Leo Tolstoy, Edited by Inessa Medzhibovskaya, Translated from the Russian by Michael Denner and Inessa Medzhibovskaya
Northwestern University Press, 2018

Walter T. Schmid. Foreword by George Kimball Plochmann
Southern Illinois University Press, 1992
Walter T. Schmid offers the first original interpretation of the Laches since Hermann Bonitz in the nineteenth century in the only full-length commentary on the Laches available in English.
Schmid divides the book into five main discussions: the historical background of the dialogue; the relation of form and content in a Platonic dialogue and specific structural and aesthetic features of the Laches; the first half of the dialogue, which introduces the characters and considers the theme of the education of young men; the inquiry with Laches, which examines the traditional Greek conception of military courage; and the inquiry with Nicias in which two nontraditional conceptions of courage are mooted, one closely associated with the sophistic movement in Athens, the other with Socrates himself. Furnishing a detailed paragraph-by-paragraph reading that traces Socrates’ ongoing quest for virtue and wisdom—a wisdom founded in the action of a whole human life—Schmid conclusively shows how and why the Laches fills an important niche in Plato’s moral theory.
Roderick Chisholm
University of Minnesota Press, 1989
Richard R. Brettell
J. Paul Getty Trust, The, 2019
Edited by Namascar Shaktini
University of Illinois Press, 2004

Richard Eldridge
University of Chicago Press, 1989
Emmanuel Levinas
Diaphanes, 2019
Gilles Deleuze
University of Minnesota Press, 2025
Available for the first time in English: the complete and annotated transcripts of Deleuze’s 1981 seminars on painting
From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.
Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?
Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept.
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Elizabeth S. Anker
Duke University Press, 2022
Rebecca Comay
Seagull Books, 2026
Mike Hill
University of Minnesota Press, 2022
Tracing war’s expansion beyond the battlefield to the concept of the human being itself
As military and other forms of political violence become the planetary norm, On Posthuman War traces the expansion of war beyond traditional theaters of battle. Drawing on counterinsurgency field manuals, tactical manifestos, data-driven military theory, and asymmetrical-war archives, Mike Hill delineates new “Areas of Operation” within a concept of the human being as not only a social and biological entity but also a technical one.
Delving into three human-focused disciplines newly turned against humanity, OnPosthuman War reveals how demography, anthropology, and neuroscience have intertwined since 9/11 amid the “Revolution in Military Affairs.” Beginning with the author’s personal experience training with U.S. Marine recruits at Parris Island, Hill gleans insights from realist philosophy, the new materialism, and computational theory to show how the human being, per se, has been reconstituted from neutral citizen to unwitting combatant. As evident in the call for “bullets, beans, and data,” whatever can be parted out, counted, and reassembled can become war materiel. Hill shows how visible and invisible wars within identity, community, and cognition shift public-sphere activities, like racial identification, group organization, and even thought itself, in the direction of war. This shift has weaponized social activities against the very notion of society.
On Posthuman War delivers insights on the latest war technologies, strategies, and tactics while engaging in questions poised to overturn the foundations of modern political thought.
Emmanuel Chukwudi Eze
Duke University Press, 2008
Eze draws on an extraordinary command of Western philosophical thought and a deep knowledge of African philosophy and cultural traditions. He explores models of rationality in the thought of philosophers from Aristotle, René Descartes, Francis Bacon, and Thomas Hobbes to Noam Chomsky, Richard Rorty, Hilary Putnam, and Jacques Derrida, and he considers portrayals of reason in the work of the African thinkers and novelists Chinua Achebe, Ngugi wa Thiong’o, and Wole Soyinka. Eze reflects on contemporary thought about genetics, race, and postcolonial historiography as well as on the interplay between reason and unreason in the hearings of South Africa’s Truth and Reconciliation Commission. He contends that while rationality may have a foundational formality, any understanding of its foundation and form is dynamic, always based in historical and cultural circumstances.
Irven M. St. Albert the Great
Catholic University of America Press, 2020
Robert K. Merton
University of Chicago Press, 1996
Gilles Deleuze
University of Minnesota Press, 2026
Through newly transcribed and translated lectures, Deleuze explores Spinoza’s philosophy concerning questions of good and evil and humanity’s potential for realizing a full life
Available for the first time in English, On Spinoza presents the annotated transcripts of Gilles Deleuze’s fifteen seminars on the seventeenth-century philosopher’s Ethics, delivered at Experimental University Center at Vincennes. Spinoza’s ambitious treatise was central to Deleuze’s thought, and his course provides an accessible framework for understanding the vitality of Spinoza’s philosophy.
In an informal classroom setting, Deleuze addresses fundamental aspects of Spinoza’s thought: How does one undo the negativity of harmful passions such as hate, resentment, and envy? How can a system of moral judgment based on good and evil be replaced by a more sophisticated ethics of the good and the bad? And since such questions commit Spinoza to a new theory of signs, Deleuze also delves into his thinking on how these signs should guide human existence and the differences between concepts of eternity, experienced in the here and now, and the immortality promised by philosophy and religion.
Building gradually from session to session, Deleuze shows how Spinoza rejects a hierarchical reality dominated by an authoritarian and impenetrable God, instead proposing a world ruled by light and reason in which all beings are equal. Annotated by David Lapoujade and including recorded exchanges with Deleuze’s students, On Spinoza offers a rare window into Deleuze’s teaching, offering readers a guide for linking Spinoza to other philosophers—including Deleuze himself.
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Costas M. Constantinou
University of Minnesota Press, 1996
A deconstruction of the idea of diplomacy that explores the links between its theory and practice.
What does theory have to do with the concept-let alone the practice-of diplomacy? More than we might think, as Costas M. Constantinou amply demonstrates in this ambitious reconsideration of both the concept of diplomacy and the working of theory. Here, Constantinou focuses on the language that underwrites and directs theory and diplomacy, and shows that such a critical approach is actually a way of practicing politics.
Constantinou underscores the original intertextual association between theory and diplomacy by employing the ancient Greek term theoria. Theoria once referred to both philosophical thinking and a sacred embassy sent to discharge a religious duty. The use of the term in this book leads to a new view of theory and diplomacy. Constantinou considers the structures of diplomacy and theory together with the notion of representation that is peculiar to Western metaphysical thought. A deconstruction of diplomacy itself, this work bridges classical and contemporary philosophy, ancient and modern political practice, and, ultimately, politics and the arts in general. It will alter the study, understanding, and practice of diplomacy.Martin Heidegger
University of Chicago Press, 2002
Leo Strauss
University of Chicago Press, 2000
Leo Strauss
University of Chicago Press, 2013

