117 books match the query 'Storytelling' and 5 start with o

cover of Old China Through the Eyes of a Storyteller

Old China Through the Eyes of a Storyteller

Julie Moss Herrera

Parkhurst Brothers, Inc., 2012

An American storyteller’s immersion In the Chinese folktale tradition

“Having traveled on the same People to People Ambassador journey to China with Julie, I have seen Julie's anthology from inception to fruition. It is a masterful, engaging, informative and scholarly addition to our understanding and appreciation of Chinese culture, particularly storytelling and folk traditions, from ancient days to today. Practicing storytellers will especially appreciate her tips for telling and context clues at the end of each story.”
                --Judith Heineman, storyteller, producer and Illinois Humanities Road Scholar

      

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cover of Organizational Storytelling for Librarians: Using Stories for Effective Leadership

Organizational Storytelling for Librarians

Using Stories for Effective Leadership

Kate American Library Association

American Library Association, 2011

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cover of Other Peoples' Myths: The Cave of Echoes

Other Peoples' Myths

The Cave of Echoes

Wendy Doniger O'Flaherty

University of Chicago Press, 1995

Other People's Myths celebrates the universal art of storytelling, and the rich diversity of stories that people live by. Drawing on Biblical parables, Greek myths, Hindu epics, and the modern mythologies of Woody Allen and soap operas, Wendy Doniger O'Flaherty encourages us to feel anew the force of myth and tradition in our lives, and in the lives of other cultures. She shows how the stories of mythology—whether of Greek gods, Chinese sages, or Polish rabbis—enable all cultures to define themselves. She raises critical questions about the way we interpret mythical stories, especially the way different cultures make use of central texts and traditions. And she offers a sophisticated way of looking at the roles myths play in all cultures.
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cover of Othermindedness: The Emergence of Network Culture

Othermindedness

The Emergence of Network Culture

Michael Joyce

University of Michigan Press, 2001

Michael Joyce's new collection continues to examine the connections between the poles of art and instruction, writing and teaching in the form of what Joyce has called theoretical narratives, pieces that are both narratives of theory and texts in which theory often takes the form of narrative. His concerns include hypertext and interactive fiction, the geography of cyberspace, and interactive film, and Joyce here searches out the emergence of network culture in spaces ranging from the shifting nature of the library to MOOs and other virtual spaces to life along a river.

While in this collection Joyce continues to be one of our most lyrical, wide-ranging, and informed cultural critics and theorists of new media, his essays exhibit an evolving distrust of unconsidered claims for newness in the midst of what Joyce calls "the blizzard of the next," as well as a recurrent insistence upon grounding our experience of the emergence of network culture in the body.

Michael Joyce is Associate Professor of English, Vassar College. He is author of a number of hypertext fictions on the web and on disk, most notably Afternoon: A Story.

His previous books are Of Two Minds: Hypertext Pedagogy and Poetics and Moral Tale and Meditations: Technological Parables and Refractions.

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cover of Over and Over: Performance, Time, and Resonance in Serial Television Drama

Over and Over

Performance, Time, and Resonance in Serial Television Drama

Elliott Logan

Rutgers University Press, 2026

How does serial drama earn, keep, and reward our attention for so long—over episodes, seasons, months, and years? While we know that characters are the focus of story and viewer interest in television fiction, scholars have for decades overlooked the way those characters are performed on-screen and the lure of performance as a key formal and thematic aspect of long-form television storytelling. In Over and Over, Elliott Logan offers close readings of performance in some of the most celebrated television dramas of the century, casting new light on the attractions and significance of the medium’s seriality. The book shows how the patterning and expressive resonance of performers on-screen binds together otherwise unconnected episodes of shows like The Sopranos and Mad Men. In doing so, it highlights the provisionality of identity and meaning as crucial to their interest in the sustenance of human relationships over long periods of time. In accounting for the resonance of performance over time in serial drama, this book shows, we find the terms of our own attachment to its compelling depictions of human life

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