4917 books match the query 'Philosophy' and 131 start with o

cover of On Life: A Critical Edition

On Life

A Critical Edition

Leo Tolstoy, Edited by Inessa Medzhibovskaya, Translated from the Russian by Michael Denner and Inessa Medzhibovskaya

Northwestern University Press, 2018

In the summer of 1886, shortly before his fifty-eighth birthday, Leo Tolstoy was seriously injured while working in the fields of his estate. Bedridden for over two months, Tolstoy began writing a meditation on death and dying that soon developed into a philosophical treatise on life, death, love, and the overcoming of pessimism. Although begun as an account of how one man encounters and laments his death and makes this death his own, the final work, On Life, describes the optimal life in which we can all be happy despite our mortality. 

After its completion, On Life was suppressed by the tsars, attacked by the hierarchs of the Russian Orthodox Church, and then censored by the Stalinist regime. This critical edition is the first accurate translation of this unsung classic of Russian thought into English, based on a study of manuscript pages of Tolstoy's drafts, and the first scholarly edition of this work in any language. It includes a detailed introduction and annotations, as well as historical material, such as early drafts, documents related to the presentation of an early version at the Moscow Psychological Society, and responses to the work by philosophers, religious leaders, journalists, and ordinary readers of Tolstoy's day.
 
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cover of On Manly Courage: A Study of Plato's Laches

On Manly Courage

A Study of Plato's Laches

Walter T. Schmid. Foreword by George Kimball Plochmann

Southern Illinois University Press, 1992

Walter T. Schmid offers the first original interpretation of the Laches since Hermann Bonitz in the nineteenth century in the only full-length commentary on the Laches available in English.

Schmid divides the book into five main discussions: the historical background of the dialogue; the relation of form and content in a Platonic dialogue and specific structural and aesthetic features of the Laches; the first half of the dialogue, which introduces the characters and considers the theme of the education of young men; the inquiry with Laches, which examines the traditional Greek conception of military courage; and the inquiry with Nicias in which two nontraditional conceptions of courage are mooted, one closely associated with the sophistic movement in Athens, the other with Socrates himself. Furnishing a detailed paragraph-by-paragraph reading that traces Socrates’ ongoing quest for virtue and wisdom—a wisdom founded in the action of a whole human life—Schmid conclusively shows how and why the Laches fills an important niche in Plato’s moral theory.

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cover of On Metaphysics

On Metaphysics

Roderick Chisholm

University of Minnesota Press, 1989

On Metaphysics was first published in 1989.On Metaphysics brings together eighteen essays by a self-described analytic philosopher who is concerned with redirecting the linguistic emphasis in contemporary philosophy toward the traditional questions of metaphysics. The essays explore the most fundamental categories of reality: substance and attribute; parts and wholes; human freedom and the self; coming into being and passing away; and the nature of objective reference. Chisholm combines an “internal” approach to theory of knowledge with an “intentional” approach to metaphysics. The book thus presupposes that the self is better known to the self that is any other individual thing, and that our knowledge of ourselves provides us with the key to understanding the problems of ontology.Chisholm has made both minor and major revisions in many of the essays since their initial publication. “The Categories,” written expressly for this book, represents a summation of the ontology set forth in On Metaphysics.
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cover of On Modern Beauty: Three Paintings by Manet, Gauguin, and Cézanne

On Modern Beauty

Three Paintings by Manet, Gauguin, and Cézanne

Richard R. Brettell

J. Paul Getty Trust, The, 2019

A thought-provoking examination of beauty using three works of art by Manet, Gauguin, and Cézanne. As the discipline of art history has moved away from connoisseurship, the notion of beauty has become increasingly problematic. Both culturally and personally subjective, the term is difficult to define and nearly universally avoided. In this insightful book, Richard R. Brettell, one of the leading authorities on Impressionism and French art of the nineteenth and early twentieth centuries, dares to confront the concept of modern beauty head-on. This is not a study of aesthetic philosophy, but rather a richly contextualized look at the ambitions of specific artists and artworks at a particular time and place.
 
Brettell shapes his manifesto around three masterworks from the collection of the J. Paul Getty Museum: Édouard Manet’s Jeanne (Spring), Paul Gauguin’s Arii Matamoe (The Royal End), and Paul Cézanne’s Young Italian Woman at a Table. The provocative discussion reveals how each of these exceptional paintings, though depicting very different subjects—a fashionable actress, a preserved head, and a weary working woman—enacts a revolutionary, yet enduring, icon of beauty.
 
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cover of On Monique Wittig: Theoretical, Political, and Literary Essays

On Monique Wittig

Theoretical, Political, and Literary Essays

Edited by Namascar Shaktini

University of Illinois Press, 2004

Monique Wittig, who died in January 2003, was a leading French feminist, social theorist, prose poet, and novelist--and an activist who helped start the lesbian and women's liberation movements in France. This collection of essays by Wittig and on her work is the first sustained examination in English of her broad-ranging political, literary, and theoretical viewpoints.
 
On Monique Wittig contains twelve essays, representing French, Francophone, and U.S. critics, including three previously unpublished pieces by Wittig herself. Among the essays is Diane Griffin Crowder's discussion of the U.S. feminist movement, Linda Zerilli's consideration of gender and will, and Teresa de Lauretis's examination of the development of lesbian theory. Together, these essays situate Wittig's work in terms of the cultural contexts of its production and reception. This volume also contains the first authenticated chronology of Wittig's life and features the first translation of "For a Movement of Women's Liberation," which Wittig published with other "militantes" in May 1970.
 
As the first book to appear on Wittig following her death, On Monique Wittig is an indispensable tool for feminist scholars.
 
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cover of On Moral Personhood: Philosophy, Literature, Criticism, and Self-Understanding

On Moral Personhood

Philosophy, Literature, Criticism, and Self-Understanding

Richard Eldridge

University of Chicago Press, 1989

In this remarkable blend of sophisticated philosophical analysis and close reading of literary texts, Richard Eldridge presents a convincing argument that literature is the most important and richest source of insights in favor of a historicized Kantian moral philosophy. He effectively demonstrates that only through the interpretation of narratives can we test our capacities as persons for acknowledging the moral laws as a formula of value and for acting according to it.

Eldridge presents an extensive new interpretation of Kantian ethics that is deeply informed by Kant's aesthetics. He defends a revised version of Kantian universalism and a Kantian conception of the content of morality. Eldridge then turns to literature armed not with any a priori theory but with an interpretive stance inspired by Hegel's phenomenology of self-understanding, more or less naturalized, and by Wittgenstein's work on self-understanding as ongoing narrative-interpretive activity, a stance that yields Kantian results about the universal demands our nature places on itself.