Sylvain Bromberger
University of Chicago Press, 1992
Spyros Papapetros
University of Chicago Press, 2012
Throughout human history, people have imagined inanimate objects to have intelligence, language, and even souls. In our secular societies today, we still willingly believe that nonliving objects have lives of their own as we find ourselves interacting with computers and other equipment. In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century—a period of great technical innovation whose effects continue to reverberate today.
Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and artists like Fernand Léger, Mies van der Rohe, and Salvador Dalí, Papapetros tracks the evolution of the problem of animation from the fin de siècle through the twentieth century. He argues that empathy—the ability to identify with objects of the external world—was repressed by twentieth-century modernist culture, but it returned, projected onto inorganic objects such as machines, automobiles, and crystalline skyscrapers. These modern artifacts, he demonstrates, vibrated with energy, life, and desire of their own and had profound effects on people. Subtle and insightful, this book will change how we view modernist art, architecture, and their histories.
Mark Foster Gage
University of Minnesota Press, 2024
How can architecture develop better aesthetic directions for the twenty-first-century built environment?
Our world, increasingly defined by efficient but unconsidered architecture and cities, seems to be getting uglier. In On the Appearance of the World, Mark Foster Gage asks why. He imagines a future scenario where architectural design and ideas from aesthetic philosophy align toward the production of a built world that is more humane, habitable, beautiful, and just.

Stephanie Rivera Berruz
Rutgers University Press, 2027
On the Border of Belonging: Luisa Capetillo, Ofelia Rodríguez Acosta, and Evangelina Rodríguez Perozo is a philosophical-historiographical project that spearheads the construction of an intellectual tradition of women from the Hispanophone Caribbean at the turn of the 20th century. On the Border of Belonging engages Luisa Capetillo (Puerto Rico), Ofelia Rodríguez Acosta (Cuba), Evangelina Rodríguez Perozo (Dominican Republic) as interlocutors with the landfall of Western modernity revealing a tense intersection between a desire to belong to modernity while sitting on the margins of its possibilities. The vexed relationship with belonging creates a counter-archive of contradictions that reveals a vivid philosophical patchwork that spirals and repeats across the archipelago. In this crosscurrent of ideas, Luisa Capetillo defends the possibilities of a spiritual- anarchist political life; Ofelia Rodríguez Acosta challenges the norms of love and kinship; and Evangelina Rodríguez Perozo contests the standards of maternal and infant care.

