8642 books match the query '20th Century' and 170 start with o

cover of Outliers and American Vanguard Art

Outliers and American Vanguard Art

Lynne Cooke

University of Chicago Press, 2017

Since the last century, the relationship between vanguard and self-taught artists has been defined by contradiction. The established art world has been quick to make clear distinctions between trained and untrained artists, yet at the same time it has been fascinated by outliers whom it draws selectively and intermittently into its orbits. For a new exhibition launching at the National Gallery of Art, curator Lynne Cooke explores shifting conceptualizations of the American outlier across the twentieth century, drawing on the inherent sociality of the exhibition in her installation of these works. This companion catalog, Outliers and American Vanguard Art, offers a fantastic opportunity to consider works by schooled and self-taught creators in relation to each other and defined by historical circumstance.

The art works in Outliers and American Vanguard Art come from three distinct periods when the intersections between mainstream and outlier artists were most dynamic and productive, ushering in exhibitions of art based on various degrees of co-existence, inclusion, and assimilation. Works by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican are set in conversation with a range of works by such self-taught artists as Horace Pippin, Janet Sobel, and Henry Darger. Cooke also examines a recent increase of radically expressive work that challenges what it means to be an outlier today. She reveals how these distinctions have been freighted with a particularly American point of view as she investigates our assumptions about creativity, artistic practice, and the role of the artist in contemporary culture.
 
Outliers and American Vanguard Art is the most comprehensive show ever to examine outliers in dialogue with their established peers.   It is sure to inspire vigorous conversation about how artists and the work they make are represented.
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cover of Outside Agitator: Jon Daniels and the Civil Rights Movement in Alabama

Outside Agitator

Jon Daniels and the Civil Rights Movement in Alabama

Charles Eagles

University of Alabama Press, 2000

WINNER OF THE LILLIAN SMITH BOOK AWARD

The story of faith, sacrifice, and moral courage in Alabama's fight for civil rights.

Outside Agitator tells the powerful, largely forgotten story of Jonathan Daniels—a white Episcopal seminarian from New England who answered the call of the civil rights movement and paid for that commitment with his life. In 1965, Daniels left the safety of Harvard and Cambridge for Selma and Alabama’s Black Belt, where he worked alongside Black activists to challenge segregation, register voters, and confront the moral failures of church and state. His murder by a white segregationist shocked the nation and exposed the deadly cost of racial injustice—and of moral courage. 

More than a biography, this book asks urgent questions that still resonate: What does it mean to act on conscience in a society structured by inequality? What responsibilities do faith, citizenship, and privilege impose? Historian Charles W. Eagles places Daniels’s life within the turbulent final phase of the southern civil rights movement, revealing the everyday fears, ethical dilemmas, and racial tensions behind the iconic events of Selma and Lowndes County. 

Outside Agitator will appeal to readers interested in civil rights history, religious activism, Southern history, and the moral dimensions of political struggle. It is essential reading for students, scholars, clergy, and general readers seeking to understand how individual lives can illuminate—and challenge—the ongoing fight for justice and equality.

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cover of Outside Influence: Photography in Colorado, 1945–1995

Outside Influence

Photography in Colorado, 1945–1995

Rupert Jenkins

University Press of Colorado, 2025

Outside Influence: Photography in Colorado, 1945–1995 is the first detailed account of the state’s history of post–World War II expressive photography. The title “Outside Influence” alludes to the historic presence of the natural landscape as subject and to the transformative impact of out-of-state artists and educators. Their arrival in Colorado beginning in the 1960s galvanized interpretive photography by introducing innovative concepts, nontraditional materials, and emergent digital technologies to students, peers, and their audience-at-large.