Eldridge goes on to present readings of novels by Conrad and Austen and poetry by Wordsworth and Coleridge. In each text protagonists are seen to be struggling with moral conflicts and for self-understanding as moral persons. The route toward partial resolution of their conflicts is seen to involve multiple and ongoing activities of reading and interpreting. The result of this kind of interpretation is that such literature—literature that portrays protagonists as themselves readers and interpreters of human capacities for morality—is a primary source for the development of morally significant self-understanding. We see in the careers of these protagonists that there can be genuine and fruitful moral deliberation and valuable action, while also seeing how situated and partial any understanding and achievement of value must remain.

On Moral Personhood at once delineates the moral nature of persons; shows various conditions of the ongoing, contextualized, partial acknowledgment of that nature and of the exercise of the capacities that define it; and enacts an important way of reading literature in relation to moral problems. Eldridge's work will be important reading for moral philosophers (especially those concerned with Kant, Hegel, and issues dividing moral particularists from moral universalists), literary theorists (especially those concerned with the value of literature and its relation to philosophy and to moral problems), and readers and critics of Conrad, Wordsworth, Coleridge, and Austen.
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cover of On Obliteration: An Interview with Françoise Armengaud Concerning the Work of Sacha Sosno

On Obliteration

An Interview with Françoise Armengaud Concerning the Work of Sacha Sosno

Emmanuel Levinas

Diaphanes, 2019

Emmanuel Levinas’s interview with Françoise Armengaud in 1988 is one of the only statements we have from the philosopher, who became influential in various disciplines through his ethics that focuses on the fine arts specifically. Presented in English for the first time here, this interview brings us Levinas’s understanding of “obliteration” as an uncanny, disruptive, and even “unavailable” concept. Discussing the work of the French sculptor Sacha Sosno, Levinas parses the complex relationship between ethics and aesthetics, examining how they play out in artistic operations and practices. In doing so, he turns away from the “ease and lighthearted casualness of the beautiful” to shed light instead on the processes of material wear and tear and the traces of repair that go into the creation and maintenance of works of art, and which ultimately give them a profound uniqueness of presence. This evocative interview uncovers a hidden thread of aesthetic thinking in Levinas’s work and introduces a new way of looking at artistic practices in general.
 
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cover of On Painting: Courses, March-June 1981

On Painting

Courses, March-June 1981

Gilles Deleuze

University of Minnesota Press, 2025

Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on painting

From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.

Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?

Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept.

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cover of On Paradox: The Claims of Theory

On Paradox

The Claims of Theory

Elizabeth S. Anker

Duke University Press, 2022

In On Paradox literary and legal scholar Elizabeth S. Anker contends that faith in the logic of paradox has been the cornerstone of left intellectualism since the second half of the twentieth century. She attributes the ubiquity of paradox in the humanities to its appeal as an incisive tool for exposing and dismantling hierarchies. Tracing the ascent of paradox in theories of modernity, in rights discourse, in the history of literary criticism and the linguistic turn, and in the transformation of the liberal arts in higher education, Anker suggests that paradox not only generates the very exclusions it critiques but also creates a disempowering haze of indecision. She shows that reasoning through paradox has become deeply problematic: it engrains a startling homogeneity of thought while undercutting the commitment to social justice that remains a guiding imperative of theory. Rather than calling for a wholesale abandonment of such reasoning, Anker argues for an expanded, diversified theory toolkit that can help theorists escape the seductions and traps of paradox.
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cover of On Persistence

On Persistence

Rebecca Comay

Seagull Books, 2026

A bold meditation on endurance as interruption rather than progress, offering a radical rethinking of time, agency, and survival.
 
On Persistence is an exploration into the elusive, unruly force of endurance—not as moral virtue or capitalist work ethic, but as a temporal and affective structure that resists assimilation. In these wide-ranging philosophical and literary essays, Rebecca Comay interrogates what it means to persist when progress stalls and resolution fails to arrive. Engaging figures from Freud to Beckett, Proust to Benjamin, Hamlet to Niobe, Comay tracks the strange temporality of suspended life: interminable mourning, unfinished projects, the persistence of the past, the undead stirrings of the death drive. What emerges is a radically different model of time—neither static nor teleological, but a form of interruption that opens space for rethinking agency, grief, resistance, and repair.
 
On Persistence offers a profound meditation on what it means to endure—and to endure differently—in a time that demands something else of us.
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cover of On Posthuman War: Computation and Military Violence

On Posthuman War

Computation and Military Violence

Mike Hill

University of Minnesota Press, 2022

Tracing war’s expansion beyond the battlefield to the concept of the human being itself
 

As military and other forms of political violence become the planetary norm, On Posthuman War traces the expansion of war beyond traditional theaters of battle. Drawing on counterinsurgency field manuals, tactical manifestos, data-driven military theory, and asymmetrical-war archives, Mike Hill delineates new “Areas of Operation” within a concept of the human being as not only a social and biological entity but also a technical one.

Delving into three human-focused disciplines newly turned against humanity, OnPosthuman War reveals how demography, anthropology, and neuroscience have intertwined since 9/11 amid the “Revolution in Military Affairs.”  Beginning with the author’s personal experience training with U.S. Marine recruits at Parris Island, Hill gleans insights from realist philosophy, the new materialism, and computational theory to show how the human being, per se, has been reconstituted from neutral citizen to unwitting combatant. As evident in the call for “bullets, beans, and data,” whatever can be parted out, counted, and reassembled can become war materiel. Hill shows how visible and invisible wars within identity, community, and cognition shift public-sphere activities, like racial identification, group organization, and even thought itself, in the direction of war. This shift has weaponized social activities against the very notion of society. 

On Posthuman War delivers insights on the latest war technologies, strategies, and tactics while engaging in questions poised to overturn the foundations of modern political thought.

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cover of On Reason: Rationality in a World of Cultural Conflict and Racism

On Reason

Rationality in a World of Cultural Conflict and Racism

Emmanuel Chukwudi Eze

Duke University Press, 2008

Given that Enlightenment rationality developed in Europe as European nations aggressively claimed other parts of the world for their own enrichment, scholars have made rationality the subject of postcolonial critique, questioning its universality and objectivity. In On Reason, the late philosopher Emmanuel Chukwudi Eze demonstrates that rationality, and by extension philosophy, need not be renounced as manifestations or tools of Western imperialism. Examining reason in connection to the politics of difference—the cluster of issues known variously as cultural diversity, political correctness, the culture wars, and identity politics—Eze expounds a rigorous argument that reason is produced through and because of difference. In so doing, he preserves reason as a human property while at the same time showing that it cannot be thought outside the realities of cultural diversity. Advocating rationality in a multicultural world, he proposes new ways of affirming both identity and difference.

