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What happens when the American dream collides head-on with a nation’s dependence on fossil fuels? Oil and Water, a novel by Mei Mei Evans, focuses on precisely this question. Starting with a star-crossed supertanker, a wayward fishing boat, and a well-known hazard in the Gulf of Alaska, the story presents a region plunged into an oil-slicked crisis. As thousands of miles of shoreline and sea are obliterated, the spill threatens the lives and livelihoods of the coastal community of Selby.

In 1963, an eclectic group of characters embark on President Kennedy’s ambitious walking challenge.

As the Cuban Missile Crisis eases, President Kennedy is casting around for a demonstration of American prowess when one of his Cabinet unearths an old mandate that US Marines be fit enough to walk fifty miles in twenty hours. Perfect! Kennedy decides to throw down the gauntlet to “today’s Marines,” but before he knows it, he’s sparked a wild fad. The entire country has answered the call, it seems, and for a few crazed winter weeks, masses of Americans will embark on their own arduous Big Walks—the “JFK 50-Milers.”

Yet in tiny Humtown—an isolated mill town in the Pacific Northwest—not everyone who shows up for a hastily organized Big Walk is motivated by patriotism. Not Helen Hubka, an inveterate gossip; not the suicidal Caroline, who months earlier lost her beloved husband during the Storm of the Century. Not ex-soldier/fisherman Jaspar Goode, nor the unknown man in their midst, a collared priest who seems to shift identities at will. Certainly not Avis, a battered teenager running from her terrifying brother . . . with a stolen town treasure. And when the walkers stumble upon the abandoned car of a missing young mother, they rekindle a mystery that soon reverberates among them, exposing hidden truths, talents, and alliances.

Splendidly imagined, with prose that sings on the page, On the Way to the End of the World is an adventure story riven with secrets, a national fairy tale twisted into a whodunit.

A mysterious death, a techno-dystopian backdrop, a crumbling climate. A young woman searches for answers in this meditative, lyrical thriller.

In 2060 Orlando, FL, the state’s corruption festers amid unpredictable storms and climate upheaval, plunging society into a desperate eat the rich struggle for survival. As the world crumbles around her, 23-year-old Savannah fights to secure the bare essentials—drinkable water, dwindling food rations, and coveted orange juice. With only her father to rely on, Savannah navigates a world where tech reigns over humanity; and healthcare, climate-controlled housing, and life-saving news alerts are a privilege for the wealthy elite. Everything changes the day she stumbles upon her late sister's journal. Grief morphs into determination as she learns about her sister’s involvement in a pharmaceutical project that could revolutionize medicine for all.

Armed with this knowledge, Savannah holds the key to completing her sister's work. Will she have the courage to do so? Or will fear and despair shackle her to a fate worse than death?
 

From reviews of the Spanish edition:

"...among the best works that Mexican fiction has produced."

—Héctor Gally, Sábado

"With homely features, but with a body so shapely and exciting that it sets men (priests included) aflame throughout the novel, with an incandescent voluptuousness and delightful amorality (surely explosive in the conservative Mexican society of her time and place) ...Otilia Rauda could be the protagonist of a Greek tragedy or of a soap opera made of improbable happenings and as many turns of fate as there are chapters used to tell the story of her life."

—Jorge Ruffinelli, Punto y Aparte

Winner of Mexico's prestigious Xavier Villaurrutia prize in 1986, Otilia Rauda is here translated into English for the first time as Otilia's Body. Widely considered Sergio Galindo's best work, the novel dramatizes a sexually liberated woman's obsession with an outlaw lover, played against the backdrop of Mexican history from 1910 to 1940. A fine example of "intimist" fiction, Otilia's Body is noteworthy for its penetratingly described characters who transcend time and place to become universally recognizable.

Our Little Life is the original title of José Antonio Villarreal’s groundbreaking 1959 novel Pocho, which shaped Mexican-American literature for decades. Pocho narrated the experiences of and challenges to the Mexican-American community in 1930s Silicon Valley through the story of Richard Rubio and his family, ending with the U.S.’s entry into World War II. With this new edition, author and editor Juan Velasco restores Villarreal’s original vision for his novel. Published in cooperation with the Villarreal estate, this edition of Our Little Life is based on archival materials from the Villarreal Special Collection at Santa Clara University. 

Our Little Life offers a much longer version of the Pocho story that extends a further 100 pages into the postwar period and follows Richard Rubio’s return from war and the changing shape of Mexican-American life in the 1940s. This newly discovered manuscript reveals Villarreal’s attention to Rubio’s struggles with PTSD and his efforts to depict a community and a family’s struggles with identity, belonging, and survival in postwar California. Our Little Life is an important work of archival recovery that sheds new light on Villarreal’s authorship and his place not only in Mexican-American literature but in the twentieth-century American literary canon.

This first publication of Our Little Life includes a scholarly introduction that places this unpublished novel in the landscape of contemporary Mexican-American literary studies and offers a brilliant examination of how novels grow and change. The volume also includes materials from the Villarreal Special Collection that recontextualize the writer’s vision, editing, and marketing of this and later novels. Our Little Life will be of interest not only to everyone in Mexican-American literary studies, but also to scholars of postwar America, women and gender studies, LGBTQ studies, ethnic studies, and migration and border studies.

After practicing medicine for more than thirty years in the sweltering suburbs of Phoenix, Dr. Norah Waters is weighing her options, and early retirement is looking better and better. At age fifty-eight, she questions whether she still needs to deal with midnight calls, cranky patients, and the financial headaches that come with running a small clinic. Fighting burnout and workplace melodrama, Norah gives herself one final year to find the fulfillment and satisfaction she remembers from the early years of her once-cherished career.

As she embarks on her year’s journey, Norah grapples with a medical practice that is experiencing a concerning loss of income. She is supervising two medical students, one whose shyness hampers his development and another whose arrogance and contempt for family medicine creates major friction at the clinic. Norah’s life is further complicated by her elderly mother, a feisty 86-year-old living in Sun City, who once rejoiced at Woodstock and recently partied at Burning Man. Troubled by a shadow in their past, both women find themselves on a quest for self-worth in their shifting worlds. Norah also must cope with the end of an unhappy, long-term relationship with an aspiring, but deadbeat, novelist.

Supported by her steadfast dog, a misfit veterinarian, and a thoughtful radiologist, Norah wrestles through a surprising assortment of obstacles, sometimes amusing and sometimes dreadful, on her way to making a decision about her future.