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A rare and unfiltered witness to Spain’s colonial collapse—Ciges Aparicio’s prison memoir exposes the political, human, and moral stakes of the Cuban War of Independence.

Ciges enlisted in the Spanish army in 1893 at the age of twenty. He served in Africa and then in Cuba, where he opposed Spanish General Valeriano Weyler’s policies in Cuba as well as the war itself. Ciges soon found himself imprisoned and facing execution for treason as punishment for an article critical of Weyler’s conducting of the war that was intercepted by Spanish authorities before it could be published in the pro-Cuban Parisian paper L’Intransigeant.

First published in book form in 1903, Ciges’s account includes detailed observations concerning prison organization, perceptions of political events and personalities of the time, as well as graphic descriptions of the daily life of the men confined in the infamous prison. Ciges is the only one of the so-called Generation of 1898—writers considered to have been deeply marked by el desastre (the loss of the colonies)—who was in Cuba during the war years. His witness to events there, colored by his stance as a freethinker and political skeptic, constitutes a significant historical document. Following his release from prison, Ciges returned to Spain where he resumed his career as an activist journalist and also earned acclaim as a translator and novelist. In time, his political allegiances shifted from socialism to liberal republicanism. He was acting as provincial governor of Avila when he was killed by unidentified assassins on August 4, 1936—eighteen days after the Falangist uprising against the Second Republic.
 

In 1972 Anne Lawrence came to West Virginia at the invitation of the Miners for Democracy movement to conduct interviews with participants in, and observers of, the Battle of Blair Mountain and other Appalachian mine wars of the 1920s and ’30s. The set of oral histories she collected—the only document of its kind—circulated for many years as an informal typescript volume, acquiring an almost legendary status among those intrigued by the subject. Key selections from it appear here for the first time as a published book, supplemented with introductory material, maps, and photographs. The volume’s vivid, conversational mode invites readers into miners’ lived experiences and helps us understand why they took up arms to fight anti-union forces in some of the nation’s largest labor uprisings.

Published to coincide with the celebration of the Blair Mountain centennial in 2021, On Dark and Bloody Ground includes a preface by public historian Catherine Venable Moore and an afterword by Cecil E. Roberts of the United Mine Workers of America.

A cross-disciplinary examination of the relation between straight lines and sensory capacities in modern art, architecture, and music.

The human hand cannot draw a straight line, claimed nineteenth-century polymath John Ruskin. Straight lines are typically seen as incompatible with human bodies, and this is one of the reasons why their proliferation in modern art and architecture has been associated with the rational, universalist perspectives of a new industrial culture. With On Following, art historian Ina Blom traces a different genealogy of straight lines through modern and contemporary art, offering a perspective on straight-line works that addresses the close connections between the sensory capacities and experiences of human bodies and new media infrastructures. She considers what happens to aesthetic expression when bodies are surrounded by technologies that are themselves sensing systems. 

Taking an expansive look at visual art, architecture, film, and music from the late nineteenth century to the present day, Blom considers practitioners including Walter De Maria, Marcel Duchamp, August Endell, Liam Gillick, Raoul Hausmann, Florian Hecker, Jenny Holzer, Ryoji Ikeda, Piero Manzoni, László Moholy-Nagy, Krzysztof Penderecki, Superstudio, Mies van der Rohe, and La Monte Young.

Milkman's introduction frames a career-spanning scholarly project: her interrogation of historical and contemporary intersections of class and gender inequalities in the workplace, and the efforts to challenge those inequalities. Early chapters focus on her pioneering work on women's labor during the Great Depression and the World War II years. In the book's second half, Milkman turns to the past fifty years, a period that saw a dramatic decline in gender inequality even as growing class imbalances created greater-than-ever class disparity among women. She concludes with a previously unpublished essay comparing the impact of the Great Depression and the Great Recession on women workers.

A first-of-its-kind collection, On Gender, Labor, and Inequality is an indispensable text by one of the world's top scholars of gender, equality, and work.