Claude Mangion
Intellect Books, 2025
Clémence Boulouque
University of Chicago Press, 2025
Yuk Hui
University of Minnesota Press, 2016
Digital objects, in their simplest form, are data. They are also a new kind of industrial object that pervades every aspect of our life today—as online videos, images, text files, e-mails, blog posts, Facebook events.Yet, despite their ubiquity, the nature of digital objects remains unclear.
On the Existence of Digital Objects conducts a philosophical examination of digital objects and their organizing schema by creating a dialogue between Martin Heidegger and Gilbert Simondon, which Yuk Hui contextualizes within the history of computing. How can digital objects be understood according to individualization and individuation? Hui pursues this question through the history of ontology and the study of markup languages and Web ontologies; he investigates the existential structure of digital objects within their systems and milieux. With this relational approach toward digital objects and technical systems, the book addresses alienation, described by Simondon as the consequence of mistakenly viewing technics in opposition to culture.
Interdisciplinary in philosophical and technical insights, with close readings of Husserl, Heidegger, and Simondon as well as the history of computing and the Web, Hui’s work develops an original, productive way of thinking about the data and metadata that increasingly define our world.
Eric Voegelin, Edited & Intro by Jurgen Gebhardt & Barry Cooper, & Translated byRuth Hein
University of Missouri Press, 0
Heinrich Meier
University of Chicago Press, 2016
On the Happiness of the Philosophic Life presents Heinrich Meier’s confrontation with Rousseau’s Rêveries, the philosopher’s most beautiful and daring work, as well as his last and least understood. Bringing to bear more than thirty years of study of Rousseau, Meier unfolds his stunningly original interpretation in two parts.
The first part of On the Happiness of the Philosophic Life approaches the Rêveries not as another autobiographical text in the tradition of the Confessions and the Dialogues, but as a reflection on the philosophic life and the distinctive happiness it provides. The second turns to a detailed analysis of a work referred to in the Rêveries, the “Profession of Faith of the Savoyard Vicar,” which triggered Rousseau’s political persecution when it was originally published as part of Émile. In his examination of this most controversial of Rousseau’s writings, which aims to lay the foundations for a successful nonphilosophic life, Meier brings to light the differences between natural religion as expressed by the Vicar and Rousseau’s natural theology. Together, the two reciprocally illuminating parts of this study provide an indispensable guide to Rousseau and to the understanding of the nature of the philosophic life.
E. M. Cioran
University of Chicago Press, 1992
James V. Schall
St. Augustine's Press, 2015
Eric L. Santner
University of Chicago Press, 2001
Dan Edelstein
University of Chicago Press, 2018
Edited by Jason M. Wirth, Michael Schwartz, and David Jones
Northwestern University Press, 2016
On the True Sense of Art collects essays by philosophers responding to John Sallis’s Transfigurements: On the True Sense of Art as well as his other works on the philosophy of art, including Force of Imagination and Logic of Imagination.
Each of the chapters, by some of the leading thinkers in Continental philosophy, engages Sallis’s work on both ancient and new senses of aesthetics—a transfiguration of aesthetics—as a beginning that is always beginning again. With a responsive essay by Sallis himself, On the True Sense of Art forms a critical introduction to the thought of this generation’s most important aesthetician.
Sylvain Tesson
University of Minnesota Press, 2022
A walking journey through France’s vast interior becomes a meditation on both personal recovery and the role of history in the present—more than 425,000 copies sold in France
After a free-climbing accident lands him in a coma and a hospital for four months, the French writer Sylvain Tesson makes a promise to himself: if he’s ever able to walk again, he will traverse the entire country of France on foot.
Part literary adventure, part philosophical reflection on our contemporary consumer culture, On the Wandering Paths takes us deep into the heart of what Tesson terms France’s “hyperrural” zones. Tracing the obscure paths peasants once followed throughout the countryside, Tesson embarks on a three-month journey of solitude and personal contemplation as he walks along vast stretches of mountain ranges and rivers, encountering ancient Roman stone bridges and walkways, the French Foreign Legion, pagan prayer sites, Provençal villages, and the majestic Mont-Saint-Michel. Connecting deeply with the places he visits, his experiences inspire reflection on the essential need to disengage from the digital and immerse oneself in natural beauty.
Rich with humor, historical insight, and literary power, On the Wandering Paths is both a meditation on the act of recovery and a potent recognition of the traces of our past in the present. Asking us to reassess our values and our relationship to the land, Tesson’s exquisite chronicle through landscapes that continue to resist urbanization and technology is a thoughtful—and thought-provoking—glimpse into a poet’s adventurous life. Les Chemins de Pierre, a film based on the book starring Jean Dujardin, is due to release in 2022.
Parvis Emad
University of Wisconsin Press, 2007
Lawrence Grossberg
Duke University Press, 2024
Andrea Nightingale
University of Chicago Press, 2011
Arya Sùra
University of Chicago Press, 1989
Fredrik Barth, Robert Parkin, Andre Gingrich, and Sydel Silverman
University of Chicago Press, 2005
Karyn L. Freedman
University of Chicago Press, 2014
Brian Shanley
Catholic University of America Press, 2019
Paul Ricoeur
University of Chicago Press, 1992
Todd McGowan
Northwestern University Press, 2017
Only a Joke Can Save Us presents an innovative and comprehensive theory of comedy. Using a wealth of examples from high and popular culture and with careful attention to the treatment of humor in philosophy, Todd McGowan locates the universal source of comedy in the interplay of the opposing concepts lack and excess.
After reviewing the treatment of comedy in the work of philosophers as varied as Aristotle, G. W. F. Hegel, Sigmund Freud, Henri Bergson, and Alenka Zupancic, McGowan, working in a psychoanalytic framework, demonstrates that comedy results from the deployment of lack and excess, whether in contrast, juxtaposition, or interplay.
Illustrating the power and flexibility of this framework with analyses of films ranging from Buster Keaton and Marx Brothers classics to Dr. Strangelove and Groundhog Day, McGowan shows how humor can reveal gaps in being and gaps in social order. Scholarly yet lively and readable, Only a Joke Can Save Us is a groundbreaking examination of the enigmatic yet endlessly fascinating experience of humor and comedy.