Eze draws on an extraordinary command of Western philosophical thought and a deep knowledge of African philosophy and cultural traditions. He explores models of rationality in the thought of philosophers from Aristotle, René Descartes, Francis Bacon, and Thomas Hobbes to Noam Chomsky, Richard Rorty, Hilary Putnam, and Jacques Derrida, and he considers portrayals of reason in the work of the African thinkers and novelists Chinua Achebe, Ngugi wa Thiong’o, and Wole Soyinka. Eze reflects on contemporary thought about genetics, race, and postcolonial historiography as well as on the interplay between reason and unreason in the hearings of South Africa’s Truth and Reconciliation Commission. He contends that while rationality may have a foundational formality, any understanding of its foundation and form is dynamic, always based in historical and cultural circumstances.

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cover of On Resurrection

On Resurrection

Irven M. St. Albert the Great

Catholic University of America Press, 2020

According to 1 Cor 15.44 and 1 Cor 15.52, the human body “is sown an animal body, [but] it will rise a spiritual body” and “the dead will rise again incorruptible, and we will be changed.” These passages prompted many questions: What is a spiritual body? How can a body become incorruptible? Where will the resurrected body be located? And, what will be the nature of its experience? Medieval theologians sought to answer such questions but encountered troubling paradoxes stemming from the conviction that the resurrected body will be an “impassible body” or constituted from “incorruptible matter.” By the thirteenth century the resurrection demanded increased attention from Church authorities, not only in response to certain popular heresies but also to calm heated debates at the University of Paris. William of Auvergne, Bishop of Paris, officially condemned ten errors in 1241 and in 1244, including the proposition that the blessed in the resurrected body will not see the divine essence. In 1270 Parisian Bishop Étienne Tempier condemned the view that God cannot grant incorruption to a corruptible body, and in 1277 he rejected propositions that a resurrected body does not return as numerically one and the same, and that God cannot grant perpetual existence to a mutable, corruptible body. The Dominican scholar Albert the Great was drawn into the university debates in Paris in the 1240s and responded in the text translated here for the first time. In it, Albert considers the properties of resurrected bodies in relation to Aristotelian physics, treats the condition of souls and bodies in heaven, discusses the location and punishments of hell, purgatory, and limbo, and proposes a “limbo of infants” for unbaptized children. Albert’s On Resurrection not only shaped the understanding of Thomas Aquinas but also that of many other major thinkers.
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cover of On Social Structure and Science

On Social Structure and Science

Robert K. Merton

University of Chicago Press, 1996

Robert K. Merton is unarguably one of the most influential sociologists of his time. A figure whose wide-ranging theoretical and methodological contributions have become fundamental to the field, Merton is best known for introducing such concepts and procedures as unanticipated consequences, self-fulfilling prophecies, focused group interviews, middle-range theory, opportunity structure, and analytic paradigms.

This definitive compilation encompasses the breadth and brilliance of his works, from the earliest to the most recent. Merton's foundational writings on social structure and process, on the sociology of science and knowledge, and on the discipline and trajectory of sociology itself are all powerfully represented, as are his autobiographical insights in a fascinating coda. Anchored by Piotr Sztompka's contextualizing introduction, Merton's vast oeuvre emerges as a dynamic and profoundly coherent system of thought, a constant source of vitality and renewal for present and future sociology.
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cover of On Spinoza: Courses, November 1980–March 1981

On Spinoza

Courses, November 1980–March 1981

Gilles Deleuze

University of Minnesota Press, 2026

Through newly transcribed and translated lectures, Deleuze explores Spinoza’s philosophy concerning questions of good and evil and humanity’s potential for realizing a full life

Available for the first time in English, On Spinoza presents the annotated transcripts of Gilles Deleuze’s fifteen seminars on the seventeenth-century philosopher’s Ethics, delivered at Experimental University Center at Vincennes. Spinoza’s ambitious treatise was central to Deleuze’s thought, and his course provides an accessible framework for understanding the vitality of Spinoza’s philosophy.

In an informal classroom setting, Deleuze addresses fundamental aspects of Spinoza’s thought: How does one undo the negativity of harmful passions such as hate, resentment, and envy? How can a system of moral judgment based on good and evil be replaced by a more sophisticated ethics of the good and the bad? And since such questions commit Spinoza to a new theory of signs, Deleuze also delves into his thinking on how these signs should guide human existence and the differences between concepts of eternity, experienced in the here and now, and the immortality promised by philosophy and religion.

Building gradually from session to session, Deleuze shows how Spinoza rejects a hierarchical reality dominated by an authoritarian and impenetrable God, instead proposing a world ruled by light and reason in which all beings are equal. Annotated by David Lapoujade and including recorded exchanges with Deleuze’s students, On Spinoza offers a rare window into Deleuze’s teaching, offering readers a guide for linking Spinoza to other philosophers—including Deleuze himself.

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cover of On The Way To Diplomacy

On The Way To Diplomacy

Costas M. Constantinou

University of Minnesota Press, 1996

A deconstruction of the idea of diplomacy that explores the links between its theory and practice.

What does theory have to do with the concept-let alone the practice-of diplomacy? More than we might think, as Costas M. Constantinou amply demonstrates in this ambitious reconsideration of both the concept of diplomacy and the working of theory. Here, Constantinou focuses on the language that underwrites and directs theory and diplomacy, and shows that such a critical approach is actually a way of practicing politics.

Constantinou underscores the original intertextual association between theory and diplomacy by employing the ancient Greek term theoria. Theoria once referred to both philosophical thinking and a sacred embassy sent to discharge a religious duty. The use of the term in this book leads to a new view of theory and diplomacy. Constantinou considers the structures of diplomacy and theory together with the notion of representation that is peculiar to Western metaphysical thought. A deconstruction of diplomacy itself, this work bridges classical and contemporary philosophy, ancient and modern political practice, and, ultimately, politics and the arts in general. It will alter the study, understanding, and practice of diplomacy.
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cover of On Time and Being

On Time and Being

Martin Heidegger

University of Chicago Press, 2002

On Time and Being charts the so-called "turn" in Martin Heidegger's philosophy away from his earlier metaphysics in Being and Time to his later thoughts after "the end of philosophy." The title lecture, "Time and Being," shows how Heidegger reconceived both "Being" and "time," introducing the new concept of "the event of Appropriation" to help give his metaphysical ideas nonmetaphysical meanings. On Time and Being also contains a summary of six seminar sessions that Heidegger conducted on "Time and Being," a lecture called "The End of Philosophy and the Task of Thinking," and an autobiographical sketch of Heidegger's intellectual history in "My Way of Phenomenology."