Throughout the book’s nine chapters, Rupert Jenkins contextualizes Colorado photography’s postwar development with a social, political, and cultural abstract that encompasses national events and trends, the emerging presence of women and photographers of color, and institutional leadership. Drawing from more than 120 personal interviews, he identifies the medium’s principal in-state creators, mentors, and advocates from the modernist era of film processing to the emergence of interdisciplinary digital practice. Jenkins answers fundamental questions about the people and work of this era: Who generated this significant body of innovative, noncommercial photographic work? Where did they come from? Who inspired them, and who in turn did they inspire?

As Eric Paddock, curator of photography at the Denver Art Museum, discusses in his foreword, by looking at the schools, workshops, galleries, and museums that supported these artists, Jenkins stresses the importance of collaboration and community to any successful venture. Crucially, in examining the lives and careers of photographers like Robert Adams, Walter Chappell, Albert Chong, Cherie Hiser, Barbara Houghton, Winter Prather, Mark Sink, Melanie Walker, Myron Wood, and numerous others, Outside Influence seeks to affirm the medium’s legacy within Colorado’s fine arts canon.

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cover of Outside Literary Studies: Black Criticism and the University

Outside Literary Studies

Black Criticism and the University

Andy Hines

University of Chicago Press, 2022

A timely reconsideration of the history of the profession, Outside Literary Studies investigates how midcentury Black writers built a critical practice tuned to the struggle against racism and colonialism.
 
This striking contribution to Black literary studies examines the practices of Black writers in the mid-twentieth century to revise our understanding of the institutionalization of literary studies in America. Andy Hines uncovers a vibrant history of interpretive resistance to university-based New Criticism by Black writers of the American left. These include well-known figures such as Langston Hughes and Lorraine Hansberry as well as still underappreciated writers like Melvin B. Tolson and Doxey Wilkerson. In their critical practice, these and other Black writers levied their critique from “outside” venues: behind the closed doors of the Senate Permanent Subcommittee on Investigations, in the classroom at a communist labor school under FBI surveillance, and in a host of journals. From these vantages, Black writers not only called out the racist assumptions of the New Criticism, but also defined Black literary and interpretive practices to support communist and other radical world-making efforts in the mid-twentieth century. Hines’s book thus offers a number of urgent contributions to literary studies: it spotlights a canon of Black literary texts that belong to an important era of anti-racist struggle, and it fills in the pre-history of the rise of Black studies and of ongoing Black dissent against the neoliberal university.
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cover of Outside Literary Studies: Black Criticism and the University

Outside Literary Studies

Black Criticism and the University

Andy Hines

University of Chicago Press, 2022

This is an auto-narrated audiobook edition of this book.

A timely reconsideration of the history of the profession, Outside Literary Studies investigates how midcentury Black writers built a critical practice tuned to the struggle against racism and colonialism.
 
This striking contribution to Black literary studies examines the practices of Black writers in the mid-twentieth century to revise our understanding of the institutionalization of literary studies in America. Andy Hines uncovers a vibrant history of interpretive resistance to university-based New Criticism by Black writers of the American left. These include well-known figures such as Langston Hughes and Lorraine Hansberry as well as still underappreciated writers like Melvin B. Tolson and Doxey Wilkerson. In their critical practice, these and other Black writers levied their critique from “outside” venues: behind the closed doors of the Senate Permanent Subcommittee on Investigations, in the classroom at a communist labor school under FBI surveillance, and in a host of journals. From these vantages, Black writers not only called out the racist assumptions of the New Criticism, but also defined Black literary and interpretive practices to support communist and other radical world-making efforts in the mid-twentieth century. Hines’s book thus offers a number of urgent contributions to literary studies: it spotlights a canon of Black literary texts that belong to an important era of anti-racist struggle, and it fills in the pre-history of the rise of Black studies and of ongoing Black dissent against the neoliberal university.

