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An essential guide to how the interactions between social norms, party politics, and expressions of prejudice are driving contemporary politics.

Antiminority rhetoric in American politics has grown more overt. What were once fringe comments on Stormfront have now become typical campaign appeals from many mainstream politicians. If there was ever a doubt, this is a poignant reminder that the boundaries of what is “acceptable” and “unacceptable” to say and do are fluid and socially enforced.

In Parties and Prejudice, Maneesh Arora offers a broad framework for understanding this new political terrain. Arora argues that the interaction between social norms and party politics determines what the political consequence of prejudicial speech will be. He illuminates this nuanced relationship by showing that norms vary based on the targeted minority group and the intended audience.

Drawing on experiments, survey data, news coverage, and real-world examples, Parties and Prejudice examines the distinctive ways that egalitarian/inegalitarian norms have developed—within each party—for Black, Muslim, and LGBTQ+ Americans. It is essential reading for understanding Donald Trump’s rise to power, the modern conservative agenda (including opposition to critical race theory and transgender rights), and threats to the development of a multiracial democracy.

A provocative exploration of how America’s democratic crisis is rooted in a dangerous mismatch between our Constitution and today’s nationalized, partisan politics.

The ground beneath American political institutions has moved, with national politics subsuming and transforming the local. As a result, American democracy is in trouble.

In this paradigm-shifting book, political scientists Paul Pierson and Eric Schickler bring a sharp new perspective to today’s challenges. Attentive to the different coalitions, interests, and incentives that define the Democratic and Republican parties, they show how contemporary polarization emerged in a rapidly nationalizing country and how it differs from polarization in past eras. In earlier periods, three key features of the political landscape—state parties, interest groups, and media—varied locally and reinforced the nation’s stark regional diversity. But this began to change in the 1960s as the two parties assumed clearer ideological identities and the power of the national government expanded, raising the stakes of conflict. Together with technological and economic change, these developments have reconfigured state parties, interest groups, and media in self-reinforcing ways. The result is that today’s polarization is self-perpetuating—and intensifying.

Partisan Nation offers a powerful caution. As a result of this polarization, America’s political system is distinctly and acutely vulnerable to an authoritarian movement emerging in the contemporary Republican Party, which has both the motive and the means to exploit America’s unusual Constitutional design. Combining the precision and acuity characteristic of their earlier work, Pierson and Schickler explain what these developments mean for American governance and democracy.

A revealing, data-rich exploration of how American legislators transformed from active policymakers into party fundraisers.

Lawmakers in Congress and state legislatures across the United States spend enormous amounts of time and effort fundraising, not just for their own seats but for the party. Whether dialing for dollars or hosting high-priced fundraising events, the pursuit of campaign funds is now a massive part of the American legislator’s job description. What explains this transformation, and what are the consequences for public policy?

In Paying for the Party, Michael Kistner uses new theory and new data to answer these questions. He shows that state legislative party organizations—Democratic and Republican caucuses in capitols across the country—are responsible for turning their members into single-minded seekers of money. Parties reward legislators who contribute the most with powerful leadership and committee positions. Consequently, the members who now hold these agenda-setting positions are increasingly neither the most productive nor knowledgeable lawmakers, but rather those who can raise the most money. And when legislators are asked to raise more money, they skip committee hearings for fundraising events, enacting fewer substantive policies as a result. Paying for the Party shows that parties in contemporary American legislatures have hollowed out the policymaking capacity of their institutions and empowered a decidedly non-representative set of legislators.

Sofya Khagi’s Pelevin and Unfreedom: Poetics, Politics, Metaphysics is the first book-length English-language study of Victor Pelevin, one of the most significant and popular Russian authors of the post-Soviet era. The text explores Pelevin’s sustained Dostoevskian reflections on the philosophical question of freedom and his complex oeuvre and worldview, shaped by the idea that contemporary social conditions pervert that very notion.

Khagi shows that Pelevin uses provocative and imaginative prose to model different systems of unfreedom, vividly illustrating how the present world deploys hyper-commodification and technological manipulation to promote human degradation and social deadlock. Rather than rehearse Cold War–era platitudes about totalitarianism, Pelevin holds up a mirror to show how social control (now covert, yet far more efficient) masquerades as freedom and how eagerly we accept, even welcome, control under the techno-consumer system. He reflects on how commonplace discursive markers of freedom (like the free market) are in fact misleading and disempowering. Under this comfortably self-occluding bondage, the subject loses all power of self-determination, free will, and ethical judgment. In his work, Pelevin highlights the unprecedented subversion of human society by the techno-consumer machine. Yet, Khagi argues, however circumscribed and ironically qualified, he holds onto the emancipatory potential of ethics and even an emancipatory humanism.