"This collection may well vie with Vom Wesen des Grundes and Identität and Differenz as definitive statements of Heidegger's ontology."—Library Journal

"The title of the English translation is that of the lead essay, the highly celebrated lecture which Heidegger gave in 1962 and which bears the same title as the never published 'third division' of the 'first half' of Being and Time. This lecture is perhaps the most significant document to be added to the Heideggerian corpus since the Letter of Humanism. . . . Stambaugh's translation is superb."—Stanley O. Hoerr and staff, The Review of Metaphysics


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On Tyranny

Leo Strauss

University of Chicago Press, 2000

On Tyranny is Leo Strauss's classic reading of Xenophon's dialogue, Hiero or Tyrannicus, in which the tyrant Hiero and the poet Simonides discuss the advantages and disadvantages of exercising tyranny. This edition includes a translation of the dialogue, a critique of the commentary by the French philosopher Alexandre Kojève, Strauss's restatement of his position in light of Kojève's comments, and finally, the complete Strauss-Kojève correspondence.

"Through [Strauss's] interpretation Xenophon appears to us as no longer the somewhat dull and flat author we know, but as a brilliant and subtle writer, an original and profound thinker. What is more, in interpreting this forgotten dialogue, Strauss lays bare great moral and political problems that are still ours." —Alexandre Kojève, Critique

"On Tyranny is a complex and stimulating book with its 'parallel dialogue' made all the more striking since both participants take such unusual, highly provocative positions, and so force readers to face substantial problems in what are often wholly unfamiliar, even shocking ways." —Robert Pippin, History and Theory

"Every political scientist who tries to disentangle himself from the contemporary confusion over the problems of tyranny will be much indebted to this study and inevitably use it as a starting point."—Eric Voegelin, The Review of Politics

Leo Strauss (1899-1973) was the Robert Maynard Hutchins Distinguished Service Professor of Political Science at the University of Chicago.
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cover of On Tyranny: Corrected and Expanded Edition, Including the Strauss-Kojève Correspondence

On Tyranny

Corrected and Expanded Edition, Including the Strauss-Kojève Correspondence

Leo Strauss

University of Chicago Press, 2013

On Tyranny is Leo Strauss’s classic reading of Xenophon’s dialogue Hiero, or Tyrannicus, in which the tyrant Hiero and the poet Simonides discuss the advantages and disadvantages of exercising tyranny. Included are a translation of the dialogue from its original Greek, a critique of Strauss’s commentary by the French philosopher Alexandre Kojève, and the complete correspondence between the two.

This revised and expanded edition introduces important corrections throughout and expands Strauss’s restatement of his position in light of Kojève’s commentary to bring it into conformity with the text as it was originally published in France.
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cover of On What We Know We Don't Know: Explanation, Theory, Linguistics, and How Questions Shape Them

On What We Know We Don't Know

Explanation, Theory, Linguistics, and How Questions Shape Them

Sylvain Bromberger

University of Chicago Press, 1992

In this collection of essays, Bromberger explores the centrality of questions and predicaments they create in scientific research. He discusses the nature of explanation, theory, and the foundations of linguistics.
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cover of On the Animation of the Inorganic: Art, Architecture, and the Extension of Life

On the Animation of the Inorganic

Art, Architecture, and the Extension of Life

Spyros Papapetros

University of Chicago Press, 2012

Throughout human history, people have imagined inanimate objects to have intelligence, language, and even souls. In our secular societies today, we still willingly believe that nonliving objects have lives of their own as we find ourselves interacting with computers and other equipment. In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century—a period of great technical innovation whose effects continue to reverberate today.

Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and artists like Fernand Léger, Mies van der Rohe, and Salvador Dalí, Papapetros tracks the evolution of the problem of animation from the fin de siècle through the twentieth century. He argues that empathy—the ability to identify with objects of the external world—was repressed by twentieth-century modernist culture, but it returned, projected onto inorganic objects such as machines, automobiles, and crystalline skyscrapers. These modern artifacts, he demonstrates, vibrated with energy, life, and desire of their own and had profound effects on people. Subtle and insightful, this book will change how we view modernist art, architecture, and their histories.

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cover of On the Appearance of the World: A Future for Aesthetics in Architecture

On the Appearance of the World

A Future for Aesthetics in Architecture

Mark Foster Gage

University of Minnesota Press, 2024

How can architecture develop better aesthetic directions for the twenty-first-century built environment?

Our world, increasingly defined by efficient but unconsidered architecture and cities, seems to be getting uglier. In On the Appearance of the World, Mark Foster Gage asks why. He imagines a future scenario where architectural design and ideas from aesthetic philosophy align toward the production of a built world that is more humane, habitable, beautiful, and just.

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cover of On the Border of Belonging: Luisa Capetillo, Ofelia Rodríguez Acosta, and Evangelina Rodríguez Perozo

On the Border of Belonging

Luisa Capetillo, Ofelia Rodríguez Acosta, and Evangelina Rodríguez Perozo

Stephanie Rivera Berruz

Rutgers University Press, 2027

On the Border of Belonging: Luisa Capetillo, Ofelia Rodríguez Acosta, and Evangelina Rodríguez Perozo is a philosophical-historiographical project that spearheads the construction of an intellectual tradition of women from the Hispanophone Caribbean at the turn of the 20th century. On the Border of Belonging engages Luisa Capetillo (Puerto Rico), Ofelia Rodríguez Acosta (Cuba), Evangelina Rodríguez Perozo (Dominican Republic) as interlocutors with the landfall of Western modernity revealing a tense intersection between a desire to belong to modernity while sitting on the margins of its possibilities. The vexed relationship with belonging creates a counter-archive of contradictions that reveals a vivid philosophical patchwork that spirals and repeats across the archipelago. In this crosscurrent of ideas, Luisa Capetillo defends the possibilities of a spiritual- anarchist political life; Ofelia Rodríguez Acosta challenges the norms of love and kinship; and Evangelina Rodríguez Perozo contests the standards of maternal and infant care. 

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cover of On the Communicative Turn in Philosophy: Exploring Intersubjectivity, Community and the Ethics of Dialogue

On the Communicative Turn in Philosophy

Exploring Intersubjectivity, Community and the Ethics of Dialogue

Claude Mangion

Intellect Books, 2025

Beyond language and pragmatics, an argument for communication as a philosophical force in its own right.

Philosophy has long grappled with questions of meaning and human connection, yet communication itself remains an underexplored concept in the field. Claude Mangion shifts the focus by examining how communication has shaped debates on intersubjectivity and ethics.

By tracing its role across key philosophical discussions, this book offers a new outlook on how dialogue informs our understanding of self and society. Accessible and rigorously argued, it bridges the gap between philosophy and communication theory, making it a useful reference for students and scholars alike. This work provides a compelling argument for thinking about communication as a philosophical practice, whether you’re exploring community, the ethics of dialogue, or the foundations of intersubjectivity.
 
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cover of On the Edge of the Abyss: The Jewish Unconscious before Freud

On the Edge of the Abyss

The Jewish Unconscious before Freud

Clémence Boulouque

University of Chicago Press, 2025

A history of the unconscious in public discourse before Freud and its significance for Jewish emancipation.
 