A wide-ranging collection of essays on the subject of history from a legendary historian 

The first English translation of Ecrits sur l’histoire—a collection of essays written over a twenty-year period following publication of Braudel’s masterwork, The Mediterranean—On History sets forth Fernand Braudel’s reflections on the intellectual framework of his historical studies. Braudel calls on the historian to penetrate beneath the surface of political events to uncover and measure the forces shaping collective existence. Cycles of production, wages and prices, grids of communication and trade, fluctuations of climate, demographic trends, popular beliefs—all of these phenomena are proper subjects, Braudel argues of the historian’s investigations. It is only through study of the longue durée, Braudel argues, that one can discern structure, the supports and obstacles, the limits man and his experience cannot escape.

Finding strategies for today’s environmental movement in classic science fiction films

What can science fiction film tell us about the course of the modern ecological movement? On Life Support traces how the environmental concerns of the 1970s were embedded in the eco-dystopian cinema of the era—and considers its implications for ecological thought and activism today.

Illuminating the patterns that shape our thinking about nonhuman nature, Matthew I. Thompson pairs iconic films such as Soylent Green and Silent Running with the transformational environmentalist texts that inspired them and kick-started the modern environmental movement, including Rachel Carson’s Silent Spring and Buckminster Fuller’s Operating Manual for Spaceship Earth. Thompson examines this confluence of literature and cinema to show how, as they translated environmentalism for Hollywood’s audiences, these movies distilled the movement’s concepts into a form that revealed their inherent contradictions.

A sensitive analysis of the tensions that complicate environmentalist praxis—especially between desire and fear in the activist impulse—On Life Support offers a timely critique of the politics of environmental containment and control, calling instead for a politics of interconnection and contamination. It is, after all, by inviting complexity and chaos that we begin to undermine the myth of human mastery, letting nature flourish on its own terms.

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William Apess was the first Native American to fully, and publicly, speak out regarding the racism and unfair treatment that he and others endured. The author's writing is eloquently delivered, instilling the reader with a realistic framework of a political, historical, and personal mindset.

“On Story is film school in a box, a lifetime’s worth of filmmaking knowledge squeezed into half-hour packages.”
—Kenneth Turan, film critic for the Los Angeles Times

Austin Film Festival (AFF) is the first organization to focus on writers’ creative contributions to film and television. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as reinvigorate veterans with new ideas. To extend the Festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own work.

On Story—The Golden Ages of Television explores the transformation of television’s narrative content over the past several decades through interviews with some of TV’s best creators and writers, including Garry Shandling (The Larry Sanders Show), Carl Reiner (The Dick Van Dyke Show), Issa Rae (Insecure), Vince Gilligan (Breaking Bad), Greg Daniels (The Office), Paula Pell (Saturday Night Live), Noah Hawley (Fargo), Liz Meriwether (New Girl), David Chase (The Sopranos), Alan Yang (Master of None), Marta Kauffman (Friends), Jenji Kohan (Orange Is the New Black), and many more. Their insights, behind-the-scenes looks at the creative process, production tales, responses to audiences’ reactions, and observations on how both TV narratives and the industry have changed make this book ideal for TV lovers, pop culture fans, students taking screenwriting courses, and filmmakers and writers seeking information and inspiration.

Galileo’s telescopic discoveries, and especially his observation of sunspots, caused great debate in an age when the heavens were thought to be perfect and unchanging. Christoph Scheiner, a Jesuit mathematician, argued that sunspots were planets or moons crossing in front of the Sun. Galileo, on the other hand, countered that the spots were on or near the surface of the Sun itself, and he supported his position with a series of meticulous observations and mathematical demonstrations that eventually convinced even his rival.

On Sunspots collects the correspondence that constituted the public debate, including the first English translation of Scheiner’s two tracts as well as Galileo’s three letters, which have previously appeared only in abridged form. In addition, Albert Van Helden and Eileen Reeves have supplemented the correspondence with lengthy introductions, extensive notes, and a bibliography. The result will become the standard work on the subject, essential for students and historians of astronomy, the telescope, and early modern Catholicism.