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cover of Outside Passage: A Memoir of an Alaskan Childhood

Outside Passage

A Memoir of an Alaskan Childhood

Julia Scully

University of Alaska Press, 2010

When Julia Scully was seven years old, her father committed suicide, and she and her sister were sent to an orphanage.  Two years later, emotionally damaged by the isolation and brutality of the orphanage, the girls followed their mother to the near-wilderness of the gold-mining territory north of Nome, Alaska, where she had leased a roadhouse in the tiny settlement of Taylor.  Julia had no idea what to expect when she arrived, but to her surprise, she found a healing power in the stark beauty of the vast tundra.  Later, she reveled in the boisterous, chaotic boomtown atmosphere that prevailed when thousands of American troops descended on Nome at the outbreak of World War II.  

Outside Passage is a lyrical and affecting memoir of those years, simultaneously an emotional account of a young girl’s first steps into adulthood and a unique portrait of a vanished frontier life.
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cover of Outside the Gates of Eden: The Dream of America from Hiroshima to Now

Outside the Gates of Eden

The Dream of America from Hiroshima to Now

Peter Bacon Hales

University of Chicago Press, 2014

Exhilaration and anxiety, the yearning for community and the quest for identity: these shared, contradictory feelings course through Outside the Gates of Eden, Peter Bacon Hales’s ambitious and intoxicating new history of America from the atomic age to the virtual age.
           
Born under the shadow of the bomb, with little security but the cold comfort of duck-and-cover, the postwar generations lived through—and led—some of the most momentous changes in all of American history. Hales explores those decades through perceptive accounts of a succession of resonant moments, spaces, and artifacts of everyday life—drawing unexpected connections and tracing the intertwined undercurrents of promise and peril. From sharp analyses of newsreels of the first atomic bomb tests and the invention of a new ideal American life in Levittown; from the music emerging from the Brill Building and the Beach Boys, and a brilliant account of Bob Dylan’s transformations; from the painful failures of communes and the breathtaking utopian potential of the early days of the digital age, Hales reveals a nation, and a dream, in transition, as a new generation began to make its mark on the world it was inheriting.
           
Full of richly drawn set-pieces and countless stories of unforgettable moments, Outside the Gates of Eden is the most comprehensive account yet of the baby boomers, their parents, and their children, as seen through the places they built, the music and movies and shows they loved, and the battles they fought to define their nation, their culture, and their place in what remains a fragile and dangerous world.
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cover of Outside the Lines: Talking with Contemporary Gay Poets

Outside the Lines

Talking with Contemporary Gay Poets

Christopher Hennessy, Editor

University of Michigan Press, 2005

"Outside the Lines explores the personal and historical forces that have shaped the work of a dozen gifted poets. The answers given to Hennessy's astute, perfectly tailored questions remind a reader how exciting poetry can be, and how writers create, through language, the world as we have never known it. These adventuresome interviews will stir anyone who cares about the making of art."
---Bernard Cooper, author of Maps to Anywhere

Editor Christopher Hennessy gathers interviews with some of the most significant figures in contemporary American poetry. While each poet is gay, these encompassing, craft-centered interviews reflect the diversity of their respective arts and serve as a testament to the impact gay poets have had and will continue to have on contemporary poetics.

The book includes twelve frank, intense interviews with some of America's best-known and loved poets, who have not only enjoyed wide critical acclaim but who have had lasting impact on both the gay tradition and the contemporary canon writ large, for example, Frank Bidart, the late Thom Gunn, and J. D. McClatchy. Some of the most honored and respected poets, still in the middle of their careers, are also included, for example, Mark Doty, Carl Phillips, and Reginald Shepherd. Each interview explores the poet's complete work to date, often illuminating the poet's technical evolution and emotional growth, probing shifts in theme, and even investigating links between verse and sexuality.