Winner of the 2025 Dance Studies Association de la Torre Bueno Book Prize

Performing the Greek Crisis explores the impact of the Greek financial crisis (2009–19) on the performing arts sector in Greece, and especially on contemporary concert dance. When Greece became the first European Union member to be threatened with default, the resulting budget cuts pushed dance to develop in unprecedented directions. The book examines the repercussions that the crisis had on artists’ daily lives and experiences, weaving the personal with the political to humanize a phenomenon that, to date, had been examined chiefly through economic and statistical lenses. Informed by the author’s experience of growing up in Greece and including interviews and rich descriptions of performances,  the book offers a glimpse into a pivotal moment in Greek history. 

In Greece, dance (and, by extension, the body) has historically held a central role in the process of national identity construction. When the crisis broke out, artists had to navigate through a precariously fluctuating landscape, with their bodies as their only stable referent. By centering the analysis of the Greek crisis on the dancing bodies, Performing the Greek Crisis is able to examine the various ways that artists reconceptualized their history and reframed ideas of national belonging, race, citizenship, and immigration.

Honorable Mention, 2022 Nonfiction Prize, Writers' League of Texas

A remarkable collection of words and illustrations documenting the first year of the pandemic.

In March 2020, as lockdowns were imposed around the world, author and illustrator Edward Carey raced home to Austin, Texas. The next day, he published on social media a sketch of “A Very Determined Young Man.” The day after, he posted another drawing. One year and one hundred and fifty Tombow B pencil stubs later, he was still drawing.

Carey’s pencil fills the page with the marvelous and intriguing, picturing people, characters, animals, monsters, and his favorite bird to draw, the grackle. He reaches into history and fiction to escape grim reality through flights of vivid imagination—until events demand the drawings “look straight on.”

Breonna Taylor, the Brontë sisters, John Lewis, King Lear, and even the portraits that mark the progress of the year for the Very Determined Young Man combine into a remarkable document of the pandemic and its politics. For Carey, though, trapped inside a home he loves, these portraits are something more, a way to chart time, an artist’s way of creating connection in isolation. With an introduction by Max Porter, this exceptional collection from the acclaimed author of Little marks a year of a man trapped with his pencil, determined to find solace amid uncertainty.

An unflinching account of how city planning was deployed to enforce white supremacy in Montgomery, Alabama—the birthplace of the Civil Rights Movement—and how Black activists fought back, block by neighborhood block.

At the heart of the Civil Rights Movement was a city meticulously designed to enforce inequality. In Planning White Supremacy: Civil Rights and City Planning in Montgomery, Alabama, 1920–1970, Rebecca Coleen Retzlaff traces how city officials used the tools of modern planning—zoning, infrastructure, housing codes, public investment, and highway construction—to suppress political power, economic opportunity, and spatial freedom for Black citizens.

As the birthplace of the Civil Rights Movement, Montgomery became a battleground where urban planning and direct-action protest collided, shaping the city’s culture in ways that still resonate today. Retzlaff’s analysis exposes the calculated use of municipal power to control land use, displace Black communities, keep schools and neighborhoods segregated, and preserve white political dominance. By placing urban planning at the center of Montgomery’s story, this groundbreaking work reframes the movement not only as a fight for voting rights and legal equality, but as a struggle for space, housing, mobility, education, and the right to live with dignity. Retzlaff also highlights the resilience and joy of the close-knit Black neighborhoods that nurtured the civil rights activists who changed history.

Retzlaff reveals how urban planning decisions systematically targeted Black neighborhoods, reinforcing racial inequality under the guise of modernization. With historical depth and critical insight, Planning White Supremacy situates Montgomery within the broader context of American urban history—offering a vital perspective on the intersection of race, space, and power. Essential for scholars of urban planning, history, and racial justice, this book also provides urgent insight into how these legacies continue to shape cities and Black socioeconomic opportunities today.

Poetic Justice is the first anthology of contemporary Moroccan poetry in English. The work is primarily composed of poets who began writing after Moroccan independence in 1956 and includes work written in Moroccan Arabic (darija), classical Arabic, French, and Tamazight.

