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A comprehensive English-language edition of verse by the Austrian poet

An undeniable aura surrounds the name of Georg Trakl, a poet of intense inner vision and originality whose work stands alongside that of Yeats, Valéry, and T. S. Eliot. Besides Rilke, his more famous admirers include Karl Kraus and Martin Heidegger. The distinctive tone of Trakl's work-especially admired by his patron Ludwig Wittgenstein-is autumnal and melancholy. Trakl was writing at a time of spiritual and social disintegration on the eve of the First World War, when personal values and perceptions tended to be subsumed in a more generalized anguish and exaltation. Neo-romantic, early modernist, his rich, vitally sensuous poetry can be seen to mark the transition from impressionism to expressionism, but at the same time transcends such categories. Trakl's poetry has previously only been available in English in short selections or in anthologies. This bilingual edition, the most comprehensive to date, gives readers the chance to get to know Trakl's work more fully than ever before.
 

Written in journals and notebooks by ordinary soldiers who fought against American forces in Vietnam, the poems collected in this volume fill a longstanding void in the literature of that war. In addition to offering a revealing window into another culture – a culture that prizes poetry as an integral part of social life – the pieces provide a rare look at the conflict from the perspective of those who served in the National Liberation Front, the People’s Armed Forces, and the People’s Army of Vietnam. 

The format of this edition is bilingual, to enable both Vietnamese and American readers to share and appreciate these poignant and deeply personal documents, which were often written under fire and always in the face of death. 

Vittoria Colonna’s 1538 Rime, originally issued without her permission by a small Parma press, was the first of many editions of her poetry published during her lifetime. Born into one of the most powerful families in Rome and connected to many of the great political, religious, and artistic figures of the period, Colonna was uniquely positioned to transform the landscape of women’s writing. The first woman to see her own poems appear in print in a single-author volume, she led the way for hundreds of other women of her time to publish their own works. Comprising more than one hundred and forty sonnets and two canzoni, the Rime expresses Colonna’s anguish over the loss of her husband and her struggle both to preserve his memory and secure her own future.

This volume presents the first complete English translation of the 1538 Rime and restores the original Italian texts from the blemished Parma printing and later composite editions, a boon to readers of both languages.