In addition to a selected bibliography of works by established poets, the book also includes a list of works by newer and emerging poets who are well on their way to becoming important voices of the new millennium.
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cover of Outside the Magic Circle: The Autobiography of Virginia Foster Durr

Outside the Magic Circle

The Autobiography of Virginia Foster Durr

Hollinger F. Barnard

University of Alabama Press, 1990

Winner of the Alabama Library Author Award

Outside the Magic Circle tells the remarkable story of Virginia Foster Durr, a southern white woman born into privilige who (along with her husband Clifford Durr, a lawyer best known for defending Rosa Parks), nonetheless devoted her life to Civil Rights activism.

Outside the Magic Circle is the powerful and deeply personal autobiography of Virginia Foster Durr, a Southern woman who defied the expectations of her privileged upbringing to become one of the most courageous voices for civil rights and social justice in 20th-century America. Born into a wealthy, white Alabama family, Durr was raised in a world steeped in segregation and conservative values. Yet through a journey marked by moral reckoning, intellectual awakening, and political activism, she stepped outside the “magic circle” of Southern gentility to confront the injustices that shaped her world.

With a foreword by renowned oral historian Studs Terkel, this memoir captures Durr’s transformation from reluctant conformist to outspoken advocate. Her story spans decades of American history—from the Great Depression and New Deal politics to the McCarthy era and the Civil Rights Movement. Alongside her husband, attorney Clifford Durr, Virginia became a key figure in progressive circles, working to abolish the poll tax, defend civil liberties, and support Black activists in the segregated South.

Told in Durr’s own voice, the narrative is rich with anecdotes, reflections, and encounters with historical figures such as Eleanor Roosevelt, Rosa Parks, and Martin Luther King Jr. It is both a personal reckoning and a political document, offering rare insight into the inner conflicts of white Southern liberals and the cost of dissent in a deeply divided society.

Outside the Magic Circle is more than a memoir—it is a testament to the power of conscience, the courage of transformation, and the enduring fight for justice. It remains a vital resource for readers interested in civil rights history, feminist thought, and the complexities of Southern identity.

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cover of Outside the Paint: When Basketball Ruled at the Chinese Playground

Outside the Paint

When Basketball Ruled at the Chinese Playground

Kathleen S. Yep

Temple University Press, 2009

Outside the Paint takes readers back to the Chinese Playground of San Francisco in the 1930s and 1940s, the only public outdoor space in Chinatown. It was a place where young Chinese American men and women developed a new approach to the game of basketbal—with fast breaks, intricate passing and aggressive defense—that was ahead of its time.

Drawing on interviews with players and coaches, Kathleen Yep recounts some surprising stories. From the success of the Hong Wah Kues, a professional barnstorming men's basketball team and the Mei Wahs, a championship women’s amateur team, to Woo Wong, the first Chinese athlete to play in Madison Square Garden, and his extraordinarily talented sister Helen Wong, who is compared to Babe Didrikson.

Outside the Paint chronicles the efforts of these highly accomplished athletes who developed a unique playing style that capitalized on their physical attributes, challenged the prevailing racial hierarchy, and enabled them, for a time, to leave the confines of their segregated world. As they learned to dribble, shoot, and steal, they made basketball a source of individual achievement and Chinese American community pride.

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cover of Outsider in the Promised Land: An Iraqi Jew in Israel

Outsider in the Promised Land

An Iraqi Jew in Israel

By Nissim Rejwan

University of Texas Press, 2006

In 1951, Israel was a young nation surrounded by hostile neighbors. Its tenuous grip on nationhood was made slipperier still by internal tensions among the various communities that had immigrated to the new Jewish state, particularly those between the politically and socially dominant Jewish leadership hailing from Eastern Europe and the more numerous Oriental Jews from the Middle East and North Africa. Into this volatile mix came Nissim Rejwan, a young Iraqi Jewish intellectual who was to become one of the country's leading public intellectuals and authors.