A new globally significant relationship arising after the break-up of the Soviet Union is the main topic of this unparalleled volume – the geopolitical link between Russia, Ukraine and the three bordering ‘Central European’ states, Hungary, Poland and Slovakia. On the Edge is a path-breaking analysis of this triangular relationship with an in-depth focus on economic, political and, more importantly, security issues.

The expansion of NATO up to Ukraine’s borders is likely to leave Ukraine in a delicate position vis-à-vis Russia. On the Edge addresses key questions, such as: how are events in Ukraine affecting the security calculations of the Central European states; Central European relations with Russia and NATO; and relations among Central European states themselves? The volume examines what Central European states can do to solidify Ukraine’s independence and help it avoid international isolation.

On the Edge gives a Central European perspective on all these issues and suggests concrete forms of co-operation.

A deconstruction of the idea of diplomacy that explores the links between its theory and practice.

What does theory have to do with the concept-let alone the practice-of diplomacy? More than we might think, as Costas M. Constantinou amply demonstrates in this ambitious reconsideration of both the concept of diplomacy and the working of theory. Here, Constantinou focuses on the language that underwrites and directs theory and diplomacy, and shows that such a critical approach is actually a way of practicing politics.

An analytical study of naval policy, expansion, and maritime strategy in the formative Jacksonian era.

The 1830s is an overlooked period in American naval history and is usually overshadowed by the more dramatic War of 1812 and the Civil War. Nevertheless, the personnel, operations, technologies, policies, and vision of the Navy of that era, which was emerging from the “Age of Sail,” are important components of its evolution, setting it on the long path to its status as a global maritime power. On Wide Seas: The US Navy in the Jacksonian Era details the ways in which the US Navy transformed from an antiquated arm of the nation’s military infrastructure into a more dynamic and effective force that was soon to play a pivotal role in a number of national and international conflicts.

By Andrew Jackson’s inauguration in 1829, the Navy had engaged with two major powers, defended American shipping, conducted antipiracy operations, and provided a substantive, long-term overseas presence. The Navy began to transform during Jackson’s administration due in part to the policies of the administration and to the emerging officer corps, which sought to professionalize its own ranks, modernize the platforms on which it sailed, and define its own role within national affairs and in the broader global maritime commons. Jackson had built his reputation as a soldier, but he quickly recognized as president the necessity for a navy that could foster his policies. To expand American commerce, he needed a navy that could defend shipping as well as conduct punitive raids or deterrence missions.

Jackson developed a clear, concise naval strategy that policymakers and officers alike could seize and execute. He also provided a vision for the Navy, interceded to resolve naval disciplinary challenges, and directed naval operations. Also, given Jackson’s own politics, junior officers were emboldened by the populist era to challenge traditional, conservative thinking. They carried out a collective vision that coincided with the national literary movement that recognized America’s future would rely upon the Navy.
 

The Hemenway Southwestern Archaeological Expedition (1886–1889), directed by Frank Hamilton Cushing, was the first privately funded expedition to the American Southwest. This volume examines the expedition through the diaries of two participants who fell in love on the expedition: the field secretary, Fred Hodge, and the expedition artist, Margaret Magill—who was also Cushing’s sister-in-law. It also presents the first biographical treatment of Hodge, who became a major figure in early twentieth-century anthropology. The book’s first two sections chronicle the field operations of the expedition, while the third describes the long anthropological career of Hodge after the end of the expedition. Through deep research in primary and secondary sources and archival materials, the book details both the daily operations of the expedition and the growing romantic relationship between Hodge and Magill.

For those interested in settlements in early Arizona and Zuni Pueblo, the book provides rare insights into the lives of both men and women, offering an intimate view of an enterprise that is now considered a foundation of Hohokam archaeology—even as it reveals deep love and persistent personal conflicts.