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Migration is typically seen as a transnational phenomenon, but it happens within borders, too. Oaxaca in Motion documents a revealing irony in the latter sort: internal migration often is global in character, motivated by foreign affairs and international economic integration, and it is no less transformative than its cross-border analogue.

Iván Sandoval-Cervantes spent nearly two years observing and interviewing migrants from the rural Oaxacan town of Santa Ana Zegache. Many women from the area travel to Mexico City to work as domestics, and men are encouraged to join the Mexican military to fight the US-instigated “war on drugs” or else leave their fields to labor in industries serving global supply chains. Placing these moves in their historical and cultural context, Sandoval-Cervantes discovers that migrants’ experiences dramatically alter their conceptions of gender, upsetting their traditional notions of masculinity and femininity. And some migrants bring their revised views with them when they return home, influencing their families and community of origin. Comparing Oaxacans moving within Mexico to those living along the US West Coast, Sandoval-Cervantes clearly demonstrates the multiplicity of answers to the question, “Who is a migrant?”

This book investigates the controversial claim by welfare critics that public assistance programs like Food Stamps and the National School Lunch programs contribute to obesity among the poor. The author synthesizes empirical evidence from an array of disciplines--anthropology, economics, epidemiology, medicine, nutrition science, marketing, psychology, public health, sociology, and urban planning--to test this claim and to test whether other causal processes are at work.

With a lucid presentation that makes it a model for applying research to questions of social policy, the book lays out the different hypotheses and the possible causal pathways within each. The four central chapters test whether "public assistance causes obesity," "obesity causes public assistance," "poverty causes both public assistance and obesity," and "Factor X causes both." The factors in the last category that may relate to both public assistance and obesity include stress, disability, and physical abuse.

A comparative, empire-wide study of the ceramics associated with the imperial Inca state, theorizing the role of these highly recognizable vessel forms in legitimizing Inca rule and establishing imperial identities.

The beautiful polychrome ceramics of the imperial Inca state have long been noted for their seemingly repetitive nature but little considered beyond this basic observation. The widespread distribution and general uniformity of the Inca pottery, however, hints at its larger importance to the imperial project. Moving beyond the pervasive "seen one, seen 'em all" mentality, Objects of Empire brings to light the variability and rich semiotic content of imperial Inca vessels. Taking a comparative, empire-wide approach, Tamara Bray identifies the parameters and significance of this variability, and defines the core elements of the imperial state style. She then investigates where, when, and why differences and deviations from the perceived norm occur.

This study illuminates the strategies of territorial expansion and political control that lay at the heart of the Inca juggernaut, as well as the role of objects in the calculus of would-be rulers and subjects. Based on a unique and extensive database of imperial Inca pottery developed through detailed study of archaeologically recovered and museum-based collections, Objects of Empire reveals how power and legitimacy were produced and reproduced under the Inca through the material culture of everyday life.

This is a memoir about the power of American assimilation and opportunity in the face of persisting refugee realities. Like Isaac Bashevis Singer, Monroe Price recounts the continuing impact of European identities as families, cast from their homes by the rise of Hitler and the Third Reich, struggle to find their way in a new and challenging environment.

In a series of reflections, Price, who was born to a Jewish family in Vienna in 1938 and left when he was seven months old, seeks to create the Vienna of his infancy, including Jewish life, anti-Semitism, the Anschluss, and Kristallnacht (during which his father was arrested). He shifts to scenes of American socialization in the places he moved with his parents:: Macon, Georgia, Cincinnati, Ohio, and the experience of New York City. Through these reflections, Price illuminates ideas about family, religion, friends and schooling as well as deeply personal issues such as home, food and intimacy.

Price’s memoir weaves complicated strands—his Viennese origins, campaigns to distribute Jewish refugees away from New York City, the special qualities of Midwestern Ohio life in the 1950s—and the contrasting patterns of adjustment by different generations in his family in the American landscape. As he traces the particular path of his own life, Price reveals a more universal story of adjustment, and the relationship between a marginal community and the drama of American citizenship.

For centuries throughout large portions of the globe, petty agriculturalists and industrialists have set their physical and mental energies to work producing products for direct consumption by their households and for exchange. This twofold household reproduction strategy, according to both Marxist and neoclassical approaches to development, should have disappeared from the global economy as labor was transformed into a producer as well as a consumer of capitalist commodities. But in fact, during the twentieth century, only the United States and Britain seem to have approximated this predicted scenario. Tens of millions of households in contemporary Asia, Africa, and Latin America and millions more in industrialized capitalist economies support themselves through petty commodity production alone or in combination with petty industry wage labor.

