer, Kath Weston, Sue-Ellen Jacobs
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