Beginning with Rejwan's arrival in 1951 and climaxing with the tensions preceding Israel's victory in the Six-Day War of 1967, this book colorfully chronicles Israel's internal and external struggles to become a nation, as well as the author's integration into a complex culture. Rejwan documents how the powerful East European leadership, acting as advocates of Western norms and ideals, failed to integrate Israel into the region and let the country take its place as a part of the Middle East. Rejwan's essays and occasional articles are an illuminating example of how minority groups use journalism to gain influence in a society. Finally, the letters and diary entries reproduced in Outsider in the Promised Land are full of lively, witty meditations on history, literature, philosophy, education, and art, as well as one man's personal struggle to find his place in a new nation.

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cover of Over Here, Over There: Transatlantic Conversations on the Music of World War I

Over Here, Over There

Transatlantic Conversations on the Music of World War I

Edited by William Brooks, Christina Bashford, and Gayle Magee

University of Illinois Press, 2019

During the Great War, composers and performers created music that expressed common sentiments like patriotism, grief, and anxiety. Yet music also revealed the complexities of the partnership between France, Great Britain, Canada, and the United States. At times, music reaffirmed a commitment to the shared wartime mission. At other times, it reflected conflicting views about the war from one nation to another or within a single nation. Over Here, Over There examines how composition, performance, publication, recording, censorship, and policy shaped the Atlantic allies' musical response to the war. The first section of the collection offers studies of individuals. The second concentrates on communities, whether local, transnational, or on the spectrum in-between. Essay topics range from the sinking of the Lusitania through transformations of the entertainment industry to the influenza pandemic. Contributors: Christina Bashford, William Brooks, Deniz Ertan, Barbara L. Kelly, Kendra Preston Leonard, Gayle Magee, Jeffrey Magee, Michelle Meinhart, Brian C. Thompson, and Patrick Warfield
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cover of Over There: Living with the U.S. Military Empire from World War Two to the Present

Over There

Living with the U.S. Military Empire from World War Two to the Present

Maria Höhn and Seungsook Moon, eds.

Duke University Press, 2010

Over There explores the social impact of America’s global network of more than 700 military bases. It does so by examining interactions between U.S. soldiers and members of host communities in the three locations—South Korea, Japan and Okinawa, and West Germany—where more than-two thirds of American overseas bases and troops have been concentrated for the past six decades. The essays in this collection highlight the role of cultural and racial assumptions in the maintenance of the American military base system, and the ways that civil-military relations play out locally. Describing how political, spatial, and social arrangements shape relations between American garrisons and surrounding communities, they emphasize such factors as whether military bases are located in democratic nations or in authoritarian countries where cooperation with dictatorial regimes fuels resentment; whether bases are integrated into neighboring communities or isolated and surrounded by “camp towns” wholly dependent on their business; and whether the United States sends single soldiers without families on one-year tours of duty or soldiers who bring their families and serve longer tours. Analyzing the implications of these and other situations, the contributors address U.S. military–regulated relations between GIs and local women; the roles of American women, including military wives, abroad; local resistance to the U.S. military presence; and racism, sexism, and homophobia within the U.S. military. Over There is an essential examination of the American military as a global and transnational phenomenon.

Contributors
Donna Alvah
Chris Ames
Jeff Bennett
Maria Höhn
Seungsook Moon
Christopher Nelson
Robin Riley
Michiko Takeuchi

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cover of Over the Wire and on TV: CBS and UPI in Campaign '80

