117 books match the query 'Asian Americans' and 3 start with p

cover of Passing for Perfect: College Impostors and Other Model Minorities

Passing for Perfect

College Impostors and Other Model Minorities

erin Khuê Ninh

Temple University Press, 2021

In her engaging study, Passing for Perfect,erin Khuê Ninh considers the factors that drove college imposters such as Azia Kim—who pretended to be a Stanford freshman—and Jennifer Pan—who hired a hitman to kill her parents before they found out she had never received her high school diploma—to extreme lengths to appear successful. Why would someone make such an illogical choice? And how do they stage these lies so convincingly, and for so long? 

These outlier examples prompt Ninh to address the larger issue of the pressures and difficulties of striving to be model minority, where failure is too ruinous to admit. Passing for Perfect insists that being a “model minority” is not a “myth,” but coded into one’s programming as an identity—a set of convictions and aspirations, regardless of present socioeconomic status or future attainability—and that the true cost of turning children into high-achieving professionals may be higher than anyone can bear.  

Ninh’s book codifies for readers the difference between imposters who are con artists or shysters and those who don’t know how to stop passing for perfect.

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cover of Pedagogies of Woundedness: Illness, Memoir, and the Ends of the Model Minority

Pedagogies of Woundedness

Illness, Memoir, and the Ends of the Model Minority

James Kyung-Jin Lee

Temple University Press, 2022

The pressures Asian Americans feel to be socially and economically exceptional include an unspoken mandate to always be healthy. Nowhere is this more evident than in the expectation for Asian Americans to enter the field of medicine, principally as providers of care rather than those who require care. Pedagogies of Woundedness explores what happens when those considered model minorities critically engage with illness and medicine whether as patients or physicians. 

James Kyung-Jin Lee considers how popular culture often positions Asian Americans as medical authorities and what that racial characterization means. Addressing the recent trend of writing about sickness, disability, and death, Lee shows how this investment in Asian American health via the model minority is itself a response to older racial forms that characterize Asian American bodies as diseased. Moreover, he pays attention to what happens when academics get sick and how illness becomes both methodology and an archive for scholars. 

Pedagogies of Woundedness also explores the limits of biomedical “care,” the rise of physician chaplaincy, and the impact of COVID. Throughout his book and these case studies, Lee shows the social, ethical, and political consequences of these common (mis)conceptions that often define Asian Americans in regard to health and illness.

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cover of Performing Asian America: Race and Ethnicity on the Contemporary Stage

Performing Asian America

Race and Ethnicity on the Contemporary Stage

Josephine Lee

Temple University Press, 1998

At a time when Asian American theater is enjoying a measure of growth and success, Josephine Lee tells us about the complex social and political issues depicted by Asian American playwrights. By looking at performances and dramatic texts, Lee argues that playwrights produce a different conception of "Asian America" in accordance with their unique set of sensibilities.

For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a  voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well.

Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a.
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