Why Poetic Justice? Moroccan poetry (and especially zajal, oral poetry now written in Moroccan Arabic) is often published in newspapers and journals and is thus a vibrant form of social commentary; what’s more, there is a law, a justice, in the aesthetic act that speaks back to the law of the land. Poetic Justice because literature has the power to shape the cultural and moral imagination in profound and just ways.

Reading this oeuvre from independence until the new millennium and beyond, it is clear that what poet Driss Mesnaoui calls the “letters of time” have long been in the hands of Moroccan poets, as they write their ethics, their aesthetics, as well as their gendered and political lives into poetic being.

An insightful examination of Latin America’s contemporary democratic landscape and how it is marked by patterns of polarization and volatility.

Although Latin American democracies have shown considerable resilience, today they face new forms of political polarization and instability. These challenges are closely connected to the legacies of the region’s “left turn,” which sought to transform entrenched inequalities and social hierarchies in the early twenty-first century. Unprecedented in its scope and duration, the left turn reflected an underlying realignment of political contestation in a highly unequal region. Yet despite notable achievements in addressing social needs, leftist parties struggled to deepen democracy by empowering popular majorities, and they faced powerful elite backlashes.

Through a comparative analysis of seven South American countries, Santiago Anria and Kenneth M. Roberts trace the different origins and trajectories in power of the populist and social democratic currents that emerged within the left turn. Anria and Roberts argue that today’s democratic orders face intensifying polarization and institutional fragility, even where social democratic parties made explicit efforts to build broad coalitions and temper political conflict. They show how activist networks and social movements on the left and the right triggered latent political conflicts and are now reshaping democratic competition and the terms of social inclusion in South American politics.

After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century.

Particularly in the world of visual art, borders have come to represent a space of performance rather than a geographical boundary, a cultural terrain meant to be negotiated rather than a physical line. From 1980 forward, Sheren argues, the border became portable through performance and conceptual work. This dematerialization of the physical border after the 1980s worked in two opposite directions—the movement of border thinking to the rest of the world, as well as the importation of ideas to the border itself. Beginning with site-specific conceptual artwork of the 1980s, particularly the performances of the Border Art Workshop/Taller de Arte Fronterizo, Sheren shows how these works reconfigured the border as an active site. Sheren moves on to examine artists such as Guillermo Gómez-Peña, Coco Fusco, and Marcos Ramirez “ERRE.” Although Sheren places emphasis on the Chicano movement and its art production, this groundbreaking book suggests possibilities for the expansion of the concept of portability to contemporary art projects beyond the region.

2025 Honorable Mention, Bryce Wood Book Award, Latin American Studies Association

A study of Cuban culture and media in the twenty-first century as both a global phenomenon and a local reality, at a time when the declared death of socialism coexists in tension with emerging anticapitalist movements worldwide.

Why does Cuban socialism endure as an object of international political desire, while images of capitalist markets consume Cuba’s national imagination? This bold new study argues that Cuba’s changing media cultures are key to our understanding of the global postsocialist condition and its competing political imaginaries.

Portable Postsocialisms calls on a vast multimedia archive to offer a groundbreaking cultural interpretation of Cuban postsocialism. Paloma Duong examines songs, artworks, advertisements, memes, literature, jokes, and networks that refuse exceptionalist and exoticizing visions of Cuba. Expanding postsocialist critical theory to read this complex mediascape, Duong argues that a materialist critique of Cuba’s revolutionary legacy must account for Cubans’ everyday demands for agency and self-representation. This long overdue reassessment of Cuba’s place in Latin American and post-Marxist studies shows Cuban postsocialism to be an urgent and indispensable referent for core debates on the politics of participatory cultures in new media studies. Portable Postsocialisms performs the crucial task of redefining how we envision imaginaries of social change in Latin America and the Caribbean.

Post-anarchism has been of considerable importance in the discussions of radical intellectuals across the globe in the last decade. In its most popular form, it demonstrates a desire to blend the most promising aspects of traditional anarchist theory with developments in post-structuralist and post-modernist thought. Post-Anarchism: A Reader includes the most comprehensive collection of essays about this emergent body of thought, making it an essential and accessible resource for academics, intellectuals, activists and anarchists interested in radical philosophy.

Many of the chapters have been formative to the development of a distinctly 'post-anarchist' approach to politics, aesthetics, and philosophy. Others respond to the so-called 'post-anarchist turn' with caution and scepticism. The book also includes original contributions from several of today's 'post-anarchists', inviting further debate and new ways of conceiving post-anarchism across a number of disciplines.