Over the Wire and on TV

CBS and UPI in Campaign '80

Michael J. Robinson

Russell Sage Foundation, 1983

First the press became the media, and now the media have become the Imperial Media—or have they? In this timely and comprehensive analysis, Michael Robinson and Margaret Sheehan examine how the news media behaved (or misbehaved) in covering the 1980 presidential campaign. Using the media's own traditional standards as a guide, Robinson and Sheehan measure the level of objectivity, fairness, seriousness, and criticism displayed by CBS News and United Press International between January and December of 1980. Drawing on statistical analyses of almost 6,000 news stories and dozens of interviews with writers and reporters, the authors reach convincing and sometimes surprising conclusions. They demonstrate, for example, that both CBS and UPI strictly avoided subjective assessments of the candidates and their positions on the issues. Both gave the major parties remarkably equal access. But the media seem to give more negative coverage to front-runners, treating serious challengers less harshly. Perhaps the most surprising finding is that networks were not more superficial than print; CBS attended to the issues at least as often as UPI. Robinson and Sheehan find television coverage more subjective, more volatile, and substantially more negative than traditional print. But CBS behaved neither imperially nor irresponsibly in Campaign '80. The networks did, however, emulate the more highly charged journalism of the eastern elite print press. By blending the quantitative techniques of social science and the tools of Washington-based journalism, Robinson and Sheehan have produced a book that will be essential reading for students and practitioners of politics, public opinion research, journalism, and communications. Lively and readable, it should also appeal to anyone interested in the role of the news media in contemporary politics.
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cover of Overcoming All Obstacles: The Women of the Académie Julian

Overcoming All Obstacles

The Women of the Académie Julian

Becker, Jane R

Rutgers University Press, 1999

Overcoming All Obstacles: The Women of the Académie Julian is the first book to examine late nineteenth-century Paris's most famous training ground for the leading women artists of the period. The Académie Julian was founded in Paris in 1868, initially to prepare students for entry to the Ecole des Beaux-Arts, the nineteenth-century's preeminent art school. Because women could not study at the Ecole des Beaux-Arts until 1897, Julian itself became an international equivalent for many of the late nineteenth- and early twentieth-century's most important women artists.

Not only does Overcoming All Obstacles introduce the reader to many works by women artists-both famous and lesser known-but the essays offer a cultural and historical context in which to appreciate their art. Gabriel Weisberg's essay concentrates on the rigorous training methods enforced by Rodolphe Julian and the teachers at the Academy. Jane Becker explores the competitive environment of the Julian Academy as it affected the Ukrainian painter Marie Bashkirtseff and the Swiss painter Louise-Catherine Breslau. Essays by Catherine Fehrer, the leading scholar of the Académie Julian, and Tamar Garb, an art historian who focuses on the training of women artists, give us a richer understanding of the Académie Julian's place in the sphere of art education in late nineteenth-century Paris.

Generously illustrated with both color and black-and-white images, this volume includes documentary photographs and caricatures that have never before been reproduced. The core of the book draws on the large collection of the Académie Julian Del Debbio, the Académie Julian's successor institution in Paris. This publication accompanied an exhibition organized by the Dahesh Museum in New York that opened after its exhibition at the Sterling and Francine Clark Art Institute in Williamstown.  The exhibition subsequently continued to the Dixon Gallery and Gardens, Memphis.

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cover of Overweight Sensation: The Life and Comedy of Allan Sherman

Overweight Sensation

The Life and Comedy of Allan Sherman

Mark Cohen

Brandeis University Press, 2013

Allan Sherman was the Larry David, the Adam Sandler, the Sacha Baron Cohen of 1963. He led Jewish humor and sensibilities out of ethnic enclaves and into the American mainstream with explosively funny parodies of classic songs that won Sherman extraordinary success and acclaim across the board, from Harpo Marx to President Kennedy. In Overweight Sensation, Mark Cohen argues persuasively for Sherman’s legacy as a touchstone of postwar humor and a turning point in Jewish American cultural history. With exclusive access to Allan Sherman’s estate, Cohen has written the first biography of the manic, bacchanalian, and hugely creative artist who sold three million albums in just twelve months, yet died in obscurity a decade later at the age of forty-nine. Comprehensive, dramatic, stylish, and tragic, Overweight Sensation is destined to become the definitive Sherman biography.
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cover of Oveta Culp Hobby: Colonel, Cabinet Member, Philanthropist

Oveta Culp Hobby

Colonel, Cabinet Member, Philanthropist

By Debra L. Winegarten

University of Texas Press, 2014

This young adult biography introduces middle school readers to a remarkable woman who founded the Women’s Army Corps, served as Secretary of Health, Education, and Welfare, and ran a media empire that included the Houston Post newspaper and radio and TV stations.

