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3369 books match the query 'Cultural & Social' and 66 start with o
Our Americas
Political and Cultural Imaginings, Volume 2004Sandhya Shukla and Heidi Tinsman, eds.
Duke University Press, 0
This special issue of Radical History Review takes as its inspiration Cuban writer and revolutionary José Martí’s famous 1891 essay “Our America.” Focusing on Martí’s appropriation of the term “America”—used to refer to a transnational, regional project of solidarity in Latin America and to suggest a new epistemology that challenged the ideologies underpinning U.S. imperialism—Our Americas: Political and Cultural Imaginings investigates the highly contested concept of “the Americas” as it has been defined and deployed in differing strategic and politically informed ways across history. The issue is dedicated to probing the transnational political and social possibilities that emerge when the discursive boundaries established by fields such as “Latin American studies” and “American studies”—as well as the geopolitical boundaries drawn during the colonial era—are expanded or transgressed.
Drawing on history, cultural anthropology, literary criticism, and memoirs, the works in this collection, gathered from contributors from an array of geographic locales, seek to integrate “Latin America,” “North America,” “the Caribbean,” and other regions. Striving to move beyond a simple joining of “Latin America” and the United States, the transnational concept of “the Americas” is explored and complicated through essays that examine the contrasting visions of Latin American independence embodied in the writings of revolutionaries from different nations; discuss the ramifications of a political treaty that institutionalized a separation between Mexico and the United States; deconstruct the exclusionary discourses of U.S. nationalism; and expose the ways in which institutionalized racism and homophobia are roadblocks to social and political solidarity in Latin America. In discussion forums, contributors plumb the history and current relevance of the concept of “Latin America” for intellectual, social, and political work and address the unique challenges facing those who seek to teach “the Americas.”
Contributors. Arturo Arias, John Beck, John D. Blanco, Nestor Garcia Canclini, Patricio Del Real, Ian Christopher Fletcher, Paul Giles, Salah D. Hassan, Martin Hopenhayn, Aisha Khan, R. J. Lambrose, Ian Lekus, Kate Masur, Enrique C. Ochoa, Diana Paton, Rossana Reguillo, Gemma Robinson, Aimee Carillo Rowe, Maria Josefina Saldana-Portillo, Sandhya Shukla, Heidi Tinsman, Carlos E. Bojorquez Urzaiz
Our Cannibals, Ourselves
Priscilla L. Walton
University of Illinois Press, 2004
Our Cannibals, Ourselves is an interdisciplinary study of cannibalism in contemporary culture. It demonstrates how what we take for today's ordinary culture is imaginatively and historically rooted in very powerful processes of the encounter between our own and different, often "threatening," cultures from around the world. Walton shows that the taboo on cannibalism is heavily reinforced only partly out of fear of cannibals themselves; instead, cannibalism is evoked in order to use fear for other purposes, including the sale of fear entertainment.
Ranging from literature to popular journalism, film, television, and discourses on disease, Our Cannibals, Ourselves provides an all-encompassing, insightful meditation on what happens to popular culture when it goes global.
Our Elders Teach Us
Maya-Kaqchikel Historical PerspectivesDavid Anthony Carey, Jr. with a preface by Allan Burns
University of Alabama Press, 2001
Where Maya voices reclaim their history and reshape our understanding of the past.
Combining the methodologies of anthropology and history, Carey uses both oral interviews and meticulous archival research to construct a history of the last 130 years in Guatemala from the perspective of present-day Mayan people. His research took place over five years, including intensive language study, four summers of fieldwork, and a year-long residence in Comalapa, during which he conducted most of the 414 interviews. By casting a wide net for his interviews—from tiny hamlets to bustling Guatemala City—Carey gained insight into more than a single community or a single group of Maya.
The Maya-Kaqchikel record their history through oral tradition; thus, few written accounts exist. Comparing the Kaqchikel point of view to that of the western scholars and Ladinos who have written most of the history texts, Carey reveals the people and events important to the Maya, which have been virtually written out of the national history.
A motto of the Guatemalan organization Maya Decinio para el Pueblo Indigena (Maya Decade for the Indigenous People) is that people who do not know their past cannot build a future. By elucidating what the Kaqchikel think of their own past, Carey also illuminates the value of non-Western theoretical and methodological approaches that can be applied to the history of other peoples. Valuable to historians, anthropologists, archaeologists, or anyone interested in Mayan and Latin American studies, this book will inform as well as enchant.
Our Grateful Dead
Stories of Those Left BehindVinciane Despret
University of Minnesota Press, 2021
An award-winning exploration of the presence of the dead in the lives of the living
A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead.
Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss.
Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.
Our Own Way in This Part of the World
Biography of an African Community, Culture, and NationKwasi Konadu
Duke University Press, 2019
Out Of The Ordinary
Folklore and the SupernaturalBarbara Walker
Utah State University Press, 1995
Out of the Ordinary explores the functions of belief and supernatural experience within an array of cultures, as well as the stance of academe toward the study of belief and the supernatural. The essays in this volume call into question the idea that supernatural experience is extraordinary.
Among the contributors are Shelley Adler, David Hufford, Barre Toelken, and Gillian Bennett.
Out of Nature
Why Drugs from Plants Matter to the Future of HumanityKara Rogers
University of Arizona Press, 2012
About half of all species under threat of extinction in the world today are plants. The loss of plant biodiversity is disturbing for many reasons, but especially because it is a reflection of the growing disconnect between humans and nature. Plants have been used for millennia in traditional systems of healing and have held a significant place in drug development for Western medicine as well. Despite the recent dominance of synthetic drug production, natural product discovery remains the backbone of drug development. As the diversity of life on Earth is depleted and increasing numbers of species become lost to extinction, we continue to lose opportunities to achieve advances in medicine.
Through stories of drug revelation in nature and forays into botany, human behavior, and conservation, Kara Rogers sheds light on the multiple ways in which humans, medicine, and plants are interconnected. With accessible and engaging writing, she explores the relationships between humans and plants, relating the stories of plant hunters of centuries past and examining the impact of human activities on the environment and the world's biodiversity. Rogers also highlights the role that plant-based products can play in encouraging conservation and protecting the heritage and knowledge of indigenous peoples.
Out of Nature provides a fresh perspective on modern drug innovation and its relationship with nature. The book delves into the complexity of biophilia—the innate human attraction to life in the natural world—and suggests that the reawakening of this drive is fundamental to expanding conservation efforts and improving medicine. Rogers's examination of plants, humans, and drug discovery also conveys a passionate optimism for the future of biodiversity and medicine. Including a collection of hand-drawn maps and plant illustrations created by the author, this well-researched narrative will inspire as well as inform.
Out of Whiteness
Color, Politics, and CultureVron Ware and Les Back
University of Chicago Press, 2002
Vron Ware and Les Back look at key points in recent American and British culture where the "color line" has been blurred. Through probing accounts of racial masquerades in popular literature, the growth of the white power music scene on the Internet, the meteoric rise of big band jazz during the Second World War, and the pivotal role of white session players in crafting rhythm and blues classics by black artists, Ware and Back upset the idea of race as a symbol of inherent human attributes. Their book gives us a timely reckoning of the forces that continue to make people "white," and reveals to us the polyglot potential of identities and cultures.
Out of the Attic
Inventing Antiques in Twentieth-Century New EnglandBriann G. Greenfield
University of Massachusetts Press, 2009
In this era of Antiques Roadshow and eBay, it is hard to imagine a time when Americans did not treasure the home furnishings of elite early American families. But as this book demonstrates, antiquing—particularly the practice of valuing old things for their aesthetic qualities—is a relatively recent invention whose origins can be found in the early years of the twentieth century. Although nineteenth-century Americans did appreciate heirlooms, they saw them as memory markers, tangible representations of honored ancestors or local history.
In Out of the Attic, Briann G. Greenfield traces the transformation of antiques from family keepsakes to valuable artistic objects, examining the role of collectors, dealers, and museum makers in the construction of a new tradition based on the aesthetic qualities of early American furnishings. While recognizing the significance of antiques as symbols of an enduring American culture, Greenfield also delves behind popular rhetoric to examine the development of a retail structure specifically designed to facilitate the buying and selling of old wares. With antique shops proliferating all over New England, pickers going door-to-door in search of “finds,” and forgers taking illicit advantage of growing demand, antique owners and collectors found themselves trying to navigate a retail market characterized by escalating prices and high stakes purchases. In this sense, antiques functioned as more than remnants of a treasured past; they became modern consumer goods.
The book is divided into a series of case studies, each intended to illuminate some aspect of “the dynamic of consumer history.” One chapter examines the role of Jewish dealers in promoting American antiques; another profiles Jessie Baker Gardner, a small-time collector and would-be museum maker from Providence, Rhode Island. Greenfield also looks at the institutionalization of antiques, with chapters focusing on Henry Flynt of Deerfield, Massachusetts, who embraced the “aestheticization of antiques” in the 1940s and 1950s, and on Smithsonian curator C. Malcolm Watkins, who challenged the decorative art market during the 1950s and 1960s by purchasing old tools and crude furniture for the nation's museum.