When Sigmund Freud published his theory of the unconscious, in 1899, he popularized an idea that had fascinated generations of Jewish philosophers before him. In this book, Clémence Boulouque charts the development of the pre-Freudian unconscious from subcultural inquiry to dominant discourse during the long nineteenth century. Although Freud’s scientific notion differed from Schelling’s mythical description of the abyss from which creation springs, its resonance with older ideas was celebrated as an opportunity to express specifically Jewish contributions to modernity. Indeed, Boulouque shows that the pre-Freudian unconscious emerged from conversations in Jewish mysticism about otherness and coexistence. In the hopeful years before World War I, Boulouque argues, such reflections offered the possibility of emancipation not only to Jews but to all.
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cover of On the Existence of Digital Objects

On the Existence of Digital Objects

Yuk Hui

University of Minnesota Press, 2016

Digital objects, in their simplest form, are data. They are also a new kind of industrial object that pervades every aspect of our life today—as online videos, images, text files, e-mails, blog posts, Facebook events.Yet, despite their ubiquity, the nature of digital objects remains unclear.

On the Existence of Digital Objects conducts a philosophical examination of digital objects and their organizing schema by creating a dialogue between Martin Heidegger and Gilbert Simondon, which Yuk Hui contextualizes within the history of computing. How can digital objects be understood according to individualization and individuation? Hui pursues this question through the history of ontology and the study of markup languages and Web ontologies; he investigates the existential structure of digital objects within their systems and milieux. With this relational approach toward digital objects and technical systems, the book addresses alienation, described by Simondon as the consequence of mistakenly viewing technics in opposition to culture.

Interdisciplinary in philosophical and technical insights, with close readings of Husserl, Heidegger, and Simondon as well as the history of computing and the Web, Hui’s work develops an original, productive way of thinking about the data and metadata that increasingly define our world.


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On the Form of the American Mind (CW1)

Eric Voegelin, Edited & Intro by Jurgen Gebhardt & Barry Cooper, & Translated byRuth Hein

University of Missouri Press, 0

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cover of On the Happiness of the Philosophic Life: Reflections on Rousseau's "Rêveries" in Two Books

On the Happiness of the Philosophic Life

Reflections on Rousseau's "Rêveries" in Two Books

Heinrich Meier

University of Chicago Press, 2016

A paradigm-shifting, original examination of Rousseau’s final work, Rêveries.

On the Happiness of the Philosophic Life presents Heinrich Meier’s confrontation with Rousseau’s Rêveries, the philosopher’s most beautiful and daring work, as well as his last and least understood. Bringing to bear more than thirty years of study of Rousseau, Meier unfolds his stunningly original interpretation in two parts. 
           
The first part of On the Happiness of the Philosophic Life approaches the Rêveries not as another autobiographical text in the tradition of the Confessions and the Dialogues, but as a reflection on the philosophic life and the distinctive happiness it provides. The second turns to a detailed analysis of a work referred to in the Rêveries, the “Profession of Faith of the Savoyard Vicar,” which triggered Rousseau’s political persecution when it was originally published as part of Émile.  In his examination of this most controversial of Rousseau’s writings, which aims to lay the foundations for a successful nonphilosophic life, Meier brings to light the differences between natural religion as expressed by the Vicar and Rousseau’s natural theology. Together, the two reciprocally illuminating parts of this study provide an indispensable guide to Rousseau and to the understanding of the nature of the philosophic life.

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On the Heights of Despair

E. M. Cioran

University of Chicago Press, 1992

A classic work of philosophical reflection on despair, decay, and the futility of existence that Publishers Weekly said “puts Cioran in the company of Nietzsche and Kierkegaard”
 
Born of a terrible insomnia—"a dizzying lucidity which would turn even paradise into hell"—this book presents the potent, self-lacerating insights of the youthful E. M. Cioran, a self-described "Nietzsche still complete with his Zarathustra, his poses, his mystical clown's tricks, a whole circus of the heights."

On the Heights of Despair shows Cioran's first grappling with themes he would return to in his later, mature works: despair and decay, absurdity and alienation, futility and the irrationality of existence. It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair, for whom writing and philosophy both share the "lyrical virtues" that alone lead to a metaphysical revelation.
 
A book to keep at your bedside, as epigrammatic as it is insightful, On the Heights of Despair offers not consolation, but engaging, thought-provoking companionship.
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cover of On the Principles of Taxing Beer: and Other Brief Philosophical Essays

On the Principles of Taxing Beer

and Other Brief Philosophical Essays

James V. Schall

St. Augustine's Press, 2015

What is real and what is noble, as well as what is deranged and wrong, can often be stated briefly. Nietzsche was famous for his succinct aphorisms and epigrams. Aquinas in one of his responses could manage to state clearly what he held to be true. Ultimately, all of our thought needs to be so refined and concentrated that we can see the point. So these are “brief” essays and they are largely of a philosophical “hue.” They touch on things worth thinking about. Indeed, often they consider things we really need to think about if our lives are to make sense.

The advantage of a collection of essays is that it is free to talk about many things. It can speak of them in a learned way or in an amused and humorous way. As Chesterton said, there is no necessary conflict between what is true and what is funny. Oftentimes, the greatest things we learn are through laughter, even laughter at ourselves and our own foibles and faults.

So these essays are “brief.” And they are largely of philosophical import. At first sight, taxing beer may seem to have no serious principle, except perhaps for the brewer and the consumer. But wherever there is reality, we can find something to learn.

Each of these essays begins with the proposition “on”—this is a classical form of essay in the English language. Belloc, one the essay’s greatest masters, wrote a book simply entitled “ON”—and several other books with that introductory “ON” to begin it. The word has the advantage of focusing our attention on some idea, place, book, person, or reality that we happen to come across and notice, then notice again, then wonder about.

These essays are relatively short, often lightsome, hopefully always with a consideration that illumines the world through the mind of the reader. These essays are written in the spirit that the things we encounter provoke us, our minds. We need to come to terms, to understand what we come across in our pathways through this world. Often the best way to know what we observe or confront is to write about it, preferably briefly and with some philosophical insight. This is what we do here.
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cover of On the Psychotheology of Everyday Life: Reflections on Freud and Rosenzweig

On the Psychotheology of Everyday Life

Reflections on Freud and Rosenzweig

Eric L. Santner

University of Chicago Press, 2001

In On the Psychotheology of Everyday Life, Eric Santner puts Sigmund Freud in dialogue with his contemporary Franz Rosenzweig in the service of reimagining ethical and political life. By exploring the theological dimensions of Freud's writings and revealing unexpected psychoanalytic implications in the religious philosophy of Rosenzweig's masterwork, The Star of Redemption, Santner makes an original argument for understanding religions of revelation in therapeutic terms, and offers a penetrating look at how this understanding suggests fruitful ways of reconceiving political community.