Winner, Gold Medal for Biography, Military Writers Society of America, 2015

Oveta Culp Hobby (1905–1995) had a lifetime of stellar achievement. During World War II, she was asked to build a women’s army from scratch—and did. Hobby became Director of the Women’s Army Corps and the first Army woman to earn the rank of colonel. President Eisenhower chose her as Secretary of Health, Education, and Welfare, making her the second woman in history to be appointed to a president’s cabinet. When she wasn’t serving in the government, Hobby worked with her husband, former Texas governor William P. Hobby, to lead a media empire that included the Houston Post newspaper and radio and TV stations. She also supported the Houston community in many ways, from advocating for civil rights for African Americans to donating generously to the Houston Symphony and the Museum of Fine Arts.

Oveta Culp Hobby is the first biography of this important woman. Written for middle school readers, it traces her life from her childhood in Killeen to her remarkable achievements in Washington, DC, and Houston. Debra Winegarten provides the background to help young adult readers understand the times in which Hobby lived and the challenges she faced as a woman in nontraditional jobs. She shows how Hobby opened doors for women to serve in the military and in other professions that still benefit women today. Most of all, Oveta Culp Hobby will inspire young adults to follow their own dreams and turn them into tangible reality.

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cover of Ozark Country

Ozark Country

Otto Ernest Rayburn

University of Arkansas Press, 2021

Published just days before America’s entry into World War II, Ozark Country is Otto Ernest Rayburn’s love letter to his adopted region. One of several chronicles of the Ozarks that garnered national attention during the Depression and war years, when many Americans craved stories about people and places seemingly untouched by the difficulties of the times, Rayburn’s colorful tour takes readers from the fictional village of Woodville into the backcountry of a region teeming with storytellers, ballad singers, superstitions, and home remedies.

Rayburn’s tales—fantastical, fun, and unapologetically romantic—portray a world that had already nearly disappeared by the time they were written. Yet Rayburn’s depiction of the Ozarks resonates with notions of the region that have persisted in the American consciousness ever since.

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cover of Ozark Vernacular Houses: A Study of Rural Homeplaces in the Arkansas Ozarks, 1830-1930

Ozark Vernacular Houses

A Study of Rural Homeplaces in the Arkansas Ozarks, 1830-1930

Jean Sizemore

University of Arkansas Press, 1991

Over 160 photographs, drawings, and maps provide examples of the four traditional Ozark house types and reveal the unity of a distinctive Arkansas culture that bears identity with all hill peoples. Of importance to architects, folklorists, cultural historians, and anyone interested in the Ozarks, this fascinating examination of the Ozark house is a way toward understanding the mind of the inhabitants and their entire way of life.
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cover of Ozu and the Ethics of Indeterminacy

Ozu and the Ethics of Indeterminacy

Daisuke Miyao

Duke University Press, 2026

Ozu and the Ethics of Indeterminacy re-examines cinema studies through the work of Japanese filmmaker Yasujirō Ozu, employing the multiple methodologies and indeterminacy of Ozu’s films as a model for discussions of cinema’s relationship to the world and the formation of film studies as a discipline. Centering a selection of Ozu films in each chapter, Daisuke Miyao builds a method based on the way films directed by Ozu avoid unitary perspective and allow multiple possibilities of standpoint and spectatorial position, which Miyao calls the ethics of indeterminacy. Analyzing Ozu’s use of cinematography, narrative, and color, Miyao theorizes the indeterminate in film—the seen and unseen, human and nonhuman, domestic and international—to initiate a multi-directional dialogue on the study of cinema that reaches beyond auteurism and culturalism to establish a new basis for disciplinary conversations.
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