Out of the Woods
Seeing Nature in the EverydayJulia Corbett
University of Nevada Press, 2018
Have you ever wondered about society’s desire to cultivate the perfect lawn, why we view some animals as “good” and some as “bad,” or even thought about the bits of nature inside everyday items–toothbrushes, cell phones, and coffee mugs? In this fresh and introspective collection of essays, Julia Corbett examines nature in our lives with all of its ironies and contradictions by seamlessly integrating personal narratives with morsels of highly digestible science and research. Each story delves into an overlooked aspect of our relationship with nature—insects, garbage, backyards, noise, open doors, animals, and language—and how we cover our tracks.
With a keen sense of irony and humor and an awareness of the miraculous in the mundane, Julia recognizes the contradictions of contemporary life. She confronts the owner of a high-end market who insists on keeping his doors open in all temperatures. Takes us on a trip to a new mall with a replica of a trout stream that once flowed nearby. The phrase “out of the woods” guides us through layers of meaning to a contemplation of grief, remembrance, and resilience.
Out of the Woods leads to surprising insights into the products, practices, and phrases we take for granted in our everyday encounters with nature and encourages us all to consider how we might re-value or reimagine our relationships with nature in our everyday lives.
Outlawed
Between Security and Rights in a Bolivian CityDaniel M. Goldstein
Duke University Press, 2012
Outrage
The Rise of Religious Offence in Contemporary South AsiaEdited by Paul Rollier, Kathinka Frøystad, and Arild Engelsen Ruud
University College London, 2019
An interdisciplinary study of this trend, Outrage brings together researchers in anthropology, religious studies, and South Asian studies with rich experience in the varied ways religion and politics intersect in this region. Each chapter focuses on a recent case of alleged blasphemy or desecration in India, Pakistan, Bangladesh and Myanmar, unpacking the religious sensitivities and political concerns. Collectively, the chapters explore common denominators across national and religious differences, such as the introduction of social media and smartphones, the possible political gains of initiating blasphemy accusations, and the growing self-assertion of marginal communities.
Owners of the Sidewalk
Security and Survival in the Informal CityDaniel M. Goldstein
Duke University Press, 2016
Oxford Street, Accra
City Life and the Itineraries of TransnationalismAto Quayson
Duke University Press, 2014
Oye Como Va!
Hybridity and Identity in Latino Popular MusicDeborah Pacini Hernandez
Temple University Press, 2009
Listen Up! When the New York-born Tito Puente composed "Oye Como Va!" in the 1960s, his popular song was called "Latin" even though it was a fusion of Afro-Cuban and New York Latino musical influences. A decade later, Carlos Santana, a Mexican immigrant, blended Puente’s tune with rock and roll, which brought it to the attention of national audiences. Like Puente and Santana, Latino/a musicians have always blended musics from their homelands with other sounds in our multicultural society, challenging ideas of what "Latin" music is or ought to be. Waves of immigrants further complicate the picture as they continue to bring their distinctive musical styles to the U.S.—from merengue and bachata to cumbia and reggaeton.
In Oye Como Va!, Deborah Pacini Hernandez traces the trajectories of various U.S. Latino musical forms in a globalizing world, examining how the blending of Latin music reflects Latino/a American lives connecting across nations. Exploring the simultaneously powerful, vexing, and stimulating relationship between hybridity, music, and identity, Oye Como Va! asserts that this potent combination is a signature of the U.S. Latino/a experience.
Oyster Wars and the Public Trust
Property, Law, and Ecology in New Jersey HistoryBonnie J. McCay
University of Arizona Press, 1998
Bonnie McCay now puts that doctrine in perspective by tracing the history of attempts to defend common resources against privatization. She tells of conflicts in New Jersey communities over the last two centuries: how fishermen dependent on common-use rights employed poaching, piracy, and test cases to protect their stake in tidal resources, and how oyster planters whose businesses depended on the enclosure of marine commons engineered test cases of their own to seek protection for their claims.
McCay presents some of the most significant cases relating to fishing and waterfront development, describing how the oyster wars were fought on the waters and in the court rooms—and how the public trust doctrine was sometimes reinterpreted to support private interests. She explores the events and people behind the proceedings and addresses the legal, social, and ecological issues these cases represent.
Oyster Wars and the Public Trust is an important study of contested property rights from an anthropological perspective that also addresses significant issues in political ecology, institutional economics, environmental history, and the evolution of law. It contributes to our understanding of how competing claims to resources have evolved in the United States and shows that making nature a commodity remains a moral problem even in a market-driven economy.