Santner's crucial innovation in this new study is to bring the theological notion of revelation into a broadly psychoanalytic field, where it can be understood as a force that opens the self to everyday life and encourages accountability within the larger world. Revelation itself becomes redefined as an openness toward what is singular, enigmatic, even uncanny about the Other, whether neighbor or stranger, thereby linking a theory of drives and desire to a critical account of sociality. Santner illuminates what it means to be genuinely open to another human being or culture and to share and take responsibility for one's implication in the dilemmas of difference.

By bringing Freud and Rosenzweig together, Santner not only clarifies in new and surprising ways the profound connections between psychoanalysis and the Judeo-Christian tradition, he makes the resources of both available to contemporary efforts to rethink concepts of community and cross-cultural communication.
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On the Spirit of Rights

Dan Edelstein

University of Chicago Press, 2018

By the end of the eighteenth century, politicians in America and France were invoking the natural rights of man to wrest sovereignty away from kings and lay down universal basic entitlements. Exactly how and when did “rights” come to justify such measures?
 
In On the Spirit of Rights, Dan Edelstein answers this question by examining the complex genealogy of the rights that regimes enshrined in the American and French Revolutions. With a lively attention to detail, he surveys a sprawling series of debates among rulers, jurists, philosophers, political reformers, writers, and others who were all engaged in laying the groundwork for our contemporary systems of constitutional governance. Every seemingly new claim about rights turns out to be a variation on a theme, as late medieval notions were subtly repeated and refined to yield the talk of “rights” we recognize today. From the Wars of Religion to the French Declaration of the Rights of Man and of the Citizen to the 1948 Universal Declaration of Human Rights, On the Spirit of Rights is a sweeping tour through centuries of European intellectual history and an essential guide to our ways of thinking about human rights today.
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cover of On the True Sense of Art: A Critical Companion to the Transfigurements of John Sallis

On the True Sense of Art

A Critical Companion to the Transfigurements of John Sallis

Edited by Jason M. Wirth, Michael Schwartz, and David Jones

Northwestern University Press, 2016

On the True Sense of Art collects essays by philosophers responding to John Sallis’s Transfigurements: On the True Sense of Art as well as his other works on the philosophy of art, including Force of Imagination and Logic of Imagination.

Each of the chapters, by some of the leading thinkers in Continental philosophy, engages Sallis’s work on both ancient and new senses of aesthetics—a transfiguration of aesthetics—as a beginning that is always beginning again. With a responsive essay by Sallis himself, On the True Sense of Art forms a critical introduction to the thought of this generation’s most important aesthetician.

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On the Wandering Paths

Sylvain Tesson

University of Minnesota Press, 2022

A walking journey through France’s vast interior becomes a meditation on both personal recovery and the role of history in the present—more than 425,000 copies sold in France

 

After a free-climbing accident lands him in a coma and a hospital for four months, the French writer Sylvain Tesson makes a promise to himself: if he’s ever able to walk again, he will traverse the entire country of France on foot.  

Part literary adventure, part philosophical reflection on our contemporary consumer culture, On the Wandering Paths takes us deep into the heart of what Tesson terms France’s “hyperrural” zones. Tracing the obscure paths peasants once followed throughout the countryside, Tesson embarks on a three-month journey of solitude and personal contemplation as he walks along vast stretches of mountain ranges and rivers, encountering ancient Roman stone bridges and walkways, the French Foreign Legion, pagan prayer sites, Provençal villages, and the majestic Mont-Saint-Michel. Connecting deeply with the places he visits, his experiences inspire reflection on the essential need to disengage from the digital and immerse oneself in natural beauty.

Rich with humor, historical insight, and literary power, On the Wandering Paths is both a meditation on the act of recovery and a potent recognition of the traces of our past in the present. Asking us to reassess our values and our relationship to the land, Tesson’s exquisite chronicle through landscapes that continue to resist urbanization and technology is a thoughtful—and thought-provoking—glimpse into a poet’s adventurous life. Les Chemins de Pierre, a film based on the book starring Jean Dujardin, is due to release in 2022.

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On the Way to Heidegger’s Contributions to Philosophy

Parvis Emad

University of Wisconsin Press, 2007

     One of the most significant philosophical works of the twentieth century, Contributions to Philosophy is also one of the most difficult. Parvis Emad, in this collection of interpretive and critical essays, unravels and clarifies this challenging work with a rare depth and originality. In addition to grappling with other commentaries on Heidegger, he highlights Heidegger's "being-historical thinking" as thinking that sheds new light on theological, technological, and scientific interpretations of reality. At the crux of Emad's interpretation is his elucidation of the issue of "the turning" in Heidegger's thought and his "enactment" of Heidegger's thinking. He finds that only when Heidegger's work is enacted is his thinking truly revealed.
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On the Way to Theory

Lawrence Grossberg

Duke University Press, 2024

In On the Way to Theory, Lawrence Grossberg introduces the major ways of thinking that provide the backstory for contemporary Western theory. Asking readers to think about thinking, Grossberg traces cultural and critical theory’s foundations from the contested enlightenments to modern and postmodern conceptualizations of power, experience, language, and existence. He introduces key figures as historical characters and lays out the unique set of tools for thought that their “deep theories” offer. Through finely tuned and accessible descriptions of their concepts and logics, Grossberg highlights thinkers including Spinoza, Kant, Hegel, Marx, Nietzsche, Wittgenstein, Heidegger, Derrida, Foucault, Deleuze, and Hall, defining the possibilities of their thought. This book is essential for those interested in how theories shape our understanding of the world, influence our choices, and define our realities. It challenges us to recognize the multiplicity and complexities of ways of thinking in our quest for knowledge and understanding. By setting out a story of theoretical foundations, Grossberg invites readers to think toward the future of theory and expand conversations around theoretical scrutiny and criticism.
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Once Out of Nature

Augustine on Time and the Body

Andrea Nightingale

University of Chicago Press, 2011

Once Out of Nature offers an original interpretation of Augustine’s theory of time and embodiment. Andrea Nightingale draws on philosophy, sociology, literary theory, and social history to analyze Augustine’s conception of temporality, eternity, and the human and transhuman condition.
 
In Nightingale’s view, the notion of embodiment illuminates a set of problems much larger than the body itself: it captures the human experience of being an embodied soul dwelling on earth. In Augustine’s writings, humans live both in and out of nature—exiled from Eden and punished by mortality, they are “resident aliens” on earth. While the human body is subject to earthly time, the human mind is governed by what Nightingale calls psychic time. For the human psyche always stretches away from the present moment—where the physical body persists—into memories and expectations. As Nightingale explains, while the body is present in the here and now, the psyche cannot experience self-presence. Thus, for Augustine, the human being dwells in two distinct time zones, in earthly time and in psychic time. The human self, then, is a moving target. Adam, Eve, and the resurrected saints, by contrast, live outside of time and nature: these transhumans dwell in an everlasting present.
 