Obliging Need provides a detailed and comprehensive analysis of small-scale peasant and artisan enterprise in the Oaxaca Valley of Mexico. The authors show how commodity production is organized and operates in different craft industries, as well as the ways in which it combines with other activities such as household chores, agriculture, wage labor, and petty commerce. They demonstrate how—contrary to developmentalist dogma—small-scale capitalism develops from within Mexico's rural economy.

These findings will be important for everyone concerned with improving the lives and economic opportunities of countryfolk in the Third World. As the authors make clear, political mobilization in rural Mexico will succeed only as it addresses the direct producers' multiple needs for land, credit, more jobs, health insurance, and, most importantly, more equitable remuneration for their labor and greater rewards for their enterprise.

“Remembering or forgetting is doing gardener’s work, selecting, pruning. Memories are like plants: there are those that need to be quickly eliminated in order to help the others burgeon, transform, flower.”

For the health of the psyche and the culture, for the individual and the whole society, oblivion is as necessary as memory. One must know how to forget, Marc Augé suggests, not just to live fully in the present but also to comprehend the past.

Renowned as an anthropologist and an innovative social thinker, Augé’s meditation moves from how forgetting the present or recent past enables us to return to earlier pasts, to how forgetting propels us into the present, and finally to how forgetting becomes a necessary part of survival. Oblivion moves with authority and ease among a wide variety of sources—literature, common experience, psychoanalysis, philosophy, ethnography—to illustrate the interplay of memory and forgetting in the stories of life and death told across many cultures and many times. Memory and oblivion, he concludes, cannot be separated: “Memories are crafted by oblivion as the outlines of the shore are created by the sea.”

When David Bordwell died in 2024, he left behind a legacy of film scholarship and criticism whose influence is unmatched. Coauthor of a pair of textbooks adopted across the globe and the main force behind a blog read by thousands, Bordwell has influenced generations of film students, filmmakers, and film critics. Observing Film Art examines the breadth of Bordwell’s work through the perspectives of those who knew him best, collaborators, former students, and critics among them. This is the first collection devoted to the work of Bordwell, and it gives equal attention to each facet of his prodigious scholarship, structured to highlight his interest in theory, history, and analysis and criticism. The cornerstones of his approach to film study, including formalism, cognitivism, and historical poetics, are all examined in detail, as are key works, including The Classical Hollywood Cinema (coauthored with Kristin Thompson and Janet Staiger) and Narration in the Fiction Film. 

Archaeological obsidian studies in the American Southwest and beyond have significantly matured in the last two decades. Like ceramic analysis, obsidian artifact analysis has become a key factor in many archaeological projects because obsidian used to produce chipped stone tools is common across time periods in the Southwest—from Paleoindian through colonial periods. Even today, making stone tools from obsidian is used in teaching. 

In the last twenty years, not only have the ways archaeologists use obsidian provenance to address twenty-first-century issues changed, but we now also see geologists and paleontologists using obsidian in ways never before imagined.

In the second edition of Obsidian, author M. Steven Shackley examines the newly discovered sources of archaeological obsidian and other volcanic rocks on both sides of the U.S.-Mexico border. This work has aided in building new inferences concerning exchange, group interaction, and social networks: subjects that were only emerging twenty years ago in obsidian studies. 

The field of obsidian provenance studies is truly international, linking archaeologists and geologists in the United States like never before. While the obsidian sources covered in this volume are regionally specific, the applications and methods used in the understanding of source recording, composition issues, and provenance are relevant worldwide.

In her pathbreaking book, Ocean Passages, Erin Suzuki explores how movement through—and travel across—the ocean mediates the construction of Asian American and Indigenous Pacific subjectivities in the wake of the colonial conflicts that shaped the modern transpacific. Ocean Passages considers how Indigenous Pacific scholars have emphasized the importance of the ocean to Indigenous activism, art, and theories of globalization and how Asian American studies might engage in a deconstructive interrogation of race in conversation with this Indigenous-centered transnationalism. 

The ocean passages that Suzuki addresses include the U.S. occupation and militarization of ocean space; refugee passage and the history and experiences of peoples displaced from the Pacific Islands; migratory circuits and the labors required to cross the sea; and the different ways that oceans inform postcolonial and settler colonial nationalisms. She juxtaposes work by Indigenous Pacific and Asian American artists and authors including James George, Maxine Hong Kingston, Kathy Jetñil-Kijiner, lê thi diếm thúy, Ruth Ozeki, and Craig Santos Perez. In Ocean Passages, Suzuki explores what new ideas, alliances, and flashpoints might arise when comparing and contrasting Asian and Pacific Islander passages across a shared sea.