Joseph Carew
Michigan Publishing Services, 2014
Calvin L. Warren
Duke University Press, 2018

Roman Ingarden
Ohio University Press, 1989
Nishida KitarM
Duke University Press, 2012
Agreeing with Marx that ontology is production and production is ontology, Nishida in these three essays—"Expressive Activity" (1925), "The Standpoint of Active Intuition" (1935), and "Human Being" (1938)—addresses sense and reason, language and thought, intuition and appropriation, ultimately arguing that in this concept of production, ideality and materiality are neither mutually exclusive nor oppositional but, rather, coimmanent. Nishida's forceful articulation of the radical nature of Marx's theory of production is, Haver contends, particularly timely in today's speculation-driven global economy. Nishida's reading of Marx, which points to the inseparability of immaterial intellectual labor and material manual labor, provokes a reconsideration of Marxism's utility for making sense of—and resisting—the logic of contemporary capitalism.
Brian Massumi
Duke University Press, 2015
Christof Royer
Central European University Press, 2023
Is the concept of open society still relevant in the 21st century? Do the current social, moral, and political realities call for a drastic revision of this concept? Here fifteen essays address real-world contemporary challenges to open society from a variety of perspectives. What unites the individual authors and chapters is an interest in open society’s continuing usefulness and relevance to address current problems. And what distinguishes them is a rich variety of geographical and cultural backgrounds, and a wide range of academic disciplines and traditions.
While focusing on probing the contemporary relevance of the concept, several chapters approach it historically. The book features a comprehensive introduction to the history and current ‘uses’ of the theory of open society. The authors link the concept to contemporary themes including education, Artificial Intelligence, cognitive science, African cosmology, colonialism, and feminism. The diversity of viewpoints in the analysis reflects a commitment to plurality that is at the heart of this book and of the idea of open society itself.
Friedrich Kittler. Edited and translated by Ilinca Iurascu, Geoffrey Winthrop-Young, and Michael Wutz
Duke University Press, 2021