Nightingale connects Augustine’s views to contemporary debates about transhumans and suggests that Augustine’s thought reflects our own ambivalent relationship with our bodies and the earth. Once Out of Nature offers a compelling invitation to ponder the boundaries of the human.
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Once the Buddha Was a Monkey

Arya Sura's "Jatakamala"

Arya Sùra

University of Chicago Press, 1989

Here is one of the most entertaining masterpieces of Sanskrit literature rendered in an English translation that fully captures the original's artistry and charm.

Written most probably in the fourth century A.D., the Jatakamala is generally considered the masterpiece of Buddhist literature in Sanskrit. In elegant, courtly style, Arya Sura retells thirty-four traditional stories about the Buddha in his previous incarnations, human and animal. Whether as a king, a brahmin, a monkey, or a hare, the Great One is shown in assiduous pursuit of virtue and compassion. Though primarily intended as exemplary tales illustrating the Buddhist virtues, these stories also provide a vivid picture of life at a high point in ancient Indian culture—city life in ordinary households or at the royal court, and country life against a backdrop of mountain, desert, and jungle.

Fresh study of the Sanskrit manuscripts, now scattered in libraries all over the world, has enabled Peter Khoroche to make this new translation faithful to the original in both style and content. His explanatory notes will assist student and general reader alike in appreciating this classic from an ancient and exotic civilization.

“The general reader will be highly grateful for this new translation which, besides being beautifully printed, is rounded off with a very informative and reliable introduction.”—Renate Söhnen-Thieme, Bulletin of the School of Oriental and African Studies 

“One would be a fool not to welcome the chance to read this book.”—Richard Gombrich, Journal of the Royal Asiatic Society

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One Discipline, Four Ways

British, German, French, and American Anthropology

Fredrik Barth, Robert Parkin, Andre Gingrich, and Sydel Silverman

University of Chicago Press, 2005

One Discipline, Four Ways offers the first book-length introduction to the history of each of the four major traditions in anthropology—British, German, French, and American. The result of lectures given by distinguished anthropologists Fredrik Barth, Andre Gingrich, Robert Parkin, and Sydel Silverman to mark the foundation of the Max Planck Institute for Social Anthropology, this volume not only traces the development of each tradition but considers their impact on one another and assesses their future potentials.

Moving from E. B. Taylor all the way through the development of modern fieldwork, Barth reveals the repressive tendencies that prevented Britain from developing a variety of anthropological practices until the late 1960s. Gingrich, meanwhile, articulates the development of German anthropology, paying particular attention to the Nazi period, of which surprisingly little analysis has been offered until now. Parkin then assesses the French tradition and, in particular, its separation of theory and ethnographic practice. Finally, Silverman traces the formative influence of Franz Boas, the expansion of the discipline after World War II, and the "fault lines" and promises of contemporary anthropology in the United States.
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One Hour in Paris

A True Story of Rape and Recovery

Karyn L. Freedman

University of Chicago Press, 2014

In this powerful memoir, philosopher Karyn L. Freedman travels back to a Paris night in 1990 when she was twenty-two and, in one violent hour, her life was changed forever by a brutal rape. One Hour in Paris takes the reader on a harrowing yet inspirational journey through suffering and recovery both personal and global. We follow Freedman from an apartment in Paris to a French courtroom, then from a trauma center in Toronto to a rape clinic in Africa. At a time when as many as one in three women in the world have been victims of sexual assault and when many women are still ashamed to come forward, Freedman’s book is a moving and essential look at how survivors cope and persevere.

At once deeply intimate and terrifyingly universal, One Hour in Paris weaves together Freedman’s personal experience with the latest philosophical, neuroscientific, and psychological insights on what it means to live in a body that has been traumatized. Using her background as a philosopher, she looks at the history of psychological trauma and draws on recent theories of posttraumatic stress disorder and neuroplasticity to show how recovery from horrific experiences is possible. Through frank discussions of sex and intimacy, she explores the consequences of sexual violence for love and relationships, and she illustrates the steep personal cost of sexual violence and the obstacles faced by individual survivors in its aftermath. Freedman’s book is an urgent call to face this fundamental social problem head-on, arguing that we cannot continue to ignore the fact that sexual violence against women is rooted in gender inequalities that exist worldwide—and must be addressed.

One Hour in Paris is essential reading for survivors of sexual violence as well as an invaluable resource for therapists, mental health professionals, and family members and friends of victims.
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One Hundred Years of Philosophy

Brian Shanley

Catholic University of America Press, 2019

This collection originated in the centenary celebration of the School of Philosophy at The Catholic University of America. Written by acknowledged experts in their fields, the essays provide a unique overview of philosophical developments in the twentieth century. The broad range of topics considered makes the book an invaluable reference work.
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Oneself as Another

Paul Ricoeur

University of Chicago Press, 1992

Paul Ricoeur has been hailed as one of the most important thinkers of the century. Oneself as Another, the clearest account of his "philosophical ethics," substantiates this position and lays the groundwork for a metaphysics of morals.

Focusing on the concept of personal identity, Ricoeur develops a hermeneutics of the self that charts its epistemological path and ontological status.
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Only a Joke Can Save Us

A Theory of Comedy

Todd McGowan

Northwestern University Press, 2017

Only a Joke Can Save Us presents an innovative and comprehensive theory of comedy. Using a wealth of examples from high and popular culture and with careful attention to the treatment of humor in philosophy, Todd McGowan locates the universal source of comedy in the interplay of the opposing concepts lack and excess.

After reviewing the treatment of comedy in the work of philosophers as varied as Aristotle, G. W. F. Hegel, Sigmund Freud, Henri Bergson, and Alenka Zupancic, McGowan, working in a psychoanalytic framework, demonstrates that comedy results from the deployment of lack and excess, whether in contrast, juxtaposition, or interplay.

Illustrating the power and flexibility of this framework with analyses of films ranging from Buster Keaton and Marx Brothers classics to Dr. Strangelove and Groundhog Day, McGowan shows how humor can reveal gaps in being and gaps in social order. Scholarly yet lively and readable, Only a Joke Can Save Us is a groundbreaking examination of the enigmatic yet endlessly fascinating experience of humor and comedy.

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cover of Ontological Catastrophe: Zizek and the Paradoxical Metaphysics of German Idealism

Ontological Catastrophe

Zizek and the Paradoxical Metaphysics of German Idealism

Joseph Carew

Michigan Publishing Services, 2014

In Ontological Catastrophe, Joseph Carew takes up the central question guiding Slavoj Žižek's philosophy: How could something like phenomenal reality emerge out of the meaninglessness of the Real? Carefully reconstructing and expanding upon his controversial reactualization of German Idealism, Carew argues that Žižek offers us an original, but perhaps terrifying, response: experience is possible only if we presuppose a prior moment of breakdown as the ontogenetic basis of subjectivity. Drawing upon resources found in Žižek, Lacanian psychoanalysis, and post-Kantian philosophy, Carew thus develops a new critical metaphysics—a metaphysics which is a variation upon the late German Idealist theme of balancing system and freedom, realism and idealism, in a single, self-reflexive theoretical construct—that challenges our understanding of nature, culture, and the ultimate structure of reality.
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Ontological Terror

Blackness, Nihilism, and Emancipation

Calvin L. Warren

Duke University Press, 2018

In Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy by positing that the "Negro question" is intimately imbricated with questions of Being. Warren uses the figure of the antebellum free black as a philosophical paradigm for thinking through the tensions between blackness and Being. He illustrates how blacks embody a metaphysical nothing. This nothingness serves as a destabilizing presence and force as well as that which whiteness defines itself against. Thus, the function of blackness as giving form to nothing presents a terrifying problem for whites: they need blacks to affirm their existence, even as they despise the nothingness they represent. By pointing out how all humanism is based on investing blackness with nonbeing—a logic which reproduces antiblack violence and precludes any realization of equality, justice, and recognition for blacks—Warren urges the removal of the human from its metaphysical pedestal and the exploration of ways of existing that are not predicated on a grounding in being.
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cover of Ontology Of Work Of Art: Musical Work, Picture, Arch., Film

Ontology Of Work Of Art

Musical Work, Picture, Arch., Film

Roman Ingarden

Ohio University Press, 1989

In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work of art is a purely intentional object but considers also its connections to the real world. By analyzing a work of art in its “constitutive heterogeneous strata,” Ingarden demonstrates that a work of art will reveal, when examined in the appropriate way, its own inherent structure. Further, he shows that in consequence of the art work’s structure, we must distinguish between the work itself and the concretizations of it by the listener or viewer.

Ingarden elaborates upon the conception of concretization which he present in The Literary Work of Art and applies it to music and visual art. He also employs the concept of aspect to clarify the ontic structure of these art works and the distinction between the concretization of the work and the work itself. The distinction between the work’s concretization — effectuated in the mental experiences of the listener or viewer — and the work itself serves to help Ingarden confirm and account for the work’s intersubjective identity.

The problem of aesthetic value, Ingarden maintains, can be fruitfully treated only after the ontic structure of art work has been clarified. His primary concern in Ontology of the Work of Art is to ascertain and describe that structure and the mode of existence of works of art. In addition, he offers several discussions of aesthetic value, showing in the m the connections between questions of aesthetic value and the structure of the work of art.
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Ontology of Production

Three Essays

Nishida KitarM

Duke University Press, 2012

Ontology of Production presents three essays by the influential Japanese philosopher Nishida Kitarō (1870–1945), translated for the first time into English by William Haver. While previous translations of his writings have framed Nishida within Asian or Oriental philosophical traditions, Haver's introduction and approach to the texts rightly situate the work within Nishida's own commitment to Western philosophy. In particular, Haver focuses on Nishida's sustained and rigorous engagement with Marx's conception of production.

Agreeing with Marx that ontology is production and production is ontology, Nishida in these three essays—"Expressive Activity" (1925), "The Standpoint of Active Intuition" (1935), and "Human Being" (1938)—addresses sense and reason, language and thought, intuition and appropriation, ultimately arguing that in this concept of production, ideality and materiality are neither mutually exclusive nor oppositional but, rather, coimmanent. Nishida's forceful articulation of the radical nature of Marx's theory of production is, Haver contends, particularly timely in today's speculation-driven global economy. Nishida's reading of Marx, which points to the inseparability of immaterial intellectual labor and material manual labor, provokes a reconsideration of Marxism's utility for making sense of—and resisting—the logic of contemporary capitalism.

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cover of Ontopower: War, Powers, and the State of Perception

Ontopower

War, Powers, and the State of Perception

Brian Massumi

Duke University Press, 2015

Color coded terror alerts, invasion, drone war, rampant surveillance: all manifestations of the type of new power Brian Massumi theorizes in Ontopower. Through an in-depth examination of the War on Terror and the culture of crisis, Massumi identifies the emergence of preemption, which he characterizes as the operative logic of our time. Security threats, regardless of the existence of credible intelligence, are now felt into reality. Whereas nations once waited for a clear and present danger to emerge before using force, a threat's felt reality now demands launching a preemptive strike. Power refocuses on what may emerge, as that potential presents itself to feeling. This affective logic of potential washes back from the war front to become the dominant mode of power on the home front as well. This is ontopower—the mode of power embodying the logic of preemption across the full spectrum of force, from the “hard” (military intervention) to the "soft" (surveillance). With Ontopower, Massumi provides an original theory of power that explains not only current practices of war but the culture of insecurity permeating our contemporary neoliberal condition.
 
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cover of Open Society Unresolved: The Contemporary Relevance of a Contested Idea

Open Society Unresolved

The Contemporary Relevance of a Contested Idea

Christof Royer

Central European University Press, 2023

Is the concept of open society still relevant in the 21st century? Do the current social, moral, and political realities call for a drastic revision of this concept? Here fifteen essays address real-world contemporary challenges to open society from a variety of perspectives. What unites the individual authors and chapters is an interest in open society’s continuing usefulness and relevance to address current problems. And what distinguishes them is a rich variety of geographical and cultural backgrounds, and a wide range of academic disciplines and traditions.

While focusing on probing the contemporary relevance of the concept, several chapters approach it historically. The book features a comprehensive introduction to the history and current ‘uses’ of the theory of open society. The authors link the concept to contemporary themes including education, Artificial Intelligence, cognitive science, African cosmology, colonialism, and feminism. The diversity of viewpoints in the analysis reflects a commitment to plurality that is at the heart of this book and of the idea of open society itself.

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cover of Operation Valhalla: Writings on War, Weapons, and Media

Operation Valhalla

Writings on War, Weapons, and Media

Friedrich Kittler. Edited and translated by Ilinca Iurascu, Geoffrey Winthrop-Young, and Michael Wutz

Duke University Press, 2021

Operation Valhalla collects eighteen texts by German media theorist Friedrich Kittler on the close connections between war and media technology. In these essays, public lectures, interviews, literary analyses, and autobiographical musings, Kittler outlines how war has been a central driver of media's evolution, from Prussia's wars against Napoleon to the so-called War on Terror. Covering an eclectic array of topics, he charts the intertwined military and theatrical histories of the searchlight and the stage lamp, traces the microprocessor's genealogy back to the tank, shows how rapid-fire guns brought about new standards for optics and acoustics, and reads Thomas Pynchon's Gravity's Rainbow to upset established claims about the relationship between war, technology, and history in the twentieth century. Throughout, Operation Valhalla foregrounds the outsize role of war in media history as well as Kittler's importance as a daring and original thinker.
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